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S-GAME (East AAA studio) - Driven by players-first mindset - Created immersive combat mechanics - Designed beautiful woman Insomniac Games - Reused gameplay from other PlayStation games - Spent millions in Sweet Baby INC consulting for Wolverine - Served a woke ideology by hiring black karens, lesbians and troons

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The first Gaelic football video game in over 20 years is hitting the shelves on Thursday - after being created by a Belfast company. ‘Gaelic Football Laochra’ by Buck Eejit Games, will be the first Irish-made video game to offer players a Gaelic Football experience, and the first to feature Gaelic games since an Australian company released a series of poorly received football and hurling titles in the mid-2000s. The game will be released for PC, XBOX and PlayStation, and it will allow players to choose any of Ireland’s county football teams, along with London and New York.

The first Gaelic football video game in over 20 years is hitting the shelves on Thursday - after being created by a Belfast company. ‘Gaelic Football Laochra’ by Buck Eejit Games, will be the first Irish-made video game to offer players a Gaelic Football experience, and the first to feature Gaelic games since an Australian company released a series of poorly received football and hurling titles in the mid-2000s. The game will be released for PC, XBOX and PlayStation, and it will allow players to choose any of Ireland’s county football teams, along with London and New York.

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That 👏 is 👏 wild 👏 Today, we proudly unveiled ✨Eriksholm: The Stolen Dream✨, Nordcurrent Labs' and River End Games' latest project. The game is full of stunning visuals inspired by early 1900s Nordic aesthetics and cleverly marries the art of storytelling, stealth, and strategy-based gameplay mechanics. The team at River End Games have poured their hearts (and probably a lot of coffee) into making this game epic. And we couldn’t be prouder to do our best with publishing it worldwide. 🔜🌍 Set to launch in 2025 for Windows PC, PlayStation 5, and Xbox Series X|S, this game features three protagonists navigating the richly detailed world of Eriksholm. Each protagonist brings unique skills and perspectives, enhancing the strategic depth and immersion of the game. Stay tuned for more updates, and don’t forget to wishlist the game 👀

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𝐏𝐥𝐞𝐚𝐬𝐞 𝐰𝐞𝐥𝐜𝐨𝐦𝐞 Unipoly Games 𝐢𝐧𝐭𝐨 Creoplay App . Our new partner is one trailblazing game studio and publisher at the forefront of the Web2 gaming industry! As one of the key players in the gaming realm, the 𝐔𝐧𝐢𝐩𝐨𝐥𝐲 𝐞𝐜𝐨𝐬𝐲𝐬𝐭𝐞𝐦 𝐜𝐨𝐧𝐬𝐢𝐬𝐭𝐬 𝐨𝐟 𝐬𝐞𝐯𝐞𝐫𝐚𝐥 𝐟𝐞𝐚𝐭𝐮𝐫𝐞𝐬, 𝐢𝐞. 𝐆𝐚𝐦𝐞𝐬, 𝐏𝐮𝐛𝐥𝐢𝐬𝐡𝐢𝐧𝐠, 𝐒𝐞𝐫𝐯𝐢𝐜𝐞𝐬, 𝐚𝐧𝐝 𝐂𝐨𝐢𝐧. Their studio has birthed game after game, the most notable being 𝐑𝐚𝐢𝐝 𝐅𝐢𝐞𝐥𝐝 𝐈𝐈 - 𝐚 𝐖𝐖𝐈𝐈-𝐭𝐡𝐞𝐦𝐞 𝐦𝐮𝐥𝐭𝐢𝐩𝐥𝐞 𝐩𝐥𝐚𝐲𝐞𝐫 𝐬𝐡𝐨𝐨𝐭𝐢𝐧𝐠 𝐠𝐚𝐦𝐞 in aerial or ground battlefields. Raid Field II was released 3 years ago by also owned by Unipoly. Here's more exciting stats of Raid Field II: • Combat-style game is • 2 Million Downloads • Close to 250,000 active players • Available on PlayStore, App Store, and Steam 𝐖𝐡𝐚𝐭 Unipoly 𝐩𝐚𝐫𝐭𝐧𝐞𝐫𝐬𝐡𝐢𝐩 𝐦𝐞𝐚𝐧𝐬 𝐟𝐨𝐫 $𝐂𝐑𝐄𝐎 Excited would be an understatement as Unipoly and Creo Engine join forces, unleashing a world of potential for both communities. Already sharing the same passion in the Web3 gaming world, both companies' core is deeply rooted in 𝐛𝐫𝐢𝐧𝐠𝐢𝐧𝐠 𝐛𝐞𝐧𝐞𝐟𝐢𝐭𝐬 𝐭𝐨 𝐮𝐬𝐞𝐫𝐬. Other than fantastic WWII gameplay in its full legendary glory, this partnership also unlocks great benefits for the $CREO community: • Increased utility and value for the token. With games of Unipoly caliber joining CreoPlay, the demands and values for $CREO, too, shall grow. • CreoPlay users can dive deep into the ever-expanding universe of immersive and engaging gaming experiences connected through blockchain technology. • Unipoly is also a big believer in bringing Web2 and Web3 games together as they, too, have transitioned along the way. With CreoDapps as a converter tool in Creo Engine, this will open a significant influx of Web2 developers for both communities. • The trust shown by Unipoly in this partnership further proves the strength and potential of our ecosystem. We’re particularly excited about the 𝐦𝐞𝐫𝐠𝐢𝐧𝐠 𝐨𝐟 𝐛𝐨𝐭𝐡 𝐜𝐨𝐦𝐦𝐮𝐧𝐢𝐭𝐢𝐞𝐬, where players of Raid Field and other Unipoly games cross over to Creo Community to explore other Web3 games available. By opening the CreoPlay gate to a community of UniPoly caliber, we are essentially increasing the traffic to the Marketplace for NFTs trading, the asset interoperability feature, and 𝐮𝐥𝐭𝐢𝐦𝐚𝐭𝐞𝐥𝐲 𝐭𝐡𝐞 𝐮𝐭𝐢𝐥𝐢𝐭𝐲 𝐨𝐟 $𝐂𝐑𝐄𝐎. Note that Unipoly NFTs are currently in the cooking and will soon be available for fans. So, get ready to enter the war battlefields, Creotizens! Head to for more information! This is just the beginning for $CREO, more similar partnership will follow soon! Stay peeled on as your best Web3 gaming platform!

𝐏𝐥𝐞𝐚𝐬𝐞 𝐰𝐞𝐥𝐜𝐨𝐦𝐞 Unipoly Games 𝐢𝐧𝐭𝐨 Creoplay App . Our new partner is one trailblazing game studio and publisher at the forefront of the Web2 gaming industry! As one of the key players in the gaming realm, the 𝐔𝐧𝐢𝐩𝐨𝐥𝐲 𝐞𝐜𝐨𝐬𝐲𝐬𝐭𝐞𝐦 𝐜𝐨𝐧𝐬𝐢𝐬𝐭𝐬 𝐨𝐟 𝐬𝐞𝐯𝐞𝐫𝐚𝐥 𝐟𝐞𝐚𝐭𝐮𝐫𝐞𝐬, 𝐢𝐞. 𝐆𝐚𝐦𝐞𝐬, 𝐏𝐮𝐛𝐥𝐢𝐬𝐡𝐢𝐧𝐠, 𝐒𝐞𝐫𝐯𝐢𝐜𝐞𝐬, 𝐚𝐧𝐝 𝐂𝐨𝐢𝐧. Their studio has birthed game after game, the most notable being 𝐑𝐚𝐢𝐝 𝐅𝐢𝐞𝐥𝐝 𝐈𝐈 - 𝐚 𝐖𝐖𝐈𝐈-𝐭𝐡𝐞𝐦𝐞 𝐦𝐮𝐥𝐭𝐢𝐩𝐥𝐞 𝐩𝐥𝐚𝐲𝐞𝐫 𝐬𝐡𝐨𝐨𝐭𝐢𝐧𝐠 𝐠𝐚𝐦𝐞 in aerial or ground battlefields. Raid Field II was released 3 years ago by also owned by Unipoly. Here's more exciting stats of Raid Field II: • Combat-style game is • 2 Million Downloads • Close to 250,000 active players • Available on PlayStore, App Store, and Steam 𝐖𝐡𝐚𝐭 Unipoly 𝐩𝐚𝐫𝐭𝐧𝐞𝐫𝐬𝐡𝐢𝐩 𝐦𝐞𝐚𝐧𝐬 𝐟𝐨𝐫 $𝐂𝐑𝐄𝐎 Excited would be an understatement as Unipoly and Creo Engine join forces, unleashing a world of potential for both communities. Already sharing the same passion in the Web3 gaming world, both companies' core is deeply rooted in 𝐛𝐫𝐢𝐧𝐠𝐢𝐧𝐠 𝐛𝐞𝐧𝐞𝐟𝐢𝐭𝐬 𝐭𝐨 𝐮𝐬𝐞𝐫𝐬. Other than fantastic WWII gameplay in its full legendary glory, this partnership also unlocks great benefits for the $CREO community: • Increased utility and value for the token. With games of Unipoly caliber joining CreoPlay, the demands and values for $CREO, too, shall grow. • CreoPlay users can dive deep into the ever-expanding universe of immersive and engaging gaming experiences connected through blockchain technology. • Unipoly is also a big believer in bringing Web2 and Web3 games together as they, too, have transitioned along the way. With CreoDapps as a converter tool in Creo Engine, this will open a significant influx of Web2 developers for both communities. • The trust shown by Unipoly in this partnership further proves the strength and potential of our ecosystem. We’re particularly excited about the 𝐦𝐞𝐫𝐠𝐢𝐧𝐠 𝐨𝐟 𝐛𝐨𝐭𝐡 𝐜𝐨𝐦𝐦𝐮𝐧𝐢𝐭𝐢𝐞𝐬, where players of Raid Field and other Unipoly games cross over to Creo Community to explore other Web3 games available. By opening the CreoPlay gate to a community of UniPoly caliber, we are essentially increasing the traffic to the Marketplace for NFTs trading, the asset interoperability feature, and 𝐮𝐥𝐭𝐢𝐦𝐚𝐭𝐞𝐥𝐲 𝐭𝐡𝐞 𝐮𝐭𝐢𝐥𝐢𝐭𝐲 𝐨𝐟 $𝐂𝐑𝐄𝐎. Note that Unipoly NFTs are currently in the cooking and will soon be available for fans. So, get ready to enter the war battlefields, Creotizens! Head to for more information! This is just the beginning for $CREO, more similar partnership will follow soon! Stay peeled on as your best Web3 gaming platform!

Creo Engine

176,873 views • 2 years ago

Introducing Onmi®: a treasure map in your phone WHAT IS ONMI: WEBSITE: - Onmi — the first global AR Game with a storyline. - Digital fashion items can be swapped for real-life versions. is the first announced. - First in mobile game sound design from iconic dj & producer Nina Kraviz, first involvement since Cyberpunk 2077. - Reality 2.0: digital is real with AR — utility solutions for partners. - The first 10,000 users are genuine backers; there are no VC that are gonna cash out. Partners & Collaborators: Magic Eden 🪄, Nina Kraviz, ABRA (luxury fashion brand; Created by former Balenciaga boots designer), b0rder1ess, Rug Radio, nft now, CryptoBanter and others. THE APP Already in App Store & Google Play: the Alpha version underwent over 100 builds, ensuring a polished product. Developed by a team of industry veterans. Onmi merges the real and virtual worlds through an AR Game that unfolds on city streets globally, providing a highly immersive experience. Quarterly events transform entire cities into battlefields, offering prizes worth millions, adding a thrilling competitive edge similar to the Hunger Games. High-Quality Gaming Experience: Unlike typical memecoins or crypto games, Onmi delivers a smooth, visually stunning gaming experience designed. The game includes engaging treasure hunts and socialization features, enhancing user interaction and enjoyment. Onmi offers a strong investment opportunity with its pre-token sale, backed by a professional team and AAA+ quality development and design. ❕HOW TO GET WHITELISTED 1. Install app & create game account: iOS | Android; 2. Join Whitelist on 3. Link game account inside Whitelist. ❕MINT (via Magic Eden): 05.09 Let’s play in this world!

Onmi®

33,890 views • 2 years ago

Crypto Game Changers Episode 9: 🎙️In this exciting interview catch us talking with Theodore Agranat, director of Web3 at Gunzilla Games and the studio behind the world’s first AAA blockchain-enable gaming title, Off The Grid! Watch for key insights about: 🔹Building the GUNZ ecosystem 🔹Creating entertaining gaming experiences that stick 🔹On-boarding the masses to Web3 gaming 🔹Digital Ownership in games 🔹What’s next for Gunzilla Games? Timestamps: 0:00 Intro 2:20 Theodore Agranat, Director of Web3 at Gunzilla Games 3:16 The A-ha Moment for the Team 6:09 The Gunzilla Games Ecosystem 8:14 Mistakes Founder’s Make When Pitching to Investors 11:55 How Large is Off The Grid now? 13:35 The Snowball Effect for Gunzilla 16:52 What Demographic is Off The Grid attracting? 18:35 Key Retention Strategies 20:40 Digital Ownership, Fortnite Skins 22:47 The Marketing Strategy 25:00 Marketing Channels that were Surprisingly Effective 26:35 Why Avalanche? 28:00 Why Other Web3 Games Shutdown, and Why Gunzilla Games is Thriving 30:51 What’s next for Gunzilla Games? Hosted by PlayToEarn’s CMO Jawad Ali (Jawad Ali)

Crypto Game Changers Episode 9: 🎙️In this exciting interview catch us talking with Theodore Agranat, director of Web3 at Gunzilla Games and the studio behind the world’s first AAA blockchain-enable gaming title, Off The Grid! Watch for key insights about: 🔹Building the GUNZ ecosystem 🔹Creating entertaining gaming experiences that stick 🔹On-boarding the masses to Web3 gaming 🔹Digital Ownership in games 🔹What’s next for Gunzilla Games? Timestamps: 0:00 Intro 2:20 Theodore Agranat, Director of Web3 at Gunzilla Games 3:16 The A-ha Moment for the Team 6:09 The Gunzilla Games Ecosystem 8:14 Mistakes Founder’s Make When Pitching to Investors 11:55 How Large is Off The Grid now? 13:35 The Snowball Effect for Gunzilla 16:52 What Demographic is Off The Grid attracting? 18:35 Key Retention Strategies 20:40 Digital Ownership, Fortnite Skins 22:47 The Marketing Strategy 25:00 Marketing Channels that were Surprisingly Effective 26:35 Why Avalanche? 28:00 Why Other Web3 Games Shutdown, and Why Gunzilla Games is Thriving 30:51 What’s next for Gunzilla Games? Hosted by PlayToEarn’s CMO Jawad Ali (Jawad Ali)

PlayToEarn

81,386 views • 1 year ago

A classic from the golden era: Anno 1602 (created by Max Design in 1998). It was a massive surprise blockbuster, both commercially and critically acclaimed. The game kickstarted what eventually turned into a franchise that is still alive today with its most recent release, Anno 117, from November 2025. So, what made the first Anno game so great? For its time it showed incredible attention to detail: excellent graphics, a wonderful soundtrack, and above all a highly addictive “just one more minute” gameplay - seeing your empire grow through colonization and trade. Other games such as Sim City or The Settlers had a similar vibe, that slow and steady progress, and sometimes just zooming out and looking at what you had created was reward enough. This was also true for Anno, simply looking at it, while life hustled and bustled by, was wonderful. Perfect for late night gaming sessions when reflexes and speed were not at peak anymore.

A classic from the golden era: Anno 1602 (created by Max Design in 1998). It was a massive surprise blockbuster, both commercially and critically acclaimed. The game kickstarted what eventually turned into a franchise that is still alive today with its most recent release, Anno 117, from November 2025. So, what made the first Anno game so great? For its time it showed incredible attention to detail: excellent graphics, a wonderful soundtrack, and above all a highly addictive “just one more minute” gameplay - seeing your empire grow through colonization and trade. Other games such as Sim City or The Settlers had a similar vibe, that slow and steady progress, and sometimes just zooming out and looking at what you had created was reward enough. This was also true for Anno, simply looking at it, while life hustled and bustled by, was wonderful. Perfect for late night gaming sessions when reflexes and speed were not at peak anymore.

exQUIZitely 🕹️

10,458 views • 28 days ago

TWO DEVS BUILT A FULL MULTIPLAYER 3D GAME WITH WEBGL + THREE.JS - IN 5.7MB. NO UNITY. NO INSTALL. "Messenger" by Abeto is a planetary-delivery game: you're a kid on a tiny round world, dropping off mail, bumping into real players, waving with emojis. It runs entirely in a browser tab. The part that breaks your brain is the size. The whole thing loads in ~5.7MB. Not 5.7GB. Megabytes. You click a link and you're already playing - no download, no launcher, no account. what's under the hood: → WebGL + Three.js as the core - no Unity, no Godot → three-mesh-bvh for fast collisions on the curved planet → 3D models in Houdini + Blender, textures from Substance → real-time multiplayer over WebSockets on Node.js → lo-fi soundtrack streamed in, not bundled for scale: → AAA games ship at 50-150GB → this is ~10,000× lighter → install time for most 3D games: minutes → this: ~0 seconds → platform needed: none. it's a URL. We spent a decade saying "real games need a 100GB download and a gaming rig." A two-person studio just shipped a multiplayer 3D world that fits in the size of a few photos and opens in a tab. The browser quietly became a game console. Most people haven't noticed yet. 🔗 Link:

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ZEUS⚡️

50,596 views • 2 months ago

Compulsion Games Compulsion Games blocks Smash JT, @kabrutusrambo, myself and others as they post tepid gameplay trailer for SBI game "South by Midnight" releasing in 2025 The community manager hates gamers, Asians and whites and has locked their account down. Recap of my original story when insiders came forward to talk about the problems with the game and studio: UPDATE: More ex-developers come forth about Sweet Baby Inc. project, South of Midnight, by Compulsion Games - The Community Mgr is still protected after saying she hates gamers and has a problem with Asian & White people. - Main character was race swapped in order to better reflect a tale set in the deep South after MS and SBI involvement. - The team that created their past celebrated title, "We Happy Few," is mostly gone, leaving after being disillusioned about changes after the XBOX MS and SBI involvement, studio politics, and more. - Less than 10% of the original "We Happy Few" team remains. - Promotion of non qualified staff to lead and management positions resulted in a mess of a project. "No idea how to make a game." - SBI and a POC writer were brought on board to help with a more authentic perspective. - The gamer hating community manger, Katie 🇵🇸🇨🇩🇸🇩🇭🇹 is cited on one of the many incompetent staff promoted or hired into senior positions who does no actual work. - Devs paint a picture of a passion project by the Creative Director, who grew up in the South, gone awry after MS money. Project in poor state of development, good devs with good intentions being ham-strung by poor hires and promotions not based on merit, and very poor community management. "There are many good people there."

Compulsion Games Compulsion Games blocks Smash JT, @kabrutusrambo, myself and others as they post tepid gameplay trailer for SBI game "South by Midnight" releasing in 2025 The community manager hates gamers, Asians and whites and has locked their account down. Recap of my original story when insiders came forward to talk about the problems with the game and studio: UPDATE: More ex-developers come forth about Sweet Baby Inc. project, South of Midnight, by Compulsion Games - The Community Mgr is still protected after saying she hates gamers and has a problem with Asian & White people. - Main character was race swapped in order to better reflect a tale set in the deep South after MS and SBI involvement. - The team that created their past celebrated title, "We Happy Few," is mostly gone, leaving after being disillusioned about changes after the XBOX MS and SBI involvement, studio politics, and more. - Less than 10% of the original "We Happy Few" team remains. - Promotion of non qualified staff to lead and management positions resulted in a mess of a project. "No idea how to make a game." - SBI and a POC writer were brought on board to help with a more authentic perspective. - The gamer hating community manger, Katie 🇵🇸🇨🇩🇸🇩🇭🇹 is cited on one of the many incompetent staff promoted or hired into senior positions who does no actual work. - Devs paint a picture of a passion project by the Creative Director, who grew up in the South, gone awry after MS money. Project in poor state of development, good devs with good intentions being ham-strung by poor hires and promotions not based on merit, and very poor community management. "There are many good people there."

Grummz

112,574 views • 1 year ago

Documentary for Sweet Baby Inc. game South of Midnight just dropped. - The video opens with a talk about "empathy for people who aren't like you." and the video ends with heavy talk about the importance of "representation." Make of that what you will. - Devs paint a picture of a passion project by the Creative Director, who grew up in the South, gone awry after MS money. Project in poor state of development, good devs with good intentions being ham-strung by poor hires and promotions not based on merit, and very poor community management. "There are many good people there." Here is a recap of what insiders have told me about Compulsion Games and South of Midnight: - We know the character, Hazel, was race swapped after SBI and Microsoft came on board. - The team that created their past celebrated title, "We Happy Few," is mostly gone, leaving after being disillusioned about changes after the XBOX MS and SBI involvement, studio politics, and more. - Promotion of non qualified staff to lead and management positions resulted in a mess of a project. "No idea how to make a game." - The community manager is known to be openly racist. K8E 🍉 is cited on one of the many incompetent staff promoted or hired into senior positions who does no actual work. A quick glance at the company page she manages, Compulsion Games, reveal virtually NO info about the game and consist of endless RETWEETS of DEI related matters and promotions about OTHER games and companies. (This is a repost of my former report and since then the company account has been focusing much more on the game, The CM has since relocated to BSky after going protected on X). - Devs paint a picture of a passion project by the Creative Director, who grew up in the South, gone awry after MS money. Project in poor state of development, good devs with good intentions being ham-strung by poor hires and promotions not based on merit, and very poor community management. "There are many good people there." My thoughts: This is a beautiful looking game, and I can really sense the passion in the Creative Director's thoughts. I really hope SBI and MS haven't ruined this game with DEI policies and by hiring SBI and that the gameplay matches the visuals. That said, I don't think we should support ANY game with SBI involvement: Identify as non-buynary. Sources: Multiple confirmed insiders from Compulsion Games, X posts via CM for South of Midnight.

Documentary for Sweet Baby Inc. game South of Midnight just dropped. - The video opens with a talk about "empathy for people who aren't like you." and the video ends with heavy talk about the importance of "representation." Make of that what you will. - Devs paint a picture of a passion project by the Creative Director, who grew up in the South, gone awry after MS money. Project in poor state of development, good devs with good intentions being ham-strung by poor hires and promotions not based on merit, and very poor community management. "There are many good people there." Here is a recap of what insiders have told me about Compulsion Games and South of Midnight: - We know the character, Hazel, was race swapped after SBI and Microsoft came on board. - The team that created their past celebrated title, "We Happy Few," is mostly gone, leaving after being disillusioned about changes after the XBOX MS and SBI involvement, studio politics, and more. - Promotion of non qualified staff to lead and management positions resulted in a mess of a project. "No idea how to make a game." - The community manager is known to be openly racist. K8E 🍉 is cited on one of the many incompetent staff promoted or hired into senior positions who does no actual work. A quick glance at the company page she manages, Compulsion Games, reveal virtually NO info about the game and consist of endless RETWEETS of DEI related matters and promotions about OTHER games and companies. (This is a repost of my former report and since then the company account has been focusing much more on the game, The CM has since relocated to BSky after going protected on X). - Devs paint a picture of a passion project by the Creative Director, who grew up in the South, gone awry after MS money. Project in poor state of development, good devs with good intentions being ham-strung by poor hires and promotions not based on merit, and very poor community management. "There are many good people there." My thoughts: This is a beautiful looking game, and I can really sense the passion in the Creative Director's thoughts. I really hope SBI and MS haven't ruined this game with DEI policies and by hiring SBI and that the gameplay matches the visuals. That said, I don't think we should support ANY game with SBI involvement: Identify as non-buynary. Sources: Multiple confirmed insiders from Compulsion Games, X posts via CM for South of Midnight.

Grummz

711,428 views • 1 year ago

Did you know that Simon the Sorcerer (1993) was born out of a failed licensing agreement between Terry Pratchett (Discworld) and Adventure Soft? Prior to working on Simon the Sorcerer, Adventure Soft was mostly known for their horror-themed games, such as Elvira or Waxworks (under the Horror Soft label). The idea to move towards more family friendly games was mostly motivated by the huge popularity of games such as Monkey Island and Legend of Kyrandia. Simon the Sorcerer had a very vibrant style, with bold colors and beautiful pixel art. Every graphic was first hand-drawn on paper, then scanned, and manually colored in the final step. In typical point and click adventure style, you navigate Simon through almost 50 of these hand-drawn screens, solving puzzles by collecting and using items, and talking to other characters, looking for clues. Pretty much all adventure games from that era followed the same script, and that was fine. Adventure Soft obviously never had the same marketing power as LucasArts or Sierra, but Simon the Sorcerer still managed to sell over half a million units, which made the game highly profitable for a small family owned game studio from the UK and became their biggest hit ever.

Did you know that Simon the Sorcerer (1993) was born out of a failed licensing agreement between Terry Pratchett (Discworld) and Adventure Soft? Prior to working on Simon the Sorcerer, Adventure Soft was mostly known for their horror-themed games, such as Elvira or Waxworks (under the Horror Soft label). The idea to move towards more family friendly games was mostly motivated by the huge popularity of games such as Monkey Island and Legend of Kyrandia. Simon the Sorcerer had a very vibrant style, with bold colors and beautiful pixel art. Every graphic was first hand-drawn on paper, then scanned, and manually colored in the final step. In typical point and click adventure style, you navigate Simon through almost 50 of these hand-drawn screens, solving puzzles by collecting and using items, and talking to other characters, looking for clues. Pretty much all adventure games from that era followed the same script, and that was fine. Adventure Soft obviously never had the same marketing power as LucasArts or Sierra, but Simon the Sorcerer still managed to sell over half a million units, which made the game highly profitable for a small family owned game studio from the UK and became their biggest hit ever.

exQUIZitely 🕹️

10,608 views • 1 month ago

Today, Black & White turns 25 years old. Happy birthday! Developed by Lionhead Studios and published by Electronic Arts on 27 March 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

Today, Black & White turns 25 years old. Happy birthday! Developed by Lionhead Studios and published by Electronic Arts on 27 March 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

exQUIZitely 🕹️

106,568 views • 5 months ago

Dear new followers! We're Moonhood, a small indie studio in Gothenburg, Sweden - founded by the creators of IPs like #LostinRandom 🎲 and #GhostGiant 👻! We make games set in a dark and mysterious fairy tale world, hand-sculpted in clay! We've been working hard on our first title for nearly two years now, and of course we can't wait to reveal it.🦉 Meanwhile, enjoy the documentation of our process - from chunk of clay to finished game - with meaty gameplay reveals to come. We hope you'll enjoy your stay on our little moon. 🌜 #gamedev

Dear new followers! We're Moonhood, a small indie studio in Gothenburg, Sweden - founded by the creators of IPs like #LostinRandom 🎲 and #GhostGiant 👻! We make games set in a dark and mysterious fairy tale world, hand-sculpted in clay! We've been working hard on our first title for nearly two years now, and of course we can't wait to reveal it.🦉 Meanwhile, enjoy the documentation of our process - from chunk of clay to finished game - with meaty gameplay reveals to come. We hope you'll enjoy your stay on our little moon. 🌜 #gamedev

The Midnight Walk - Out now on Switch 2, PC & PS5!

22,578 views • 2 years ago

🚨GAMING NEEDS A RESET: WHY ELON'S GAME STUDIO COULD CHANGE EVERYTHING The gaming industry desperately needs a shake-up. What once was a medium defined by imagination, fun, and pushing technological boundaries has increasingly become formulaic, predictable, and disconnected from what players actually want. As Tim Sweeney, Founder and CEO of Epic Games, perfectly articulated: "There's one constant in gaming that gets lost—fun. People play games for fun. A lot of recent failures didn't deliver fun, or not enough to compete with real life. Everything else—politics, drama—is a sideshow. The core problem is a failure to deliver fun." This insight from one of gaming's most successful visionaries cuts to the heart of the issue. Major studios have fallen into a cycle of risk-aversion – churning out sequel after sequel while prioritizing monetization schemes over gameplay innovation. Meanwhile, creative decisions increasingly cater to external pressures rather than addressing Sweeney's fundamental truth. Enter a potential catalyst for change. A new AI-focused game studio backed by someone with resources, technological vision, and a track record of transforming calcified industries represents exactly what gaming needs right now – an outsider's perspective unencumbered by industry groupthink. For too long, gaming has been caught between corporate profit-maximization and agenda-driven messaging. A fresh approach that returns to Sweeney's simple truth—that fun is the constant that matters most—could spark a renaissance in an art form that millions love but increasingly find disappointing.

🚨GAMING NEEDS A RESET: WHY ELON'S GAME STUDIO COULD CHANGE EVERYTHING The gaming industry desperately needs a shake-up. What once was a medium defined by imagination, fun, and pushing technological boundaries has increasingly become formulaic, predictable, and disconnected from what players actually want. As Tim Sweeney, Founder and CEO of Epic Games, perfectly articulated: "There's one constant in gaming that gets lost—fun. People play games for fun. A lot of recent failures didn't deliver fun, or not enough to compete with real life. Everything else—politics, drama—is a sideshow. The core problem is a failure to deliver fun." This insight from one of gaming's most successful visionaries cuts to the heart of the issue. Major studios have fallen into a cycle of risk-aversion – churning out sequel after sequel while prioritizing monetization schemes over gameplay innovation. Meanwhile, creative decisions increasingly cater to external pressures rather than addressing Sweeney's fundamental truth. Enter a potential catalyst for change. A new AI-focused game studio backed by someone with resources, technological vision, and a track record of transforming calcified industries represents exactly what gaming needs right now – an outsider's perspective unencumbered by industry groupthink. For too long, gaming has been caught between corporate profit-maximization and agenda-driven messaging. A fresh approach that returns to Sweeney's simple truth—that fun is the constant that matters most—could spark a renaissance in an art form that millions love but increasingly find disappointing.

Mario Nawfal

276,074 views • 1 year ago

Blood Message | Reveal Trailer ▶️ Details ▪️Coming to PC and consoles ▪️NetEase's first AAA single player title, narrative-driven linear action adventure game by ThunderFire Entertainment ▪️Based around the historical event of "Dunhuang's Uprising" ▪️Set during the final years of the Tang Dynasty in the year 848, you play as a "nameless messenger who embarks on a perilous 1000 mile eastward journey to deliver a message that holds the fate of his homeland" ▪️Cross lethal landscapes including "desolate deserts, vast wilderness of the East and Central Asia, survive brutal sieges, unforgiving terrain and overwhelming odds" ▪️Setting provides a "cultural landmark of Chinese history that frames the story with customs, culture, and rich history of the era" ▪️Narrative-driven gameplay anchored in cinematic storytelling ▪️Visceral, realistic combat blending stealth and survival mechanics ▪️"Deeply emotional journey exploring themes of family, honor, sacrifice, and cultural identity"

Blood Message | Reveal Trailer ▶️ Details ▪️Coming to PC and consoles ▪️NetEase's first AAA single player title, narrative-driven linear action adventure game by ThunderFire Entertainment ▪️Based around the historical event of "Dunhuang's Uprising" ▪️Set during the final years of the Tang Dynasty in the year 848, you play as a "nameless messenger who embarks on a perilous 1000 mile eastward journey to deliver a message that holds the fate of his homeland" ▪️Cross lethal landscapes including "desolate deserts, vast wilderness of the East and Central Asia, survive brutal sieges, unforgiving terrain and overwhelming odds" ▪️Setting provides a "cultural landmark of Chinese history that frames the story with customs, culture, and rich history of the era" ▪️Narrative-driven gameplay anchored in cinematic storytelling ▪️Visceral, realistic combat blending stealth and survival mechanics ▪️"Deeply emotional journey exploring themes of family, honor, sacrifice, and cultural identity"

Shinobi602

354,495 views • 1 year ago