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SCULPKETCH SERIES : BEAST sculpted based on Stylized comic art of Scott Oakley Zbrush Speed sculpt ZBrush Japan #artists #marvel #beast #zbrush #ComicBookArt more renders on my Instagram

Rishikesh Nandlaskar

2,251 subscribers

10,973 views • 5 months ago •via X (Twitter)

#artists #marvel #beast #zbrush #ComicBookArt

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Jan van den Hemel

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A New Era of High-Speed Freight Begins! The future of freight transportation in Indian Railways has taken a major leap forward as the country's first Vande Bharat platform-based Freight EMU begins its technical trials in West Central Railway's Kota Division. On its very first day of testing, the state-of-the-art prototype successfully achieved a top speed of 145 km/h, marking a significant milestone in India's journey towards faster, smarter, and more efficient freight logistics. Over the next month, the Kota–Nagda–Sawai Madhopur high-speed corridor will host a series of advanced trials, reaffirming Kota Division's position as Indian Railways' premier testing hub for next-generation rail technology. Designed to transform e-commerce, express parcel, cold-chain logistics, and time-bound freight services, this Vande Bharat-based Freight EMU represents the future of modern, reliable, and sustainable cargo transportation. West Central Railway | Driving Innovation. Accelerating India's Logistics. #WestCentralRailway #KotaDivision #IndianRailways #VandeBharat #FreightEMU #RailInnovation #HighSpeedRail #Logistics #MakeInIndia #FutureOfFreight #RailTechnology #AtmanirbharBharat

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Teresa Melvin

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Art on Tezos Friday Recap 🔔 → Kento by objkt on Kickstarter crosses $120K in pledges so far: 110 physical collectible cards from 40 artists, Season 01: Web Nostalgia. 🃏🎉 → ÌTÀN celebrated three years of bringing together West African artists with the exhibition ÌTÀN III: Transformation, featuring 50+ artists 💫🎂 → [UNDER CONSTRUCTION] opened in Shiraz, curated by Kika Nicolela & Mouzenn 🛠️ → ACTZ - Art Commissions September “Saudade” selections are out. Curators are contacting the chosen artists congratulations to everyone on the list. 👏🏡 → DagieDee shares Anchor, a project he's been building over the past months. It's an open-source, collector-owned preservation infrastructure for digital art. 🗃️ 🔐 → TezTree open call with Art on Tezos + FlexasuarusRex La Creme • 💪 🦖• is still open: submit a proposal for up to 1,000 tez and community votes. Deadline Sept 15. 🌳 → Over last weekend RGBMTL’s 5th edition unfolded in Montréal, featuring 247 local and international artists, curated by fellow artists and spearheaded by Strano, aitso and Nicolas Sassoon. Livestreams of both nights available. 🇨🇦✨ → “Stories We Tell Online” (objkt.one × The Second-Guess) continues with online releases and IRL shows at internet cafés in Berlin, Vienna and Linz. Curated by anika meier, Kika Nicolela and micol. 🗣️🛜 → STILL WET at Galerie Met in Berlin runs through September 5, physical and digital painting as an expanded medium, 18 artists, curated by Kika Nicolela and Ruizhe Liang. 🇩🇪🖌️ → This week’s Tezos Commons Artz Friday guest is multidisciplinary artist OGD. 🎙️🎨 Don't Miss: → Subject Through Time by Ruins, the release asks what is left of an ordinary place once a whole day has crossed it. Presented by objkt labs. 🪑🪟 → Dear Guests, Will You Take My Picture? by OONA. The performance took place at Museum of the Moving Image as the Dear Guests series finale. Presented by The Second-Guess 📸 → TOKEN01 by UBERMORGEN 🪢 ԅ( ͒ ۝ ͒ )ᕤ, a generative NFT release designed to bring a new crowd into collecting while directly supporting young creators in Vienna. Some TOKEN01s cross into RL: GRILLZ, NAILS + ARTZ. 💅🦷 📍 Vienna → Visual Voice, an audiovisual collaboration between Elisabeth Sweet and Tendrela, an AI that names the unnamed. Presented by The Second-Guess 📄🗣️ → THE OBSOLETE MATTERS by 𝘼𝘾𝘾𝙊𝙈𝙋𝘼𝙍𝙏'𝙎, with 30 artists exploring obsolescence in digital art 🕰️ 💾 → ÌTÀN III: Transformation curated by sierra renee, more than 50+ works to explore 💎 → [UNDER CONSTRUCTION] curated Kika Nicolela, featuring 26 artists 🛠️ → New on drop.art Ი𐑼: - JONGBOX by Flintpope 💮 ⚆ 🀱 - Levitations ISF145_1-8 by V4w.enko - K4rt00nz by oscar civit Image: Views of Seasons (fragmented) by Ivona Tau

Art on Tezos Friday Recap 🔔 → Kento by objkt on Kickstarter crosses $120K in pledges so far: 110 physical collectible cards from 40 artists, Season 01: Web Nostalgia. 🃏🎉 → ÌTÀN celebrated three years of bringing together West African artists with the exhibition ÌTÀN III: Transformation, featuring 50+ artists 💫🎂 → [UNDER CONSTRUCTION] opened in Shiraz, curated by Kika Nicolela & Mouzenn 🛠️ → ACTZ - Art Commissions September “Saudade” selections are out. Curators are contacting the chosen artists congratulations to everyone on the list. 👏🏡 → DagieDee shares Anchor, a project he's been building over the past months. It's an open-source, collector-owned preservation infrastructure for digital art. 🗃️ 🔐 → TezTree open call with Art on Tezos + FlexasuarusRex La Creme • 💪 🦖• is still open: submit a proposal for up to 1,000 tez and community votes. Deadline Sept 15. 🌳 → Over last weekend RGBMTL’s 5th edition unfolded in Montréal, featuring 247 local and international artists, curated by fellow artists and spearheaded by Strano, aitso and Nicolas Sassoon. Livestreams of both nights available. 🇨🇦✨ → “Stories We Tell Online” (objkt.one × The Second-Guess) continues with online releases and IRL shows at internet cafés in Berlin, Vienna and Linz. Curated by anika meier, Kika Nicolela and micol. 🗣️🛜 → STILL WET at Galerie Met in Berlin runs through September 5, physical and digital painting as an expanded medium, 18 artists, curated by Kika Nicolela and Ruizhe Liang. 🇩🇪🖌️ → This week’s Tezos Commons Artz Friday guest is multidisciplinary artist OGD. 🎙️🎨 Don't Miss: → Subject Through Time by Ruins, the release asks what is left of an ordinary place once a whole day has crossed it. Presented by objkt labs. 🪑🪟 → Dear Guests, Will You Take My Picture? by OONA. The performance took place at Museum of the Moving Image as the Dear Guests series finale. Presented by The Second-Guess 📸 → TOKEN01 by UBERMORGEN 🪢 ԅ( ͒ ۝ ͒ )ᕤ, a generative NFT release designed to bring a new crowd into collecting while directly supporting young creators in Vienna. Some TOKEN01s cross into RL: GRILLZ, NAILS + ARTZ. 💅🦷 📍 Vienna → Visual Voice, an audiovisual collaboration between Elisabeth Sweet and Tendrela, an AI that names the unnamed. Presented by The Second-Guess 📄🗣️ → THE OBSOLETE MATTERS by 𝘼𝘾𝘾𝙊𝙈𝙋𝘼𝙍𝙏'𝙎, with 30 artists exploring obsolescence in digital art 🕰️ 💾 → ÌTÀN III: Transformation curated by sierra renee, more than 50+ works to explore 💎 → [UNDER CONSTRUCTION] curated Kika Nicolela, featuring 26 artists 🛠️ → New on drop.art Ი𐑼: - JONGBOX by Flintpope 💮 ⚆ 🀱 - Levitations ISF145_1-8 by V4w.enko - K4rt00nz by oscar civit Image: Views of Seasons (fragmented) by Ivona Tau

Tezos

16,878 views • 24 days ago

I'M BACK (new direction from my social media moving fwd) After being MIA on social for the past several months, I'm getting back on the wagon. So here's what you can expect from my socials (particularly YT) moving fwd: I am throwing out all the advice I've gotten on YT regarding trying to make viral videos, catchy titles, mr beast style thumbnails, etc etc etc And instead, I'm just going to be releasing a new updated version of my sales training online, for free. It will put on YouTube. And it will be called Advanced Sales Techniques Series. I'll still have my team distribute clips of it on other channels, but that will be the main place if you want to dive in. Now, just a quick heads up before you dive into the series: This won't be a beginner style sales training. Can it help beginners? Absolutely. But it's going to be some of my most in-depth and advanced content. It's not going to be optimized to get views, at all. And quite frankly, I could give 2 shits at this point about views. My companies are both extremely successful (and profitable) without organic social media. I also don't care about being famous, either. The only reason I'm doing this is because I've spent thousands of hours on this training. And I want to put it out in the world, publicly, before the "sales training" chapter of my life is over. If you want to hear more about what's upcoming, you can check out the video below 👇 -CG

I'M BACK (new direction from my social media moving fwd) After being MIA on social for the past several months, I'm getting back on the wagon. So here's what you can expect from my socials (particularly YT) moving fwd: I am throwing out all the advice I've gotten on YT regarding trying to make viral videos, catchy titles, mr beast style thumbnails, etc etc etc And instead, I'm just going to be releasing a new updated version of my sales training online, for free. It will put on YouTube. And it will be called Advanced Sales Techniques Series. I'll still have my team distribute clips of it on other channels, but that will be the main place if you want to dive in. Now, just a quick heads up before you dive into the series: This won't be a beginner style sales training. Can it help beginners? Absolutely. But it's going to be some of my most in-depth and advanced content. It's not going to be optimized to get views, at all. And quite frankly, I could give 2 shits at this point about views. My companies are both extremely successful (and profitable) without organic social media. I also don't care about being famous, either. The only reason I'm doing this is because I've spent thousands of hours on this training. And I want to put it out in the world, publicly, before the "sales training" chapter of my life is over. If you want to hear more about what's upcoming, you can check out the video below 👇 -CG

Cole Gordon

13,049 views • 3 years ago

In my career, I've spent over $100,000 commissioning artists and animators. I held a fundraiser for animators in Japan. I've given graphic tablets to artists in need. I promote young animators that I think are talented without asking for anything in return. I created an original series (Demon Rush), with 15 manga chapters and 2 animated promo episodes- all original art and animation. Spent 4 years on it, but was not recognized for doing it the true hard way. In my latest video, I hired 3 animators and paid them well for their cuts. People on X are upset that I used AI to speed up the process in the fan animation, even though in the 4 update videos leading up to it, I was completely open about how I was using it. The same people who complained about Saitama vs Cosmic Garou having too many impact frames for their liking. I don't care about these people. They complain about literally everything. I make these for fun, not to impress anyone. Even if I spent 10 years making the best episode possible, 100% hand done, these guys would still complain. I did that before with Demon Rush. In any case, this was my last animated video. I am retiring from anime and moving onto other things, so you won't have to worry about me.

In my career, I've spent over $100,000 commissioning artists and animators. I held a fundraiser for animators in Japan. I've given graphic tablets to artists in need. I promote young animators that I think are talented without asking for anything in return. I created an original series (Demon Rush), with 15 manga chapters and 2 animated promo episodes- all original art and animation. Spent 4 years on it, but was not recognized for doing it the true hard way. In my latest video, I hired 3 animators and paid them well for their cuts. People on X are upset that I used AI to speed up the process in the fan animation, even though in the 4 update videos leading up to it, I was completely open about how I was using it. The same people who complained about Saitama vs Cosmic Garou having too many impact frames for their liking. I don't care about these people. They complain about literally everything. I make these for fun, not to impress anyone. Even if I spent 10 years making the best episode possible, 100% hand done, these guys would still complain. I did that before with Demon Rush. In any case, this was my last animated video. I am retiring from anime and moving onto other things, so you won't have to worry about me.

Mastar

75,395 views • 4 months ago

For generative AI to become an interesting art tool, we need much more control over the output. The slot-machine-like nature of pure text-to-image leaves too much to chance. Using the "Real-time Latent Consistency Model" that I'm using in the example here, is the first time I truly got a glimpse of a future where we'll be able to use our artistic skills and sensibility, to get control over AI image gen. Systems like these will never be able to match the quality or originality of a skilled artist, it won't surprise us in the same way an artist can. Things are a mess in terms of the training data these models are based on, and the questions about copyright concerns and about a time when everything will look the same are very valid. At some point capabilities like these will be embedded in photoshop, and anyone will be able to generate a pretty picture. But to create interesting designs, to tell original stories and to surprise us, we need creatives and artists with something on their mind. We'll be able to create immersive worlds, by making brush-strokes and sculpt marks, without needing to worry about all the dials, plugins, wires of our 3d and 2d tools today. I love to sculpt, I love to draw, and I love to explore new mediums and new ways to create. The Gen AI tools we have today are far from perfect, and things need to be steered in a better direction. For that we need artists to help point the way. Gen AI isn't going away.. it's too powerful and has the potential to allow us to tell stories like never before. Like all other big technological shifts, tech like this will come at a cost, but it will also open up new opportunities and empower a new generation of storytellers. I might be naive, but I believe that human ingenuity and creativity will persevere in this new world ♥️ #art #ai

For generative AI to become an interesting art tool, we need much more control over the output. The slot-machine-like nature of pure text-to-image leaves too much to chance. Using the "Real-time Latent Consistency Model" that I'm using in the example here, is the first time I truly got a glimpse of a future where we'll be able to use our artistic skills and sensibility, to get control over AI image gen. Systems like these will never be able to match the quality or originality of a skilled artist, it won't surprise us in the same way an artist can. Things are a mess in terms of the training data these models are based on, and the questions about copyright concerns and about a time when everything will look the same are very valid. At some point capabilities like these will be embedded in photoshop, and anyone will be able to generate a pretty picture. But to create interesting designs, to tell original stories and to surprise us, we need creatives and artists with something on their mind. We'll be able to create immersive worlds, by making brush-strokes and sculpt marks, without needing to worry about all the dials, plugins, wires of our 3d and 2d tools today. I love to sculpt, I love to draw, and I love to explore new mediums and new ways to create. The Gen AI tools we have today are far from perfect, and things need to be steered in a better direction. For that we need artists to help point the way. Gen AI isn't going away.. it's too powerful and has the potential to allow us to tell stories like never before. Like all other big technological shifts, tech like this will come at a cost, but it will also open up new opportunities and empower a new generation of storytellers. I might be naive, but I believe that human ingenuity and creativity will persevere in this new world ♥️ #art #ai

Martin Nebelong

1,660,623 views • 2 years ago

Chomsky can rest in peace but I will say my piece. He was a vicious anti-communist and the western left glossed over this and promoted him to this status based on this banal copasetic agreement with the consensus of the pan-left. His Anarchism was a blight on the formation of many people's minds in terms of Marxism and leftism. He couldn't even endorse the legacy of the 1917 revolution for more than a few months in 1918. Sure there was some good in it, some analysis. Some elements of the old Eugene Debs line. There was also the MIT influence, the heart of the beast, the copasetic rationalizations against the AES projects, the clear Gorbachevism and push into the project of the oblivion of the USSR. Chomsky was pushed by US establishment as a compatible left godfather and this psyop (that largely came out of the mid 1980's that was mirrored by the Gorby clan) made him a household name. The line I like from Chomsky is this: "Speaking truth to power is an illusion. The people in power are powerful because they know the truth."

Chomsky can rest in peace but I will say my piece. He was a vicious anti-communist and the western left glossed over this and promoted him to this status based on this banal copasetic agreement with the consensus of the pan-left. His Anarchism was a blight on the formation of many people's minds in terms of Marxism and leftism. He couldn't even endorse the legacy of the 1917 revolution for more than a few months in 1918. Sure there was some good in it, some analysis. Some elements of the old Eugene Debs line. There was also the MIT influence, the heart of the beast, the copasetic rationalizations against the AES projects, the clear Gorbachevism and push into the project of the oblivion of the USSR. Chomsky was pushed by US establishment as a compatible left godfather and this psyop (that largely came out of the mid 1980's that was mirrored by the Gorby clan) made him a household name. The line I like from Chomsky is this: "Speaking truth to power is an illusion. The people in power are powerful because they know the truth."

Chris Morlock

13,575 views • 2 years ago

LIBERTAS OMNIBUS ∎ The 😺's outta the 👜. Welcome Klara Vollstaedt to the ZK Nation 👋 Klara’s art was recently featured in Christie's’s 3.0 collection, Times Square, and alongside brands such as Deadfellaz, props, and Barbie. Not a Libertas Omnibus holder? Don’t FOMO (yet) — new chances to join are coming soon. Rewarding the ZK Nation Libertas Omnibus is a pioneering community engagement experience introduced by Matter Labs with the support of SummonHQ on zkSync Era, designed to reward the ZK Nation and empower leading NFT artists in their journey to extend beyond the realm of digital collectibles. Drawing inspiration from passionate AAA gaming communities such as Call of Duty, Fortnite, and World of Warcraft, the Libertas Omnibus project combines elements of modern DAOs, community-driven NFT collections, and the engaging quest-based challenges of gaming. Empowering artists The Libertas Omnibus community platform will allow Klara to embark on a journey to launch an expansive new universe inspired by her captivating series featuring starships, astronauts, and distant, uncharted realms. As the ZK Nation community builds out Libertas Omnibus, we will announce many more prominent artist and brand collaborations, as well as opportunities to engage with the ecosystem as individuals, projects, and creators. Join the token-gated Discord channel If you are a Libertas Omnibus holder, join the zkSync Guild and secure your role to access upcoming news, new quests, loot drops, and onboard new artists. Here’s how: 1️⃣ Join the Guild @ 2️⃣ Connect your wallet and Discord account 3️⃣ Go to zkSync Discord, you’ll have the Libertas Omnibus role and see a “libertas-omnibus” channel 4️⃣ If you’re still waiting for your role, hit “re-check access” to refresh the Guild page Detailed tutorial: See Klara’s breathtaking art below and keep watching here…mystery reveal 🔜

ZKsync

488,642 views • 2 years ago

Who Is Robert Mallary? Robert Mallary was one of the most successful American artists of the 1950's, known at the time mostly for his trash and assemblage and resin-based works. When the industrial resins he worked with severely poisoned him he was forced to abandon the practices that had made him famous and focus instead on digital art, possibly the first professional American artist to do so. Working at first with punch cards, he began a decades-long affair with what he called cybernetic art, the fusion of man and machine as a single creative entity. When he passed away in 1997 the work in his studio was cherry-picked by dealers and gallerists and much of the trash and assemblage work was hauled away. Surprisingly to modern sensibilities, almost all of the digital work was left untouched. This included thousands of plotters, reams of code, and even one of the first 3D prints in history, Quad II. It simply wasn't viewed as art yet. In 2019 the studio was finally sold and the remaining work was placed in a shipping container in New England, which is where we found it in 2021! Since then my life has been consumed by exploring Bob's complicated and expansive legacy through the archive and interviews with his family and friends. We've produced film and written works, reproductions of his sculptural work, a live exhibition at Pioneer Works, as well as minting progressively more of his work on ETH, both as 1/1s and editions. I'm looking forward to sharing more of Bob's work in the coming years, and I greatly appreciate everyone who has supported the project so far! (Below is EverFresh's tribute to Robert Mallary, featuring Bob on the piano! Likes and retweets are greatly appreciated!)

Who Is Robert Mallary? Robert Mallary was one of the most successful American artists of the 1950's, known at the time mostly for his trash and assemblage and resin-based works. When the industrial resins he worked with severely poisoned him he was forced to abandon the practices that had made him famous and focus instead on digital art, possibly the first professional American artist to do so. Working at first with punch cards, he began a decades-long affair with what he called cybernetic art, the fusion of man and machine as a single creative entity. When he passed away in 1997 the work in his studio was cherry-picked by dealers and gallerists and much of the trash and assemblage work was hauled away. Surprisingly to modern sensibilities, almost all of the digital work was left untouched. This included thousands of plotters, reams of code, and even one of the first 3D prints in history, Quad II. It simply wasn't viewed as art yet. In 2019 the studio was finally sold and the remaining work was placed in a shipping container in New England, which is where we found it in 2021! Since then my life has been consumed by exploring Bob's complicated and expansive legacy through the archive and interviews with his family and friends. We've produced film and written works, reproductions of his sculptural work, a live exhibition at Pioneer Works, as well as minting progressively more of his work on ETH, both as 1/1s and editions. I'm looking forward to sharing more of Bob's work in the coming years, and I greatly appreciate everyone who has supported the project so far! (Below is EverFresh's tribute to Robert Mallary, featuring Bob on the piano! Likes and retweets are greatly appreciated!)

Schmrypto ☎️

84,211 views • 3 years ago