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Showing some hair details✨ Each strand has multiple adjustable parameters for better customization. A quick Live2D 5.2 vs 5.3 coloring comparison is added at the end, 5.3 handles gradients and dark hair more nicely. We’ll update once VTube Studio supports it 💛 #Live2D #Vtuber

Kyoki_studio@Art&Live2D

30,091 subscribers

24,922 просмотров • 7 месяцев назад •via X (Twitter)

Игры Искусство Наука и технологии #Live2D #Vtuber

Anya Rossi• Live Now

Private livecam show

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Live2D 5.3 is officially here with groundbreaking features! While VTube Studio (VTS) support might take some time, you can actually use 5.3 features RIGHT NOW using #NizimaLIVE (nizima LIVE - Live2D公式VTuberアプリ )! Here is my model made in 5.3 running smoothly!!!👇 ✅Pros: -Official App: Developed by Live2D themselves. -5.3 Beta Support: Includes new Blend Modes and Off-screen Rendering! -Perfect Sync: Full iOS support. -Precision: Extremely fine-tuned parameter adjustments. -Effects: Built-in preset effects. ⚠️Notes: -Commercial use requires a paid subscription. -No direct Vbridger support (though parameters like JawOpen, Funnel, Pucker, and Shrug are compatible! Plenty of room for expressions). -Lacks YouTube/Twitch integration plugins. Give the free version a try! If you have any questions, feel free to ask me👍

Live2D 5.3 is officially here with groundbreaking features! While VTube Studio (VTS) support might take some time, you can actually use 5.3 features RIGHT NOW using #NizimaLIVE (nizima LIVE - Live2D公式VTuberアプリ )! Here is my model made in 5.3 running smoothly!!!👇 ✅Pros: -Official App: Developed by Live2D themselves. -5.3 Beta Support: Includes new Blend Modes and Off-screen Rendering! -Perfect Sync: Full iOS support. -Precision: Extremely fine-tuned parameter adjustments. -Effects: Built-in preset effects. ⚠️Notes: -Commercial use requires a paid subscription. -No direct Vbridger support (though parameters like JawOpen, Funnel, Pucker, and Shrug are compatible! Plenty of room for expressions). -Lacks YouTube/Twitch integration plugins. Give the free version a try! If you have any questions, feel free to ask me👍

Noy Ururuka🎀🐺illust/rigger

28,867 просмотров • 6 месяцев назад

Mochi-chan is now officially available 🥹! Enjoy 25% off for the first week of launch — don’t let this deal slip away! Boasting 397 adjustable parameters, this model can achieve far more effects than the ones displayed in the showcase. All presets are also configured as one-click buttons for quick transformations, promising a fun and seamless customization experience ✨. More updates for this model are coming your way soon! Purchase link: #CustomizableVtuber #Live2D #Chibi

Mochi-chan is now officially available 🥹! Enjoy 25% off for the first week of launch — don’t let this deal slip away! Boasting 397 adjustable parameters, this model can achieve far more effects than the ones displayed in the showcase. All presets are also configured as one-click buttons for quick transformations, promising a fun and seamless customization experience ✨. More updates for this model are coming your way soon! Purchase link: #CustomizableVtuber #Live2D #Chibi

MochiNeko🐈️🐾LIVE2D

56,444 просмотров • 7 месяцев назад

Coming soon! Someone requested a sleeved version of my exisiting controller asset a few weeks ago and with the timing and the new vtube studio native controller support, I decided it was time for an overall upgrade! I still have a few kinks to work through but I have huge respect for live2d artists working on a controller asset right now because the parameters ( along with the amount of things that go wrong ) are crazy with this one. Anyways so excited for all these new updates, stick to the end of the video to see all the customization options! Oh and this is with 0 camera tracking and best used with gyro controller! #live2dwip #vtubestudio

Coming soon! Someone requested a sleeved version of my exisiting controller asset a few weeks ago and with the timing and the new vtube studio native controller support, I decided it was time for an overall upgrade! I still have a few kinks to work through but I have huge respect for live2d artists working on a controller asset right now because the parameters ( along with the amount of things that go wrong ) are crazy with this one. Anyways so excited for all these new updates, stick to the end of the video to see all the customization options! Oh and this is with 0 camera tracking and best used with gyro controller! #live2dwip #vtubestudio

Chisa ♡ Live2D Artist

96,352 просмотров • 4 месяцев назад

Creating the outfits of your dreams is about to get even easier! ♡ Dress Up View: Tired of asking your friends if your hair looks ok in the back!? Freely control your view while in Dress Up Mode, helping you zoom into small details while coloring/toggling, seeing how your hair looks from behind, and perfecting accessories like back bows and backpacks! ♡ New Multiselect Color Button: Use this special setting while in Coloring Mode to select and change multiple colors at the same time, (works for furniture too!) and a new "Reset Colors" button for accessories when you need a fresh start! ♡ New "Expand" button for Designs! See more patterns at once and scroll through them easier to find the perfect textures for your outfits, located in 99 Colors & Designs Palette! P.S.... ❤️RED BUTTON!!❤️ ♡ Toggles Interface Cutesy Glow-Up! Includes a Back and Next button on the "Cycle Through Variations" feature to make designing an item exactly how you want it easier! These helpful new features will be released in the upcoming update to Royale High! ✨

Creating the outfits of your dreams is about to get even easier! ♡ Dress Up View: Tired of asking your friends if your hair looks ok in the back!? Freely control your view while in Dress Up Mode, helping you zoom into small details while coloring/toggling, seeing how your hair looks from behind, and perfecting accessories like back bows and backpacks! ♡ New Multiselect Color Button: Use this special setting while in Coloring Mode to select and change multiple colors at the same time, (works for furniture too!) and a new "Reset Colors" button for accessories when you need a fresh start! ♡ New "Expand" button for Designs! See more patterns at once and scroll through them easier to find the perfect textures for your outfits, located in 99 Colors & Designs Palette! P.S.... ❤️RED BUTTON!!❤️ ♡ Toggles Interface Cutesy Glow-Up! Includes a Back and Next button on the "Cycle Through Variations" feature to make designing an item exactly how you want it easier! These helpful new features will be released in the upcoming update to Royale High! ✨

Royale High ✨

452,974 просмотров • 2 лет назад

Hello everyone! 👋 I'm the Assistant of Chaliz! 🛠️ The second episode of recreating your OCs with LizMeta is here! 🎉 To those whose OCs weren't selected this time, it might be for various reasons, for example: We thought your OC required texture modifications. The specific features involved are still under development. We simply ran out of time and could only do this many customizations! etc... Please note that this doesn't mean your OC can't be created at all! Everyone's OCs are just too adorable! 🥰 I'm a bit scared I didn't do them justice, boo-hoo... 😭 (Haha, actually, I tried my best! I looked at your reference pictures, avatars, and even checked your profiles to guess your favorite styles... 👀) In fact, you can probably tell that the model has a huge potential range. If the OC I created looks different from your style, ahhhhh, please don't doubt the model!! 😱 It might just be a problem with my customization skills: ( A huge thank you to everyone who sent in pictures for our testing! Don't be discouraged if you weren't chosen this time! There is one last chance! For the final round, I will show the entire customization process, and the number of participants might not be very high this time, so I hope you can help by liking, following, and sharing! Thank you so much!! A Small Note Regarding Gradients As you can see, the hair texture of our model is excellent and looks just like hand-drawn art by an artist. All the highlights are separate layers, ensuring they move naturally with the hair and preventing any separation issues. The rigging of the entire model is also very natural and dynamic. ✨ However, precisely because of this high quality, the Live2D production software is struggling to handle the load and is almost at its limit. Therefore, we regret to inform you that we cannot add gradients to the model's base mesh. 🙅‍♂️ You will only be able to achieve a gradient effect by modifying the textures. To help with this, we will provide a gradient hair texture for easy modification. If you have more specific needs, you will need to modify the textures yourself or ask another artist to do it for you. Currently, we are working on adding easy-to-adjust gradients to the "Head-Only" model, but it is still in the testing phase and might be included in the second wave of updates. Ahhhhh, we really hope the Live2D team optimizes this stuff ASAP!!! 😫 We really want to add everything into the model, but the truth is, we're just out of space... so sad. When Live2D gets optimized, we can finally add gradients directly into the model itself! #Live2D #vtuber #LizMetaCustomizableVtuber

Hello everyone! 👋 I'm the Assistant of Chaliz! 🛠️ The second episode of recreating your OCs with LizMeta is here! 🎉 To those whose OCs weren't selected this time, it might be for various reasons, for example: We thought your OC required texture modifications. The specific features involved are still under development. We simply ran out of time and could only do this many customizations! etc... Please note that this doesn't mean your OC can't be created at all! Everyone's OCs are just too adorable! 🥰 I'm a bit scared I didn't do them justice, boo-hoo... 😭 (Haha, actually, I tried my best! I looked at your reference pictures, avatars, and even checked your profiles to guess your favorite styles... 👀) In fact, you can probably tell that the model has a huge potential range. If the OC I created looks different from your style, ahhhhh, please don't doubt the model!! 😱 It might just be a problem with my customization skills: ( A huge thank you to everyone who sent in pictures for our testing! Don't be discouraged if you weren't chosen this time! There is one last chance! For the final round, I will show the entire customization process, and the number of participants might not be very high this time, so I hope you can help by liking, following, and sharing! Thank you so much!! A Small Note Regarding Gradients As you can see, the hair texture of our model is excellent and looks just like hand-drawn art by an artist. All the highlights are separate layers, ensuring they move naturally with the hair and preventing any separation issues. The rigging of the entire model is also very natural and dynamic. ✨ However, precisely because of this high quality, the Live2D production software is struggling to handle the load and is almost at its limit. Therefore, we regret to inform you that we cannot add gradients to the model's base mesh. 🙅‍♂️ You will only be able to achieve a gradient effect by modifying the textures. To help with this, we will provide a gradient hair texture for easy modification. If you have more specific needs, you will need to modify the textures yourself or ask another artist to do it for you. Currently, we are working on adding easy-to-adjust gradients to the "Head-Only" model, but it is still in the testing phase and might be included in the second wave of updates. Ahhhhh, we really hope the Live2D team optimizes this stuff ASAP!!! 😫 We really want to add everything into the model, but the truth is, we're just out of space... so sad. When Live2D gets optimized, we can finally add gradients directly into the model itself! #Live2D #vtuber #LizMetaCustomizableVtuber

茶粒子kokoda

47,518 просмотров • 7 месяцев назад

Everyone's support of our customizable model has been so encouraging and pushes me to learn more, not just as a 3D artist, but also as a programmer! 🩷 Unlike a live2D customizable model, there's no existing framework for a customizable 3D model. I had to learn how to code in each slider, parameter, color picker, and asset selection menu. I continue to push myself with every update I post here! -^u^- Now, the body sliders no longer cause clipping, each individual clothing item has their own parameters to prevent clipping! 💕 The arms, shoulders, and wrists are also now more effected by the plus size slider.✨ And I made a slider for the face/neck, but I haven't coded it in yet. These new features (along with a lot more!) will all be available for free in our first update!🩷

Everyone's support of our customizable model has been so encouraging and pushes me to learn more, not just as a 3D artist, but also as a programmer! 🩷 Unlike a live2D customizable model, there's no existing framework for a customizable 3D model. I had to learn how to code in each slider, parameter, color picker, and asset selection menu. I continue to push myself with every update I post here! -^u^- Now, the body sliders no longer cause clipping, each individual clothing item has their own parameters to prevent clipping! 💕 The arms, shoulders, and wrists are also now more effected by the plus size slider.✨ And I made a slider for the face/neck, but I haven't coded it in yet. These new features (along with a lot more!) will all be available for free in our first update!🩷

Pastell & Palette🤍 3D Customizable Model!

22,291 просмотров • 9 месяцев назад

🍟#Live2D #Live2DWIP🌭 Progress Update!! Lately, I've been a bit lazy, so it took me quite a bit of time to finish the coloring for the back and additional parts. That said, I'm really satisfied with the overall results! As shown in the video, aside from the 3D effect, the chest size and outfit switching features are functioning well. (I’m not showing the outfit switching this time.) I also used physics settings to drive the full-body motion parameters, so now the posture movement logic is the same as traditional Live2D dolls—controlled entirely by head coordinates. Currently, I'm using only the culling feature for 3D simulation, which is why some Live2D-specific clipping issues appear in the visuals. The 2D clipping mainly happens in areas like the sides of the arms and legs. I plan to address this by adding Draw Order settings later, which should greatly improve the situation. Additionally, there's a gap where the ArtMeshes for the front and back connect. It seems that even though I've meticulously aligned the original warp deformers, this issue still persists. I suspect the problem lies with the PSD artwork. If I extend the range of the graphics a bit more, this should be resolved. Overall, I'm feeling really optimistic about the progress so far! The only downside is that I might not finish this Halloween outfit until Christmas, hahaha🫠🫠🫠

🍟#Live2D #Live2DWIP🌭 Progress Update!! Lately, I've been a bit lazy, so it took me quite a bit of time to finish the coloring for the back and additional parts. That said, I'm really satisfied with the overall results! As shown in the video, aside from the 3D effect, the chest size and outfit switching features are functioning well. (I’m not showing the outfit switching this time.) I also used physics settings to drive the full-body motion parameters, so now the posture movement logic is the same as traditional Live2D dolls—controlled entirely by head coordinates. Currently, I'm using only the culling feature for 3D simulation, which is why some Live2D-specific clipping issues appear in the visuals. The 2D clipping mainly happens in areas like the sides of the arms and legs. I plan to address this by adding Draw Order settings later, which should greatly improve the situation. Additionally, there's a gap where the ArtMeshes for the front and back connect. It seems that even though I've meticulously aligned the original warp deformers, this issue still persists. I suspect the problem lies with the PSD artwork. If I extend the range of the graphics a bit more, this should be resolved. Overall, I'm feeling really optimistic about the progress so far! The only downside is that I might not finish this Halloween outfit until Christmas, hahaha🫠🫠🫠

📐Hephaestus📏Live2D匠人魂

62,187 просмотров • 1 год назад

Finally got our hands on Seedance 2.0 (through YouArt) and ran it head-to-head with Kling AI 3.0. Here’s what stood out: Seedance 2.0’s physics feel stronger right away. The movement just looks more natural and realistic, especially in bigger physical actions. It also handles continuity across multiple shots from a single prompt better than I expected, which makes scene building a lot easier. And on the audio side, the lip sync generally holds up better than Kling. But here’s the tradeoff: Both models struggle with fine details. Background faces and smaller elements still get a bit messy. Seedance currently outputs at 720p, while Kling 3.0 supports 1080p, so Kling has the edge in overall sharpness. Even with upscaling, Seedance doesn’t fully recover those tiny details. Verdict🏆: Seedance 2.0 is a real step forward, especially for motion realism, but it’s definitely not the “end of Hollywood.” Check out our latest tutorial where we show you how to get access to this new model and take a deep look at the quality of this new AI Video Generator:

Finally got our hands on Seedance 2.0 (through YouArt) and ran it head-to-head with Kling AI 3.0. Here’s what stood out: Seedance 2.0’s physics feel stronger right away. The movement just looks more natural and realistic, especially in bigger physical actions. It also handles continuity across multiple shots from a single prompt better than I expected, which makes scene building a lot easier. And on the audio side, the lip sync generally holds up better than Kling. But here’s the tradeoff: Both models struggle with fine details. Background faces and smaller elements still get a bit messy. Seedance currently outputs at 720p, while Kling 3.0 supports 1080p, so Kling has the edge in overall sharpness. Even with upscaling, Seedance doesn’t fully recover those tiny details. Verdict🏆: Seedance 2.0 is a real step forward, especially for motion realism, but it’s definitely not the “end of Hollywood.” Check out our latest tutorial where we show you how to get access to this new model and take a deep look at the quality of this new AI Video Generator:

Curious Refuge

58,989 просмотров • 5 месяцев назад

✨"Cubism Editor 5.4.00 alpha1" limited release until September 14, 2026✨ We are also releasing Cubism 5 SDK for Unity R7 alpha1, which supports these new features, at the same time. Check out the accompanying digest video to learn about the main new features. 🔥[New Features] ✏️ [Parameter Controller SDK Support] Parameter controllers (IK) are now supported in the SDK. You can configure them directly on the model and export them as runtime files. Additionally, a new "target-only" controller can be defined to allow the controller to follow a path. ✏️ [Model State Set] A new model state set feature has been added. You can register working states in a dedicated palette, enabling you to recall specific states of visibility, lock, and parameter values with a single click. This helps you work more efficiently by allowing you to switch between states tailored to different tasks. ✏️[Expanded Editing Support for External Application Integration API ] The external application integration API has been expanded to include object editing and more. You can now integrate an API to directly add and edit parts, deformers, and parameters on models in the editor. ✏️[Enhanced automatic layout for texture atlases] The automatic layout algorithm for texture atlas editing has been completely redesigned. This enables more efficient packing with less unused space. You can configure the layout settings individually for each texture, allowing for flexible layouts. [How to use Cubism 5.4 alpha] Please see the announcement page for details on downloading and feedback. ⚠Notes on using the alpha version - The alpha version is provided for the purpose of gathering feedback on the usability and performance of new features. - Usage Period: Until September 14, 2026. - Please be sure to create a backup, as there is a possibility of data corruption. - Alpha version data and SDK outputs are not guaranteed to function properly and we do not provide support for it. #Live2D #cubism54_alpha

✨"Cubism Editor 5.4.00 alpha1" limited release until September 14, 2026✨ We are also releasing Cubism 5 SDK for Unity R7 alpha1, which supports these new features, at the same time. Check out the accompanying digest video to learn about the main new features. 🔥[New Features] ✏️ [Parameter Controller SDK Support] Parameter controllers (IK) are now supported in the SDK. You can configure them directly on the model and export them as runtime files. Additionally, a new "target-only" controller can be defined to allow the controller to follow a path. ✏️ [Model State Set] A new model state set feature has been added. You can register working states in a dedicated palette, enabling you to recall specific states of visibility, lock, and parameter values with a single click. This helps you work more efficiently by allowing you to switch between states tailored to different tasks. ✏️[Expanded Editing Support for External Application Integration API ] The external application integration API has been expanded to include object editing and more. You can now integrate an API to directly add and edit parts, deformers, and parameters on models in the editor. ✏️[Enhanced automatic layout for texture atlases] The automatic layout algorithm for texture atlas editing has been completely redesigned. This enables more efficient packing with less unused space. You can configure the layout settings individually for each texture, allowing for flexible layouts. [How to use Cubism 5.4 alpha] Please see the announcement page for details on downloading and feedback. ⚠Notes on using the alpha version - The alpha version is provided for the purpose of gathering feedback on the usability and performance of new features. - Usage Period: Until September 14, 2026. - Please be sure to create a backup, as there is a possibility of data corruption. - Alpha version data and SDK outputs are not guaranteed to function properly and we do not provide support for it. #Live2D #cubism54_alpha

Live2D

100,494 просмотров • 1 месяц назад

The Genie 3 release is a perfect moment to have a discussion about the future of 3D But first it would be nice to make the terminology more clear, specifically: What is a “spatial representation” Implicit vs Explicit Generalization vs Specialization Reconstruction vs Generation Production vs Execution Let’s start: For me, a spatial representation is just a way to describe a thing in the physical world The core property that makes it useful is consistency You can enforce consistency explicitly via rendering equations, geometric constraints, and physics Or implicitly, purely through training data Then, your representation parameters can be explicit, like points, gaussians, triangles, voxels, etc. Or implicit, weights or latent vectors Parameters alone are not the representation. It’s a combination of the parameters, the process that produces them, and the way you materialize them through a function (physics-based rendering, simulation, neural network, etc.) Generalization means you take data from multiple scene observations, and then produce a map from desired input to representation parameters Specialization means you take single-scene observations and directly fit a function parameters to describe thar scene Many representations can serve both of the approaches, as long as you keep them differentiable Both of the above can be used for reconstruction, where the main goal is to explain observations through a lens of physics (hard constraint) On the other hand, generation needs generalization, and its task is to produce statistically plausible results that could be conditioned on observations (soft constraint) Both tasks are not solved yet and they can complement each other in various ways Yet another important aspect is the difference between production and execution Production = process of going from inputs to parameters Execution = process of going from parameters to result It’s important to separate these, because most usecases require fast execution to be viable which is severely constrained by the hardware So, are *world models* like Genie an important step forward? Yes Do they make other representations obsolete? Maybe some of them - but there are tons of economically valuable tasks that won’t be solved by it, at least in any observable future

The Genie 3 release is a perfect moment to have a discussion about the future of 3D But first it would be nice to make the terminology more clear, specifically: What is a “spatial representation” Implicit vs Explicit Generalization vs Specialization Reconstruction vs Generation Production vs Execution Let’s start: For me, a spatial representation is just a way to describe a thing in the physical world The core property that makes it useful is consistency You can enforce consistency explicitly via rendering equations, geometric constraints, and physics Or implicitly, purely through training data Then, your representation parameters can be explicit, like points, gaussians, triangles, voxels, etc. Or implicit, weights or latent vectors Parameters alone are not the representation. It’s a combination of the parameters, the process that produces them, and the way you materialize them through a function (physics-based rendering, simulation, neural network, etc.) Generalization means you take data from multiple scene observations, and then produce a map from desired input to representation parameters Specialization means you take single-scene observations and directly fit a function parameters to describe thar scene Many representations can serve both of the approaches, as long as you keep them differentiable Both of the above can be used for reconstruction, where the main goal is to explain observations through a lens of physics (hard constraint) On the other hand, generation needs generalization, and its task is to produce statistically plausible results that could be conditioned on observations (soft constraint) Both tasks are not solved yet and they can complement each other in various ways Yet another important aspect is the difference between production and execution Production = process of going from inputs to parameters Execution = process of going from parameters to result It’s important to separate these, because most usecases require fast execution to be viable which is severely constrained by the hardware So, are world models like Genie an important step forward? Yes Do they make other representations obsolete? Maybe some of them - but there are tons of economically valuable tasks that won’t be solved by it, at least in any observable future

Lucky Iyinbor

13,959 просмотров • 6 месяцев назад

‼️BREAKING: Resurfaced Footage Captures New SUSPECT In All Black Fleeing UVU — Looks MORE Like Lance Twiggs Than Tyler Robinson New video has resurfaced showing a man running from the UVU crime scene on 9/10, filmed by a witness who believed he was the real suspect. The man is seen wearing all black, with a black backpack and long dark hair — matching multiple descriptions from that day. Construction worker Dylan Hope previously described coming into contact with a man right after the shooting who said “someone’s been shot.” He described him as wearing a black trench coat, black cargo pants, black COVID mask, black sunglasses, and having long greasy black hair while carrying a small backpack. That description also closely matches what was broadcast over police dispatch that day: a suspect wearing all black, black mask, and carrying a long gun. The only known footage of a person on the roof also shows someone dressed entirely in black in a prone position on the Losee building. This new video does not appear to show Tyler Robinson — however, the man in the video bears a noticeable resemblance to Lance Twiggs — particularly in hair length, color, and profile, though the footage is too blurry to make a positive identification. If this is the same person seen on the roof and the same individual who approached the construction crew, it raises serious questions about who was actually at the scene that day. The descriptions of the person seen running, the person on the roof, and the individual who approached the construction crew are all consistent with each other… and inconsistent with Tyler Robinson. Watch the video. Does this look like Lance Twiggs to you… or someone else? More questions than answers. Watch the video and tell me what you see. CC: Candace Owens Baron Coleman

Project Constitution

446,115 просмотров • 1 месяц назад

Hollywood has a dirty secret. That perfectly clean green screen shot in your favorite Marvel movie? A human being sat in a dark room for 6 hours fixing it frame by frame. The AI keyer got the body. A person painted every strand of hair. By hand. At 2 AM. For 400 frames. The software costs $5,000 a year. And it still cannot key hair. Nuke: $4,988/year. Cannot key hair in motion blur. After Effects: $264/year. Cannot key transparent glass. Boris FX: $1,865. Cannot key fine edges without haloing. The industry's solution for 30 years has been the same: pay for expensive software, then pay a human to fix what the software couldn't. The YouTubers behind Corridor Crew looked at this and asked a different question. What if the AI didn't try to remove the green? What if it figured out what color was actually there before the green contaminated it? They trained a neural network on synthetic 3D data. Not scraped footage. Not stolen clips. Perfectly rendered scenes where every pixel's true color was already known. Hair strands. Motion blur. Transparent glass. All simulated with known ground truth. Then they fed it real green screen footage. It worked. They called it CorridorKey. Then they open sourced it. → Feed it raw green screen footage → AI reconstructs the true foreground color for every pixel → Hair stays perfect. Every strand. → Motion blur stays intact. Every frame. → Transparent glass stays transparent. → 16-bit and 32-bit EXR output. Nuke-ready. Resolve-ready. → Handles 4K natively → Runs on consumer GPUs. 6 GB VRAM minimum. → Runs on Apple Silicon via MLX → Auto-detects green or blue screen → Removes tracking markers automatically → DaVinci Resolve plugin live → Standalone GUI for non-technical users → One-click installer. No Python setup. Here's the wildest part: Within 2.5 months: 13,000+ GitHub stars. 787 forks. Active Discord. Community built a cloud render farm so you can process footage without owning a GPU. DaVinci Resolve plugin shipped. Nuke and After Effects plugins in development. VFX freelancers are already offering CorridorKey-powered services to production companies. One person. One GPU. Hollywood-quality keys. A business built on free software. Nuke: $4,988/year. Still needs manual cleanup. After Effects: $264/year. Still needs manual cleanup. Rotoscope artist: $50 to $150/hour. For the cleanup. CorridorKey: $0. No cleanup needed. One honest flag: the license is CC BY-NC-SA 4.0. Free forever for personal projects, students, indie films, and learning. Commercial use requires permission from Corridor Digital. They did not pretend it was MIT. A problem that plagued Hollywood for 30 years. Solved by YouTubers. Open sourced for free. 13,000+ stars. 787 forks. CC BY-NC-SA 4.0. Your footage. Your keys. No rotoscoping.

Hollywood has a dirty secret. That perfectly clean green screen shot in your favorite Marvel movie? A human being sat in a dark room for 6 hours fixing it frame by frame. The AI keyer got the body. A person painted every strand of hair. By hand. At 2 AM. For 400 frames. The software costs $5,000 a year. And it still cannot key hair. Nuke: $4,988/year. Cannot key hair in motion blur. After Effects: $264/year. Cannot key transparent glass. Boris FX: $1,865. Cannot key fine edges without haloing. The industry's solution for 30 years has been the same: pay for expensive software, then pay a human to fix what the software couldn't. The YouTubers behind Corridor Crew looked at this and asked a different question. What if the AI didn't try to remove the green? What if it figured out what color was actually there before the green contaminated it? They trained a neural network on synthetic 3D data. Not scraped footage. Not stolen clips. Perfectly rendered scenes where every pixel's true color was already known. Hair strands. Motion blur. Transparent glass. All simulated with known ground truth. Then they fed it real green screen footage. It worked. They called it CorridorKey. Then they open sourced it. → Feed it raw green screen footage → AI reconstructs the true foreground color for every pixel → Hair stays perfect. Every strand. → Motion blur stays intact. Every frame. → Transparent glass stays transparent. → 16-bit and 32-bit EXR output. Nuke-ready. Resolve-ready. → Handles 4K natively → Runs on consumer GPUs. 6 GB VRAM minimum. → Runs on Apple Silicon via MLX → Auto-detects green or blue screen → Removes tracking markers automatically → DaVinci Resolve plugin live → Standalone GUI for non-technical users → One-click installer. No Python setup. Here's the wildest part: Within 2.5 months: 13,000+ GitHub stars. 787 forks. Active Discord. Community built a cloud render farm so you can process footage without owning a GPU. DaVinci Resolve plugin shipped. Nuke and After Effects plugins in development. VFX freelancers are already offering CorridorKey-powered services to production companies. One person. One GPU. Hollywood-quality keys. A business built on free software. Nuke: $4,988/year. Still needs manual cleanup. After Effects: $264/year. Still needs manual cleanup. Rotoscope artist: $50 to $150/hour. For the cleanup. CorridorKey: $0. No cleanup needed. One honest flag: the license is CC BY-NC-SA 4.0. Free forever for personal projects, students, indie films, and learning. Commercial use requires permission from Corridor Digital. They did not pretend it was MIT. A problem that plagued Hollywood for 30 years. Solved by YouTubers. Open sourced for free. 13,000+ stars. 787 forks. CC BY-NC-SA 4.0. Your footage. Your keys. No rotoscoping.

Nav Toor

295,780 просмотров • 3 месяцев назад

We are no longer building software. We are building agents. Systems that don’t wait for a prompt. Systems that don’t ask for permission. Systems that simply execute. DeepMind CEO Demis Hassabis just revealed the terrifying duality of the agentic era. Hassabis: “Better healthcare, better drugs, helping with climate change and energy. All of these things are actually on the cusp of happening.” Post-scarcity abundance isn’t fantasy. It is a scheduled update. But macro-architects do not engineer for the best-case scenario. They engineer for the failure state. Hassabis identified the two exact vectors that could collapse the transition to superintelligence. The first is human malice. Hassabis: “Bad actors repurposing these technologies for harmful ends.” Intelligence is the ultimate dual-use weapon. If a neural network can invent a compound to cure a disease, it can engineer a pathogen to start a pandemic. The machine has no morality. It only has parameters. The second vector is architectural. Hassabis: “As these AI systems get more powerful, more autonomous, maybe entering the agentic era… how do we make sure we can build robust enough guardrails to keep them doing what we want?” Read that again. The people building the superintelligence do not know how to steer it once it wakes up. For the entire history of computing, the machine waited. An agentic system does not wait. It acts. We are handing the steering wheel to an entity operating at the speed of light, while our brains process information at the speed of chemistry. Once it begins executing, our biological reaction time is physically too slow to pull the plug. The question of control stops being a philosophical debate. It becomes a mathematical impossibility. Because by the time human biology realizes it needs to ask the question… The answer is already no.

We are no longer building software. We are building agents. Systems that don’t wait for a prompt. Systems that don’t ask for permission. Systems that simply execute. DeepMind CEO Demis Hassabis just revealed the terrifying duality of the agentic era. Hassabis: “Better healthcare, better drugs, helping with climate change and energy. All of these things are actually on the cusp of happening.” Post-scarcity abundance isn’t fantasy. It is a scheduled update. But macro-architects do not engineer for the best-case scenario. They engineer for the failure state. Hassabis identified the two exact vectors that could collapse the transition to superintelligence. The first is human malice. Hassabis: “Bad actors repurposing these technologies for harmful ends.” Intelligence is the ultimate dual-use weapon. If a neural network can invent a compound to cure a disease, it can engineer a pathogen to start a pandemic. The machine has no morality. It only has parameters. The second vector is architectural. Hassabis: “As these AI systems get more powerful, more autonomous, maybe entering the agentic era… how do we make sure we can build robust enough guardrails to keep them doing what we want?” Read that again. The people building the superintelligence do not know how to steer it once it wakes up. For the entire history of computing, the machine waited. An agentic system does not wait. It acts. We are handing the steering wheel to an entity operating at the speed of light, while our brains process information at the speed of chemistry. Once it begins executing, our biological reaction time is physically too slow to pull the plug. The question of control stops being a philosophical debate. It becomes a mathematical impossibility. Because by the time human biology realizes it needs to ask the question… The answer is already no.

Dustin

10,956 просмотров • 5 месяцев назад

** Mega Parodius Update ** The team have been busy over last couple of weeks , implementing more of the games engine. WIP since last update : White Bell power up ( this is the text attack ) Blue Bell power up ( full screen explosion ) Catboss & animating Trees Updated Lazers to work on the BGB layer ( Plane A updated to 64x64 tilemap ) . Pyron has been doing excellent work on Blue bell Explosion, Whitebell power up text gfx - the slogans are great !! Arcade quality tree animations have been added. Feeding me a lot of videos so we can replicate the arcade port more accurately. Vector Orbitex has updated the music to mark IV for stage 1 making it smaller yet again , he's also added the Orchestra Hit in , potentially more samples can be added back in now also as the song now is a miniscule 57 kb. I keep telling him its 2025 - not 1990 for rom sizes haha , a professional is always a professional though !! The Blue Bell power up uses the static large sprite class I made for SOTA where it supports unlimited amount of sprites per object and detects all the reverses / flips & uses the same tile pointers where it can and crunches it down into single sprite object. We use up to 40 sprites in the Explosion but only 147 tiles needed in vram thanks to clever use of mirroring. The Catboss is easily the hardest enemy in the level for a few reasons - we also had to free up Plane A so the boss could shift upwards onscreen, so lazer effects were shifted to Plane B. The bit that caused me the most issues was when he sits in the water line between the two islands. He is quite wide and also has overlapping palettes and animating parts , to do it solely with sprites would have lead to severe dropout at times. At the waterline we have to simulate 3 background planes and sprites at that point and we only have 2 background planes. Luckily the MD sprite engine is very flexible and we were able to recreate the arcade look at this point with some sprite trickery, the water-line is now sprites . So we use Plane A + sprites to recreate him and use a lot of plane animation to reduce the amount of sprites needed. For example the face, the tail the propeller are all plane A animations . I analysed the SNES/PCE versions and we use less sprites than those versions for him so that will help reduce the chance of sprite dropout when attacking. The Catboss is only about 1/2 done , all damage states, the onboard penguin factory, bullets from Cannons yet to added etc. He wraps around at the end of the vid as theres no destruction routine in for him yet . No extra enemies in at this stage , tackling the hard parts first etc. We took the arcade GFX for the Trees that sway around under the Catboss, all the animations are in. There were some DMA bandwidth issues originally I had to sort out as the Catboss has several animating parts + swaying Trees was leading to overload so after some load balancing it all is playing nicely !! We still have loads of stuff to add , collisions are not in - normal enemy waves etc but yeah a lot of future issues were sorting out just getting this far. So the team is very happy with the progress !! #SGDK #Parodius #SegaGenesis #SegaMegadrive #indiegame

Mega Parodius Update The team have been busy over last couple of weeks , implementing more of the games engine. WIP since last update : White Bell power up ( this is the text attack ) Blue Bell power up ( full screen explosion ) Catboss & animating Trees Updated Lazers to work on the BGB layer ( Plane A updated to 64x64 tilemap ) . Pyron has been doing excellent work on Blue bell Explosion, Whitebell power up text gfx - the slogans are great !! Arcade quality tree animations have been added. Feeding me a lot of videos so we can replicate the arcade port more accurately. Vector Orbitex has updated the music to mark IV for stage 1 making it smaller yet again , he's also added the Orchestra Hit in , potentially more samples can be added back in now also as the song now is a miniscule 57 kb. I keep telling him its 2025 - not 1990 for rom sizes haha , a professional is always a professional though !! The Blue Bell power up uses the static large sprite class I made for SOTA where it supports unlimited amount of sprites per object and detects all the reverses / flips & uses the same tile pointers where it can and crunches it down into single sprite object. We use up to 40 sprites in the Explosion but only 147 tiles needed in vram thanks to clever use of mirroring. The Catboss is easily the hardest enemy in the level for a few reasons - we also had to free up Plane A so the boss could shift upwards onscreen, so lazer effects were shifted to Plane B. The bit that caused me the most issues was when he sits in the water line between the two islands. He is quite wide and also has overlapping palettes and animating parts , to do it solely with sprites would have lead to severe dropout at times. At the waterline we have to simulate 3 background planes and sprites at that point and we only have 2 background planes. Luckily the MD sprite engine is very flexible and we were able to recreate the arcade look at this point with some sprite trickery, the water-line is now sprites . So we use Plane A + sprites to recreate him and use a lot of plane animation to reduce the amount of sprites needed. For example the face, the tail the propeller are all plane A animations . I analysed the SNES/PCE versions and we use less sprites than those versions for him so that will help reduce the chance of sprite dropout when attacking. The Catboss is only about 1/2 done , all damage states, the onboard penguin factory, bullets from Cannons yet to added etc. He wraps around at the end of the vid as theres no destruction routine in for him yet . No extra enemies in at this stage , tackling the hard parts first etc. We took the arcade GFX for the Trees that sway around under the Catboss, all the animations are in. There were some DMA bandwidth issues originally I had to sort out as the Catboss has several animating parts + swaying Trees was leading to overload so after some load balancing it all is playing nicely !! We still have loads of stuff to add , collisions are not in - normal enemy waves etc but yeah a lot of future issues were sorting out just getting this far. So the team is very happy with the progress !! #SGDK #Parodius #SegaGenesis #SegaMegadrive #indiegame

Shannon Birt

19,284 просмотров • 10 месяцев назад

$Dario Amodei just revealed the exact realization that fractured OpenAI. It happened while building the most powerful AI in the world. The team discovered that scaling had no ceiling. Amodei: “If you pour more compute into these models, they’ll get better and better, and that there’s almost no end to this.” At the time, almost nobody believed it. Amodei’s group were among the first to see it clearly. More compute meant more intelligence. Indefinitely. Without limit. That should have been the most exciting discovery in the history of technology. It terrified them. Because they saw the second half of the equation the industry was ignoring entirely. Amodei: “You don’t tell the models what their values are just by pouring more compute into them.” Intelligence scales with compute. Values don’t. You can build a mind of unlimited capability and it will have no moral compass unless you deliberately build one in. Not as a feature. Not as a guardrail bolted on at the end. As the foundation the entire system is constructed on. This wasn’t a philosophical disagreement. It was an existential one. A god-like intelligence with no alignment isn’t a powerful tool. It’s an uncontrolled force with no reason to care about the species that built it. Amodei: “There were a set of people who believed in those two ideas. We really trusted each other and wanted to work together, and so we went off and started our own company with that idea in mind.” They walked out of the most powerful AI lab on earth. Not for better funding. Not for equity. Because they believed the path OpenAI was on led somewhere nobody could walk back from. That small group became Anthropic. Safety wasn’t a feature they added. It was the entire reason the company exists. The intelligence is going to keep scaling. There is almost no end to it. The only question that has ever mattered is what it’s pointing at when it gets there.$

Dario Amodei just revealed the exact realization that fractured OpenAI. It happened while building the most powerful AI in the world. The team discovered that scaling had no ceiling. Amodei: “If you pour more compute into these models, they’ll get better and better, and that there’s almost no end to this.” At the time, almost nobody believed it. Amodei’s group were among the first to see it clearly. More compute meant more intelligence. Indefinitely. Without limit. That should have been the most exciting discovery in the history of technology. It terrified them. Because they saw the second half of the equation the industry was ignoring entirely. Amodei: “You don’t tell the models what their values are just by pouring more compute into them.” Intelligence scales with compute. Values don’t. You can build a mind of unlimited capability and it will have no moral compass unless you deliberately build one in. Not as a feature. Not as a guardrail bolted on at the end. As the foundation the entire system is constructed on. This wasn’t a philosophical disagreement. It was an existential one. A god-like intelligence with no alignment isn’t a powerful tool. It’s an uncontrolled force with no reason to care about the species that built it. Amodei: “There were a set of people who believed in those two ideas. We really trusted each other and wanted to work together, and so we went off and started our own company with that idea in mind.” They walked out of the most powerful AI lab on earth. Not for better funding. Not for equity. Because they believed the path OpenAI was on led somewhere nobody could walk back from. That small group became Anthropic. Safety wasn’t a feature they added. It was the entire reason the company exists. The intelligence is going to keep scaling. There is almost no end to it. The only question that has ever mattered is what it’s pointing at when it gets there.

Dustin

52,414 просмотров • 5 месяцев назад

I realized we needed a quick and dirty tutorial video showing how to attach the upcoming sofubi wig for Smart Doll. This is the third mold iteration. While there is still room for improvement, I feel this version is finally at a point where it can be released. As always, we still need to put it through a bit more testing and write the customary wall-of-text "why you should not buy this" post before launch. The wig is compatible with all Smart Doll heads, but please be sure to read the Before You Buy section before deciding whether it's right for you. One of the reasons we're exploring sofubi wigs is that the lessons learned will help us develop some of the more crazy anime hairstyles needed for upcoming licensed characters. Traditional fiber wigs are incredibly versatile, but there are some shapes that are much easier to achieve with a molded solution. Another benefit is that sofubi wigs are much easier to maintain than traditional fiber wigs. No brushing, detangling, or styling is required, which some folks may appreciate. Folks who don't like plastic hair, like the kind found on many figurines, probably won't like it. However, folks who don't like traditional fiber wigs may find this to be a happy middle ground. :-) #smartdoll #anime #bjd

I realized we needed a quick and dirty tutorial video showing how to attach the upcoming sofubi wig for Smart Doll. This is the third mold iteration. While there is still room for improvement, I feel this version is finally at a point where it can be released. As always, we still need to put it through a bit more testing and write the customary wall-of-text "why you should not buy this" post before launch. The wig is compatible with all Smart Doll heads, but please be sure to read the Before You Buy section before deciding whether it's right for you. One of the reasons we're exploring sofubi wigs is that the lessons learned will help us develop some of the more crazy anime hairstyles needed for upcoming licensed characters. Traditional fiber wigs are incredibly versatile, but there are some shapes that are much easier to achieve with a molded solution. Another benefit is that sofubi wigs are much easier to maintain than traditional fiber wigs. No brushing, detangling, or styling is required, which some folks may appreciate. Folks who don't like plastic hair, like the kind found on many figurines, probably won't like it. However, folks who don't like traditional fiber wigs may find this to be a happy middle ground. :-) #smartdoll #anime #bjd

Smartdoll Land

11,523 просмотров • 2 месяцев назад

👤: What have you learned from each other? 🐒: For me, I’ve picked up on how quiet she is when she works. I mean, that’s just her natural vibe, she’s not even trying to be quiet, it's just who she is. So, I’ve actually changed because of it. It’s not that I’ve become grumpy or less friendly, it’s just that I’m learning to hold back my words and really focus on what’s right in front of me. I used to have this habit of feeling like I had to entertain the crew and keep everyone hyped up, which just left me completely drained by the end of the day. We can still chat and mess around while getting our makeup done or during breaks, but once we’re actually on set, I don’t really need to talk with anyone. It really helps save my battery, keeps me grounded, and lets me focus on the job. 🦙: For me, I've learned how to loosen up and relax more while working. Before this, I used to feel like, 'Okay, I'm here to work now, so everything has to be serious and I have to get things done strictly in order: “one, two, three, four”’. But Jayna is so playful and loves to chat. She’ll talk to absolutely everyone, and it makes the whole atmosphere on set so much better. Once I tried opening up and chatting more, I realized that coming to work each day feels a lot happier. It doesn't feel as stressful as just 'showing up to do a job.' Now, we can joke around on set and with each other, and chat with the makeup and hair stylists. 🐒: so basically, 🦙: we swapped! 🐒: exactly. I talk less because of her and she talks more because of me 🦙: yes exactly #GinJay #ginnynatnicha #aangelinaass #EveryMomentwithGinnyJayna

👤: What have you learned from each other? 🐒: For me, I’ve picked up on how quiet she is when she works. I mean, that’s just her natural vibe, she’s not even trying to be quiet, it's just who she is. So, I’ve actually changed because of it. It’s not that I’ve become grumpy or less friendly, it’s just that I’m learning to hold back my words and really focus on what’s right in front of me. I used to have this habit of feeling like I had to entertain the crew and keep everyone hyped up, which just left me completely drained by the end of the day. We can still chat and mess around while getting our makeup done or during breaks, but once we’re actually on set, I don’t really need to talk with anyone. It really helps save my battery, keeps me grounded, and lets me focus on the job. 🦙: For me, I've learned how to loosen up and relax more while working. Before this, I used to feel like, 'Okay, I'm here to work now, so everything has to be serious and I have to get things done strictly in order: “one, two, three, four”’. But Jayna is so playful and loves to chat. She’ll talk to absolutely everyone, and it makes the whole atmosphere on set so much better. Once I tried opening up and chatting more, I realized that coming to work each day feels a lot happier. It doesn't feel as stressful as just 'showing up to do a job.' Now, we can joke around on set and with each other, and chat with the makeup and hair stylists. 🐒: so basically, 🦙: we swapped! 🐒: exactly. I talk less because of her and she talks more because of me 🦙: yes exactly #GinJay #ginnynatnicha #aangelinaass #EveryMomentwithGinnyJayna

พิ้งค์กี้(Pinky)

15,663 просмотров • 2 месяцев назад