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Rubber drone is colour co-ordinated with Berlin’s U-Bahn trains… #rubberfetish #latexinpublic #rubbergimp #rubberman #rubberdrone

28,214 Aufrufe • vor 11 Tagen •via X (Twitter)

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IRAN JUST HIT THE LARGEST OIL EXPORT TERMINAL ON EARTH AND THIS TIME THERE IS NO PROXY TO BLAME A Shahed-136 drone struck Saudi Aramco’s Ras Tanura refinery on March 2, igniting a fire that was quickly contained according to Reuters and Bloomberg citing industry sources. Saudi Aramco shut down the entire facility as a precautionary measure. No casualties were reported. The Saudi Defence Ministry confirmed it intercepted drones targeting the site, with debris causing the ground fire per The Hindu. Ras Tanura processes 550,000 barrels per day. It is one of the largest oil refining and export complexes on the planet. And Iran just hit it with a $30,000 drone. On September 14, 2019, drones and cruise missiles struck Saudi Aramco’s Abqaiq processing facility and Khurais oil field, temporarily halving Saudi output by 5.7 million barrels per day. The Houthis claimed responsibility. The United States, Saudi Arabia, and European intelligence agencies concluded Iran orchestrated the attack. Tehran denied involvement. The proxy shield held. No retaliation followed. Oil spiked 15% on Monday, then unwound within two weeks as production resumed. That playbook is dead. In 2026, Iran is launching strikes against Saudi territory under its own flag as part of Operation True Promise 4. The IRGC is simultaneously hitting nine countries. There is no Houthi intermediary absorbing attribution. There is no plausible deniability. Iran struck Ras Tanura, and every intelligence agency, every oil trader, and every Saudi military commander knows exactly who launched the drone, from which territory, under whose orders. Crown Prince Mohammed bin Salman spent eight years building Vision 2030 around a single premise: that Saudi Arabia could diversify away from oil dependence while maintaining the kingdom’s security through a combination of American protection and regional de-escalation with Iran. MBS authorized backchannel normalization with Tehran through China in 2023. The Saudi-Iran detente was the centerpiece of Gulf stability. That detente just burned on the tarmac at Ras Tanura. Saudi Arabia has not been a co-belligerent in Operation Epic Fury. Riyadh did not participate in strikes on Iran. Saudi airspace may have been used for overflight, and Saudi air defenses are intercepting Iranian ordnance, but the kingdom has deliberately avoided offensive operations. The reward for that restraint is an Iranian drone on the crown jewel of Saudi economic infrastructure. Now stack the arithmetic. The Strait of Hormuz is functionally closed, sealing 15 million barrels per day. Ras Tanura’s 550,000 barrels per day is offline. Kuwait International Airport was struck. Jebel Ali port in the UAE showed smoke on satellite. Brent crude already surged 9% to $79.45 per barrel per Bloomberg before this strike was reported. Ras Tanura was not on the market’s pricing model. The market priced Hormuz disruption. The market priced Gulf airspace closure. The market did not price Iran directly attacking Saudi refining capacity because the market assumed Saudi neutrality provided protection. Saudi neutrality provided a target. Monday morning’s crude open will reprice everything written above. And Riyadh will answer a question MBS has avoided for three years: does Saudi Arabia enter this war, or absorb the next drone?

Shanaka Anslem Perera ⚡

799,642 Aufrufe • vor 7 Monaten

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.

björk

1,411,609 Aufrufe • vor 4 Monaten

A 19-year-old TikToker called Dipsin slamming FUNAAB school over an exam hall incident? This is what happens when you walk into an exam hall and leave your brain outside. According to him, a lecturer allegedly picked up his expensive 500k earring in the exam hall and couldn’t find it afterward. Instead of handling it responsibly, he turned it into content. He went further to post videos cutting his school ID card into pieces and framing the entire situation online like a flex. That’s where the problem is with a bit of fame. This is not about the earring. It’s about judgment. You don’t walk into an examination hall with prohibited items, break school rules, then run to social media to drag the institution when things don’t go your way. That’s not courage, that’s IRRESPONSIBILITY. When you carry an audience, your actions don’t stay personal anymore. You’re in 300 level, If this is how pressure is handled now, what happens during tougher academic stages? FPY, projects, final year stress, real-life consequences? School rules are not optional because you have 30k followers on TikTok or because you're a blown boy with funds. If you’re tired of the structure, the rules, or the environment, the mature thing is to LEAVE QUIETLY, not to publicly mock and damage the image of the institution that still carries your name. Per multiple reports, he has multiple CO. So it's just a matter time before you get a withdrawal U. Social media validation should never come at the cost of discipline, respect, or long-term sense. Not EVERYTHING deserves a camera. Not every frustration needs to be content. THIS ISN’T HATE. IT’S A REMINDER THAT CLOUT FADES, BUT RECORDS DON’T.

🔆Ovi

97,965 Aufrufe • vor 8 Monaten