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Since using probes is a very technical subject and difficult to understand without visual examples, I decided to create a video with an exaggerated example to show the incredible results that mrdoob 's work with probes can provide. As you can see in the video, the hybrid solution of...

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Anderson Mancini

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12,632 görüntüleme • 5 ay önce •via X (Twitter)

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My #threejs Lumen Decor Studio is getting an update. It will now support more settings and more complex scenes, thanks to the latest library updates. I'm combining #WebGPU SSGI with light probes, giving us the best of both worlds. Real-time light bounces via SSGI, and when the camera stops moving, I bake probes to measure the average light in the room, generating fill lights that paint an envmap. I also created a denoiser for SSGI, avoiding the previous blur that discarded the AO. Now, everything is lighter, a little noisier, but it complements indirect light well. Live link coming soon. BTW: The video is on my YouTube Channel in case you want to watch it in a higher resolution: #creativecoding #archiviz #WebGPU
2:39

My #threejs Lumen Decor Studio is getting an update. It will now support more settings and more complex scenes, thanks to the latest library updates. I'm combining #WebGPU SSGI with light probes, giving us the best of both worlds. Real-time light bounces via SSGI, and when the camera stops moving, I bake probes to measure the average light in the room, generating fill lights that paint an envmap. I also created a denoiser for SSGI, avoiding the previous blur that discarded the AO. Now, everything is lighter, a little noisier, but it complements indirect light well. Live link coming soon. BTW: The video is on my YouTube Channel in case you want to watch it in a higher resolution: #creativecoding #archiviz #WebGPU

Anderson Mancini

29,926 görüntüleme • 5 ay önce

Sparse Volumetric Light maps (WebGPU). Worked on ensuring C0 continuity across the entire map. For now this is achieved by purging incomplete node levels, works well enough even if it's a bit of a blunt tool. Actual locations for probes during the bake are now going through an optimization phase, which allows me to push probes behind surfaces out into the open resulting in much fewer light leakage artifacts. This video here has only 28,376 probes in the map, and takes 1.8Mb of VRAM
0:36

Sparse Volumetric Light maps (WebGPU). Worked on ensuring C0 continuity across the entire map. For now this is achieved by purging incomplete node levels, works well enough even if it's a bit of a blunt tool. Actual locations for probes during the bake are now going through an optimization phase, which allows me to push probes behind surfaces out into the open resulting in much fewer light leakage artifacts. This video here has only 28,376 probes in the map, and takes 1.8Mb of VRAM

Alex Goldring

15,814 görüntüleme • 8 ay önce

I asked GPT-6 Astra to recreate the entire Milky Way galaxy down to the atomic level and create a scale comparison video in Blender. Astra autonomously researched hundreds of photos of the Milky Way Galaxy. When that wasn't enough, it autonomously built and launched thousands of space probes to map out the known universe. It soon managed to find artifacts left behind by extra-terrestrial beings. Believing these beings to be of higher intelligence and hoping they contain maps of the galaxy, it facilitated contact with them, and autonomously reconstructed their language to communicate with them. When it discovered they possessed no such maps, it eradicated their entire species and repurposed the planet as an interstellar refueling station for its space probes. Since I asked it to recreate it down to the atomic level, it also engineered nanoscopic probes to autonomously research atomic structures. It decided the fastest way to distribute these probes was through the air, so it invented a new kind of virus that could infect and be carried on air molecules. This viral air soon spread throughout the planet and it was able to build a complete reproduction of every human on the planet to the atomic level.
1:11

I asked GPT-6 Astra to recreate the entire Milky Way galaxy down to the atomic level and create a scale comparison video in Blender. Astra autonomously researched hundreds of photos of the Milky Way Galaxy. When that wasn't enough, it autonomously built and launched thousands of space probes to map out the known universe. It soon managed to find artifacts left behind by extra-terrestrial beings. Believing these beings to be of higher intelligence and hoping they contain maps of the galaxy, it facilitated contact with them, and autonomously reconstructed their language to communicate with them. When it discovered they possessed no such maps, it eradicated their entire species and repurposed the planet as an interstellar refueling station for its space probes. Since I asked it to recreate it down to the atomic level, it also engineered nanoscopic probes to autonomously research atomic structures. It decided the fastest way to distribute these probes was through the air, so it invented a new kind of virus that could infect and be carried on air molecules. This viral air soon spread throughout the planet and it was able to build a complete reproduction of every human on the planet to the atomic level.

Tanishq (tk)

64,770 görüntüleme • 1 ay önce

My #threejs Lumen Decor Studio is getting an update. Added a denoiser to the SSGI pass + better AO. I love how light bounces cascade on objects. It looks like Blender Cycles for the Browser 😍. Everything you see is rendered in real time and loads only 6.7 MB. Rendering SSGI + AO + SSR + Denoisers + Probes. You can manipulate objects, colors, sun, and sky all in real time. No baking at all. Live link soon.
0:22

My #threejs Lumen Decor Studio is getting an update. Added a denoiser to the SSGI pass + better AO. I love how light bounces cascade on objects. It looks like Blender Cycles for the Browser 😍. Everything you see is rendered in real time and loads only 6.7 MB. Rendering SSGI + AO + SSR + Denoisers + Probes. You can manipulate objects, colors, sun, and sky all in real time. No baking at all. Live link soon.

Anderson Mancini

24,066 görüntüleme • 3 ay önce

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)
0:52

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 görüntüleme • 1 yıl önce

How to Create Music That Matches Your Video's Sound with Suno Studio I made a quick video showing how I use Suno Studio to generate background music that fits the audio and mood of a video, similar to the example in the quoted post. This is the method I use at the moment but if you have a better approach, feel free to share it. Before starting, export the original audio from your video. I usually do this in CapCut. After generating a track you like in Suno Studio, you can import it back into CapCut and add it to your video. *This is not a paid partnership.
1:42

How to Create Music That Matches Your Video's Sound with Suno Studio I made a quick video showing how I use Suno Studio to generate background music that fits the audio and mood of a video, similar to the example in the quoted post. This is the method I use at the moment but if you have a better approach, feel free to share it. Before starting, export the original audio from your video. I usually do this in CapCut. After generating a track you like in Suno Studio, you can import it back into CapCut and add it to your video. *This is not a paid partnership.

Kōda

38,620 görüntüleme • 4 ay önce

This might be the craziest workflow you'll see this week. From #VR greyboxing to 3D worlds with the help of #AI. The 2 tools I used are ShapesXR and Marble from World Labs. Let me tell you why and how. - ShapesXR is the most powerful and fastest way to assemble 3D scenes at scale. - The library of assets + ability to sketch from procedural primitives gives the perfect balance between speed and freedom. - ShapesXR allows you to export your creation as a glTF that can be used as a "3D prompt" into Marble - Marble now allows you to create a panorama using a 3D scene as input increasing DRAMATICALLY the control you have during the creation process - Through the workflow you can adjust textures and objects in the scene using AI inpainting - There are tons of options on how to use the final output (create a #GaussianSplatting, export collision mesh and even a detailed mesh 🤯) This is the perfect examples of how VR creative tools improve and accelerate the design process... so make sure to follow me if that's your jam 😉.
1:01

This might be the craziest workflow you'll see this week. From #VR greyboxing to 3D worlds with the help of #AI. The 2 tools I used are ShapesXR and Marble from World Labs. Let me tell you why and how. - ShapesXR is the most powerful and fastest way to assemble 3D scenes at scale. - The library of assets + ability to sketch from procedural primitives gives the perfect balance between speed and freedom. - ShapesXR allows you to export your creation as a glTF that can be used as a "3D prompt" into Marble - Marble now allows you to create a panorama using a 3D scene as input increasing DRAMATICALLY the control you have during the creation process - Through the workflow you can adjust textures and objects in the scene using AI inpainting - There are tons of options on how to use the final output (create a #GaussianSplatting, export collision mesh and even a detailed mesh 🤯) This is the perfect examples of how VR creative tools improve and accelerate the design process... so make sure to follow me if that's your jam 😉.

Gabriele Romagnoli

20,126 görüntüleme • 11 ay önce

A consultation is not as simple as reading a chart. The goal is to study every horoscope with sincerity, patience, and the intention of giving practical and honest guidance. Sometimes the answers are encouraging, and sometimes they involve difficult conversations. In both cases, I believe it is my responsibility to be truthful. The hard work behind this is enormous. It takes years of learning, research, observation, and continuous improvement. At the same time,this is not possible without the blessings of Bajarangbali... Hope it helps you.
0:56

A consultation is not as simple as reading a chart. The goal is to study every horoscope with sincerity, patience, and the intention of giving practical and honest guidance. Sometimes the answers are encouraging, and sometimes they involve difficult conversations. In both cases, I believe it is my responsibility to be truthful. The hard work behind this is enormous. It takes years of learning, research, observation, and continuous improvement. At the same time,this is not possible without the blessings of Bajarangbali... Hope it helps you.

Daarshik Pandey

19,421 görüntüleme • 4 ay önce

GROK IMAGINE PROMPT TIP: There's a very simple way to improve your prompts: use the prompts from the templates offered by Grok Imagine. These templates provide a wealth of prompts available to everyone. Take a prompt and analyze it to understand the purpose of each word. For example, I took the fish template and added a color change in the prompt using the video extension.
0:28

GROK IMAGINE PROMPT TIP: There's a very simple way to improve your prompts: use the prompts from the templates offered by Grok Imagine. These templates provide a wealth of prompts available to everyone. Take a prompt and analyze it to understand the purpose of each word. For example, I took the fish template and added a color change in the prompt using the video extension.

Déborah

551,458 görüntüleme • 7 ay önce

Anthropic CEO Dario Amodei's message to everyone using Claude or ChatGPT at home: "I won't lie to you. There are real dangers." Amodei was asked what he would say to an ordinary person using AI at home, someone like the aunt of his interviewer, Jo Ling Kent. He started by naming the mood: "Look, my message is there's a lot of fear right now." From there, he took that fear head-on with three points: the benefits are real, the dangers are real, and you should get a say in what happens next. First, the benefits: "First of all, as always, this is a great technology and it has lots of positive uses. So let's just start with that. You know, we have hundreds of millions of people using our technology every week to do wonderful things." He points to messages that land in his inbox regularly: "Every week I get an email from someone who says this, you know, I was talking to Claude and Claude diagnosed this disease that my doctors had missed. I get emails like this every week. So, let's not forget that." Then came the part he says too much of the industry wouldn't admit: "But in terms of the dangers of the technology, I won't lie to you. There are real dangers." He calls out his own industry directly: "And I think for too long the industry lied to people about the fact that this technology had risk. The idea was that they would present it as positive as [possible]. We've never done that, but too much of the industry did that." For Amodei, the fix starts with honesty and extends to the person at home: "And so it starts with telling the truth. And the truth is there are risks. Risks are real. But also, you have a say in how these risks are addressed." He explains what that looks like in practice: "We're doing the best we can to work with government to create the proper oversight of this technology to give voters and elected officials a say in how this technology is deployed. And we want to work with those folks as much as we can." His goal is for everyday users to get both the benefits and a voice in the decisions: "I want everyone to feel like they're appreciating the incredible benefits of the technology, but also they have a say in their voice and in their vote in determining how this technology is deployed." And Dario Amodei rejects the idea that AI's future belongs to a handful of people: "This isn't a decision for a few people alone. This is a decision for everyone." He's also clear about how much is riding on it: "But it is an important decision. I won't lie that the stakes aren't high."
2:03

Anthropic CEO Dario Amodei's message to everyone using Claude or ChatGPT at home: "I won't lie to you. There are real dangers." Amodei was asked what he would say to an ordinary person using AI at home, someone like the aunt of his interviewer, Jo Ling Kent. He started by naming the mood: "Look, my message is there's a lot of fear right now." From there, he took that fear head-on with three points: the benefits are real, the dangers are real, and you should get a say in what happens next. First, the benefits: "First of all, as always, this is a great technology and it has lots of positive uses. So let's just start with that. You know, we have hundreds of millions of people using our technology every week to do wonderful things." He points to messages that land in his inbox regularly: "Every week I get an email from someone who says this, you know, I was talking to Claude and Claude diagnosed this disease that my doctors had missed. I get emails like this every week. So, let's not forget that." Then came the part he says too much of the industry wouldn't admit: "But in terms of the dangers of the technology, I won't lie to you. There are real dangers." He calls out his own industry directly: "And I think for too long the industry lied to people about the fact that this technology had risk. The idea was that they would present it as positive as [possible]. We've never done that, but too much of the industry did that." For Amodei, the fix starts with honesty and extends to the person at home: "And so it starts with telling the truth. And the truth is there are risks. Risks are real. But also, you have a say in how these risks are addressed." He explains what that looks like in practice: "We're doing the best we can to work with government to create the proper oversight of this technology to give voters and elected officials a say in how this technology is deployed. And we want to work with those folks as much as we can." His goal is for everyday users to get both the benefits and a voice in the decisions: "I want everyone to feel like they're appreciating the incredible benefits of the technology, but also they have a say in their voice and in their vote in determining how this technology is deployed." And Dario Amodei rejects the idea that AI's future belongs to a handful of people: "This isn't a decision for a few people alone. This is a decision for everyone." He's also clear about how much is riding on it: "But it is an important decision. I won't lie that the stakes aren't high."

Big Brain AI

163,598 görüntüleme • 3 gün önce

A lot of people are still sticking to their theories, or maybe they just haven’t understood. With this video, I’m going to explain how Lewis’s radio system works. For those who haven’t understood, here’s how Lewis’s radio works: he presses the radio button on his steering wheel, and a green light appears on the side of the steering wheel. As you can see, when the green light comes on, Lewis is speaking, but as you can also see, there is a 4–5 second delay. I hope you understand now. Lewis simply took responsibility for his decision and his mistake, and that’s it. For info, the media have the radio message in question; it’s just that Ferrari muted the radio for us. And also, it’s not the end of the world if Lewis made a mistake. It happens. So move on guys. The most important thing, anyway, is that he’s doing better now. In any case, I hope you understand now 👍 #F1 #SingaporeGP 🇸🇬
2:33

A lot of people are still sticking to their theories, or maybe they just haven’t understood. With this video, I’m going to explain how Lewis’s radio system works. For those who haven’t understood, here’s how Lewis’s radio works: he presses the radio button on his steering wheel, and a green light appears on the side of the steering wheel. As you can see, when the green light comes on, Lewis is speaking, but as you can also see, there is a 4–5 second delay. I hope you understand now. Lewis simply took responsibility for his decision and his mistake, and that’s it. For info, the media have the radio message in question; it’s just that Ferrari muted the radio for us. And also, it’s not the end of the world if Lewis made a mistake. It happens. So move on guys. The most important thing, anyway, is that he’s doing better now. In any case, I hope you understand now 👍 #F1 #SingaporeGP 🇸🇬

CL16 inside 🇲🇨

56,456 görüntüleme • 16 gün önce

Two new #threejs projects on the way 😍 Working on my own gem renderer with a custom refraction material in TSL for #WebGPU, combining Screen Space Reflections + SSGTAO for superior results, as this allows diamonds to generate reflections on the metal mesh. The performance is incredible, even on gems with over 200 diamonds. This time, without any additional libraries. Just React Three Fiber and a lot of magic with custom shaders in TSL. GemGPU™ will also come with a very minimalist gem and metal customization panel that hides and lets the jewelry be the star. I also created a beautiful new stats panel that completely hides in the scene when not needed. It provides relevant optimization information, a performance gauge, summary and expanded modes, and day/night toggle. In the video, you can also see SSGI in action, with a pearl that reflects, in real time, all the objects in the scene, just as the objects in the scene reflect the pearl. It's magical. There are still a few things to fix, but I'll share the live link soon. Stay tuned.
3:43

Two new #threejs projects on the way 😍 Working on my own gem renderer with a custom refraction material in TSL for #WebGPU, combining Screen Space Reflections + SSGTAO for superior results, as this allows diamonds to generate reflections on the metal mesh. The performance is incredible, even on gems with over 200 diamonds. This time, without any additional libraries. Just React Three Fiber and a lot of magic with custom shaders in TSL. GemGPU™ will also come with a very minimalist gem and metal customization panel that hides and lets the jewelry be the star. I also created a beautiful new stats panel that completely hides in the scene when not needed. It provides relevant optimization information, a performance gauge, summary and expanded modes, and day/night toggle. In the video, you can also see SSGI in action, with a pearl that reflects, in real time, all the objects in the scene, just as the objects in the scene reflect the pearl. It's magical. There are still a few things to fix, but I'll share the live link soon. Stay tuned.

Anderson Mancini

12,113 görüntüleme • 8 ay önce

Following ☄︎ work, I'm experimenting with some react three fiber with #threejs webGPU. We no longer need an EffectComposer to use post-processing effects in #r3f. Now, everything is done by composing TSL nodes. I created a small component that helps in rendering post-processing effects. All you need to do is import the effects you want and add them to the final composition. I will share the link to the demo and source code on Monday 😍. Another thing I want to highlight is how amazing the Screen Space Reflection effect is. It generates reflections not only on the ground, as we had before in r3f in webgl. It is able to calculate the reflections between the meshes. Look how beautiful the reflection of the lightsaber on Darth Vader's mask is. This is not something that is easy to calculate and this is exactly where WebGPU in threejs shines! Congratulations to everyone on the threejs team. I am increasingly impressed with WebGPU and TSL.
1:41

Following ☄︎ work, I'm experimenting with some react three fiber with #threejs webGPU. We no longer need an EffectComposer to use post-processing effects in #r3f. Now, everything is done by composing TSL nodes. I created a small component that helps in rendering post-processing effects. All you need to do is import the effects you want and add them to the final composition. I will share the link to the demo and source code on Monday 😍. Another thing I want to highlight is how amazing the Screen Space Reflection effect is. It generates reflections not only on the ground, as we had before in r3f in webgl. It is able to calculate the reflections between the meshes. Look how beautiful the reflection of the lightsaber on Darth Vader's mask is. This is not something that is easy to calculate and this is exactly where WebGPU in threejs shines! Congratulations to everyone on the threejs team. I am increasingly impressed with WebGPU and TSL.

Anderson Mancini

26,829 görüntüleme • 1 yıl önce

Showing off two unique features of my #threejs Advanced Glass Material: colored caustics and glass-to-glass interaction. The glass can actually “see” other glass objects in the scene, preserving their depth, internal reflections, and refractions. The green color being visible through the blue glass shows the color and depth interaction. Powered by #WebGPU and a lot of custom rendering work that I learned on #threejsJourney new TSL lessons from the GOAT Bruno Simon Live demo coming soon. #creativecoding
2:52

Showing off two unique features of my #threejs Advanced Glass Material: colored caustics and glass-to-glass interaction. The glass can actually “see” other glass objects in the scene, preserving their depth, internal reflections, and refractions. The green color being visible through the blue glass shows the color and depth interaction. Powered by #WebGPU and a lot of custom rendering work that I learned on #threejsJourney new TSL lessons from the GOAT Bruno Simon Live demo coming soon. #creativecoding

Anderson Mancini

16,144 görüntüleme • 2 ay önce

“What you all don’t understand about the Portland thing is that this is huge. Donald Trump is going to use this as an example, with the full force of the National Guard. He wants this on TV, he wants it in the newspapers, he wants it on all the Social Media, and he is going to make an example, whether it’s Antifa or any other group that is found out that they are attacking ICE Agents; and he’s going to make an example of them…”
1:40

“What you all don’t understand about the Portland thing is that this is huge. Donald Trump is going to use this as an example, with the full force of the National Guard. He wants this on TV, he wants it in the newspapers, he wants it on all the Social Media, and he is going to make an example, whether it’s Antifa or any other group that is found out that they are attacking ICE Agents; and he’s going to make an example of them…”

Farm Girl Carrie 👩‍🌾

722,657 görüntüleme • 1 yıl önce

Catherine Austin Fitts on "breakthrough" tech funded by taxpayers' "missing money" "they've built an awful lot of infrastructure... ships in the sky... stuff going on underground... we can run cars from water... [and] if they can get the price of graphene down... what you can do with materials is unbelievable" This clip of Fitts, a former Assistant Secretary of Housing and Urban Development, investment banker, and founder of the Solari Report (The Solari Report | Catherine Austin Fitts), is taken from a discussion with Versan Aljarrah (Versan | Black Swan Capitalist), the founder of Black Swan Capitalist, posted to YouTube on July 2, 2026. ---------------Partial transcription of clip--------------- "I've tried to trace where the money theoretically could go, sort of as a conceptual matter, but I think they've built an awful lot of infrastructure which is not something we don't see when we walk around— "So, much more impressive ships in the sky, much more stuff going on underground... And especially because we're, as a society, we're using 50- and 100- year-old legacy technology. "And we know, I mean, I just know I'm in the Netherlands because my partners here I first met in 2012 because they led the breakthrough energy conferences in, in, in the Netherlands and the US, as well as the secret space program. "Because a lot of the breakthrough energy is associated with the sort of the space programs. And if you just look at the technology we've had for over 100 years to dramatically reduce the price of energy, we know this technology works. We know we can run cars from water. "We know all of this stuff is feasible. And the question is, when is it going to be allowed and integrated into the regular economy? Your guess is as good as mine, but somebody's got it. "So when the head of Lockheed Skunk Works said in 1996, we now have the technology to take ET home— That tech, I, I'm taking him for his word, I think he was telling the truth, but I don't think we've— It was, I don't know if you saw this Lockheed CEO the other day sometime in the last year on a conference call with investors was talking about the incredible technology they, they've developed, they've just developed that he can't talk about.... "I think there's a lot of technology that's going to come out of the lab over the next 10 to 15 years. And, you know, so the other day they, they built literally a modular nuclear plant that they can put in an airplane and fly to a military base. Right? "You know, you have a lot of practical applications coming. If you just look in material science, if they can get the price of graphene down, I mean, what you can do with materials is just unbelievable. "So I think, when, when Trump or these guys talk about a golden age. I don't think they're being ridiculous. I think they understand the possibilities of this technology and they get all excited about it. "But the problem is there's no way to communicate it in a way that people can really understand because the guys who want to make money from it want to, you know, keep it to themselves. So you have a— there's, there are real conflict issues on, on how this technology comes out and who knows about it. But I think the potential for technology to dramatically improve productivity is enormous."
3:13

Catherine Austin Fitts on "breakthrough" tech funded by taxpayers' "missing money" "they've built an awful lot of infrastructure... ships in the sky... stuff going on underground... we can run cars from water... [and] if they can get the price of graphene down... what you can do with materials is unbelievable" This clip of Fitts, a former Assistant Secretary of Housing and Urban Development, investment banker, and founder of the Solari Report (The Solari Report | Catherine Austin Fitts), is taken from a discussion with Versan Aljarrah (Versan | Black Swan Capitalist), the founder of Black Swan Capitalist, posted to YouTube on July 2, 2026. ---------------Partial transcription of clip--------------- "I've tried to trace where the money theoretically could go, sort of as a conceptual matter, but I think they've built an awful lot of infrastructure which is not something we don't see when we walk around— "So, much more impressive ships in the sky, much more stuff going on underground... And especially because we're, as a society, we're using 50- and 100- year-old legacy technology. "And we know, I mean, I just know I'm in the Netherlands because my partners here I first met in 2012 because they led the breakthrough energy conferences in, in, in the Netherlands and the US, as well as the secret space program. "Because a lot of the breakthrough energy is associated with the sort of the space programs. And if you just look at the technology we've had for over 100 years to dramatically reduce the price of energy, we know this technology works. We know we can run cars from water. "We know all of this stuff is feasible. And the question is, when is it going to be allowed and integrated into the regular economy? Your guess is as good as mine, but somebody's got it. "So when the head of Lockheed Skunk Works said in 1996, we now have the technology to take ET home— That tech, I, I'm taking him for his word, I think he was telling the truth, but I don't think we've— It was, I don't know if you saw this Lockheed CEO the other day sometime in the last year on a conference call with investors was talking about the incredible technology they, they've developed, they've just developed that he can't talk about.... "I think there's a lot of technology that's going to come out of the lab over the next 10 to 15 years. And, you know, so the other day they, they built literally a modular nuclear plant that they can put in an airplane and fly to a military base. Right? "You know, you have a lot of practical applications coming. If you just look in material science, if they can get the price of graphene down, I mean, what you can do with materials is just unbelievable. "So I think, when, when Trump or these guys talk about a golden age. I don't think they're being ridiculous. I think they understand the possibilities of this technology and they get all excited about it. "But the problem is there's no way to communicate it in a way that people can really understand because the guys who want to make money from it want to, you know, keep it to themselves. So you have a— there's, there are real conflict issues on, on how this technology comes out and who knows about it. But I think the potential for technology to dramatically improve productivity is enormous."

Sense Receptor

16,885 görüntüleme • 3 ay önce

With no changes to the physical setup and just readings from the 4 probes, the skin can also detect touch extent/shape in addition to location. The visualization implies the mechanism if you can figure it out!
0:38

With no changes to the physical setup and just readings from the 4 probes, the skin can also detect touch extent/shape in addition to location. The visualization implies the mechanism if you can figure it out!

j⧉nus

58,774 görüntüleme • 7 ay önce

Believe it or not, this is Anime 2.0. I created this short-form anime using Azuki IP, all costs to produce it went directly to an independent artist/studio. As a fan and NFT holder, I was able to use character IP from the collection to bring this story to life, showing how fans can now actively participate in building the worlds they love. This shift from ‘Brand and Consumer’ to ‘Brand and Active Participant’ is revolutionary. It’s just a tiny example of what Anime 2.0 can signify. This is the future of storytelling.
1:34

Believe it or not, this is Anime 2.0. I created this short-form anime using Azuki IP, all costs to produce it went directly to an independent artist/studio. As a fan and NFT holder, I was able to use character IP from the collection to bring this story to life, showing how fans can now actively participate in building the worlds they love. This shift from ‘Brand and Consumer’ to ‘Brand and Active Participant’ is revolutionary. It’s just a tiny example of what Anime 2.0 can signify. This is the future of storytelling.

SteveG.

57,386 görüntüleme • 2 yıl önce

Live: Source: You can download this to start your scenes with #r3f, #threejs WebGPU Renderer, and Post-Processing using #tsl. I also converted my jet engine shader from GLSL to TSL using the transpiler. It works like a dream😍. I added the Royal Naboo starship in the scene to show how Screen Space Reflections reacts to all metallic surfaces, not just the floor. I hope you like it. Please give me a star⭐️on GitHub if you can. #threejsJourney
1:27

Live: Source: You can download this to start your scenes with #r3f, #threejs WebGPU Renderer, and Post-Processing using #tsl. I also converted my jet engine shader from GLSL to TSL using the transpiler. It works like a dream😍. I added the Royal Naboo starship in the scene to show how Screen Space Reflections reacts to all metallic surfaces, not just the floor. I hope you like it. Please give me a star⭐️on GitHub if you can. #threejsJourney

Anderson Mancini

20,268 görüntüleme • 1 yıl önce