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Save this for the next time your typography feels weird and you can’t explain why. Nine times out of ten, it’s line-height - the vertical space between lines of text that decides whether type feels confident or clumsy, readable or tiring. Headlines Compress them. ~1.05–1.25 is usually right. Headlines...

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charlota

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21,862 просмотров • 7 месяцев назад •via X (Twitter)

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Snapshot of something Mike Vrabel expressed frustration with this morning: He sees Hunter Henry (bottom of screen) trying to communicate with the official 15 yards away/do the right thing alignment-wise … and still get penalized. “I’ll have to try to get some clarification on that — how we are going to do this going forward,” Vrabel says. Earlier today, in his radio interview, Vrabel shared that he was irked with over-officiating at the line of scrimmage. “If our guys are going to look over; I get that we have to be legal. But for as long as I can remember in this league, the refs are going to try to officiate proactively and work with the players. “If it’s a hold, call a hold. If it’s defensive pass interference, call defensive pass interference. But at the line of scrimmage, if players are going to try to get the formation correct … we’re not going to tell them that they are either on the line of scrimmage or they have them off? They’re just going to sit there and tap their knee? “I don’t know what that is. That’s frustrating that we are that literal as an officiating department — if that is indeed what they are telling them. … “I didn’t know when we were going to start officiating the line of scrimmage and not communicate with our players. Because in the end, the relationship the players have with officials, I think can be really positive and they can explain the mechanics they’re looking for.”
0:10

Snapshot of something Mike Vrabel expressed frustration with this morning: He sees Hunter Henry (bottom of screen) trying to communicate with the official 15 yards away/do the right thing alignment-wise … and still get penalized. “I’ll have to try to get some clarification on that — how we are going to do this going forward,” Vrabel says. Earlier today, in his radio interview, Vrabel shared that he was irked with over-officiating at the line of scrimmage. “If our guys are going to look over; I get that we have to be legal. But for as long as I can remember in this league, the refs are going to try to officiate proactively and work with the players. “If it’s a hold, call a hold. If it’s defensive pass interference, call defensive pass interference. But at the line of scrimmage, if players are going to try to get the formation correct … we’re not going to tell them that they are either on the line of scrimmage or they have them off? They’re just going to sit there and tap their knee? “I don’t know what that is. That’s frustrating that we are that literal as an officiating department — if that is indeed what they are telling them. … “I didn’t know when we were going to start officiating the line of scrimmage and not communicate with our players. Because in the end, the relationship the players have with officials, I think can be really positive and they can explain the mechanics they’re looking for.”

Mike Reiss

474,637 просмотров • 11 месяцев назад

If your website looks like everyone else's, it's working against you. Most sites today are the same. Same layout, same sections, same stock photos. And when everything looks the same, nothing stands out, including yours. The sites that actually do the job now have a point of view. They tell a story, guide you through it, make you want to keep scrolling. Branding, motion, interaction, the details that make someone feel something instead of just reading text. Take a look at this one. Not saying every site needs to be this. But if your goal is to impress, convert, or be remembered, flat and generic won't get you there anymore.
0:13

If your website looks like everyone else's, it's working against you. Most sites today are the same. Same layout, same sections, same stock photos. And when everything looks the same, nothing stands out, including yours. The sites that actually do the job now have a point of view. They tell a story, guide you through it, make you want to keep scrolling. Branding, motion, interaction, the details that make someone feel something instead of just reading text. Take a look at this one. Not saying every site needs to be this. But if your goal is to impress, convert, or be remembered, flat and generic won't get you there anymore.

Adam 🌿 Unroot.design

20,276 просмотров • 4 месяцев назад

The bgm for this scene of holding an umbrella in the snow is “The Return Line of Love” (爱的回归线), a song both of them have sung before! The song’s meaning is that even if people part ways, true love, like a planet, follows its orbit and can return to the same point - the “return line.” It’s a metaphor for destiny, second chances, and the belief that everything happens in its own time. One beautiful line from the lyrics goes: “There are so many people in the world, yet I met you.”
0:27

The bgm for this scene of holding an umbrella in the snow is “The Return Line of Love” (爱的回归线), a song both of them have sung before! The song’s meaning is that even if people part ways, true love, like a planet, follows its orbit and can return to the same point - the “return line.” It’s a metaphor for destiny, second chances, and the belief that everything happens in its own time. One beautiful line from the lyrics goes: “There are so many people in the world, yet I met you.”

Littlecorn🌽

26,377 просмотров • 8 месяцев назад

The goal is not just to find someone who laughs at your jokes or understands your silences. It is to find a best friend who ignites a spark every time they look at you, who teases and flirts without ever crossing the line, who turns ordinary moments into playful adventures. Someone whose presence feels like home and mischief at the same time. A companion who challenges you, makes you blush, makes your heart skip in the middle of a conversation, yet remains your anchor when the world gets heavy. The dream is a friendship wrapped in endless flirtation, a connection that feels infinite, effortless, and intoxicatingly alive, a bond that never dulls but only deepens with time.
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The goal is not just to find someone who laughs at your jokes or understands your silences. It is to find a best friend who ignites a spark every time they look at you, who teases and flirts without ever crossing the line, who turns ordinary moments into playful adventures. Someone whose presence feels like home and mischief at the same time. A companion who challenges you, makes you blush, makes your heart skip in the middle of a conversation, yet remains your anchor when the world gets heavy. The dream is a friendship wrapped in endless flirtation, a connection that feels infinite, effortless, and intoxicatingly alive, a bond that never dulls but only deepens with time.

Poetry.

69,149 просмотров • 8 месяцев назад

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron
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The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

alejandro cartagena

98,261 просмотров • 2 лет назад

things to know about wv dms from someone who has experience with the bubble app and had a chat with skz hyunjin for over a year: - its 𝗿𝗲𝗮𝗹, it’s the members themselves - for us it’s a 1:1 chat with the idol but for them it’s like a groupchat with all the people who paid - they can see and directly reply to you if they want to but there’s too many ppl so it’s hard for them to see. 𝘆𝗼𝘂 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗮 𝗺𝗲𝘀𝘀𝗮𝗴𝗲 𝗮𝗻𝗱 𝘁𝗵𝗲𝘆 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗼𝗻𝗲 𝗯𝗮𝗰𝗸 𝗱𝗼𝗲𝘀𝗻’𝘁 𝗺𝗲𝗮𝗻 𝗵𝗲’𝘀 𝗿𝗲𝗽𝗹𝘆𝗶𝗻𝗴 𝘁𝗼 𝘆𝗼𝘂 𝗱𝗶𝗿𝗲𝗰𝘁𝗹𝘆!!! they can actually select the message they want so if they ever reply to you you’ll know for sure. - they have an option in their version of the app where they click and it automatically mentions the name you have set on the app and it looks like he’s directly addressing you but it’s the same for every fan. - theres a 1 next to the messages, if it disappears, the member is in the chat, doesn’t mean he read specifically your message, remember it’s a gc for them. - the translations are bad so it’ll look weird, you can deactivate the automatic translation on the 3 dots on the upper right. make sure you always look for translations on here (ENHYPEN WEVERSE) before you bring something to tl. finally, ai bots reply immediately, once the boys go inactive or get busy, no matter how many messages you send you won’t get a reply. stop saying it’s fake or ai, i know its weird and you guys are new to it and it seems impossible bc they’re busy but its the same as when they come to weverse and reply to a bunch of people, they have time for that. you will see some members are more active and chatty than others too. please be careful with your words, these are the members’s words. + here’s jumgwon sending a text while on live earlier:
0:12

things to know about wv dms from someone who has experience with the bubble app and had a chat with skz hyunjin for over a year: - its 𝗿𝗲𝗮𝗹, it’s the members themselves - for us it’s a 1:1 chat with the idol but for them it’s like a groupchat with all the people who paid - they can see and directly reply to you if they want to but there’s too many ppl so it’s hard for them to see. 𝘆𝗼𝘂 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗮 𝗺𝗲𝘀𝘀𝗮𝗴𝗲 𝗮𝗻𝗱 𝘁𝗵𝗲𝘆 𝘀𝗲𝗻𝗱𝗶𝗻𝗴 𝗼𝗻𝗲 𝗯𝗮𝗰𝗸 𝗱𝗼𝗲𝘀𝗻’𝘁 𝗺𝗲𝗮𝗻 𝗵𝗲’𝘀 𝗿𝗲𝗽𝗹𝘆𝗶𝗻𝗴 𝘁𝗼 𝘆𝗼𝘂 𝗱𝗶𝗿𝗲𝗰𝘁𝗹𝘆!!! they can actually select the message they want so if they ever reply to you you’ll know for sure. - they have an option in their version of the app where they click and it automatically mentions the name you have set on the app and it looks like he’s directly addressing you but it’s the same for every fan. - theres a 1 next to the messages, if it disappears, the member is in the chat, doesn’t mean he read specifically your message, remember it’s a gc for them. - the translations are bad so it’ll look weird, you can deactivate the automatic translation on the 3 dots on the upper right. make sure you always look for translations on here (ENHYPEN WEVERSE) before you bring something to tl. finally, ai bots reply immediately, once the boys go inactive or get busy, no matter how many messages you send you won’t get a reply. stop saying it’s fake or ai, i know its weird and you guys are new to it and it seems impossible bc they’re busy but its the same as when they come to weverse and reply to a bunch of people, they have time for that. you will see some members are more active and chatty than others too. please be careful with your words, these are the members’s words. + here’s jumgwon sending a text while on live earlier:

eris ♱

41,102 просмотров • 4 месяцев назад

A company posted this on the premises for theri employees. Nowadays, majority of folks have their cells on them at all times, especially at work. They state charging your phone/electronic devices is theft as well. How would you react if this were your company? I get companies have policies, and if you work for them, to follow the rules. But where do you draw the line.
0:12

A company posted this on the premises for theri employees. Nowadays, majority of folks have their cells on them at all times, especially at work. They state charging your phone/electronic devices is theft as well. How would you react if this were your company? I get companies have policies, and if you work for them, to follow the rules. But where do you draw the line.

Rick D

253,449 просмотров • 4 месяцев назад

🚨 THE BIGGEST LIE IN MODERN HITTING. We’ve become a game of clones. Everyone wants the same launch angle, the same hand path, and the same “aesthetic” finish. But here is the reality: If you’re coaching every kid to move the same way, you aren’t coaching—you’re just copying and pasting. 🧩 Feel vs. Real The truth is found in who can decipher the feel vs. real for every individual player. • What a coach sees on camera (Real) is almost never what the athlete is experiencing (Feel). • If you tell a hitter to “get on plane” and they start dumping their barrels, your “correct” advice just broke their swing. 🧬 Different Bodies, Different Movements Everyone is built differently. One hitter has long levers and tight hips; another is short, explosive, and hyper-mobile. Everyone moves differently. So why on earth are we buying into ONE rigid swing philosophy? Unless that philosophy is the one that allows you to get the only intended result that matters: CONSISTENT BARRELS. 🎯 The Bottom Line Stop trying to win the “Best Looking Swing” award on Instagram. If your swing is “ugly” but you’re a barrel machine, you’re a better hitter than the kid with the “perfect” mechanics who can’t touch a high-spin heater. We need to stop chasing positions and start chasing intent. If the “feel” creates the “result,” keep it. Everything else is just noise. Stop cloning. Start competing. If you want to build a swing that is for for you, sign up for a 1:1 coaching call. DM us here.
0:11

🚨 THE BIGGEST LIE IN MODERN HITTING. We’ve become a game of clones. Everyone wants the same launch angle, the same hand path, and the same “aesthetic” finish. But here is the reality: If you’re coaching every kid to move the same way, you aren’t coaching—you’re just copying and pasting. 🧩 Feel vs. Real The truth is found in who can decipher the feel vs. real for every individual player. • What a coach sees on camera (Real) is almost never what the athlete is experiencing (Feel). • If you tell a hitter to “get on plane” and they start dumping their barrels, your “correct” advice just broke their swing. 🧬 Different Bodies, Different Movements Everyone is built differently. One hitter has long levers and tight hips; another is short, explosive, and hyper-mobile. Everyone moves differently. So why on earth are we buying into ONE rigid swing philosophy? Unless that philosophy is the one that allows you to get the only intended result that matters: CONSISTENT BARRELS. 🎯 The Bottom Line Stop trying to win the “Best Looking Swing” award on Instagram. If your swing is “ugly” but you’re a barrel machine, you’re a better hitter than the kid with the “perfect” mechanics who can’t touch a high-spin heater. We need to stop chasing positions and start chasing intent. If the “feel” creates the “result,” keep it. Everything else is just noise. Stop cloning. Start competing. If you want to build a swing that is for for you, sign up for a 1:1 coaching call. DM us here.

Tyler Osik

15,394 просмотров • 8 месяцев назад

MiniMax H3 Instead of sharing the prompts for each of these videos, I thought it would be more useful to share how I created that prompts. All of the videos were generated with text-to-video. First, find an image with the kind of scene, composition and mood you want to recreate. I used a few YouTube playlist thumbnails as references but Pinterest is also a great place to find inspiration. You can even use your own old or nostalgic photographs. Then upload the image to ChatGPT and ask it to describe the scene. The description it gives you can essentially become your text-to-video prompt. From there, you can generate completely new scenes with a similar composition, atmosphere and cinematic language. You can of course use the reference image directly with image-to-video or as a first frame. But if the original image isn't yours, I prefer using it only as visual inspiration and recreating the scene through text-to-video. This is the prompt I use with ChatGPT: "Describe the scene in this image in English, focusing primarily on what is happening, the characters, their actions and body language, the setting and the overall atmosphere. Also briefly describe the composition, framing, camera angle, approximate lens choice, lighting, color palette and cinematic aesthetic. Keep it concise and scene-focused rather than overly technical."
0:15

MiniMax H3 Instead of sharing the prompts for each of these videos, I thought it would be more useful to share how I created that prompts. All of the videos were generated with text-to-video. First, find an image with the kind of scene, composition and mood you want to recreate. I used a few YouTube playlist thumbnails as references but Pinterest is also a great place to find inspiration. You can even use your own old or nostalgic photographs. Then upload the image to ChatGPT and ask it to describe the scene. The description it gives you can essentially become your text-to-video prompt. From there, you can generate completely new scenes with a similar composition, atmosphere and cinematic language. You can of course use the reference image directly with image-to-video or as a first frame. But if the original image isn't yours, I prefer using it only as visual inspiration and recreating the scene through text-to-video. This is the prompt I use with ChatGPT: "Describe the scene in this image in English, focusing primarily on what is happening, the characters, their actions and body language, the setting and the overall atmosphere. Also briefly describe the composition, framing, camera angle, approximate lens choice, lighting, color palette and cinematic aesthetic. Keep it concise and scene-focused rather than overly technical."

Kōda

55,398 просмотров • 28 дней назад

Gemini Omni doesn’t just allow you to render text more accurately — but to create it in sync with your visuals. 🎥 Choose your type, placement, animation, exposure and more. Prompt for this video: Word by word, one word on the screen at a time: did, you, know, that, this, model, can, do, pretty, good, text!? each word appears with a different animated style, perfect pacing to a rhythm, sizzle reel.
0:10

Gemini Omni doesn’t just allow you to render text more accurately — but to create it in sync with your visuals. 🎥 Choose your type, placement, animation, exposure and more. Prompt for this video: Word by word, one word on the screen at a time: did, you, know, that, this, model, can, do, pretty, good, text!? each word appears with a different animated style, perfect pacing to a rhythm, sizzle reel.

Google

153,685 просмотров • 3 месяцев назад

AI has had exactly two scaling axes that worked so far, and the second one is starting to look finite too the first one was pretraining: with scaling parameters and data, we got world knowledge (i.e. ChatGPT had read enough to know things), but it started saturating a while ago the second one was RL, and people had been doing RL the whole time before that: RLHF is RL but it never scaled far because it was trying to control the exact output, which tokens come out, how the text reads, but you can only push that so far before you’re just polishing RLVR dropped that constraint: giving the model a task, then checking whether the final answer is right, and ignoring everything in between -- so the model does whatever it wants in the middle and only the endpoint gets graded, and that’s much closer to actual RL and it’s what bought us planning and reasoning (arguably, tool use sits around 2.5 on this list -- while useful, it's not a different kind of thing) so one axis gave knowledge, the other gave reasoning, and both of them are one model working alone the next axis is how many models you can get working on the same problem, which is a different kind of axis than the previous two we know that multi-agent RL has always been the harder problem: I spent years in that literature and the gap between single-agent and multi-agent is definitely not incremental -- it’s a whole different class of difficulty! which is also why the derivatives are steep at the start, nobody has picked the easy wins yet... and the thing that gates this multi-agent coordination is communication: models can only coordinate as well as they can exchange information, and right now they do that by writing sentences to each other imagine what could we possibly achieve if we properly open that third axis development by letting models to exchange information in their native "language" without loosing any computational data that they produce during inference
0:14

AI has had exactly two scaling axes that worked so far, and the second one is starting to look finite too the first one was pretraining: with scaling parameters and data, we got world knowledge (i.e. ChatGPT had read enough to know things), but it started saturating a while ago the second one was RL, and people had been doing RL the whole time before that: RLHF is RL but it never scaled far because it was trying to control the exact output, which tokens come out, how the text reads, but you can only push that so far before you’re just polishing RLVR dropped that constraint: giving the model a task, then checking whether the final answer is right, and ignoring everything in between -- so the model does whatever it wants in the middle and only the endpoint gets graded, and that’s much closer to actual RL and it’s what bought us planning and reasoning (arguably, tool use sits around 2.5 on this list -- while useful, it's not a different kind of thing) so one axis gave knowledge, the other gave reasoning, and both of them are one model working alone the next axis is how many models you can get working on the same problem, which is a different kind of axis than the previous two we know that multi-agent RL has always been the harder problem: I spent years in that literature and the gap between single-agent and multi-agent is definitely not incremental -- it’s a whole different class of difficulty! which is also why the derivatives are steep at the start, nobody has picked the easy wins yet... and the thing that gates this multi-agent coordination is communication: models can only coordinate as well as they can exchange information, and right now they do that by writing sentences to each other imagine what could we possibly achieve if we properly open that third axis development by letting models to exchange information in their native "language" without loosing any computational data that they produce during inference

Sasha Malysheva

13,332 просмотров • 1 месяц назад

i tried Framer Agent to build a brand guidelines website template, something i've meant to do for a while. a site i can swap a logo, nudge a colour, update the type, and send a link instead of re-exporting a pdf nobody opens. a few observations on the AI process: - i started with references. pulled together a handful of minimalist grid layouts and had Claude describe the visual style back to me. you can do the same inside Framer, feeding it the references directly. - from there i had it write a detailed prompt aimed at that exact style, then asked it to break it into a few smaller steps. then i fed those into the agent, one at a time. - the scaffolding stage is the satisfying part. for something this grid-driven (the columns, the spans, the whole underlying structure) watching it land in seconds is hard to look away from. - but then i still have to sweat the details: text alignment, line-heights, image sizes. i don't mind it at all; it's the part i like, making these design decisions. the strength of the agent is the mundane work. point it at the stuff that eats your time: cleaning up the build, adding responsiveness, dropping in small effects, checking text and colour styles stay consistent, writing alt text for every image. then i get the time back for the parts of web design that are actually fun. 🤝
0:19

i tried Framer Agent to build a brand guidelines website template, something i've meant to do for a while. a site i can swap a logo, nudge a colour, update the type, and send a link instead of re-exporting a pdf nobody opens. a few observations on the AI process: - i started with references. pulled together a handful of minimalist grid layouts and had Claude describe the visual style back to me. you can do the same inside Framer, feeding it the references directly. - from there i had it write a detailed prompt aimed at that exact style, then asked it to break it into a few smaller steps. then i fed those into the agent, one at a time. - the scaffolding stage is the satisfying part. for something this grid-driven (the columns, the spans, the whole underlying structure) watching it land in seconds is hard to look away from. - but then i still have to sweat the details: text alignment, line-heights, image sizes. i don't mind it at all; it's the part i like, making these design decisions. the strength of the agent is the mundane work. point it at the stuff that eats your time: cleaning up the build, adding responsiveness, dropping in small effects, checking text and colour styles stay consistent, writing alt text for every image. then i get the time back for the parts of web design that are actually fun. 🤝

charlota

37,427 просмотров • 2 месяцев назад

🔗 Watch the full class: 📚 Third ropes get added to TKs for a few different reasons: a decorative touch, extra reinforcement to keep the harness in place on certain body types, or added support that gives you more options if you're playing with partials or taking the harness into the air. On our website, you'll find a range of TK variations taught by different instructors, each with their own technical and visual flavor, so you can find the approach that fits your body and what you're going for.
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🔗 Watch the full class: 📚 Third ropes get added to TKs for a few different reasons: a decorative touch, extra reinforcement to keep the harness in place on certain body types, or added support that gives you more options if you're playing with partials or taking the harness into the air. On our website, you'll find a range of TK variations taught by different instructors, each with their own technical and visual flavor, so you can find the approach that fits your body and what you're going for.

Shibari Study

44,490 просмотров • 1 месяц назад

Burnley already promoted 3-0 and look at the reaction of the players this is why they don’t concede many goals and I love everything about the mentality here. Doing the basics of football and life and doing them very well is a great start for any young player and take that all the way through your career, we all make mistakes, we all dare to be different, we all love winning and hate losing but be a good team mate put the team 1st, set the right examples day in day out, push each other to be better and take accountability if your not giving your all every time you cross that white line 🙌
0:10

Burnley already promoted 3-0 and look at the reaction of the players this is why they don’t concede many goals and I love everything about the mentality here. Doing the basics of football and life and doing them very well is a great start for any young player and take that all the way through your career, we all make mistakes, we all dare to be different, we all love winning and hate losing but be a good team mate put the team 1st, set the right examples day in day out, push each other to be better and take accountability if your not giving your all every time you cross that white line 🙌

Robert snodgrass

113,529 просмотров • 1 год назад

Every website you’ve ever used is broken in a way you never noticed and it’s been this way for 30 years... A Midjourney engineer finally just fixed it. It’s called Pretext: A tiny library that lets websites lay out text the way magazines and newspapers do, with text flowing around images, wrapping into columns, and fitting perfectly into any shape, all at 120fps. This has been basically impossible on the web for 30 years. Every website you’ve ever used relies on the same clunky system from the 90s to figure out where text goes on screen. Pretext bypasses it entirely. 500x faster. The demos look like they shouldn’t be possible in a browser. Go look.
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Every website you’ve ever used is broken in a way you never noticed and it’s been this way for 30 years... A Midjourney engineer finally just fixed it. It’s called Pretext: A tiny library that lets websites lay out text the way magazines and newspapers do, with text flowing around images, wrapping into columns, and fitting perfectly into any shape, all at 120fps. This has been basically impossible on the web for 30 years. Every website you’ve ever used relies on the same clunky system from the 90s to figure out where text goes on screen. Pretext bypasses it entirely. 500x faster. The demos look like they shouldn’t be possible in a browser. Go look.

Josh Kale

1,021,126 просмотров • 5 месяцев назад

“I feel confidence is a choice. It’s a thought. It’s a feeling. If you can find your way to feel differently about that, everything is going to change, your body language is going to change and good things — when you carry yourself with good body language, confident body language, confident energy — more times than not, good things tend to happen.” Kiké Hernandez giving a mental performance masterclass. 🔥 Success leaves clues. Good luck to Kiké and the Los Angeles Dodgers as they take on the New York Yankees in Game 1 of the World Series tonight. ⚾️ #worldseries #mlb #dodgers #yankees
0:56

“I feel confidence is a choice. It’s a thought. It’s a feeling. If you can find your way to feel differently about that, everything is going to change, your body language is going to change and good things — when you carry yourself with good body language, confident body language, confident energy — more times than not, good things tend to happen.” Kiké Hernandez giving a mental performance masterclass. 🔥 Success leaves clues. Good luck to Kiké and the Los Angeles Dodgers as they take on the New York Yankees in Game 1 of the World Series tonight. ⚾️ #worldseries #mlb #dodgers #yankees

Brian Cain

52,950 просмотров • 1 год назад

Do you know why you cannot fool God? Because He looks into your heart! You can fool everyone around you, but the emotions you feel inside weigh on your heart and soul if they are connected to the seven deadly sins, such as greed, ego, lust, and so on. You feel that anger inside you, along with a heaviness in your heart and abdomen. It pulls you downward. That is hell. However, if you feel genuine love and forgiveness, your heart and abdomen feel light. You feel as though you are levitating because there is no anger within you. You can fool people or priests into believing that you do not feel anger, jealousy, lust, or other sinful emotions and that you feel love, but you cannot fool God. This sounds simple and easy, but it is extremely difficult to achieve. This is the purification of the soul. To achieve it, you must forgive even your greatest enemies, just as Jesus did on the cross.
0:12

Do you know why you cannot fool God? Because He looks into your heart! You can fool everyone around you, but the emotions you feel inside weigh on your heart and soul if they are connected to the seven deadly sins, such as greed, ego, lust, and so on. You feel that anger inside you, along with a heaviness in your heart and abdomen. It pulls you downward. That is hell. However, if you feel genuine love and forgiveness, your heart and abdomen feel light. You feel as though you are levitating because there is no anger within you. You can fool people or priests into believing that you do not feel anger, jealousy, lust, or other sinful emotions and that you feel love, but you cannot fool God. This sounds simple and easy, but it is extremely difficult to achieve. This is the purification of the soul. To achieve it, you must forgive even your greatest enemies, just as Jesus did on the cross.

Open Minded Approach

11,164 просмотров • 9 дней назад