Загрузка видео...

Не удалось загрузить видео

Возникла проблема при загрузке этого видео. Это может быть связано с временными проблемами сети или видео может быть недоступно.

На главную

Roger Corman was an iconic, innovative filmmaker, all-around nice guy & captivating storyteller who gave Francis Ford Coppola, Ron Howard & James Cameron (and many more!) their starts. Plus, He and Joe Dante revolutionized how movie trailers were cut. #RIPRogerCorman

Courtney Howard

23,080 subscribers

163,406 просмотров • 2 лет назад •via X (Twitter)

Новости и политика Образование Искусство #RIPRogerCorman

Anya Rossi• Live Now

Private livecam show

Комментарии: 10

Фото профиля Louis Mingüey 🇺🇸 🇪🇸 🇪🇺

Louis Mingüey 🇺🇸 🇪🇸 🇪🇺2 лет назад

When I went to graduate film school at the Art Center in Pasadena and I finished my full length student feature film I wanted so much to show it to him but I could never find anyone to hook me up. At least not for free. And there is an ironic twist:

Фото профиля David Chlystek

David Chlystek2 лет назад

@djaxx It’s so nice to see their wonderful man who gave so many their start to fulfill. Their dreams is being honored so well.

Фото профиля Ross Byrne ✒️

Ross Byrne ✒️2 лет назад

That's right. Dan O'Bannon pitched Alien to him back when it was called 'Star Beast'.

Фото профиля Pay the fee

Pay the fee2 лет назад

Rest easy

Фото профиля Salacious Montgomery Crumb

Salacious Montgomery Crumb2 лет назад

At 01:30 ☺️ @chopperfireball

Фото профиля Rob Shergold

Rob Shergold2 лет назад

Bless him for a life well lead and for a great collection of wonderful films. He is also responsible for getting The Wicker Man Directors cut back to the public! Rest in peace Roger

Фото профиля Jonathan Battle - JonStar

Jonathan Battle - JonStar2 лет назад

Good to mention Joe Dante, as Roger mentored him.

Фото профиля Chris Mannix

Chris Mannix2 лет назад

Roger Corman FOREVER

Фото профиля NostalgiaCast / Back To Bluey

NostalgiaCast / Back To Bluey2 лет назад

Thank you for sharing this. What an absolute legend.

Фото профиля Michael Campbell

Michael Campbell2 лет назад

Thanks Courtney. You described a fraction of what Roger gave us. He lived a long life and it’s still hard to see a world of movies without him.

Похожие видео

MAGERE: According to eyewitnesses, he was the son of M7 himself who raided the wife of HE. BOBI WINE in the night at their home in Magere. They were more than 10 cars plus drones & Boda bodas and without number plates and all their faces covered.

MAGERE: According to eyewitnesses, he was the son of M7 himself who raided the wife of HE. BOBI WINE in the night at their home in Magere. They were more than 10 cars plus drones & Boda bodas and without number plates and all their faces covered.

Nahabwe Bruce

37,174 просмотров • 7 месяцев назад

#Breaking 🇺🇬🚨 According to eyewitnesses, he was the son of M7 himself who raided the wife of HE. BOBI WINE tonight at their home in Magere. They were more than 10 cars plus drones & Boda bodas and without number plates and all their faces covered. #FreeUganda🇺🇬

#Breaking 🇺🇬🚨 According to eyewitnesses, he was the son of M7 himself who raided the wife of HE. BOBI WINE tonight at their home in Magere. They were more than 10 cars plus drones & Boda bodas and without number plates and all their faces covered. #FreeUganda🇺🇬

Harimah Smart Hajjati

78,721 просмотров • 7 месяцев назад

John Carpenter on how Howard Hawks's "Rio Bravo" (1959) inspired him to become a filmmaker: "As I got older I began to see that certain directors did certain things. One of the earliest examples of this was Roger Corman. I started going to see these exciting, fast, kind of cheesy but really fun monster movies, and there was one name that kept coming up on the screen: Roger Corman. 'It Conquered the World' (1956), 'Not of This Earth' (1957), 'Attack of the Crab Monsters' (1957), 'The Undead' (1957)... But | really understood for the first time what a director did when I saw 'Rio Bravo' in 1959. There was something about that movie that was like home and I can't really explain it. It was held over in Bowling Green for three or four weeks in a row because people kept coming to see it. I abandoned to see what was new in the other movie house in town to see this movie every weekend again and again because there was something in it that was different from the other westerns I had seen. I had certainly seen John Wayne before. He had become a part of my growing-up experience. He was the action guy, the cowboy. He was the guy in 'Flying Tigers' (1942) who was flying the airplanes. So what was so different about that movie? Then I became aware of this credit: “Howard Hawks’ Rio Bravo.” I looked at the poster and I said to myself, “Who is this guy? He didn't write the movie and he wasn't starring in it so why is his name up here? And why is he last in the credits?” All these things started to occur to me, but it was the emotional impact of the film that got me to start using my brain. Some way I figure out that this director made that movie." ("The Prince of Darkness: The Prince of Darkness", Gilles Boulenger, 2001) P.S: Remembering the great American filmmaker Howard Hawks on his 130th birthday.

John Carpenter on how Howard Hawks's "Rio Bravo" (1959) inspired him to become a filmmaker: "As I got older I began to see that certain directors did certain things. One of the earliest examples of this was Roger Corman. I started going to see these exciting, fast, kind of cheesy but really fun monster movies, and there was one name that kept coming up on the screen: Roger Corman. 'It Conquered the World' (1956), 'Not of This Earth' (1957), 'Attack of the Crab Monsters' (1957), 'The Undead' (1957)... But | really understood for the first time what a director did when I saw 'Rio Bravo' in 1959. There was something about that movie that was like home and I can't really explain it. It was held over in Bowling Green for three or four weeks in a row because people kept coming to see it. I abandoned to see what was new in the other movie house in town to see this movie every weekend again and again because there was something in it that was different from the other westerns I had seen. I had certainly seen John Wayne before. He had become a part of my growing-up experience. He was the action guy, the cowboy. He was the guy in 'Flying Tigers' (1942) who was flying the airplanes. So what was so different about that movie? Then I became aware of this credit: “Howard Hawks’ Rio Bravo.” I looked at the poster and I said to myself, “Who is this guy? He didn't write the movie and he wasn't starring in it so why is his name up here? And why is he last in the credits?” All these things started to occur to me, but it was the emotional impact of the film that got me to start using my brain. Some way I figure out that this director made that movie." ("The Prince of Darkness: The Prince of Darkness", Gilles Boulenger, 2001) P.S: Remembering the great American filmmaker Howard Hawks on his 130th birthday.

DepressedBergman

55,688 просмотров • 3 месяцев назад

Clint Howard sets the record straight on Ron Howard blaming himself for his past addiction "Well, that's a nice thought, but I kind of call bullshit on that. What's a big brother gonna do?" "What's a big brother gonna do? What's a guy... I mean, I love Ron. I kind of knew what he was thinking" "Ron and I went to a Super Bowl, Super Bowl 14. It was the Steelers and the Rams at the Rose Bowl, and he gave me the speech" "He had been around a lot of young actors that get loaded or high or whatever... He goes, 'You know, it's one thing when you use drugs, but it's another thing when drugs start using you'" "The one problem with Ron is his talks were a little cliché. But if he would have played it different, I may have fully rejected it" "Ron is a Hall of Fame movie director. He's a better big brother. He still is a better big brother"

Clint Howard sets the record straight on Ron Howard blaming himself for his past addiction "Well, that's a nice thought, but I kind of call bullshit on that. What's a big brother gonna do?" "What's a big brother gonna do? What's a guy... I mean, I love Ron. I kind of knew what he was thinking" "Ron and I went to a Super Bowl, Super Bowl 14. It was the Steelers and the Rams at the Rose Bowl, and he gave me the speech" "He had been around a lot of young actors that get loaded or high or whatever... He goes, 'You know, it's one thing when you use drugs, but it's another thing when drugs start using you'" "The one problem with Ron is his talks were a little cliché. But if he would have played it different, I may have fully rejected it" "Ron is a Hall of Fame movie director. He's a better big brother. He still is a better big brother"

CryptoJoe

477,418 просмотров • 1 месяц назад

There have been many masterpieces that were commercial failures, but nothing quite hurts me like the failure of Jacques Tati's "Playtime" (1968). The production costs of the movie went well over budget that forced Tati to take out large loans and personal overdrafts. Despite all the difficulties, the movie came out nearly as Tati envisioned. So much so that he said, "I’m proud of 'Playtime'; it’s exactly the picture I wanted to make. With all my other films, I could make changes, shoot things differently if I was doing it now. Not with 'Playtime'— I did it and it’s done. I’ve suffered a lot because of it, physically and financially, but it’s really the film I wanted to do." About the movie and Tati's struggles, Francis Ford Coppola said, "Tati took all of his money which he had earned and he wanted to make a film that no one would finance and he made this film and it failed. He had nothing and at the end he died in poverty because the movie he wanted he borrowed the money to make failed. People would let him to live at their house because they loved him but long after he died his movie, 'Playtime', everyone realised was the masterpiece. We all have to say 'Thank you, Jacques Tati' for giving us this because it's a joy and it's wonderful and it wouldn't have been made had he not made that sacrifice." (Quotes taken from Jacques Tati's interview with Jonathan Rosenbaum, Film Comment, 1973 & Francis Ford Coppola, Konbini, 2024)

There have been many masterpieces that were commercial failures, but nothing quite hurts me like the failure of Jacques Tati's "Playtime" (1968). The production costs of the movie went well over budget that forced Tati to take out large loans and personal overdrafts. Despite all the difficulties, the movie came out nearly as Tati envisioned. So much so that he said, "I’m proud of 'Playtime'; it’s exactly the picture I wanted to make. With all my other films, I could make changes, shoot things differently if I was doing it now. Not with 'Playtime'— I did it and it’s done. I’ve suffered a lot because of it, physically and financially, but it’s really the film I wanted to do." About the movie and Tati's struggles, Francis Ford Coppola said, "Tati took all of his money which he had earned and he wanted to make a film that no one would finance and he made this film and it failed. He had nothing and at the end he died in poverty because the movie he wanted he borrowed the money to make failed. People would let him to live at their house because they loved him but long after he died his movie, 'Playtime', everyone realised was the masterpiece. We all have to say 'Thank you, Jacques Tati' for giving us this because it's a joy and it's wonderful and it wouldn't have been made had he not made that sacrifice." (Quotes taken from Jacques Tati's interview with Jonathan Rosenbaum, Film Comment, 1973 & Francis Ford Coppola, Konbini, 2024)

DepressedBergman

33,300 просмотров • 1 месяц назад

The future filmmaker... I believe the next-gen filmmaker will be multifaceted. This will be the norm. A jack of many trades. He/she will be more than just a director. They will also be a technologist, a storyteller, a cinematographer, VFX artist, editor, writer, and producer. They will be able to control their destiny and greenlight themselves. They will understand how to marry sound with moving pictures. They will know how to work with actors and how to direct computers. Humans are and should still be at the center of it all. We evolve in other industries, and I believe the time has come to evolve in this industry. We saw it with James Cameron, George Lucas, and Ridley Scott. There have been glimpses into these multifaceted Artists and filmmakers. Let's embrace what's inevitable and continue to grow the industry we love dearly. Cheers to the future.

The future filmmaker... I believe the next-gen filmmaker will be multifaceted. This will be the norm. A jack of many trades. He/she will be more than just a director. They will also be a technologist, a storyteller, a cinematographer, VFX artist, editor, writer, and producer. They will be able to control their destiny and greenlight themselves. They will understand how to marry sound with moving pictures. They will know how to work with actors and how to direct computers. Humans are and should still be at the center of it all. We evolve in other industries, and I believe the time has come to evolve in this industry. We saw it with James Cameron, George Lucas, and Ridley Scott. There have been glimpses into these multifaceted Artists and filmmakers. Let's embrace what's inevitable and continue to grow the industry we love dearly. Cheers to the future.

Dave Clark

17,455 просмотров • 2 лет назад

Edward Norton pushed for a more serious and grounded Hulk movie. He was so into The Incredible Hulk that he rewrote and reworked many parts of the script. He basically made Hulk what he was all along: badass and powerful. Marvel didn’t like how much control he wanted. Norton said: “I laid out a two-film thing: The origin and then the idea of Hulk as the conscious dreamer, the guy who can handle the trip. “And they were like, ‘That’s what we want!’ As it turned out, that wasn’t what they wanted. But I had a great time doing it."

Edward Norton pushed for a more serious and grounded Hulk movie. He was so into The Incredible Hulk that he rewrote and reworked many parts of the script. He basically made Hulk what he was all along: badass and powerful. Marvel didn’t like how much control he wanted. Norton said: “I laid out a two-film thing: The origin and then the idea of Hulk as the conscious dreamer, the guy who can handle the trip. “And they were like, ‘That’s what we want!’ As it turned out, that wasn’t what they wanted. But I had a great time doing it."

Emir Han

678,156 просмотров • 2 месяцев назад

Matt Damon revealed he worked as a bartender at a restaurant in Tennessee to pick up the local accent. Matt Damon: I bartended down in Knoxville, Tennessee, to pick up an accent. And... did that for like a month. Robert Pattinson: Just for a month? Matt Damon: Yeah. Yeah, I mean, it was my big break for me it was in a Francis Ford Coppola movie, and I had a month to kill, and then we were going to have three weeks of rehearsals at, you know, in Napa Valley where he lived. And so I went, I moved to Knoxville, and I just told this, the manager, this woman,I just told her what I was doing and... so it was an extra bartender for her at no charge, right? So... Tom Holland: [Nods] Oh. Matt Damon: ...I was like, "I'll give all my tips to these guys and I just need to be here," cuz if you're serving drinks to people, and the guy was a bartender in the movie, but if so, but if you're serving drinks to people, they talk to you, so you can...

Matt Damon revealed he worked as a bartender at a restaurant in Tennessee to pick up the local accent. Matt Damon: I bartended down in Knoxville, Tennessee, to pick up an accent. And... did that for like a month. Robert Pattinson: Just for a month? Matt Damon: Yeah. Yeah, I mean, it was my big break for me it was in a Francis Ford Coppola movie, and I had a month to kill, and then we were going to have three weeks of rehearsals at, you know, in Napa Valley where he lived. And so I went, I moved to Knoxville, and I just told this, the manager, this woman,I just told her what I was doing and... so it was an extra bartender for her at no charge, right? So... Tom Holland: [Nods] Oh. Matt Damon: ...I was like, "I'll give all my tips to these guys and I just need to be here," cuz if you're serving drinks to people, and the guy was a bartender in the movie, but if so, but if you're serving drinks to people, they talk to you, so you can...

Mue Deborah

969,293 просмотров • 2 месяцев назад

$NEW: The Diddy case is getting more and more radioactive as a man named Courtney Burgess says he was given 11 flash drives containing Diddy sex tapes involving eight celebrities who he believes were drugged against their will. He says at least 2 are children. He has officially been subpoenaed by a grand jury. How many of these eight celebrities are endorsing Kamala Harris right now? I'd beg large amounts of money that there is an overlap. This is just one small fraction of the videotapes he filmed. Imagine how much blackmail is out there right now on your favorite celebrity. It's time for the world to wake up. "How many of them appear to be either inebriated or intoxicated or under the influence? All of them All of them… Out of those eight, how many appear to be potentially victimized? I think, all. To be honest, all of them were victims. And of those eight how many seemed to be potentially minors? Two to three, approximately three."$

Sensitive content

NEW: The Diddy case is getting more and more radioactive as a man named Courtney Burgess says he was given 11 flash drives containing Diddy sex tapes involving eight celebrities who he believes were drugged against their will. He says at least 2 are children. He has officially been subpoenaed by a grand jury. How many of these eight celebrities are endorsing Kamala Harris right now? I'd beg large amounts of money that there is an overlap. This is just one small fraction of the videotapes he filmed. Imagine how much blackmail is out there right now on your favorite celebrity. It's time for the world to wake up. "How many of them appear to be either inebriated or intoxicated or under the influence? All of them All of them… Out of those eight, how many appear to be potentially victimized? I think, all. To be honest, all of them were victims. And of those eight how many seemed to be potentially minors? Two to three, approximately three."

Green Lives Matter

850,432 просмотров • 1 год назад

Francis Ford Coppola’s new film “Megalopolis” cost $120m and he self-financed it (including money from selling his winery). Coppola is a legend of “going all in” and “putting skin in the game”. The GOAT example is “Apocalypse Now”, his classic 1979 war film with arguably the most insane production story ever. Let’s rewind to 1975, the year Copolla turned 36: he is on top of Hollywood after directing “The Godfather” (1972) and “The Godfather II” (1974). What does Coppola choose to do next? Make a film about the Vietnam War. The script was based on Joseph Conrad’s “Heart of Darkness”, the 1889 novel about the horrors of colonialism in the Belgian Congo. The major studios all said “no” to Coppola’s pitch for three major reasons: 1️⃣ He wanted full creative control 2️⃣ He wanted to own all of the film rights 3️⃣ The Fall of Saigon happened in April 1975 and the American audience wasn’t exactly asking for a Vietnam War film (the studios wanted Coppola to make another Mafia flick) Coppola was undeterred and made a huge bet. “The Godfather II” cost $14m and the director estimated that “Apocalypse Now” would be the same budget. He put up $7m (mostly from those sweet Godfather checks) and raised another $7m from United Artists (which bought domestic distribution rights for ~7 years). But the project was a disaster from the start. Filming started in The Philippines in March 1976 and was supposed to last 3-4 months…it would take 16 months: ▫️Harvey Keitel was the initial lead but Coppola fired him after one week. ▫️Martin Sheen (Captain Willard) took the lead role but drank so much on set that he gave himself a stress-induced heart attack and almost died. ▫️Dennis Hopper was doing 3g of coke and 20+ drinks a day while on set (him and Marlon Brandon also hated each other). ▫️A typhoon destroyed 80% of the set and delayed filming for 2-3 months. ▫️Actual dead bodies — stolen from a local grave — were used on set and the Filipino government and its strongman leader Ferdinand Marcos threatened to shut down production after finding out. ▫️Marlon Brando (Col. Kurtz) demanded a huge fee ($3m+ for 3 weeks of work and 10% of the film’s gross). He then showed up late, asked for rewrites, declined to read Conrad’s book and was so overweight that the costumes wouldn’t fit (to obscure his heft, Copolla filmed Brando in the shadows and had him wear oversized dark clothing). The budget ballooned to over $30m. To maintain creative control and maintain all the film rights, Coppola mortgaged his home and borrowed money against his ownership in The Godfather. After the success of “Star Wars” (1977), Coppola even asked his friend and business partner George Lucas — who was originally tapped to direct Apocalypse — for some funds. I repeat: Coppola went ALL THE WAY IN and had SKIN IN THE GAME. His wife Eleanor took recorded video of all the insanity and the footage was turned into a 1991 documentary (“Hearts of Darkness: A Filmmaker's Apocalypse”). The total cost for the film — including marketing spend — reached $45m. Against all odds, Coppola finished the project and the film was released in August 1979. It grossed $105m and Coppola would make a fortune on future DVD, Home Video and other ancillary revenue streams (below is a trailer for a re-mastered cut from 2019). During the Cannes Festival in May 1979, Coppola famously said of the film: “The way we made it was very much like the way the Americans were in Vietnam. We were in the jungle, there were too many of us, we had access to too much money, too much equipment, and little by little, we went insane.”

Francis Ford Coppola’s new film “Megalopolis” cost $120m and he self-financed it (including money from selling his winery). Coppola is a legend of “going all in” and “putting skin in the game”. The GOAT example is “Apocalypse Now”, his classic 1979 war film with arguably the most insane production story ever. Let’s rewind to 1975, the year Copolla turned 36: he is on top of Hollywood after directing “The Godfather” (1972) and “The Godfather II” (1974). What does Coppola choose to do next? Make a film about the Vietnam War. The script was based on Joseph Conrad’s “Heart of Darkness”, the 1889 novel about the horrors of colonialism in the Belgian Congo. The major studios all said “no” to Coppola’s pitch for three major reasons: 1️⃣ He wanted full creative control 2️⃣ He wanted to own all of the film rights 3️⃣ The Fall of Saigon happened in April 1975 and the American audience wasn’t exactly asking for a Vietnam War film (the studios wanted Coppola to make another Mafia flick) Coppola was undeterred and made a huge bet. “The Godfather II” cost $14m and the director estimated that “Apocalypse Now” would be the same budget. He put up $7m (mostly from those sweet Godfather checks) and raised another $7m from United Artists (which bought domestic distribution rights for ~7 years). But the project was a disaster from the start. Filming started in The Philippines in March 1976 and was supposed to last 3-4 months…it would take 16 months: ▫️Harvey Keitel was the initial lead but Coppola fired him after one week. ▫️Martin Sheen (Captain Willard) took the lead role but drank so much on set that he gave himself a stress-induced heart attack and almost died. ▫️Dennis Hopper was doing 3g of coke and 20+ drinks a day while on set (him and Marlon Brandon also hated each other). ▫️A typhoon destroyed 80% of the set and delayed filming for 2-3 months. ▫️Actual dead bodies — stolen from a local grave — were used on set and the Filipino government and its strongman leader Ferdinand Marcos threatened to shut down production after finding out. ▫️Marlon Brando (Col. Kurtz) demanded a huge fee ($3m+ for 3 weeks of work and 10% of the film’s gross). He then showed up late, asked for rewrites, declined to read Conrad’s book and was so overweight that the costumes wouldn’t fit (to obscure his heft, Copolla filmed Brando in the shadows and had him wear oversized dark clothing). The budget ballooned to over $30m. To maintain creative control and maintain all the film rights, Coppola mortgaged his home and borrowed money against his ownership in The Godfather. After the success of “Star Wars” (1977), Coppola even asked his friend and business partner George Lucas — who was originally tapped to direct Apocalypse — for some funds. I repeat: Coppola went ALL THE WAY IN and had SKIN IN THE GAME. His wife Eleanor took recorded video of all the insanity and the footage was turned into a 1991 documentary (“Hearts of Darkness: A Filmmaker's Apocalypse”). The total cost for the film — including marketing spend — reached $45m. Against all odds, Coppola finished the project and the film was released in August 1979. It grossed $105m and Coppola would make a fortune on future DVD, Home Video and other ancillary revenue streams (below is a trailer for a re-mastered cut from 2019). During the Cannes Festival in May 1979, Coppola famously said of the film: “The way we made it was very much like the way the Americans were in Vietnam. We were in the jungle, there were too many of us, we had access to too much money, too much equipment, and little by little, we went insane.”

Trung Phan

1,703,365 просмотров • 2 лет назад

Arnold Schwarzenegger really wanted to play the hero in the first Terminator movie. He thought O.J. Simpson was going to be Terminator. Then he made the mistake of explaining to director James Cameron exactly how OJ had to play the part. Cameron was amazed and asked Arnold on the spot: “Why don’t you play Terminator?!” HOWARD STERN: “You wanted to be Kyle Reese.” ARNOLD: “That’s right.” STERN: “And the director said to you, ‘Hey, man, are you crazy? The movie’s about the Terminator.’ How did you beat out those guys?” ARNOLD: “I think what happened was it was a total coincidence because I didn’t even try out for Terminator. I was trying to be Kyle Reese. “And during the lunch when I met with James Cameron, the director... I kept talking all the time about the Terminator. I said to Cameron, ‘It doesn’t matter. I know you guys have already probably hired O.J. Simpson. But whoever is playing it, I just want you to be clear. He has to train himself to dissemble weapons and to put weapons together and to shoot and to load the weapons and all of this stuff blindfolded, totally blindfolded.’” “‘Because a Terminator can never, ever look down at his hand, what he’s doing, because he’s a machine. He’s a robot. When he walks, he has to have a certain walk, meaning he scans and looks around. He has to have a certain scan. It has to be absolutely clear at all times that this is a machine with absolutely no human behavior.’” “But this went on like this for an hour, what I just did.” STERN: “You didn’t even know you were excited.” ARNOLD: “No, no, because I saw the Yul Brynner character in Westworld where he played the machine. And so I was so, you know, kind of amazed at his performance. And he was an extraordinary actor.” STERN: “Fabulous.” ARNOLD: "So I kept talking about this and talking about how he has to walk, how he has to get up and how he has to tear his flesh out and how he has to operate on his eye. And, you know, no pain and no feelings.” “And James Cameron looked at me at the end of the lunch, and he said, ‘So why don’t you play Terminator? I mean, you understand him so well, this character. This is exactly what we need.’ And I said, ‘No, no, no, Jim, please. I counted the amount of lines. This guy says it’s 27 lines. In Conan, I had 128 lines. So I’m not gonna go backwards. You can give it to someone else. But I want to talk a lot. I want to perform. I want to be the leading man.’ “He says, ‘I will make that guy the leading man. It’s called the Terminator. I will shoot it from below up. You will look heroic. And don’t worry about killing all those people, because you’re a machine. No one is going to blame Arnold. You’re a machine. You’re acting as a machine.’”

Arnold Schwarzenegger really wanted to play the hero in the first Terminator movie. He thought O.J. Simpson was going to be Terminator. Then he made the mistake of explaining to director James Cameron exactly how OJ had to play the part. Cameron was amazed and asked Arnold on the spot: “Why don’t you play Terminator?!” HOWARD STERN: “You wanted to be Kyle Reese.” ARNOLD: “That’s right.” STERN: “And the director said to you, ‘Hey, man, are you crazy? The movie’s about the Terminator.’ How did you beat out those guys?” ARNOLD: “I think what happened was it was a total coincidence because I didn’t even try out for Terminator. I was trying to be Kyle Reese. “And during the lunch when I met with James Cameron, the director... I kept talking all the time about the Terminator. I said to Cameron, ‘It doesn’t matter. I know you guys have already probably hired O.J. Simpson. But whoever is playing it, I just want you to be clear. He has to train himself to dissemble weapons and to put weapons together and to shoot and to load the weapons and all of this stuff blindfolded, totally blindfolded.’” “‘Because a Terminator can never, ever look down at his hand, what he’s doing, because he’s a machine. He’s a robot. When he walks, he has to have a certain walk, meaning he scans and looks around. He has to have a certain scan. It has to be absolutely clear at all times that this is a machine with absolutely no human behavior.’” “But this went on like this for an hour, what I just did.” STERN: “You didn’t even know you were excited.” ARNOLD: “No, no, because I saw the Yul Brynner character in Westworld where he played the machine. And so I was so, you know, kind of amazed at his performance. And he was an extraordinary actor.” STERN: “Fabulous.” ARNOLD: "So I kept talking about this and talking about how he has to walk, how he has to get up and how he has to tear his flesh out and how he has to operate on his eye. And, you know, no pain and no feelings.” “And James Cameron looked at me at the end of the lunch, and he said, ‘So why don’t you play Terminator? I mean, you understand him so well, this character. This is exactly what we need.’ And I said, ‘No, no, no, Jim, please. I counted the amount of lines. This guy says it’s 27 lines. In Conan, I had 128 lines. So I’m not gonna go backwards. You can give it to someone else. But I want to talk a lot. I want to perform. I want to be the leading man.’ “He says, ‘I will make that guy the leading man. It’s called the Terminator. I will shoot it from below up. You will look heroic. And don’t worry about killing all those people, because you’re a machine. No one is going to blame Arnold. You’re a machine. You’re acting as a machine.’”

The Vigilant Fox 🦊

118,799 просмотров • 23 дней назад

How did we sign 46 of the top 50 grossing filmmakers in the world? I was in a competitive environment, in a competitive business, in a competitive arena. The entertainment business is dog-eat-dog and it’s been like that since it started. It has never changed. I read everything I could get my hands on about the golden years of the movie business and I used it to start CAA. I made up a reading list and gave it to everyone we were working with. Our group knew history. The reason that was important is because when you started talking to filmmakers and they start talking about Frank Capra, or David Lean, or Howard Hawks, or Willy Wyler, or Michael Curtiz — who all made some of the great movies. If you don’t know what they did how can you talk to a filmmaker? How? You can’t. How did we sign every director in the business? We spoke their language.

How did we sign 46 of the top 50 grossing filmmakers in the world? I was in a competitive environment, in a competitive business, in a competitive arena. The entertainment business is dog-eat-dog and it’s been like that since it started. It has never changed. I read everything I could get my hands on about the golden years of the movie business and I used it to start CAA. I made up a reading list and gave it to everyone we were working with. Our group knew history. The reason that was important is because when you started talking to filmmakers and they start talking about Frank Capra, or David Lean, or Howard Hawks, or Willy Wyler, or Michael Curtiz — who all made some of the great movies. If you don’t know what they did how can you talk to a filmmaker? How? You can’t. How did we sign every director in the business? We spoke their language.

David Senra

47,220 просмотров • 9 месяцев назад

MICHAEL MOVIE 🍿 First off , Michael Jackson should not be dead 🙄 it makes me so mad every time I think about it . In my opinion , I feel like all the lawsuits & people not wanting to be involved , ruined what could’ve been one of the best Michael movies because the ACTORS ate down & all of the music performances gave me chills , but the story was moving so FAST and so much was cut out , that we couldn’t even get into depth of what really happened but overall i STILL enjoyed it and recommend it if you are a fan of Michael . After the nose surgery , Jafaar Jackson looked just like Michael , it was scary how identical it was. All of the performances reenacted were flawless . Colman Domingo ate as Joe Jackson & he had me mad talking about Michael “big nose” but he had the same mf nose . As important as he was to the Jackson 5’s success, he also was responsible for their insecurities and trauma 🙄 Juliano was really good as young Michael too. It was very believable . How yall feel about the movie ? LETS TALK IN THE COMMENTS 🎤 #michaelmovie #isaiahjaay #michaeljackson #jafaarjackson

MICHAEL MOVIE 🍿 First off , Michael Jackson should not be dead 🙄 it makes me so mad every time I think about it . In my opinion , I feel like all the lawsuits & people not wanting to be involved , ruined what could’ve been one of the best Michael movies because the ACTORS ate down & all of the music performances gave me chills , but the story was moving so FAST and so much was cut out , that we couldn’t even get into depth of what really happened but overall i STILL enjoyed it and recommend it if you are a fan of Michael . After the nose surgery , Jafaar Jackson looked just like Michael , it was scary how identical it was. All of the performances reenacted were flawless . Colman Domingo ate as Joe Jackson & he had me mad talking about Michael “big nose” but he had the same mf nose . As important as he was to the Jackson 5’s success, he also was responsible for their insecurities and trauma 🙄 Juliano was really good as young Michael too. It was very believable . How yall feel about the movie ? LETS TALK IN THE COMMENTS 🎤 #michaelmovie #isaiahjaay #michaeljackson #jafaarjackson

3/12 🎈

34,164 просмотров • 4 месяцев назад

Kevin Costner recounts the exact moment he knew he’d made it as a Hollywood star. Howard Stern: “How many years were there from when you, let’s say, graduated high school?” Kevin Costner: “Probably six or seven years. I was just knocking around, taking odd jobs, auditioning for things, and constantly getting rejected.” “People always ask, ‘What was your moment? What was your big break?’” “It’s really clear to me. I knew when I got the job in The Big Chill. Not what happened later, not getting cut out of the movie. I’m saying when I got the job. I was driving home on the freeway, and I knew it had happened for me.” Howard Stern: “It’s so funny because The Big Chill is the movie where you’re the guy who got cut out.” Kevin Costner: “But it had already happened for me, right? I was on the freeway, and I didn’t care anymore what happened after that. I knew I was in the right room, with the right guy, with the right people. I knew it was on. Not when the movie came out. I knew it was on the day I left the audition with the part.” Howard Stern: “That was the day you said to yourself, ‘I’m an actor.’” Kevin Costner: “That’s exactly right. Wally Niesita was the casting director, and she had such a force of will. She helped me with Lawrence Kasdan. But people only look at the obvious. If you want to ask when the moment was, it was really two moments. The moment I decided I wasn’t going to worry anymore about what people thought of me, and I wasn’t going to let my parents’ worries define my life. I didn’t care. They were going to catch up with my life. That was the first moment. The second was driving home after getting The Big Chill. Those were the two most important moments of my life.”

Kevin Costner recounts the exact moment he knew he’d made it as a Hollywood star. Howard Stern: “How many years were there from when you, let’s say, graduated high school?” Kevin Costner: “Probably six or seven years. I was just knocking around, taking odd jobs, auditioning for things, and constantly getting rejected.” “People always ask, ‘What was your moment? What was your big break?’” “It’s really clear to me. I knew when I got the job in The Big Chill. Not what happened later, not getting cut out of the movie. I’m saying when I got the job. I was driving home on the freeway, and I knew it had happened for me.” Howard Stern: “It’s so funny because The Big Chill is the movie where you’re the guy who got cut out.” Kevin Costner: “But it had already happened for me, right? I was on the freeway, and I didn’t care anymore what happened after that. I knew I was in the right room, with the right guy, with the right people. I knew it was on. Not when the movie came out. I knew it was on the day I left the audition with the part.” Howard Stern: “That was the day you said to yourself, ‘I’m an actor.’” Kevin Costner: “That’s exactly right. Wally Niesita was the casting director, and she had such a force of will. She helped me with Lawrence Kasdan. But people only look at the obvious. If you want to ask when the moment was, it was really two moments. The moment I decided I wasn’t going to worry anymore about what people thought of me, and I wasn’t going to let my parents’ worries define my life. I didn’t care. They were going to catch up with my life. That was the first moment. The second was driving home after getting The Big Chill. Those were the two most important moments of my life.”

𝓢𝓵𝓪𝓶 👁️⃤

162,969 просмотров • 1 месяц назад

“You want evidence of aliens?” “Implants.” “There’s a lot of people walking around with exotic material in their bodies.” “Roger Leir extracted implants.” “That’s physical evidence.” “Leir concluded that they had some sort of nanotechnology in them.” Timothy Alberino just broke down the most “overlooked” evidence of extraterrestrial and UFO activity on Earth: “The aspect of ufology where you can mine the most physical material evidence is the abduction stuff.” Jesse Michels: “I interviewed Whitley Strieber, and you could say what you want about some of his stories … but I felt an implant in his ear.” “And I just did a show with my buddy Chris Ramsay, who runs this great podcast called Area 52.” “We had this guy come up on stage who had an experience when he was a child.” “And he has something very similar in his ear. “He could put a magnet externally on it, and it’ll stick there.” Alberino: “Most people who have implants, most of them are generally located somewhere in the head.” “Although people have had them all over.” “Roger Leir extracted implants from knees.” “My colleague and good friend L.A. Marzulli worked with Leir, and was there when they extracted some of these implants.” “And he would describe to me how some of these implants were evasive.” “They move.” “And they’re not rejected by the body.” “They don’t cause swelling.” “They migrate around the body.” “And many abductees have ejected them unintentionally from their nasal cavity.” “They’ll have a bloody nose and they eject an implant.” “Some of them are look like tiny pills, oblong, some of them are round.” Timothy Alberino Jesse Michels American Alchemy

“You want evidence of aliens?” “Implants.” “There’s a lot of people walking around with exotic material in their bodies.” “Roger Leir extracted implants.” “That’s physical evidence.” “Leir concluded that they had some sort of nanotechnology in them.” Timothy Alberino just broke down the most “overlooked” evidence of extraterrestrial and UFO activity on Earth: “The aspect of ufology where you can mine the most physical material evidence is the abduction stuff.” Jesse Michels: “I interviewed Whitley Strieber, and you could say what you want about some of his stories … but I felt an implant in his ear.” “And I just did a show with my buddy Chris Ramsay, who runs this great podcast called Area 52.” “We had this guy come up on stage who had an experience when he was a child.” “And he has something very similar in his ear. “He could put a magnet externally on it, and it’ll stick there.” Alberino: “Most people who have implants, most of them are generally located somewhere in the head.” “Although people have had them all over.” “Roger Leir extracted implants from knees.” “My colleague and good friend L.A. Marzulli worked with Leir, and was there when they extracted some of these implants.” “And he would describe to me how some of these implants were evasive.” “They move.” “And they’re not rejected by the body.” “They don’t cause swelling.” “They migrate around the body.” “And many abductees have ejected them unintentionally from their nasal cavity.” “They’ll have a bloody nose and they eject an implant.” “Some of them are look like tiny pills, oblong, some of them are round.” Timothy Alberino Jesse Michels American Alchemy

Holden Culotta

90,480 просмотров • 4 месяцев назад

👏👏👏Chamath Palihapitiya thought very little of President Trump when he came into office. But as time passes, he realizes how wrong his outlook was. The ultra-successful businessman and early executive at Facebook shows how a true free thinker can adjust their opinions. The whole All-In Pod also praised Trump's son-in-law Jared Kushner, a senior advisor to Trump and in charge of brokering peace between Israel and Palestine. Kushner's recent long-form interview on Lex Friedman's podcast brought praise. Chamath: "But Jared Kushner is thoughtful. He's smart. I was fed all these lies for years about how this guy was, like, moping around in the shadows and this and that, and it was all not true. David Sacks: "[Trump] was willing to meet with Kim Jong Un. He was willing to meet with Putin and Xi Jinping, and he avoided criticizing them personally. He didn't call them dictators. He talked about how smart they are. It's the art of the deal. Right. I mean, at the end of the day, he's looking to do business, and we need a little bit more of that. And I think this is why Jared Kushner was successful. He went in there with the mindset of a businessman. How do we find something that's beneficial to both sides?" Chamath: "I think that when Trump was elected, I was told that it was the end of the world, and that's what I thought. And I'd already underwritten him as an F, okay? And then, four years into the presidency, he was probably like a C in my mind. And then, as I get a little bit of distance away, I realized, no, hold on a second. This guy was like a B, B-plus. Like, he was pretty good. "But the further and further I get away from him and the less emotional I am, he did a pretty good job. He was a pretty good president." The All-In Podcast Chamath Palihapitiya David Sacks @jason

👏👏👏Chamath Palihapitiya thought very little of President Trump when he came into office. But as time passes, he realizes how wrong his outlook was. The ultra-successful businessman and early executive at Facebook shows how a true free thinker can adjust their opinions. The whole All-In Pod also praised Trump's son-in-law Jared Kushner, a senior advisor to Trump and in charge of brokering peace between Israel and Palestine. Kushner's recent long-form interview on Lex Friedman's podcast brought praise. Chamath: "But Jared Kushner is thoughtful. He's smart. I was fed all these lies for years about how this guy was, like, moping around in the shadows and this and that, and it was all not true. David Sacks: "[Trump] was willing to meet with Kim Jong Un. He was willing to meet with Putin and Xi Jinping, and he avoided criticizing them personally. He didn't call them dictators. He talked about how smart they are. It's the art of the deal. Right. I mean, at the end of the day, he's looking to do business, and we need a little bit more of that. And I think this is why Jared Kushner was successful. He went in there with the mindset of a businessman. How do we find something that's beneficial to both sides?" Chamath: "I think that when Trump was elected, I was told that it was the end of the world, and that's what I thought. And I'd already underwritten him as an F, okay? And then, four years into the presidency, he was probably like a C in my mind. And then, as I get a little bit of distance away, I realized, no, hold on a second. This guy was like a B, B-plus. Like, he was pretty good. "But the further and further I get away from him and the less emotional I am, he did a pretty good job. He was a pretty good president." The All-In Podcast Chamath Palihapitiya David Sacks @jason

Bernie was a PSYOP

2,088,866 просмотров • 2 лет назад

THE SAMSON OPTION The story of Samson and Delilah from the Bible tells a tale of a Philistine woman who is bribed to find out the source of an israelite warriors great strength. Delilah tricked Samson into revealing that the source of his strength came from his long hair, and while he slept, she had a servant cut it off. Now powerless, Delilah turned him over to the Philistines, who gouged out his eyes and took him prisoner. When everyone was gathered at the temple, the Philistines called Samson over for their entertainment. After praying to God, Samson regained his strength and pushed over the columns and brought the entire temple crashing down, k¡lling all who were inside....in addition to himself. "Samson said, “Let me die with the Philistines!” Then he pushed with all his might, and down came the temple on the rulers and all the people in it. Thus, he k¡lled many more when he died than while he lived." (Judges 16:30) This is the story that gave the Israeli nuclear doctrine "The Samson Option" its name. These are the people that we are dealing with.

THE SAMSON OPTION The story of Samson and Delilah from the Bible tells a tale of a Philistine woman who is bribed to find out the source of an israelite warriors great strength. Delilah tricked Samson into revealing that the source of his strength came from his long hair, and while he slept, she had a servant cut it off. Now powerless, Delilah turned him over to the Philistines, who gouged out his eyes and took him prisoner. When everyone was gathered at the temple, the Philistines called Samson over for their entertainment. After praying to God, Samson regained his strength and pushed over the columns and brought the entire temple crashing down, k¡lling all who were inside....in addition to himself. "Samson said, “Let me die with the Philistines!” Then he pushed with all his might, and down came the temple on the rulers and all the people in it. Thus, he k¡lled many more when he died than while he lived." (Judges 16:30) This is the story that gave the Israeli nuclear doctrine "The Samson Option" its name. These are the people that we are dealing with.

1984

140,492 просмотров • 1 год назад

This family booked a child’s birthday party at this water park for 200 people. Then they advertised it on social media and was selling tickets to their event at this park. The park caught wind of what they were doing and cancelled their event due to over 500 people showing up for an event booked only for 250 people. Was this fair or was it another motive involved? I can’t blame them especially if they aren’t equipped to handle that many people. In college we used to always go to this bar after class late at night around 10pm. That night a friend’s band was supposed to be playing there and we helped sell tickets for the event. There ended up being a misunderstanding, the bar said there was a max occupancy of 200 people, so the band assumed they could have sold 200 tickets. We sold all of the tickets, when we got there over 40 people were already there as part of the normal crowd. So it all 200 people show up that bought tickets there would be an issue as it would exceed occupancy. The bar owner was getting antsy because he didn’t want any issues if he exceeded occupancy and was in the verge of canceling the show. The band and the owner engaged in a heated argument and the band said the way he said it, he was implying it could be 200 people and that he should only have let people in that had tickets considering it was an event. The owner argued back saying and he quoted himself that the max occupancy was 200 and that he never gave the band a number for how many tickets that could have been sold. I think they could have both handled the details much better and they were both in the wrong. The show ended up getting canceled because of how many people was continuing to show up due to his cheap drink specials he always has that night.

This family booked a child’s birthday party at this water park for 200 people. Then they advertised it on social media and was selling tickets to their event at this park. The park caught wind of what they were doing and cancelled their event due to over 500 people showing up for an event booked only for 250 people. Was this fair or was it another motive involved? I can’t blame them especially if they aren’t equipped to handle that many people. In college we used to always go to this bar after class late at night around 10pm. That night a friend’s band was supposed to be playing there and we helped sell tickets for the event. There ended up being a misunderstanding, the bar said there was a max occupancy of 200 people, so the band assumed they could have sold 200 tickets. We sold all of the tickets, when we got there over 40 people were already there as part of the normal crowd. So it all 200 people show up that bought tickets there would be an issue as it would exceed occupancy. The bar owner was getting antsy because he didn’t want any issues if he exceeded occupancy and was in the verge of canceling the show. The band and the owner engaged in a heated argument and the band said the way he said it, he was implying it could be 200 people and that he should only have let people in that had tickets considering it was an event. The owner argued back saying and he quoted himself that the max occupancy was 200 and that he never gave the band a number for how many tickets that could have been sold. I think they could have both handled the details much better and they were both in the wrong. The show ended up getting canceled because of how many people was continuing to show up due to his cheap drink specials he always has that night.

SonnyBoy🇺🇸

1,507,998 просмотров • 29 дней назад