Video wird geladen...

Video konnte nicht geladen werden

Beim Laden dieses Videos ist ein Problem aufgetreten. Dies könnte an einem vorübergehenden Netzwerkproblem liegen oder das Video ist möglicherweise nicht verfügbar.

Same paper. Same bottle. Different result. Students first laid a flat sheet across two desks. The paper sagged and the bottle dropped ~ classic weak bending stiffness. Then they accordion-folded it. Ridges turned a floppy sheet into a mini beam. The bottle stood. That’s physics: folding increases the second... show more

Raghu

324,610 subscribers

63,770 Aufrufe • vor 1 Monat •via X (Twitter)

Wissenschaft & Technologie Bildung

Anya Rossi• Live Now

Private livecam show

4 Kommentare

Profilbild von Praveen G

Praveen Gvor 1 Monat

Called as the character lines , makes the paper sturdy and can withstand weight, usually used in cars and other vehicles to make the vehicles study and strong...

Profilbild von Latha Venkatesh

Latha Venkateshvor 1 Monat

Wow! Amazing!

Profilbild von Engineers View

Engineers Viewvor 1 Monat

The same trick is used in construction industry also whereby bridges used ridge design to hold the load of vehicles onto bridge.

Profilbild von SARADA

SARADAvor 1 Monat

Lots OF love to Physics 🙏♾️

Ähnliche Videos

🚨"Edgar Mitchell told me about a particular event that Cooper had, had had at, and I think it was at the Edwards Air Force Base. " "In this room, they had this little globe like thing. They took a Coke bottle, and they had Cooper sign his signature on a little piece of paper, and they rolled the paper up and put it down into the Coke bottle." "They lifted up this little glass thing, they put the Coke bottle under there. Coke bottle dissolved and disappeared." "And they took him all the way down the other end of the hall, and then brought him into a room, and there was another device that looked like this, and all of a sudden, the Coke bottle started materializing there." Daniel Sheehan sits down with Josh Golembeske & speaks on the teleportation device that the US Military has in their possession.. Link below..

🚨"Edgar Mitchell told me about a particular event that Cooper had, had had at, and I think it was at the Edwards Air Force Base. " "In this room, they had this little globe like thing. They took a Coke bottle, and they had Cooper sign his signature on a little piece of paper, and they rolled the paper up and put it down into the Coke bottle." "They lifted up this little glass thing, they put the Coke bottle under there. Coke bottle dissolved and disappeared." "And they took him all the way down the other end of the hall, and then brought him into a room, and there was another device that looked like this, and all of a sudden, the Coke bottle started materializing there." Daniel Sheehan sits down with Josh Golembeske & speaks on the teleportation device that the US Military has in their possession.. Link below..

UAPWixy

27,031 Aufrufe • vor 1 Monat

A laser can ride a falling stream of water. Shine it through a hole in a milk-clouded soda bottle and the beam stays trapped by total internal reflection, the same physics as fiber optics, just liquid and gravity doing the guiding.

A laser can ride a falling stream of water. Shine it through a hole in a milk-clouded soda bottle and the beam stays trapped by total internal reflection, the same physics as fiber optics, just liquid and gravity doing the guiding.

Bluntly Put Philosopher (BPP)

537,341 Aufrufe • vor 9 Monaten

A kit available on the internet turns an ordinary paper airplane made from a sheet of A4 paper into a real mini-drone. I can’t help looking at this whimsical little thing and picturing how it could be scaled up and weaponized for use in Ukraine.

A kit available on the internet turns an ordinary paper airplane made from a sheet of A4 paper into a real mini-drone. I can’t help looking at this whimsical little thing and picturing how it could be scaled up and weaponized for use in Ukraine.

Roy🇨🇦

298,614 Aufrufe • vor 5 Monaten

This isn’t CGI — it’s paper, pencil, and pure illusion. 📐 Watch this mind-bending 3D drawing come to life from a flat sheet. Art or magic? You decide.

This isn’t CGI — it’s paper, pencil, and pure illusion. 📐 Watch this mind-bending 3D drawing come to life from a flat sheet. Art or magic? You decide.

Living Tricks

1,270,816 Aufrufe • vor 1 Jahr

so not just one, TAEHYUNG ACTUALLY POURED WATER INTO TWO MORE ARMYS' MOUTHS, drank from the same bottle himself & then gave the bottle away?😭😭 THE FCK WAS GOING ON IN FCKING MADRID. I'M SICK

so not just one, TAEHYUNG ACTUALLY POURED WATER INTO TWO MORE ARMYS' MOUTHS, drank from the same bottle himself & then gave the bottle away?😭😭 THE FCK WAS GOING ON IN FCKING MADRID. I'M SICK

ꪜ ⁷✧

61,216 Aufrufe • vor 4 Monaten

Rock, paper, scissors, and a bottle of lemonade!

Rock, paper, scissors, and a bottle of lemonade!

𝕊𝕡𝕣𝕚𝕟𝕥𝕖𝕣 𝕻𝕣𝕖𝕤𝕤

15,305 Aufrufe • vor 3 Monaten

#WATCH | Vijayapura, Karnataka | Tensions flared after students appearing for the Police Constable exam at Tikota Sharadamba PU College exam centre noticed that the number on the OMR sheet given to them did not match the number on the question paper, casuing some students to stage a walk out. (02.08) The Executive Director of Karnataka Examinations Authority later clarified that "nowhere in the official notifications, instruction booklets, or in verbal instructions was it mentioned that the OMR number and Question Paper number should be the same. In the OMR answer sheet, there is provision to fill the Question Paper Series Code and Version Code."

#WATCH | Vijayapura, Karnataka | Tensions flared after students appearing for the Police Constable exam at Tikota Sharadamba PU College exam centre noticed that the number on the OMR sheet given to them did not match the number on the question paper, casuing some students to stage a walk out. (02.08) The Executive Director of Karnataka Examinations Authority later clarified that "nowhere in the official notifications, instruction booklets, or in verbal instructions was it mentioned that the OMR number and Question Paper number should be the same. In the OMR answer sheet, there is provision to fill the Question Paper Series Code and Version Code."

ANI

322,974 Aufrufe • vor 2 Monaten

Physicist Brian Greene demonstrates gravity in the simplest way possible using a bottle full of water. When the bottle is held still water streams out through the holes because gravity creates pressure inside. But the instant he drops the bottle the leaking stops completely. Bottle and water fall together at the same rate so the water becomes weightless relative to the bottle. It is a perfect demonstration of Einstein’s idea that gravity and acceleration are deeply connected. What feels like weight is often just the result of the frame you are in.

Physicist Brian Greene demonstrates gravity in the simplest way possible using a bottle full of water. When the bottle is held still water streams out through the holes because gravity creates pressure inside. But the instant he drops the bottle the leaking stops completely. Bottle and water fall together at the same rate so the water becomes weightless relative to the bottle. It is a perfect demonstration of Einstein’s idea that gravity and acceleration are deeply connected. What feels like weight is often just the result of the frame you are in.

Cosmos Archive

13,415 Aufrufe • vor 5 Monaten

Trump to generals: "We have beautiful paper, the gorgeous paper. I said, 'throw a little more gold on it, they deserve it. I want the A paper not the D paper.' We used to sign a piece of garbage ... I want to use the big beautiful firm paper."

Trump to generals: "We have beautiful paper, the gorgeous paper. I said, 'throw a little more gold on it, they deserve it. I want the A paper not the D paper.' We used to sign a piece of garbage ... I want to use the big beautiful firm paper."

Aaron Rupar

551,902 Aufrufe • vor 1 Jahr

Fynn Jackson is an origami artist known for creating incredibly detailed paper sculptures, often folding expressive faces and complex forms from a single sheet of paper.

Fynn Jackson is an origami artist known for creating incredibly detailed paper sculptures, often folding expressive faces and complex forms from a single sheet of paper.

Massimo

131,036 Aufrufe • vor 26 Tagen

The Hangover (2009) probably goes down as an untouchable comedy classic if it never gets a sequel. The first film catches lightning in a bottle. The next two spend years trying to catch the same bolt again.

The Hangover (2009) probably goes down as an untouchable comedy classic if it never gets a sequel. The first film catches lightning in a bottle. The next two spend years trying to catch the same bolt again.

cinesthetic.

81,389 Aufrufe • vor 3 Monaten

Sensei teaches his students how to master the art of the '1-inch punch' to cut a sheet of paper clean in half.

Sensei teaches his students how to master the art of the '1-inch punch' to cut a sheet of paper clean in half.

The Figen

10,268,011 Aufrufe • vor 1 Jahr

Fynn Jackson is an origami artist known for creating incredibly detailed paper sculptures, often folding expressive faces and complex forms from a single sheet of paper.

Fynn Jackson is an origami artist known for creating incredibly detailed paper sculptures, often folding expressive faces and complex forms from a single sheet of paper.

Massimo

341,308 Aufrufe • vor 6 Monaten

🧱 #Live3D #Live2D #HandTracking 🧱 I spent some time refining the way I use Warp Deformers to create lateral physics-based swinging motion in Live2D. With a new production concept, I tried to achieve the highest possible level of mathematical precision. At the core are two fundamental swinging structures, which I can mix in different proportions to create different qualities of motion. The first is parallel swinging. Both sides of the Warp Deformer remain perfectly parallel throughout the motion, making it look somewhat like a sheet of paper or a tassel. The second is bending swinging. The angle between the two sides of the Warp Deformer changes as it moves, making it look more like a flexible tube or a tail. （0:12）Interestingly, when I layer the first and second structures together, the bottom forms an X-shaped pattern as it swings. It looks a little like a spine or some kind of mechanical structure. （0:23）The third structure is an equal blend of the first and second. Its characteristics are much more neutral, combining the qualities of both. （0:35）The fourth and fifth structures are created by smoothly blending the first structure into the center of the second, and the second into the center of the first, respectively. This makes them appear softer and more flexible, somewhat like a piece of fabric. （0:28）Interestingly, when I blend the fourth and fifth structures equally, the result is exactly identical to the third structure. This also demonstrates that, despite their apparent complexity, the two are actually perfect mirror images of each other. Every physics-based motion shown here uses a two-segment pendulum structure, with a swinging range of ±90°. In theory, when curled to its limit, it can bend upward into a perfect semicircle. To most people, this may look as boring as a brick. But to me, this is exactly where the romance of Live2D physics lies. Does anyone else feel the same way?

🧱 #Live3D #Live2D #HandTracking 🧱 I spent some time refining the way I use Warp Deformers to create lateral physics-based swinging motion in Live2D. With a new production concept, I tried to achieve the highest possible level of mathematical precision. At the core are two fundamental swinging structures, which I can mix in different proportions to create different qualities of motion. The first is parallel swinging. Both sides of the Warp Deformer remain perfectly parallel throughout the motion, making it look somewhat like a sheet of paper or a tassel. The second is bending swinging. The angle between the two sides of the Warp Deformer changes as it moves, making it look more like a flexible tube or a tail. （0:12）Interestingly, when I layer the first and second structures together, the bottom forms an X-shaped pattern as it swings. It looks a little like a spine or some kind of mechanical structure. （0:23）The third structure is an equal blend of the first and second. Its characteristics are much more neutral, combining the qualities of both. （0:35）The fourth and fifth structures are created by smoothly blending the first structure into the center of the second, and the second into the center of the first, respectively. This makes them appear softer and more flexible, somewhat like a piece of fabric. （0:28）Interestingly, when I blend the fourth and fifth structures equally, the result is exactly identical to the third structure. This also demonstrates that, despite their apparent complexity, the two are actually perfect mirror images of each other. Every physics-based motion shown here uses a two-segment pendulum structure, with a swinging range of ±90°. In theory, when curled to its limit, it can bend upward into a perfect semicircle. To most people, this may look as boring as a brick. But to me, this is exactly where the romance of Live2D physics lies. Does anyone else feel the same way?

📐Hephaestus📏Live2D匠人魂

21,232 Aufrufe • vor 2 Monaten

Gpt image 2 + Seedance 2.5 on Higgsfield Prompt: 30-SECOND CINEMATIC SHORT Create a 30-second cinematic sequence with the visual discipline of a major feature film. The world is entirely made from paper, cardboard, ink, and delicate handcrafted materials. 00:00–00:05 — THE FIRST FOLD Begin with an extreme macro shot of a blank sheet of textured paper. A single fold slowly forms across its surface. Lens: 100mm macro Camera: Completely static Soft daylight moves across the paper as the fold continues. Cut precisely as the paper reaches its final shape. 00:05–00:11 — THE CITY EMERGES Transition into a 50mm shot. The folded paper begins forming miniature streets and architectural structures. Buildings rise naturally from the surface through carefully constructed paper folds. The camera slowly tracks sideways. Tiny windows catch the light. Nothing feels computer-generated; every surface should have believable paper fibers, folds, shadows, and imperfections. 00:11–00:17 — THE REVEAL Move into a 35mm shot. The camera pulls backward. The small arrangement is revealed as an enormous handcrafted paper city stretching across a large table. Roads connect different districts. Bridges cross miniature rivers. Paper trees move gently from an unseen breeze. 00:17–00:23 — MORNING Transition into a slow overhead crane shot. Warm sunlight gradually spreads across the paper city. Shadows from the buildings become longer and more defined. Tiny paper windows begin reflecting the sunlight. The camera continues rising, revealing the geometric relationship between the streets and buildings. 00:23–00:27 — THE DETAIL Cut to an 85mm close-up. Focus on a tiny paper clock mounted on one building. The clock moves forward by one minute. Rack focus from the clock to the miniature skyline behind it. 00:27–00:30 — FINAL IMAGE Return to an extreme wide shot. The entire paper city sits beneath a large studio window. The morning light completely fills the miniature world. Camera slowly pulls backward until the city becomes a small object within the larger room. Fade to black. CINEMATOGRAPHY Large-format feature-film aesthetic. 100mm macro for texture. 85mm for detail. 50mm for natural perspective. 35mm for environmental shots. Controlled dolly and crane movements. Realistic depth of field. Natural focus transitions. Soft motion blur. Subtle lens imperfections. No artificial camera shake. MATERIAL DIRECTION Every surface must visibly behave like physical paper. Visible paper fibers. Natural folds. Tiny imperfections. Soft cardboard edges. Realistic contact shadows. Believable paper thickness. Natural material deformation. LIGHTING Soft morning daylight. Large window as the primary source. Natural bounce light. Gentle shadows. Subtle warm highlights. No artificial neon effects. No excessive visual effects. CONTINUITY The same paper city throughout the entire sequence. Buildings maintain identical shapes and positions. Roads remain connected. Paper materials remain consistent. No random transformations. No flickering. No duplicated structures. No sudden environmental changes. DIRECTOR’S NOTE Treat this as a miniature feature film, not a visual-effects demonstration. The camera should discover the world gradually. Start intimate. Reveal scale. Return to detail. Finish wide. The audience should feel that they are watching a real handcrafted world photographed with a cinema camera. Photorealistic 4K • tactile materials • feature-film cinematography • sophisticated lighting • realistic miniature photography • cinematic depth • precise camera movement • seamless visual continuity.

Gpt image 2 + Seedance 2.5 on Higgsfield Prompt: 30-SECOND CINEMATIC SHORT Create a 30-second cinematic sequence with the visual discipline of a major feature film. The world is entirely made from paper, cardboard, ink, and delicate handcrafted materials. 00:00–00:05 — THE FIRST FOLD Begin with an extreme macro shot of a blank sheet of textured paper. A single fold slowly forms across its surface. Lens: 100mm macro Camera: Completely static Soft daylight moves across the paper as the fold continues. Cut precisely as the paper reaches its final shape. 00:05–00:11 — THE CITY EMERGES Transition into a 50mm shot. The folded paper begins forming miniature streets and architectural structures. Buildings rise naturally from the surface through carefully constructed paper folds. The camera slowly tracks sideways. Tiny windows catch the light. Nothing feels computer-generated; every surface should have believable paper fibers, folds, shadows, and imperfections. 00:11–00:17 — THE REVEAL Move into a 35mm shot. The camera pulls backward. The small arrangement is revealed as an enormous handcrafted paper city stretching across a large table. Roads connect different districts. Bridges cross miniature rivers. Paper trees move gently from an unseen breeze. 00:17–00:23 — MORNING Transition into a slow overhead crane shot. Warm sunlight gradually spreads across the paper city. Shadows from the buildings become longer and more defined. Tiny paper windows begin reflecting the sunlight. The camera continues rising, revealing the geometric relationship between the streets and buildings. 00:23–00:27 — THE DETAIL Cut to an 85mm close-up. Focus on a tiny paper clock mounted on one building. The clock moves forward by one minute. Rack focus from the clock to the miniature skyline behind it. 00:27–00:30 — FINAL IMAGE Return to an extreme wide shot. The entire paper city sits beneath a large studio window. The morning light completely fills the miniature world. Camera slowly pulls backward until the city becomes a small object within the larger room. Fade to black. CINEMATOGRAPHY Large-format feature-film aesthetic. 100mm macro for texture. 85mm for detail. 50mm for natural perspective. 35mm for environmental shots. Controlled dolly and crane movements. Realistic depth of field. Natural focus transitions. Soft motion blur. Subtle lens imperfections. No artificial camera shake. MATERIAL DIRECTION Every surface must visibly behave like physical paper. Visible paper fibers. Natural folds. Tiny imperfections. Soft cardboard edges. Realistic contact shadows. Believable paper thickness. Natural material deformation. LIGHTING Soft morning daylight. Large window as the primary source. Natural bounce light. Gentle shadows. Subtle warm highlights. No artificial neon effects. No excessive visual effects. CONTINUITY The same paper city throughout the entire sequence. Buildings maintain identical shapes and positions. Roads remain connected. Paper materials remain consistent. No random transformations. No flickering. No duplicated structures. No sudden environmental changes. DIRECTOR’S NOTE Treat this as a miniature feature film, not a visual-effects demonstration. The camera should discover the world gradually. Start intimate. Reveal scale. Return to detail. Finish wide. The audience should feel that they are watching a real handcrafted world photographed with a cinema camera. Photorealistic 4K • tactile materials • feature-film cinematography • sophisticated lighting • realistic miniature photography • cinematic depth • precise camera movement • seamless visual continuity.

K

22,472 Aufrufe • vor 2 Monaten

Save yourself an expensive plumber visit and Melts keep a bottle of this under the sink away hair, grease, and paper buildup with zero scrubbing or plunging. #fyp #drainhack

Save yourself an expensive plumber visit and Melts keep a bottle of this under the sink away hair, grease, and paper buildup with zero scrubbing or plunging. #fyp #drainhack

Alexandra do

589,405 Aufrufe • vor 1 Tag

This machinetakes flat aluminum sheet and produces complex 3D products - up to 110 parts per hour. ❓The question everyone asks: how does it rotate the sheet? Look at the center of the bed. There's a channel running through it where a vacuum suction manipulator grips the sheet from underneath. A servo-driven rotator spins it—90°, 180°, full 360°—to present each edge to the bending blades in sequence. The sheet never leaves the horizontal plane. No external robot arm. No regripping. Just one continuous cycle from flat blank to finished part. This is what separates panel bending centers from traditional press brakes with bolt-on automation.

This machinetakes flat aluminum sheet and produces complex 3D products - up to 110 parts per hour. ❓The question everyone asks: how does it rotate the sheet? Look at the center of the bed. There's a channel running through it where a vacuum suction manipulator grips the sheet from underneath. A servo-driven rotator spins it—90°, 180°, full 360°—to present each edge to the bending blades in sequence. The sheet never leaves the horizontal plane. No external robot arm. No regripping. Just one continuous cycle from flat blank to finished part. This is what separates panel bending centers from traditional press brakes with bolt-on automation.

Jack 🤖

98,134 Aufrufe • vor 11 Monaten

Kayadu drinks straight from the bottle, and then he drinks the same water 🤯

Sensitive content

Kayadu drinks straight from the bottle, and then he drinks the same water 🤯

Bujji kanna 😼💖

1,473,875 Aufrufe • vor 1 Monat

Rivers in India: tons of plastic dumped into the water every day. Meanwhile, in EU, they force you to have the plastic cap attached to the bottle and a paper straw that dissolves in your mouth.

Rivers in India: tons of plastic dumped into the water every day. Meanwhile, in EU, they force you to have the plastic cap attached to the bottle and a paper straw that dissolves in your mouth.

RadioGenoa

129,396 Aufrufe • vor 18 Tagen

in the history of speeches that have been read right off a sheet of paper, nobody has a read a speech off a sheet of paper harder than what Trump is doing right now

in the history of speeches that have been read right off a sheet of paper, nobody has a read a speech off a sheet of paper harder than what Trump is doing right now

Aaron Rupar

517,192 Aufrufe • vor 6 Monaten