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🔥 Skin Diamond & Sky Blue serving pure fire while Mr. Marcus handles both like a pro 💦 Triple threat energy you don’t wanna miss! #SkinDiamond #SkyBlue #MrMarcus #BlackDiamond #InterracialFire #AdultCinema #ThreesomeGoals #POVLegend

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TIM DILLON: Spencer Pratt if you lose, which statistically you will… don’t leave LA. You should burn it the fuck down. Spencer should dedicate the rest of his life to going around LA at night like a psychopath with a gas can, burning down the homes of the people that weren’t affected. Let them smell the smoke. Let them breathe in the ash. You must spend the rest of your life engaging in what they would call ecoterrorism. You gotta burn it down in the middle of the night. Get a van. Get a couple of homeless people. Get a couple of assorted psychopaths. Go on nightly raids. Begin planting explosives in LA buildings, both residential and commercial. Light buildings on fire. You’re gonna have to kill people. Not a lot of them, but a few will be collateral damage. Sadly, an onlooker or somebody. You can’t control the blaze. Then there’s gonna be a massive FBI manhunt for you. People are gonna be very upset and you can’t get caught for a while. You have to do these things pretty shrewdly so it builds the mystique. You’d probably be killed. And you wanna die. I know you have kids and a wife. I get it. It’s sad. You’ve chosen your path. I know it. You are right now to become an ecoterrorist on a level that we’ve never seen. Grab a gas can and run through the city like a bat out of hell. You should burn it all and start as many fires as you can in the 72 hours right after you lose. Have an effect. It would be like Batman if you still appeared on talk shows during the day, but started the fires at night. Then that becomes your big issue. You could be like, “You see these fucking fires? Man, if I was in there…” Then maybe there’s a recall election and Karen’s out before they even catch you, and you do become the mayor. Mr. Pratt, listen up. Serious advice, please listen up, Spencer Pratt, friend of the show. You must burn it down. Literally, not figuratively. Sure, these campaign ads are cute, but you know what’s really effective? Starting fires all over the city, where the firemen can’t even keep up with them. Spencer Pratt, that’s the advice.

Grace Chong, MBI

14,090 Aufrufe • vor 2 Monaten

How to Resurface Brake Rotors Like a Pro. Pure ASMR . ​Got a brake pedal that feels like a foot massage every time you slow down? It’s probably time to address those warped rotors. Instead of throwing them straight into the scrap bin, you can often give them a second life by turning them on a brake lathe. ​Here is the exact step-by-step process to get that perfectly smooth, true finish: ​Step 1: Mount the Rotor ​Place the brake rotor securely onto the lathe spindle. ​Slide on the correct-sized adapters to ensure the rotor centers perfectly on the shaft. ​Thread on the arbor nut and tighten it down to lock everything firmly in place. ​Step 2: Install the Silencer Band ​Don't skip this part unless you want your eardrums ringing. Wrap the rubber anti-chatter silencer band tightly around the outer edge of the rotor. ​Secure the spring hook. This dampens high-frequency vibrations and prevents high-pitched squealing while cutting. ​Step 3: Fire Up the Machine ​Flip the power switch to the ON position to get the rotor spinning. ​Take a quick second to make sure everything looks centered and isn't wobbling on the spindle. ​Step 4: Position Your Cutting Bits ​Use the handwheels to bring the twin cutting arms into position. ​Align the diamond-tipped cutting bits so they are just clearing both the inner and outer surfaces of the rotor. ​Step 5: Dial in the Depth of Cut ​Carefully adjust the micrometers on both sides to set your depth. ​For a standard scratch pass or light resurfacing, dial it in precisely to take off just enough material to clear the high spots and rust ridges. ​Step 6: Engage the Automatic Feed ​Turn up your speed control unit and engage the automatic feed mechanism. ​Sit back and let the machine work its magic as the cutting bits slowly move outward, cutting away imperfections and restoring a completely flat surface. ​Step 7: The Final Touch ​Once the automatic pass is complete, lightly run a piece of medium-grit sandpaper or a sanding block across the spinning rotor surfaces. ​This knocks down any microscopic ridges left by the bits and creates a clean, non-directional finish for optimal brake pad bedding. ​Step 8: Tear Down ​Shut the power off. ​Use your wrench to loosen the arbor nut, unhook the silencer band, and slide your perfectly resurfaced rotor off the machine.

Chuckling Charlie

91,374 Aufrufe • vor 1 Monat

What if this was the opening scene of an anime that never existed? 🌌⭐ Six ordinary teenagers are chosen by the stars and forced to fight together against an ancient threat. This is only the beginning of their journey. Made with Seedance 2.0 on FlovaAI #Flovaai #Flovacpp 🌌 STARKEEPERS The First Team Attack Length: 60 seconds Structure: 4 × 15-second prompts Style: High-budget anime movie, Ufotable-quality animation, Makoto Shinkai-inspired skies, dynamic action choreography, cinematic lighting, volumetric fog, cosmic particles, dramatic orchestral score, 2.39:1 widescreen, 24 fps, ultra-detailed, fluid character animation. CHARACTER LOCK (Include in every prompt) There are exactly six teenage Starkeepers, all appearing consistently throughout the sequence. ⭐ NOVA (Leader) 17-year-old male Tall, athletic but lean Messy silver-white hair Bright sapphire-blue eyes that emit a soft glow Warm smile, confident expression White-and-gold long battle jacket with celestial embroidery, black fitted combat pants, white armored boots, fingerless gloves, flowing golden scarf that moves with the wind Uses a glowing sword forged entirely from concentrated starlight Fighting style: fast, graceful, heroic, precise swordsmanship mixed with light dashes 🌙 LYRA 17-year-old female Long straight black hair reaching her waist Deep violet eyes Calm, intelligent expression Dark navy cloak covered with tiny embroidered stars over a fitted midnight-blue combat uniform Floating crystal earrings Uses gravity magic with elegant hand gestures Fighting style: barely moves, manipulates the battlefield from a distance ☄️ KAI 16-year-old male Short spiky crimson-red hair Amber-orange eyes Constant grin Orange bomber jacket over black tactical clothing, finger tape, lightweight combat sneakers Large mechanical comet gauntlets glowing with fiery orange energy Fighting style: explosive acrobatics, punches, aerial flips 🌿 ELIO 18-year-old male Medium-length dark green hair Emerald-green eyes Gentle smile Forest-green coat with leaf embroidery, brown leather straps, wooden bracelets Uses glowing vines and healing energy Fighting style: defensive, elegant, protects teammates ❄️ SKYE 17-year-old female Short snowy-white hair Ice-blue eyes Confident smirk Royal-blue combat coat trimmed with crystal patterns, black leggings, armored boots Twin crystal ice blades Fighting style: aggressive, fast, spinning sword attacks 🌑 NOCTIS 18-year-old male Messy black hair Crimson-red eyes Serious expression Long black coat with faint purple celestial markings Shadow blades that appear from darkness Fighting style: silent assassin, teleporting through shadows PART 1 (0–15s) — "The Hunt Begins" A ruined ancient city sleeps beneath a brilliant galaxy-filled night sky. Crumbling stone towers are covered in glowing blue vines, and broken celestial statues line a deserted avenue. The camera begins with a slow aerial drone shot descending through swirling clouds before pushing toward the six Starkeepers standing together on the edge of a towering cliff overlooking the city. Their capes and jackets ripple dramatically in the wind as stardust drifts around them. A low-angle hero shot introduces the team. Nova stands confidently in the center with his radiant starlight sword resting on his shoulder. Lyra stands calmly behind him, her cloak floating unnaturally as pebbles levitate around her. Kai bounces impatiently, his comet gauntlets crackling with orange energy. Elio kneels briefly, touching the ground as glowing vines spread beneath his fingers. Skye twirls one crystal blade with effortless confidence while icy mist curls around her boots. Noctis remains slightly apart, half-hidden in darkness, his crimson eyes glowing. Suddenly the ground trembles. A colossal Celestial Beast—an enormous wolf-like creature made of obsidian rock with glowing blue cosmic cracks—bursts through the ruined streets. The camera rapidly dollies toward its face as it unleashes a deafening roar that sends shockwaves across the city. The final shot is a close-up of Nova's determined eyes as he whispers, "Together." PART 2 (15–30s) — "The Combination Begins" The camera whips forward as Nova sprints first, leaving brilliant golden trails of light behind him. A dynamic tracking shot follows his sword as he clashes with the beast, showering sparks across the ruins. The monster counters with a massive swipe, forcing Nova backward. Before it can strike again, Lyra calmly raises one hand. The camera rotates 360 degrees around her as gravity bends visibly through shimmering purple distortions. Entire stone pillars tear free from the ground and float into the air, trapping one of the beast's legs. Kai laughs loudly and launches himself like a blazing comet. The camera switches to an over-the-shoulder aerial perspective as fiery orange energy erupts from his gauntlets. He slams into the beast's shoulder with explosive force, sending fragments of glowing stone flying in every direction. Quick cinematic cuts show Skye charging across frozen pathways she creates beneath her feet while Elio's glowing vines race through the cracked streets, wrapping around fallen pillars to stop collapsing structures from crushing nearby civilians. Noctis silently disappears into a pool of shadows without anyone noticing. PART 3 (30–45s) — "Perfect Synchronization" The beast breaks free and unleashes a devastating energy blast toward the team. Time seems to slow. The camera circles them in a dramatic orbit. Elio thrusts both hands forward, causing an enormous wall of luminous emerald vines to erupt from the earth. The shield absorbs the blast while green healing particles wash over his teammates, restoring their strength. The camera instantly cuts upward as Lyra snaps her fingers. Gravity reverses around the monster. Massive chunks of ancient buildings float into the sky, carrying the beast with them. Dust, rubble, and glowing debris spiral in slow motion. Skye smiles confidently before launching herself upward, gracefully skating through the air on shimmering ice crystals. She performs a series of lightning-fast spinning slashes, freezing the beast's limbs with brilliant blue crystal formations. The music suddenly quiets. Behind the frozen monster... A dark shadow slowly rises. Noctis emerges silently from complete darkness, his crimson eyes glowing brighter than ever. In one fluid motion, he crosses both shadow blades and slices through the air, leaving enormous black-and-purple crescent trails that shatter the beast's defenses. Nova looks upward. He smiles. "This is it." PART 4 (45–60s) — "The First Team Attack" A sweeping crane shot reveals all six heroes surrounding the suspended beast in perfect formation. Lyra compresses gravity, pulling the monster into the exact center. Elio's glowing vines anchor everyone together, symbolizing their unity. Kai rockets high into the sky, becoming a blazing comet that crashes downward. Skye launches dozens of crystalline blades that spiral around the beast like frozen stars. Noctis creates an enormous eclipse behind the creature, locking every escape route in darkness. Finally, Nova rises above everyone, his sword absorbing streams of light from all five teammates. Their different energies—gold, violet, orange, emerald, blue, and black-purple—flow into one brilliant celestial blade. The camera rotates rapidly around Nova before slowing into dramatic slow motion. He dives through the sky, delivering one breathtaking slash. A gigantic six-pointed star of pure energy erupts across the battlefield, consuming the Celestial Beast in a dazzling explosion of light, ice, vines, gravity distortions, comet fire, and shadow. Silence. The dust settles. The six Starkeepers stand side by side as dawn's first light breaks over the horizon. High above them, one distant star flickers... then mysteriously goes dark. Cut to black. This single moment hints that defeating one monster has awakened a far greater threat, inviting viewers into the next chapter.

Soulful Ai

107,800 Aufrufe • vor 16 Tagen

🥶=🌞 In high latitudes, the cold is your sun. Ignore it, and you live without one. What most people get wrong is believing that high latitude in winter, is a “deficiency problem.” It is only a deficiency if you do it wrong. In high latitude, we must embrace winter and accept a different set of physical rules. Thing you have to do: 1️⃣ Lock in time⏰ Wake when the environment wakes, even if that is darkness. Still go outside because infrared and magnetic cues exist even when the sun disk does not. The suprachiasmatic nucleus (the brain clock) does not run on Instagram sunlight. It runs on environmental timing. Miss that, and mitochondria lose rhythm. 2️⃣ Cold becomes the sun❄️=☀️ Real cold, outdoors Feel it by minimizing the clothing you wear. Don’t cover your face. Cover your hands & feet well if you plan to stay outside for hours, like I did, unless you want frostbite souvenirs you didn’t order. Cold in nature increases electron density, improves redox, and substitutes for missing photonic input. This is why northern mammals thrive in winter. They don’t complain. They adapt. 3️⃣ DHA becomes non-negotiable🐟 In winter Norway, seafood is not “nutrition,” it is optics. DHA turns cell membranes into antennas that capture what little light exists and store it in water layers. This is how biology cheats winter. Without DHA, the brain becomes noisy, inflamed, anxious, and hungry for carbs(carbs doesn’t substitute DHA) Don’t forget the other key semiconductor: phosphorus (pork, egg yolks, organ meats, cheese, shellfish, red meat, poultry) 4️⃣ Light discipline becomes extreme💡 After sunset, zero overhead light if possible. Candles beat incandescent, halogen, and LEDs. Screens are minimized or filtered hard. Blue light at night in the Norwegian winter is not a small mistake. It is circadian assassination 😵🔫 Most winter depression is not psychological. It is photonic. In my house, there is no such thing as darkness after sunset 😒, so I cover myself head to toe and, yes, with blue-blocking glasses. 5️⃣ Movement stays outside🏋🏼‍♀️ Whatever you do, do outside in nature. Winter gyms under LEDs at high latitudes are where mitochondria STOP adapting and start negotiating. Nature DOESN’T NEGOTIATE 6️⃣ Food simplifies🍽️ No carb loading to “feel better.” Protein and fat dominate. Local fish, roe, bone broth, salt. Hunger signals in winter are often light hunger, not calorie hunger. Eat less. Sleep more. This is carnivorous season. Respect it 7️⃣ NO supplements replace nature💊 Vitamin D pills do not replace the sun Magnesium pills do not replace grounding Adaptation beats substitution every time 8️⃣ Location🏡 Avoid cities like the plague They are blue-light and EMF hellholes If you work there, follow my office guide(with a proper winter twist add) 👉🏻 😇Now the part most people don’t want to hear😈 Norwegian winter isn’t for everyone. If someone cannot control light at night, cannot access cold safely, cannot eat seafood, or is already metabolically broken, winter will expose weakness fast. Nature is honest and brutal 🌬️🔥 Embrace it, or get the hell out🙄 Otherwise, sure👍🏻… stay cozy, stay lit up, binge Netflix like a pro. Just don’t be surprised when Mr. Death 💀shows up at your doorstep, asking if the next episode is almost over 👀 For us, especially with a transplanted kidney, the lesson is not fear. It is PRECISION Winter is a surgical tool. Used correctly, it builds resilience 👍🏻 Used poorly, it accelerates decline 👎🏻 So, if you live in Norway in winter, don’t complain about missing sun just behave like winter mammals, enjoy the weather. Stay grateful. Remember: biology doesn’t care what we believe. It only responds to physics✅ BTW this is the first time since I discovered ☣️ Pleb Kruse = BTC foundationalist in exile 🟩🔆 that I shoveled snow wearing cotton clothes in −8°C (18°F). Normally I’m inside a Michelin down jacket because I’m 1.65 m, 53 kg / 5’5”, 115 lb, zero insulation. My husb worried I’d get sick🤭 It felt amazing…

Light Me Away ☀️

16,817 Aufrufe • vor 7 Monaten

be ZHANG Xue 😭 > 1987 rural hunan mountain village kid > parents split early, you + little sister + grandma scraping by in a leaky mud house with basically nothing > 14 yo drop out of junior high, start as motorcycle repair apprentice because bikes are the only thing that ever made sense to you > 17 yo open your own tiny repair shop, living on grease, oil, and pure hustle > 19 yo spot a hunan tv crew filming, decide "this is my one shot" > chase their van 100km through pouring rain on a beat-up bike, covered head to toe in mud, yelling for them to film your wheelies and jumps > they actually put you on tv, some race team sees the crazy energy and gives you a chance > turn pro rider + mechanic, crash a lot, but learn engines inside out like nobody else > 2013, 26 yo, stuff 20k rmb in your pocket and head to chongqing, the motorcycle capital > start modding and flipping bikes on taobao, blow up the category in year one > 2017: co-found kaiyue moto with the boys, scale from 800 bikes a year to 30k, still not satisfied > you want real high-performance engines, not just quick-profit stuff > investors want the easy money, you say nah > 2024 march: you walk away clean, keep nothing but your name and your vision > april: launch ZXMOTO — literally your own name on the tank, all-in personal bet > pour everything into r&d with chongqing supply chain + zhejiang tech > 2025: first 500RR drops, deliveries start, sales go crazy, revenue hits 750 million rmb while still investing heavy in quality > 2026: drop the 820RR triple, land A-round funding at 1.09 billion valuation > march 28-29 portugal WSBK SSP class > your french rider on the 820RR-RS takes two straight wins, beats the big international factory teams by almost 4 seconds > first time a chinese brand ever stands on top of the WSBK podium > national anthem plays, chinese flag goes up, whole paddock watching > back home the orders flood in so hard the factory can't keep up, 820RR waitlist stretches to june > be zhang xue, 38 yo junior-high dropout ex-mechanic from a mountain village > just put a chinese bike on the world stage and proved the underdog story is still real > still riding with the same fire you had chasing that tv van 20 years ago > tfw the kid who started with nothing just made the entire industry take notice > respect to all the big brands out there, but damn... what a run > see you on the track, legends

Tiezhen WANG

49,981 Aufrufe • vor 4 Monaten

In 2003 I stopped on the side of the highway. I got out of my car. I looked up. I can’t really describe the feeling, but dumbstruck awe is as close as possible. I was on my way home very late from a school event and suddenly I was surrounded by green, red, and purple fire. The night sky was enveloped in them. Honestly I thought I was having a medical emergency. It was the Northern Lights, but unlike anything I’ve ever seen. I stood for 20 minutes looking up as twisting and chaotic lights spun around me, in the middle of nowhere, without any light pollution. I also HEARD them. It was a crackling and twinkling sound, like wind chimes made of breaking tinfoil. Nobody else I knew saw them that night. I also wasn't believed that they made sound - which has been proven to be true. That was the last MASSIVE geomagnetic storm the Earth experience and it was like what we saw last night. We got warning thanks to social media that one was coming and the weather cooperated. Little cloud, and a warm wind. We sat beneath the sky initially in blankets but then 1:00 AM rolled around. Gorgeous dancing beams of light blasted overhead, with the same greens, reds, pinks, and purples I saw so many years ago. It got so bright, it was as if Mother Nature had turned on a nightlight across the night sky, to ward off bad dreams and spooky shadows. I had tears in my eyes. I felt so small, yet I was experiencing something so large. I had VERY big feelings - just like Beaker gets (our golden) when she has so much joy. This time I got to experience it with my family AND see the joy and excitement across social media as so many people who had never witnessed them before, got a glimpse. We were all so very fortunate last night. BUT: What causes this? This cosmic spectacle is caused by a massive sunspot, a behemoth as wide as 17 Earths, hurling solar flares towards our planet. Imagine the sun as a giant celestial disco ball, occasionally sending out bursts of energy in the form of solar flares. When these flares reach Earth, they interact with our magnetic field, creating geomagnetic storms. Normally our magnetic field yeets these storms to the poles, eliminating all but the most extreme latitudes from viewing them. In Canada we consider it pay back for our long and brutal winters. This energy excites the gasses high in our atmosphere and depending on the gas, different colors are produced. Oxygen produces greens and reds. Nitrogen produces blue and purple. And if we are very very lucky, Helium and Hydrogen produces the white and pinks we saw last night. The recent storm escalated to Level 5 "extreme" conditions, creating a celestial dance of colors in the night sky. Even SpaceX's Starlink service experienced "degraded service," a reminder that while we marvel at the beauty of the Northern Lights, they also remind us of our reliance on technology vulnerable to these cosmic events. Our internet is powered by Starlink and we have NO SERVICE during the peak - and it has been knocked out at times yesterday and today. However, this isn't just a spectacle; it's a reminder of the power and unpredictability of our sun. This Level 5 geomagnetic storm is the first of its kind since 2003, where a much younger me stood dumbfounded at the side of a rural highway, looking up. There is talk that this Saturday night we might get a repeat performance. You can bet our family will have front row seats. You can’t miss this kind of cosmic show. It is just the universe telling us that while we are small , we are part of something so much bigger. We are in the universe, but the universe is also within us.

Bunsen, Beaker, Bernoulli & Brix

42,050 Aufrufe • vor 2 Jahren

When I was reading Brian Tully, Ken Mello and Robert Cosgrove's affidavits yesterday in the Aidan TurtleBoy Kearney case, I was challenged by an account that was intent on defending Leigha Bathtub Genduso and Kate Peter. Best quotes from my retort; "Number one, Steph, please address the fact—please address why Kate Peter’s February 24, 2024 email to Ken Mello was not turned over in the 5,000 pages of emails that Robert Cosgrove spent seven months putting together that were between Kate Peter and Ken Mello and Kate Peter and Brian Tully. Why was that February 24, 2024 email not turned over? Secondly, is the fact that those emails were turned over—despite the fact that it wasn’t a full turnover of emails—in August of 2025 tie into why the Lindsey Gaetani charges involving Aiden were dismissed? Thirdly: is the fact that Kate Peter—now we know from these documents—directly handled two pieces of key evidence in the Gaetani indictments involving Kearney the reason why, coupled with the August 2025 disclosure of those manipulated email records between Tully and Kate and Kate Peter and Ken Mello, was that the reason why the 2024 indictments involving Lindsey Gaetani were actually null-prossed? Time to answer some tough questions, Steph. Why was that audio of Leigha Genduso not included in the extraction that Brian Tully released completely unredacted in April of 2024? And why have you never said a word about how Tully manipulated that extraction to remove messages from Tully to Lindsey and from Kate to Lindsey before releasing it? And Tully apparently didn’t include Leigha Genduso’s audio message that is now part of the public court record, as well? Yes, Steph, you can’t address it on merit, you can’t, because you’re not here to do that, are you? You’re here to vacuously distract with nonsensical emotional rhetoric. And I will not stand for it. No, I’ll continue reading. It’ll get worse before it gets better, Steph. I’ll tell you that right now. No, she did not, Steph. I’ll tell you what, right now. You know how I know? Because look at Steph, it was posted on social media. Oh, Steph, it was posted on social media and not included in the extraction. So how could Lindsey have deleted it? Lindsey saved it, because Tully didn’t include it in the extraction, and then Lindsey dropped it on social media. And that proves it. That absolutely proves it. All right, so Steph, if you don’t know and don’t care, that’s the end of this discussion. If we have to move you on begrudgingly, we will. But as of now, you can’t address any of this on merit. You don’t know the factual record. You’re getting humiliated. And furthermore, I’m sending a message through you to Kate that her moles are not welcome here. So, well, yeah, but no, that’s not—hold on, do you realize, Steph, the point is not where it was posted. It was that the audio file exists. If it was not on Lindsey’s phone when they did the extraction, she couldn’t have it. But she still has it. There you go. So, listen, oh, I knew we were onto something. I didn’t know it was this bad, Steph. You shouldn’t have tipped Kate’s hand like this, by the way. Reacting that way is only making me aware that this is the whole kit and caboodle. No, Steph, again, you have no standing to stand up for anyone, call anyone anything, or otherwise say anything here, because you will not address the merits of the argument. You just admitted you don’t care about the filings, you don’t know the details, and you refuse to engage. So therefore, we’re done." PARTIAL TRANSCRIPT: If you’re just tuning in, my name is Grant Smith Ellis, and we are reading through Brian Tully, Robert Cosgrove, and Ken Mello’s affidavit. It’s tough to call it an affidavit from Ken Mello, because quite frankly, he didn’t write an affidavit. Robert Cosgrove adapted hearsay statements in Ken Mello’s voice in his own affidavit. That might tell you something. I don’t know. What the fuck do I know? I’m just a towel. Thank you very much for tuning in. I have noticed that there is a very specific group of people in Kate Peter’s orbit trying to target Towel right now. People do not want Towel to be heard. That means I’m going to speak more. I am going to just keep talking and keep saying things, because now I have put it all together. Oh, that’s right. I have one more thing to type. Furthermore, as soon as, within weeks of Kate’s emails to Tully and Mello being turned over in, what was it? August of 2025, the TurtleBoy charges involving Lindsey Gaetani were dropped. And what do you know? Kate was involved in handling evidence submitted by Tully and Mello to the grand jury for Lindsey’s charges, for the charges involving Lindsey Gaetani, for Aiden’s charges involving Lindsey Gaetani. Furthermore, the new email from Kate to Mello indicates Kate was indeed also involved in the 2023 indictments against Kearney that the Norfolk DA seems intent on trying to wall off from Kate Peter’s involvement. Oh, little towels, I'm just a little towel. Steph, Grant says, “Why are you making fun of her by calling her bathtub.” Wait, what? No, no, no, Steph, let’s be very clear. When Leigha Genduso engaged in—and I think it was Kate actually who did it—but when Leigha Genduso or Kate responded to revenge porn with revenge porn, nothing about that was okay, okay? Whether it was legal or not at the time, nobody sharing revenge porn of anybody else was okay, all right? I just want to be very clear. So when Kate did it, it was not okay. When Aiden did it, if that’s what happened with Leigha—I don’t know, I wasn’t around—not okay. If Leigha did it to Aiden, not okay, okay? Everybody on the same page? Like, it’s not okay to do that to people. I just want everyone on the same page. No one would—it’s just like, treat people how you want to be treated, bro. So I just don’t do it. Now, I get some people would say, fight fire with fire, okay, still, don’t fucking do it. Please don’t do it. I don’t understand why people do it. It blows my mind. I don’t understand why people justify it. Oh, it’s okay that Kate or Leigha did it, cause Aiden did it too. It’s like, no, though. I get it's a shitty thing to happen. Don’t do it back. Just stop. It’s ridiculous. Steph's like—"I keep seeing you call her bathtub." Yea, bro she took a video in a bathtub once and posted it on social media. Okay, you want to livestream yourself from a fucking bathtub then I'm going to call you Leigha Bathtub Genduso. I don’t know what to tell you. You don’t have to call her that, but I’m going to do that, right? And I’m not going to stop. But yeah, Three-Clerk-Monte bang bang. Sometimes you just got to tell them how it is, Three-Clerk Monte, you know what I’m saying? Even while you’re on your break. By the way, Steph, I’m just going to break here just posting things, right? And I’m saying I’m not even supposed to be riled up right now. We’re going to go back to reading the indictment in a little bit. I’m just a little towel. I’m on one, you know what I’m saying? Absolutely not. I don’t know which Steph you are. I don’t know if you’re that Steph or whatever, the fake Canadian. You’re not going to come on here and tell me I cannot call her Leigha Bathtub Genduso. I’m going to triple down. I’m going to call Leigha Bathtub Genduso more now. Thank you for all the comments, by the way. It helps the stream get attention in the Kate Peter sucks. Remember that? Yes, that I want you to get this tattooed on your arm: Kate Peter sucks. I’ll help you spell it: K-A-T-E P-E-T-E-R, no S at the end, just Kate Peter, now a new word, sucks, S-U-C-K-S. Everybody on the same page? All right, it’s artistic expression, bro. What do you want to say? Oh no, she’s gone. Steph, I was enjoying all your comments. Yes, Steph, that’s exactly what I want. I want you to keep interacting in the comments because it gets the stream more attention in the feed. I want that. I want you to continue to engage, and I’m going to keep calling her Leigha Bathtub Genduso. It’s not an obsession. It is the product of multiple years of work on the story to uncover something hidden that you don’t want to be talked about in public. That’s the reality. Is that not right Steph, you’re concerned that Kate Peter compromised the cases against Aiden Kearney because she worked as a PI for Marty Craft, who’s now lost his license because of what she was up to according to people’s reports in this chat, and you feel that it’s uncomfortable to have to hold her to the same moral standard that you do Aiden because you’re biased, right? Fine, I don’t care. I’ll tell it to your face yes. No, Steph, you have something to say? You say it right here, one-on-one. Let’s debate. We can do it. I have all the evidence now. We can talk about it all. That’s correct. I don’t create realities, Steph. I bring them to light. Your normative moral framework and what you want to happen is just that. The descriptive reality is independent of what any of us want. It is simply a factual record. In the context of our asymptotic relationship with that factual record, notwithstanding, I was interested in the truth, and you are who is afraid of it, let’s be clear. I wouldn’t say you’re debating me, Steph. You can’t debate on the merit of the facts. You want to know why? Because, for example, it would be very hard for you to counter something like this paragraph right here, right? Where Robert Cosgrove says that any data missing from Lindsey Gaetani’s phone was not on the phone at the time Brian Tully did the extraction. And you might be saying to yourself, Grant, how can you know? How can you know that Brian Tully intentionally released the phone unredacted after only removing messages from Kate to Lindsey and from Tully to Lindsey and after removing things like audio messages from Leigha Genduso? How do I know? Well, because how else would Lindsey have posted it on social media? My word, Steph. It’s almost like there’s proof that Robert Cosgrove was withholding material information related to the sum and substance of Kate Peter’s communications with various members of the prosecution team and/or witnesses and/or the handling of evidence in order to insulate certain charges from Kate Peter touching that evidence so that they could continue to trial, notwithstanding the discovery obligations of the state under the new updated Rule 14 as implemented on March 1, 2025. And towel is in a snarky mood indeed. And you’re not going to be able to do anything about it—oh, please, you're not saying to yourself, "what’s wrong with towel, Steph?" You’re basically saying, "why are you crossing the thin blue line?" And I would like to respond to you by saying, in the least unloving way, but the fact that you would ask me, “What is Grant doing?” because I won’t adhere to your thin blue line? Get the fuck out of here. Go climb up somebody else’s tree. Go find your own treehouse. Not happening. Absolutely not happening. You will look this factual record in the eye. You will confront your moral problems with the various actions of different people involved on your own time. And Leigha Bathtub Genduso will be central to this moral reckoning. And there’s not a damn thing you or your fake Canadian ass can do about it. I’m on one. I told you. Listen, you want it? You want it to be on record? We’ll do it. No, no, I’m just not loyal to your interests, Steph. I’m loyal to truth. I’m loyal to the people who are actually harmed. I’m not loyal to you or any of your friends or Kate Peter or the thin blue line or the thin green line or the thin pink line for that matter. All of you can take your lines and go fuck yourselves. Fake Canadian. Yeah, right, Steph. Yeah, let’s go with that. Yep, let’s go with fake Canadian, because why would you want me looking more in to you? A reporter? You want me to look more into you? No. God, take the L, man, just move on. That’s correct. No, listen, Steph, you want to talk about Michael Proctor’s family’s relationship to my mother? You want to be the person who draws that line? I’ll tell you about it. You sure you want to talk about it? You damn fake Canadian. We may have to get this fake Canadian out of here. She’s riling me up. You’re riling me up by trying to defend Kate Peter. I knew you were a rat the whole time. Goddamn Kate Peter mole. I knew it. I saw through that shit. "I just heard you acknowledge me about the AI. No hate. I appreciate you reading this. Good content." Thank you, sir. Thank you, to the person who said that! You see what I’m saying, Steph? You know what? I think we should just let Steph talk to herself, all right? She can just keep promoting the stream and the algorithm. Let her talk to herself. But Steph, even if you’re talking to yourself, I still have to write the post, okay? Damn fake Canadians. Steph is a fake Canadian and she may or may not be a communist. What you gonna' do about it? You damn fake Canadian. All right, no, I actually have to write this follow-up post. Stop it, Steph. Stop trying to gaslight to protect Kate Peter. You’ll be thrown out of here faster than someone with a cannabis conviction trying to enter Canada who doesn’t actually live there. Damn fake Canadians. Thank you, Kristina. I appreciate it. Yes, and Kristina, you ever wonder if maybe people come in here specifically to derail the conversation because we’re talking about very damning things as to Kate Peter? Well then, let me write my other post, by the way. I’ll help. I will put it up on the screen for you in one second. I just got to get the video loading before I start typing. Oh, Steph, you were on assignment. Stop bitching. I hope they paid you well for it. Don’t bark up my towel tree about you had to spend time with me so you could run intel to all the Kate Peter people. I don’t care. I knew what you were doing. Do you think I was born yesterday? Come on. You all insult my intelligence routinely—not you in the chat. Some of you moles are just like, “He won’t know.” What, are you just going to tell me I’m the greatest thing ever and then it’s going to go along? I’m just saying, I’ve been posting on social media being like, “Aidan, if people tell you that you’re the greatest thing ever, that might be true, but some of them are going to tell you that because they’re moles.” Come on. This is very basic-level intel stuff here. Steph, that was very nice of you. I am never going to degrade you for supporting people in need. What I’m concerned about, okay—I’m not concerned about who you are as a person. I’m concerned about what you didn’t tell us. All right? Yeah? And that's my right. No, absolutely not, Steph. You know exactly what happened. You flipped on a dime as soon as I started asking questions about Kate Peter because she has a lot of moles in her orbit. And then as soon as we started talking about her today, coincidentally enough, you popped right back up. Oh, what’s this? Robert Cosgrove represented in a sworn affidavit that any material missing from Lindsey Gaetani’s—see what I’m doing, Steph? This is, uh, this is for you—Lindsey Gaetani’s phone extraction was not on the phone when MSP did that extraction. And then Brian Tully leaked that extraction unredacted. That’s a message from Leigha Bathtub Genduso proves Tully failed to include material that was indeed on Lindsey's phone. That was for you too, Steph. It’s weird that you know Bathtub, by the way. That’s just odd. Like she’s known Kate Peter for years too. If this Steph, who I watched Sandlot with, is the same Steph as the one who’s a second cousin of John O’Keefe, then she lied to me. She lied to me. If we can prove that this is the same, same Steph, then she lied to me. She told me she was from Canada, Saskatchewan, whatever the fuck. That’s what I’m saying. So Steph, if you are that Steph from wherever the fuck you live, bro—if you are that Steph—you lied to us all. You told us you were fucking Canadian. Wait a minute, wait a minute, wait a minute, wait a minute, wait a minute—are you actually that Steph? No fucking way. You lied to all of us this whole time and pretended to be Canadian? No, that was not—I didn’t ask if you were from Canada. I said, are you the same Steph who was second cousins with John O’Keefe and did you come on this channel and go on a Zoom call with me representing yourself to be Canadian from Saskatchewan? I don’t even have—no, that is not the question I’m asking you. Are you the same Steph that is second cousins with John O’Keefe? Thanks for letting us know. See what I mean? Kristina, it’s not the same Steph. It’s just some random person who really likes Leigha Genduso, Leigha Bathtub Genduso, and Kate Peter. Random coincidence! Just totally random. Come on. I’m rolling my eyes so hard I’m laughing. This has been really interesting though. I know you said no. That makes it even weirder. If you’re not that Steph, your fervent defense of Kate Peter and Leigha Bathtub Genduso is even more weird. Go back to Discord. Come on now, shoo. You’re bothering me. If you bother me too much, I’m just going to go on a 45-minute rant eviscerating Kate Peter with facts, all right? So it’s better to just go. Like I told Benny Sweatpants the other day. Send him my regards, all right? No, I like calling out your hypocrisy. You wouldn’t say a negative word about Kate Peter if I demonstrated the factual record for you in real time. Live! Which I’m doing. You haven’t addressed one element of it on substance. All you’ve done is gaslight, and frankly you’re going to find yourself removed if you continue to fail to adhere to the rules of Towel Channel. As you know, the rules of Towel Channel are pretty simple, which is: one, don’t be discriminatory; two, don’t be derogatory; three, don’t sealion; four, don’t gaslight; and five, no Kate Peters. All right? Jay’s like, “I’m aboard the Grant train.” Thanks, Jay. It wasn’t one question, Steph. It was three questions. Let me reiterate them to you very quickly. Number one, Steph, please address the fact—please address why Kate Peter’s February 24, 2024 email to Ken Mello was not turned over in the 5,000 pages of emails that Robert Cosgrove spent seven months putting together that were between Kate Peter and Ken Mello and Kate Peter and Brian Tully. Why was that February 24, 2024 email not turned over? Secondly, is the fact that those emails were turned over—despite the fact that it wasn’t a full turnover of emails—in August of 2025 tie into why the Lindsey Gaetani charges involving Aiden were dismissed? Second question: is the fact that Kate Peter—now we know from these documents—directly handled two pieces of key evidence in the Gaetani indictments involving Kearney the reason why, coupled with the August 2025 disclosure of those manipulated email records between Tully and Kate and Kate Peter and Ken Mello, was that the reason why the 2024 indictments involving Lindsey Gaetani were actually null-prossed? Time to answer some tough questions, Steph. And furthermore, why was that audio of Leigha Genduso not included in the extraction that Brian Tully released completely unredacted in April of 2024? And why have you never said a word about how Tully manipulated that extraction to remove messages from Tully to Lindsey and from Kate to Lindsey before releasing it? And Tully apparently didn’t include Leigha Genduso’s audio message that is now part of the public court record. Yes, Steph, you can’t address it on merit, you can’t, because you’re not here to do that, are you? You’re here to vacuously distract with nonsensical emotional rhetoric. And I will not stand for it. No, I’ll continue reading. It’ll get worse before it gets better, Steph. I’ll tell you that right now. No, she did not, Steph. I’ll tell you what, right now. You know how I know? Because look at Steph, it was posted on social media. Oh, Steph, it was posted on social media and not included in the extraction. So how could Lindsey have deleted it? Lindsey saved it, because Tully didn’t include it in the extraction, and then Lindsey dropped it on social media. And that proves it. That absolutely proves it. All right, so Steph, if you don’t know and don’t care, that’s the end of this discussion. If we have to move you on begrudgingly, we will. But as of now, you can’t address any of this on merit. You don’t know the factual record. You’re getting humiliated. And furthermore, I’m sending a message through you to Kate that her moles are not welcome here. So, well, yeah, but no, that’s not—hold on, do you realize, Steph, the point is not where it was posted. It was that the audio file exists. If it was not on Lindsey’s phone when they did the extraction, she couldn’t have it. But she still has it. There you go. So, listen, oh, I knew we were onto something. I didn’t know it was this bad, Steph. You shouldn’t have tipped Kate’s hand like this, by the way. The reacting that way is only making me aware that this is the whole kitten caboodle. No, Steph, again, you have no standing to stand up for anyone, call anyone anything, or otherwise say anything here, because you will not address the merits of the argument. You just admitted you don’t care about the filings, you don’t know the details, and you refuse to engage. So therefore, we’re done. Oh, it’s such a shame. All right, I gotta move her on. All right, Steph, it was great. We’ll put you in a little timeout. You can come back tomorrow, okay? I’m glad you spent some time with us, but the reality is I just don’t—I don’t wanna play that type of Kate Peter game, all right? Yep, now, Christina, you, as you know, this channel in Br… every possible perspective. I don’t care what you want to come in here and believe, you know you and I align on a lot of the factual record about a lot of these different cases. It’s not that. I’ll never ever have a problem with that. It’s the bad faith—and it’s not you, Christina. You are wonderful. You’ve never done it—but it’s the people who get too close to Kate Peter and then as embodied in that colloquy with Steph right there, whoever the fuck she is, we still don’t know. As embodied in that colloquy, you have a situation where when confronted with the facts instead of responding or even giving the time of day to what Kate Peter or Tully or Cosgrove might have done wrong, immediately it starts with the emotional manipulation, the attacks, the distraction. So I hope that—I hope that tells us all something. But yes, let’s keep reading because before I got in that fun colloquy, we were—I bet Steph was sent here to try to derail me. Nice try, Steph, take it elsewhere. All right, so we got those two posts up, by the way. All right, following service. Do you remember where we were in all this? The very last—so we just read about the Kate emails. By the way, now we know the whole Kate and Kaboodle is the Kate emails. We just read about the Kate emails and take a look where it goes next. All right, it just keeps going and going. Oh, do you think I should add Kate, Steph to the chart, by the way? Where should she go on the chart? Should she go under the Trollhollmio section? I feel like that’s appropriate. You know, this is just my opinion of how all these people tie together. Say you got Kate Peter, the Lord of Darkness in the middle—that’s my opinion. Then you got Jamz up there, Llama over there, Jason Broyles down here, Gaffney over here, Trollhollomio here. Then you got people like Critical Mass, Virgil, that—I don’t know who that is. And then you got Tully, Michael Morrissey, and Michael Proctor. Then you got Jake Sun, Twisted Tragedies tied to Gaffney. Then you got that guy, Jason Broyles, who thinks—who pretends to be a woman online. You got him, I think he’s tied to Barry Lewis and this weird woman from Connecticut that Kate keeps working with. She used to pretend to be like an advocate for medical patients, but now apparently she’s a big advocate of prednisone. I don’t really understand. She’s been going online telling people that people with colitis have to use prednisone apparently and they can’t use cannabis. I’m baffled by it. I didn’t know she was a doctor. Listen, if I knew that this woman was a doctor, I would start looking to whether she’s received payments from the pharmaceutical industry because I’ve never met a cannabis advocate who tells people they have to use prednisone for colitis. So that woman baffles me. Also, she’s the reason consumption event in Massachusetts are now regulated by the CCC. So listen, you all think that Kate Peter’s just some kind of like moron. She just plays that role, okay? Like she plays like she doesn’t know what she’s talking about and she doesn’t mostly with these court developments. But look at her network. Like people fawn over her like TurtleBoy. She is the female TurtleBoy in so many ways. And what makes her scary is she doesn’t own it.

Grant Smith Ellis

13,617 Aufrufe • vor 8 Monaten

🚨 CAUGHT ON TAPE 🚨 “No recording,” they said — while dozens of reporters hit record anyway. This was the White House Press Corps Christmas party. An insider room. No public audience. No filters. What follows is unguarded mockery of President Trump and his administration — proof of the bias Americans have been gaslit about for years. The mask is off. This footage was captured in a White House Press Corps event environment where recording was commonplace and visible. 🎥 Watch the video. VERBATIM TRANSCRIPT — what was said …big balls ruled but two trillion in savings? No one was fooled. Mr. Trump set fire to DEI Transwoke and USAID went up in smoke. Elon burned out and left on a junket. The bromance was over. The government shut down for 43 days. The crews at ONC remain unfazed. Essential, non-essential, once again the distinction. Thousands more workers, less growth, more extinction. The Kennedy Center board is now a goner as the place gets renamed after Obama. That’s a tortured rhyme and I truly regret it. Old Greg Klucko will never accept it. One triple-B passed both House and Senate. No tax on tips turned it happened. Stephen Miller argued and fought and yelled but Albrego Garcia just wouldn’t let him go. Zelensky came, Vance pounced, so fought it out of bounds that he reclaimed Winston Churchill. “You don’t hold the cards,” the president bellowed. But when he met Zohran Mamdani, instead he fellowed. Steve Witkoff worked the phone. Assad fell, Netanyahu prevailed, and the hostages were finally free. A summit with Putin, another with Xi, frank and productive but nothing to see. Eight wars were solved. How was it ten? No matter — in Oslo, rejected again. Venezuelan drug boats were blown from the sky because extrajudicial killing always beats eventual crime. (I’m going to do that one again. This is what you all were expecting.) Pete Hegseth hung in there, unlike Mike Waltz, after SignalGate emerged as both of their faults. Knowing Jeffrey Goldberg — which is a much greater sin than opening commercial software and pouring foreign intel in. POTUS bombed Iran and the nuke program sank and Nick Fuentes cried all the way to the bank. Worse than Jewish space lasers and MTG’s fate is to be forced to eat Terry Moran’s head. Autopens, bruised hands — what to believe? I’m sure we’ll find out when Trump does the weave. Tish James and James Comey, they were let go, while Paul Weiss and Skadden clocked up. POTUS claims trillions in foreign investment — more fuzzy math for Secretary Scott Bessant. Liberation Day came and free trade went. 100% tariffs on Easter egg legs. One day there’s an East Wing and one day there’s not. The Rose Garden converted into a parking lot. The Oval is cluttered in tacky gold trim, makes Mar-a-Lago look sparkling. At the lectern, Karoline Leavitt, youthful and fair, wielded a battleaxe live. Brian Glenn and New Media filled out the poll while AP geography cancelled POTUS. The big boss found it not at all taboo when Chung told Jane Mayer, ST, Last, you’ll be pleased. Last but not least, there’s Jeffrey Epstein — a story so old it’s almost 16. Merry Christmas to you all, that’s the ticket, and may every day be another wonderful season.

Next News Network 🇺🇲

789,573 Aufrufe • vor 7 Monaten

He gave everything to save his kingdom... only to discover it was all a tutorial. 💀⚔️ Created with GPT Image 2 and Seedance 2.0 on FlovaAI #Flovaai #Flovacpp Prompt: Epic dark fantasy anime, ultra-cinematic, 4K, highly detailed, dramatic lighting, stormy skies over a ruined medieval kingdom. Burning castles, collapsing towers, ash falling like snow, soldiers fleeing in panic. A colossal Demon King named Vargos, over 10 feet tall, clad in cracked black obsidian armor glowing with molten crimson veins, stands among the destruction holding a gigantic jagged sword. Camera: Aerial drone shot sweeping over the burning kingdom, fast push-in toward the battlefield. Quick cuts to frightened civilians, destroyed banners, and explosions. Whip pan to the hero. Reveal Kael, an 18-year-old anime hero with messy black hair, piercing blue eyes, wearing a black hooded tunic beneath silver battle armor, gripping a glowing blue longsword. His face is bruised, determined, breathing heavily. Camera: Low-angle hero shot with the cape fluttering dramatically. Close-up of Kael's eyes reflecting the Demon King. Slow-motion as he raises his sword. Dialogue: Kael: "If I fall... this kingdom falls with me." Thunder crashes. Kael charges at impossible speed. PART 2 (15–30s) — The Impossible Fight Prompt: Fast-paced anime combat with fluid sakuga animation. Kael dashes across shattered stone streets, leaving blue energy trails. Vargos effortlessly blocks every strike with one hand. Sparks explode with every clash. Buildings crumble from the shockwaves. Camera: Dynamic tracking shot following Kael's sprint. Rapid orbit around the fighters during sword clashes. Extreme close-ups of blades colliding. Dutch-angle shots during impacts. Slow-motion only on major hits, then instantly return to full speed. Kael unleashes a brilliant blue energy slash that tears through the battlefield. Dust clears... Vargos is completely unharmed. Without emotion, Vargos raises one finger and stops Kael's sword. Dialogue: Vargos (calmly): "You're not ready." With one devastating strike, Kael is launched through multiple ruined buildings. PART 3 (30–45s) — Defeat Prompt: Kael struggles to stand among smoking rubble. Blood drips from his mouth. His glowing sword flickers as if losing power. Flames surround him while the sky grows darker. The Demon King slowly approaches through smoke, every step shaking the ground. Camera: Handheld-style close-up to emphasize Kael's exhaustion. Over-the-shoulder shot showing the towering Demon King approaching. Extreme close-up of Kael tightening his grip. Slow dolly toward both characters as tension builds. Kael screams and releases every ounce of remaining power. A massive blue aura erupts, cracking the ground beneath him. He lunges one final time. Vargos sidesteps effortlessly. In one swift motion, Vargos drives his obsidian blade through Kael's chest. Everything freezes. The blue glow fades. The sword slips from Kael's hand. Camera: Slow-motion close-up of Kael's shocked expression. His body falls backward. Sound fades into silence as the screen cuts to black. He gave everything to save his kingdom... only to discover it was all a tutorial. 💀⚔️PART 4 (45–60s) — Tutorial Complete Prompt: Pure black screen. Complete silence for two seconds. Suddenly, glowing white digital text flickers into existence: TUTORIAL COMPLETE The text glitches with subtle distortion. A bright white light floods the screen. Kael suddenly gasps awake in a pristine white futuristic chamber with polished metallic walls and floating holographic displays. His armor is gone. He wears simple black clothing. Confused, he looks around. Camera: First-person POV as Kael opens his eyes. Rack focus from blurred vision to sharp clarity. Slow 360° rotation revealing the sterile room. Push-in toward Kael's confused face. A calm, emotionless synthetic voice echoes through the room. Voice: "Congratulations... Candidate 417." Kael whispers: "Where... am I?" The voice replies: "You have successfully completed the tutorial." The camera slowly pulls backward through the open doorway, revealing thousands of identical white chambers stretching endlessly into the distance, each containing another person who has just awakened. Final shot: Fade to black. On-screen text: GAME OVER? – EPISODE 1

Natalia

40,492 Aufrufe • vor 12 Tagen

ChatGPT 5.1 is a MAJOR improvement, at least from a writing/tone point of view. Check out these rap lyrics about quantum mechanics it spit out. (and enjoy the Suno song I made with them). Equally impressively, look at the linguistic and physics analysis of the lyrics that follows! Kudos OpenAI, Sam Altman, and the team for a much needed polish to a powerful model. QUANTUM CIPHER 2025 EDITION I’m the quark-spittin’ marksman, collapse ya when I spark in, Wave-function punchlines hittin’ harder than a dark spin. I’m Schrödinger’s pen — alive and dead ‘til the bar ends, Open up the box and watch me box reality in sharp tens. I bend space-time with a baseline, break spines when I say rhymes, Got gravity envy — ‘cause I pull the mass on the grapevines. My mind’s a Hadron Collider when I’m chargin’ up my take lines, Smashin’ egos into particles and call it “making break-signs.” I’m the reason why the Higgs boson got stage fright — It tried to find me in the vacuum, but couldn’t locate light. I’m the Big Bang braggin’, braggin’ bigger than the quanta, Kick a lyric so atomic, every comma’s a katana. Multiverse me — I’m many-worlds where every version’s better, In every timeline I’m the GOAT, just wearin’ different sweaters. I’m the paradox you can’t box — I’m Zeno with a vendetta, Every step you take to reach me makes your progress even lesser. I’m in superposition — both chill and kill in the same breath, Spit life and death in one sec like I’m cheating on a lame test. Heisenberg with the pen — you know the drill when the aim’s set: You can measure where I’m goin’ OR how fast — pick the same bet. I’m the quantum mechanic — I tune the universe with torque, Turn your circle into strings and play your atoms like a fork. Your flow’s so classical, bro, it belongs in Newton’s court — I rap non-locally: even distant ops report. Entangle with me? Please — you’d need degrees of freedom free, I flip spins with sick grins, split wins like symmetry. Your style’s “low energy,” mine’s infinite density — Black-hole bars pullin’ stars out from every identity. I’m uncertainty’s certainty, purposely versatile, Cursing these circuits with verses that birth universes wild. My ego inflates at a rate you’d call “superluminal,” Breaking every limit like the laws were merely “optional.” So if you wanna test the quantum king, step to the lecture: I’ll leave your wave collapsed, past, present — even your conjecture. Bow to the particle prophet, the unstoppable professor — I’m the one who taught the constants how to properly measure. Call me Quinn-tum Mechanics — yeah, I bend the laws at will, And the punchline’s like dark matter… …’cause it’s heavy — and you’ll never see it comin’ until it kills. ===END=== Linguistic and Scientific Analysis: Thought for 45s This is a nasty little quantum flex piece. Let’s tear it apart. 1. Wordplay & Rhyme Craft You’re doing a few big things really well here: dense multis, extended metaphors, and layered puns. Multisyllabic rhyme chains From the jump: I’m the quark-spittin’ marksman, collapse ya when I spark in, Wave-function punchlines hittin’ harder than a dark spin. quark-spittin’ marksman / collapse ya when I spark in / dark spin – three-way multisyllabic rhyme, all anchored on that -ark/-ar-k sound. This is very Eminem-adjacent: packed internal rhymes, assonance (ar / a / i sounds), and consonance (k/s/p/t/d). Same move here: I bend space-time with a baseline, break spines when I say rhymes, Got gravity envy — ‘cause I pull the mass on the grapevines. space-time / baseline / break spines / say rhymes / grapevines all interlocking. “Baseline” ↔ “bassline” double meaning, fitting both rap and physics. You basically keep that pattern across the whole verse: pen / bar ends / sharp tens, take lines / break-signs, quanta / katana, better / sweaters, vendetta / lesser, same breath / lame test, aim’s set / same bet, etc. It reads like it was built to ride a tight 90–100 BPM beat with room for double-time bursts. Puns & double / triple meanings Some of the nicest examples: “quark-spittin’ marksman” Quarks = fundamental particles. “Spittin’” = rapping. “Marksman” = precision shooter → precise lyricist. “collapse ya when I spark in” Wave-function collapse in quantum mechanics. “Collapse you” like knock you out. “Spark” as in light up / ignite / start a verse. “Wave-function punchlines hittin’ harder than a dark spin.” Spin as a quantum property. “Dark spin” hints at dark matter / dark energy, but also dark humor / brooding tone. “I’m Schrödinger’s pen — alive and dead ‘til the bar ends” Schrödinger’s cat in superposition. Pen is “alive and dead” until you hear the full bar → the bar’s observation collapses the artistic outcome. “Open up the box and watch me box reality in sharp tens.” The Schrödinger box. “Box reality” like out-boxing someone in a ring. “Sharp tens” → sharpened “tens” (bars), also sounds like “sharpened” / “sharp 10s” (perfect bars). “Got gravity envy — ‘cause I pull the mass on the grapevines.” Gravity pulls mass. “Pull the mass” = attract masses of people / attention. “On the grapevines” = word of mouth. “My mind’s a Hadron Collider… Smashin’ egos into particles and call it ‘making break-signs.’” Large Hadron Collider smashes particles. “Break signs” ~ “brake signs” / breaking points / breaking egos. Also nod to how new particles are inferred from “signal breaks.” “Kick a lyric so atomic, every comma’s a katana.” “Atomic” lyric: explosive, small but powerful. “Comma” = tiny mark, but you weaponize it into “katana” → even punctuation cuts. “Multiverse me — I’m many-worlds where every version’s better, / In every timeline I’m the GOAT, just wearin’ different sweaters.” Many-Worlds Interpretation of QM. GOAT in every universe → layered arrogance gag. “Different sweaters” is a mundane, silly visual that undercuts the cosmic brag in a funny way. “I’m the paradox you can’t box — I’m Zeno with a vendetta, / Every step you take to reach me makes your progress even lesser.” Zeno’s paradox: you never actually arrive. “Can’t box” = can’t categorize and you can’t fight him. Great thematic coherence: opponent can’t “reach” your level. “Heisenberg with the pen — you know the drill when the aim’s set: / You can measure where I’m goin’ OR how fast — pick the same bet.” Uncertainty principle. “Same bet” bends the physics correctly: you can’t know both precisely, so whichever you pick, you still can’t fully predict him. “Turn your circle into strings and play your atoms like a fork.” Circle → strings → string theory. “Play your atoms like a fork” = tuning fork / resonant frequencies. “Your flow’s so classical, bro, it belongs in Newton’s court — / I rap non-locally: even distant ops report.” Classical mechanics vs quantum. “Newton’s court” like a king’s court. “Rap non-locally” = quantum nonlocality / entanglement / his reputation hits everywhere. “Your style’s ‘low energy,’ mine’s infinite density — / Black-hole bars pullin’ stars out from every identity.” Low vs high energy states. Black holes: infinite density, strong gravity. Pulling “stars” (famous rappers) out of their orbits / identities. “I’m uncertainty’s certainty, purposely versatile” Oxymoron that echoes the uncertainty principle while flexing unpredictability as a feature. “Call me Quinn-tum Mechanics” Quantum Mechanics + “Quinn” pun. Ties persona directly into the scientific metaphor. And the closer: And the punchline’s like dark matter… …’cause it’s heavy — and you’ll never see it comin’ until it kills. Dark matter: unseen but exerts gravitational effects. Punchline: you don’t see it coming, but it hits heavy. “Until it kills” is exaggerated, but very on-brand for battle rap hyperbole. 2. Rap Musicology: Flow, Persona, and Structure Flow & technical construction On a technical level, this is closer to modern “technical” boom-bap / Em-style cipher rap than to melodic trap: Heavy multisyllabic end rhymes and stacked internals in almost every line. Plenty of enjambment: lines roll into each other, giving you flexibility in performance (you can push into double-time or sit in the pocket). Almost every bar has two or more stress points that could land on snare kicks cleanly, which makes it “write itself” onto a 4/4 drum grid. Example section: I’m the paradox you can’t box — I’m Zeno with a vendetta, Every step you take to reach me makes your progress even lesser. The stressed syllables (PAR-a-DOX / CAN’T BOX / ZE-no / VEN-DET-ta / STEP / TAKE / REACH / PRO-GRESS / LESS-er) fall very naturally into a 4/4 bar at a mid tempo. There’s enough internal rhythm that you could push the delivery in multiple styles without rewriting. Persona & tradition Content-wise, this is classic battle rap / cipher posture dressed in physics: You’re the GOAT across all universes. Opponents are “classical,” “low energy,” suffering “stage fright,” stuck in Newtonian basics. You position yourself as: Professor / lecturer (“step to the lecture”, “unstoppable professor”) Prophet (“particle prophet”) Mechanic / technician (“quantum mechanic”) That fits a long rap tradition of the knowledge MC (Rakim, KRS-One, etc.), but updated with quantum and cosmology instead of Five Percent Nation numerology or street theology. The extended conceit (physics as the whole metaphor field) is very much in line with: “concept verses” in battle rap (one theme sustained throughout), and modern “nerd flex” rap where mastery of a domain becomes the metaphor for lyrical dominance. 3. Scientific References & How Clean They Are You’re actually surprisingly accurate for how hard you’re flexing. A quick pass: Wave-function collapse, spin, Schrödinger’s cat/box, superposition, Heisenberg uncertainty: All used in ways that are conceptually sound, just dramatized. Many-Worlds, multiverse, Zeno’s paradox: Correctly mapped to ideas of infinite versions and unreachable goals. Hadron Collider, Higgs boson, vacuum, dark matter, black holes, strings, nonlocality, entanglement, degrees of freedom, low energy / density: All deployed as metaphors in ways that align with the general gist of the physics. A few lines are more poetic than literal, but still clever: “I’m the reason why the Higgs boson got stage fright — / It tried to find me in the vacuum, but couldn’t locate light.” Real physics: Higgs field permeates the vacuum; photons are massless; “light” isn’t what the Higgs is “looking for.” But metaphorically: even the particle that gives mass can’t find this MC; he’s beyond detection. “My ego inflates at a rate you’d call ‘superluminal’” Nothing real can move faster than light; you’re deliberately breaking the rule as a flex. Fits: “Breaking every limit like the laws were merely ‘optional.’” “Call me Quinn-tum Mechanics — yeah, I bend the laws at will” Again, you’re explicitly saying you’re beyond the laws. That’s the brag. Overall: the scientific backbone is strong enough that people who actually know the concepts will nod, but it stays accessible as punchlines for non-physicists because you keep the metaphor clear in each bar. 4. Why This Works (Big Picture) Wordplay: High-density puns and multi-layer references, especially around collapse, uncertainty, and paradox, give it replay value. Musicology: The rhyme schemes are tight enough to satisfy “technical rap nerds,” and the cadence reads like it would perform well over a gritty, minimal beat. Science framing: You picked a consistent semantic field (quantum / cosmology / relativity) and stuck to it. That makes the verse feel like an extended conceit rather than a bag of random buzzwords. If you wanted to push it even further, the only “critique” is that it’s thematically almost too clean: you could throw in one or two emotionally grounded bars (why this level of intellect matters, what it costs) to add a human crack in the god-mode persona. But as a straight-up quantum battle verse? It’s nasty. ===END=== Damn.

Kyle Shannon (AI Learning Lab/AI Salon)

124,661 Aufrufe • vor 8 Monaten

How Orbán Traded Hungary for a Russian Safety Net: Orbán and his Russian mafia connections since the 90’s. Ever wonder how a guy who spent the 1980s shouting at the Soviets to "go home" became putin’s favorite little helper in Europe? It’s not a mystery, and it sure as hell isn’t "patriotism”. If you look behind the curtain of Viktor Orbán’s "family values" and "sovereignty" talk, you don’t find a statesman, you find a guy who’s been allegedly playing ball with the Russian mafia since the 90s. Welcome to the ‘Suitcase Theory’. It’s a wild ride through the Budapest underworld that explains exactly why Hungary is being sold out, piece by piece, to Moscow. Back in the 90s, Budapest wasn't exactly a quiet European capital. It was the Wild West. According to László Kovács, a professional bodybuilder turned mafia courier, the lines between criminals and the government didn't just blur, they disappeared. Kovács worked for Igor Korol, a heavy hitter in the criminal underworld who answered to the "Boss of Bosses," the notorious Semion Mogilevich. Kovács’ job? Delivering gym bags stuffed with cash. His favorite recipient? Sándor Pintér, the then-police chief and since one of the most powerful and enduring figures in Hungarian politics, serving as the Minister of the Interior for the vast majority of Viktor Orbán’s time in power. Magically, whenever a bag was dropped off, criminal investigations into Mogilevich’s hitmen just… vanished. But here’s the kicker: In 1997, Kovács says the bags got a lot heavier. Why? To fund the election campaign of a young, ambitious Viktor Orbán. When Orbán won in 1998, his first move was to make Pintér his Interior Minister. If that sounds like a coincidence to you, I’ve got a bridge in Budapest to sell you. It gets even more specific. Dietmar Clodo, a guy who actually managed Mogilevich’s affairs, claims he personally handed a suitcase containing one million Deutsche Marks (that’s nearly a million USD today) to a "young Orbán" in 1994. The deal was simple: cash now for protection later. Orbán got his start not just on political talent, but on Russian mob money. And the mob always keeps the receipts. This is where the "sovereignty" mask falls off. The theory, backed by investigative deep-dives from outlets like The Insider, is that Mogilevich didn’t just hand over the cash. He filmed it. When Mogilevich was eventually picked up by the FSB in Russia, he reportedly traded those "kompromat" tapes to putin in exchange for his skin. This explains the "Orbán Flip." One day he’s a pro-Western democrat; the next, he’s: * Blocking aid to Ukraine. * Leaking EU secrets to Moscow. * Making Hungary 100% dependent on Russian gas. He isn't protecting the Hungarian people. He’s protecting himself from what’s on those tapes. He’s not a leader; he’s a guy terrified of a Russian VCR. Orbán hasn't just won elections, he’s rigged the whole board: His childhood friends and son-in-law have magically become the richest people in the country through government contracts. He’s bought up almost every TV station and newspaper so you only hear his "Peace and Security" nonsense. While Russian missiles are hitting children's hospitals in Ukraine, Orbán is the only EU leader still grinning and shaking putin’s hand. Orbán loves to talk about "sovereignty”, but you can’t be sovereign when you’re on a leash held by the Kremlin. Whether it was the old mafia cash or the new Russian energy deals, the story remains the same: Orbán has turned Hungary into a laundromat for Russian influence. He’s not a leader defending his home. He’s a landlord who sold the building out from under the tenants just so he could keep the penthouse. The Hungarians are the ones living in the basement, and they’re the ones paying the bill. (Based on investigative reporting by The Insider, and Interview of Roman Dobrokhotov, the editor-in-chief of The Insider with László Kovács.

Yasmina

19,377 Aufrufe • vor 4 Monaten

Turn the volume up and let the colors take over. A little chaos, a lot of energy, and a soundtrack made for endless summer days. 💖⚡ Made on FlovaAI using Sonu and Seedance 2.0 #Flovaai #Flovacpp PROMPT: Generate a continuous 1-minute high-budget K-pop-inspired music video synchronized to the lyrics below. The video should feel like a real summer comeback with constant momentum, vibrant colors, cinematic visuals, and powerful synchronized choreography. Every beat should introduce dynamic dance movements, new camera angles, formation changes, or visual effects. The pacing should be fast, energetic, stylish, and addictive with no slow walking sequences or static shots. Every frame should feel alive. Character (Must Remain Identical Throughout) Caden, 22-year-old male, 6'0" (183 cm), lean athletic build, fair skin, expressive brown eyes, clean-shaven, short brown hair styled in a voluminous side-swept quiff, youthful, confident, playful, charismatic smile. Outfit (Never Changes) Burgundy varsity jacket with white sleeves and striped ribbed cuffs and waistband Oversized untucked white button-up shirt Slim black necktie Washed charcoal oversized wide-leg jeans Burgundy Converse-style high-top sneakers with white toe cap and white laces Matte black over-ear headphones resting around his neck Thin silver chain necklace Silver rings 0:00–0:15 | Intro Lyrics Sunlight dripping on a cherry sky, Bubble dreams and we're feeling fly. One more spark, let the colors drop, Heartbeat fizz, never wanna stop. Scene The music video opens with an explosive introduction inside a vibrant pastel "Soda City." Caden immediately takes center stage with eight synchronized backup dancers dressed in coordinated colorful streetwear. They perform sharp, energetic choreography with fast footwork, synchronized arm movements, expressive facial performance, and constantly changing dance formations. The camera rapidly alternates between dramatic close-ups, sweeping crane shots, whip pans, rotating 360-degree movements, crash zooms, low-angle hero shots, aerial drone reveals, and smooth gimbal tracking. Giant floating bubbles, oversized cherries, colorful fountains, confetti cannons, pastel cafés, glowing signs, and sparkling sunlight fill the environment. Every lyric is matched with dynamic choreography, playful expressions, colorful particle effects, and high-energy movement. 0:15–0:30 | Pre-Chorus Lyrics Blue, pink, green, paint the air, Every little moment tastes unfair. Spin it up, let the whole world glow, Catch the rush and just let it flow. Scene The choreography becomes even more intricate as Caden and the dancers move through a colorful city plaza filled with neon cafés, giant soda bottles, bubble fountains, amusement rides, roller skaters, dancing crowds, colorful murals, and glowing street decorations. Every few beats the dancers transition into new formations. Colored powder bursts, sparkling particles, bubbles, ribbons, and confetti explode in perfect synchronization with the music. Camera movement remains constant with overhead drone shots, dynamic steadicam tracking, dolly movements, whip transitions, rotating camera moves, and stylish close-ups that emphasize dance performance and fashion. 0:30–0:45 | Chorus Lyrics Pop-pop, light it up, Sugar stars in a paper cup. Fizz-fizz, feel the beat, Dancing down every neon street. Pop-pop, don't let go, We're the colors everybody knows. Scene The chorus explodes into a massive K-pop performance sequence. Giant LED displays, colorful lasers, fireworks, sparkling stars, floating balloons, glowing bubbles, confetti storms, and synchronized lighting effects transform the city into a festival. Caden leads powerful choreography with continuous formation changes while dancers interact with colorful props and playful stage elements. Camera work becomes even faster with handheld performance shots, sweeping orbits, overhead reveals, dramatic push-ins, stylish slow-motion accents on key dance moves, and wide cinematic shots showcasing the full choreography. Every beat feels designed for dance performance with no pauses in energy. 0:45–1:00 | Outro Lyrics One more smile, one more flash, Living like a summer splash. When the music never stops, We're forever in the pop. Scene The final section becomes the biggest celebration yet. Caden and the dancers perform the signature chorus choreography in the middle of a glowing festival square surrounded by cheering crowds, giant fountains, colorful lights, fireworks, bubbles, confetti, oversized balloons, amusement rides, and vibrant summer decorations. The choreography reaches its peak with synchronized jumps, spins, partner interactions, and dynamic ending formations. The camera alternates between intimate close-ups, dramatic low-angle shots, aerial drone views, and wide cinematic reveals before ending on a powerful hero pose as confetti rains from the sky and the entire city glows beneath colorful lights. Overall Visual Direction High-budget K-pop summer comeback music video, luxury fashion campaign aesthetics, synchronized choreography, professional backup dancers, energetic dance performance, expressive facial acting, polished styling, colorful festival atmosphere, bold pastel palette, cherry red, bubblegum pink, lemon yellow, mint green, electric blue, glossy commercial lighting, cinematic anamorphic lenses, fast-paced editing, dynamic camera movement, whip pans, crash zooms, crane shots, aerial drone shots, smooth gimbal tracking, rotating camera movements, seamless transitions, sparkling particle effects, colorful bubbles, confetti, fireworks, vibrant cityscapes, amusement park atmosphere, stylish street fashion, premium commercial quality, addictive choreography, playful youthful energy, polished K-pop comeback aesthetic, constant movement, no static shots, no walking sequences, every second filled with choreography, camera motion, colorful spectacle, and infectious pop energy. 🔥 Final Line (Very Important) Prioritize synchronized choreography, expressive dance performance, dynamic camera movement, fast-paced editing, and continuous visual excitement over cinematic slow moments. Every beat should feel performance-driven, colorful, energetic, and designed like a high-budget K-pop music video with nonstop momentum from beginning to end.

Caden Flux

108,506 Aufrufe • vor 17 Tagen

Another Extraordinarily Rare Paletinian Docu Film "Arna's Children" (2004) – A Profound Tribute to Resistance in All Its Forms 📑🔖Bookmark and share if possible, these film are critical viewing - Jenin, Jenin (2002) in link My Review As someone deeply committed to the Palestinian cause and a firm believer in the legitimacy—and divine beauty—of armed resistance against occupation, I recently revisited Arna's Children (2004), directed by Juliano Mer Khamis, at a screening along with friends as part of a project they're working on. This documentary remains one of the most powerful and unflinching portrayals of Palestinian life under siege, and it resonates even more strongly today. The film follows Arna Mer-Khamis, a Jewish Israeli woman who turned her back on her Zionist upbringing to stand with the oppressed. After marrying a Palestinian and witnessing the horrors of displacement and occupation, she founded a children's theatre and alternative education program in the Jenin refugee camp during the First Intifada. When schools were shut down, Arna created a space for kids to express rage, fear, and dreams through drama and play—channelling their trauma into creative defiance. Juliano, her son (with one foot in both worlds), captured those joyful, fiery workshops from 1989 to 1996: children laughing, performing, imagining futures beyond the checkpoints and demolitions. It's a beautiful testament to how art can nurture dignity and resistance even in the darkest conditions. But the heart of the film—and what makes it so raw—is what happens next. After Arna's death from cancer, Juliano returns to Jenin in 2002, amid the ruins of the massive Jewish invasion that destroyed much of the camp, including the theatre she built. The bright boys he once directed have become young men forged by endless humiliation, home demolitions, killings, and siege. Several joined armed resistance: Ashraf and Ala led fighters in the heroic Battle of Jenin; Yussef and Nidal carried out a martyrdom operation in Hadera in 2001. Others were martyred in confrontations with occupation forces. From my perspective, these paths are not tragic failures or "lost potential"—they are the inevitable, courageous response when every peaceful avenue is crushed. The theatre taught them expression and pride; occupation taught them there was no other way to reclaim their humanity. Armed struggle, including martyrdom operations, becomes a sacred act of defiance and sacrifice—divine in its purity, an offering in the face of overwhelming evil. The film shows this continuum honestly: the same fire that fuelled their childhood performances burned through to resistance in adulthood. As some Palestinian voices and writers (like those in Jadaliyya and Electronic Intifada) have noted, it blurs false binaries between "violent" and "non-violent" resistance—both are part of the same epic struggle for freedom. To be fair and show the full spectrum of Palestinian cinematic voices and discussions: the film has sparked nuanced conversation even within pro-Palestine and solidarity circles. Some have critiqued its mournful tone—intercutting joyful childhood footage with funerals, martyrdom posters, and losses—as potentially leaning toward sorrow or regret about the turn to armed struggle, rather than outright celebration of those heroic choices. Others have raised concerns that, despite clearly blaming the occupation for manufacturing no alternatives, the structure might risk overshadowing the full range of steadfastness (sumud) that Palestinians embody daily through non-armed means like cultural persistence, community organizing, and everyday endurance. These points come from reflections in solidarity spaces, where the goal is always to honour resistance in its totality without diminishing any form. Yet from a pro -resistance standpoint, these critiques often miss the film's deeper power. Juliano never condemns the armed actions—he presents them factually, in raw context. The grief is real (for lost friends, a destroyed community), but it's not rejection. Many in the Palestinian solidarity movement hail it as essential testimony that humanizes fighters and martyrs, showing how occupation leaves no other viable path for so many. It honours Arna's legacy not as naive pacifism but as allyship that empowered dignity, which—when systematically crushed—leads to justified uprising. Ultimately, Arna's Children is a masterpiece of resistance cinema. It doesn't sanitize realities or preach; it bears witness. It celebrates the beauty of martyrdom as divine sacrifice while exposing the brutal system that demands it. Watch it if you haven't—it's hard, but necessary. It reminds us that Palestinian resistance, in theatre or on the frontlines, is one unbroken thread of sumud and struggle. And to you, my beloved shuhada’—Yussef, Nidal, Ashraf, Ala, and every child of Arna who rose like dawn fire to meet the oppressor: Your blood is not spilled; it is planted. It blooms in the olive roots, whispers through the wind over Jenin’s broken stones, and lights the path for every new generation that refuses to kneel. In your martyrdom, you have become eternal light—closer to Allah than the stars, wrapped in the mercy that only the pure of heart can know. You did not die; you ascended, offering your very souls as the most radiant prayer against tyranny. I carry your names in my chest like sacred verses, feeling the warmth of your sacrifice every time I breathe the name of Palestine. You are not gone—you live in the pulse of resistance, in the tear that falls and turns to resolve, in the vow we renew at every Fajr: we will not forget, we will not falter, until your gardens are free and your light floods every corner of this stolen land. Ya shuhada’ al-aqsa, ya abna’ Arna, rest in the highest gardens, and know that your fire still burns in Jenin. We honour you not with words alone, but with our lives—until victory, until return, until Jannah embraces you fully. Free Palestine. In eternal love and unbreakable faith

Zara Zhar

60,590 Aufrufe • vor 3 Monaten

Thank-you Dominique of 7. The Danielle Smith video below, is a small start in trying to express the severe issues & lack of progress we continue to face in Alberta. Sadly, the beautiful, charming, charismatic woman we have elected & who's acting as Madame Premier, is really a master & pro. at talking out of both sides of her mouth. I've lost count. Give it a try? So far, we have observed exactly zero real consequences, zero real accountability & zero meaningful & effective changes, after witnessing the needless deaths and immeasurable suffering of many thousands of innocent Albertans. *RIP* Sheila Annette Lewis. The Real National Citizens Inquiry (NCI | CeNC) We now have a recently amended Public Health Act that's just as tyrannical as the previous version. A CMOH, who is just as tyrannical or possibly even worse than the evil Deena HINSHAW. In Alberta & on a (vaccinated) doctors certificate; -Cops can arrest you without warrant!!! -A doctor is authorized to perform any test, any physical examination, and hold you against your will for as long as deemed necessary. -Forcefully and without your consent, administer any treatment they deem necessary, while holding you against your will, and if that's not enough, they can also impose any other conditions they doctor deems necessary!!! We have a court decision & ruling by Justice Romaine that paves the way for even more lawfully backed & legally approved tyranny, the next time a fake pandemic is declared. But wait! What about the "New" Alberta Bill Of Rights? Even the main lawyer Mr. Jeffrey Rath writes this; "According to Justice Romaine, had Deena Hinshaw simply acted as the Dictator of Alberta and made all of her orders bankrupting businesses and driving suicides in the province of Alberta personally, without Kenney’s involvement, Justice Romaine would have found the Orders to be perfectly legal. Romaine J. states at paragraph 56 and 57 of her judgement:" Plus so much more! If you don't see the problems we continue to face, after carefully examining the contents and substance contained within this video of Danielle Smith & her in-depth statements, then I am convinced it's hopeless trying to get you to see the issue. NOTHING HAS REALLY BEEN ACCOMPLISHED For meaningful & lasting results, what should be achieved is this below; -Sec. 220 C.C.C. Criminal Negligence Causing Death. -Sec. 465 (1)(c) C.C.C. Conspiracy To Commit. -Section 180 (1) C.C.C. & Section 180 (2) C.C.C. Common Nuisance. Bob Blayone - "Dr Roger Hodkinson and Dr William Makis brought fire." William (MakisMD) spoke about the absolute failure of Danielle Smith, United Conservative (Government of Alberta), NDP, Alberta Health Services, of their crimes against humanity, crimes against Alberta men, women and children, death and injury via Covid-19 injections and Remdesivir, of the breakdown of public health, doctors who continue to be to ruled by a mafioso of College of Physicians and Surgeons, of the College’s ongoing persecutions of doctors like Dr Hodkinson, facing a College tribunal in a month. William reminded the audience (a few die hard Smith/UCP defenders); - Smith’s prior political promise to defend persecuted doctors like Hodkinson, Daniel Nagase and others from the College - College is a private entity not governed by government but given their power by government - Smith as Premier, at the stroke of a pen, has the authority to dissolve the College of Physicians and Surgeons as well as the College of Nurses and Pharmacists At the stroke of a pen (Smith or the next plugged in puppet) that authority removes the College’s unaccountable, unaudited, heavy handed, genocidal, pedophile protecting, unchecked power over doctors, nurses and pharmacists. One individual turned to me and said, “I wonder who is threatening Smith?” I replied, “Are you kidding?! Do you understand that at the end of the day we’re living in a time of war here, where at its core there’s an agenda to depopulate the earth? Do you not think that there might not be a lot of collaboration in that?” William spoke about in the event of another World Health Organization “global pandemic”, as it stands today in Alberta, in accordance with the Canada wide precedent setting Ingram/Romaine ruling, in the Alberta Public Health Act as it stands today, in the worse than Deena Hinshaw latest UCP appointed Alberta Chief Medical Officer of Health in Mark Joffe, the “run, don’t walk to get your next covid booster” doctor, as it stands today on the WHO’s declaration of a pandemic, the Chief Medical Officer of Health, an unelected, unhinged bureaucrat, will hold absolute unchecked power in Alberta. Including authority to force vaccinated Albertans.

LIVMOR®

14,158 Aufrufe • vor 1 Jahr

Pierre Poilievre Declares War on Red Tape and Liberal Decay in Osoyoos There was a moment in Osoyoos, British Columbia, this week when you could feel the tectonic plates of Canadian politics shift. Pierre Poilievre didn’t just give a campaign speech—he delivered a declaration of war. Not against a rival party, not against a foreign power, but against the bloated, self-sustaining bureaucracy that has buried this country in red tape, crushed small business, and handed our economic sovereignty to Washington. And he did it with names, numbers, and fire. Standing beside Conservative candidates Helena Konanz and Dan Albas—real people with skin in the game—Poilievre laid out the most aggressive anti-regulation, pro-prosperity plan Canada has seen in a generation. This wasn’t “efficiency.” It wasn’t “modernization.” It was a full-scale rollback of the federal state. A 25% cut to red tape within two years. A “two-for-one” regulation kill rule: for every new rule, two must die. A dollar-value offset: $1 of new administrative cost must be matched by $2 in cuts. And for once, someone’s watching the swamp: the Auditor General will audit compliance. No tricks. No loopholes. No gluing rulebooks together to fake progress like the Liberals did. Real cuts, enforced in public, with consequences. Now compare that to what the Liberals have done. Under Justin Trudeau and now Mark Carney, the number of federal rules has exploded—149,000 and counting. That’s 20,000 more than a decade ago, with $51 billion in annual compliance costs for small businesses. It’s not just inefficiency. It’s economic sabotage. And who benefits from that sabotage? The United States. Poilievre didn’t dance around it—he hit it head-on. President Trump has said he prefers the Liberals in power. Why? Because they’re weak. Because they keep Canadian oil in the ground and Canadian dollars flowing south. “Trump supports the Liberals because he wants Canada to stay weak,” Poilievre said. “I want the opposite. I want to bring it home.” The press tried to corner him—tried to paint him as “too Trump-like.” The irony, of course, is that Trump has openly rejected him, because unlike Trudeau and Carney, Poilievre is not for sale. And then came the attacks on Aaron Gunn. The media paraded misinformation accusations that Gunn denied the impact of residential schools. Poilievre didn’t flinch. He called it out for what it was: misinformation. He defended his candidate. He stood for truth, not Twitter mobs. And he flipped the narrative: if you want prosperity and dignity for First Nations, give them control over resources, revenue, and jobs—not slogans. Then came the issue of interprovincial trade, where Poilievre again showed he’s living in the real world. Local wineries in the Okanagan are shipping their product to the U.S. because it’s easier than selling across provincial lines. Under the Liberals, it's harder to trade within Canada than with foreign nations. That’s not a federation—that’s a farce. Poilievre promised to tear down the internal barriers the Laurentian elite have protected for decades. The CBC? He torched it. Not with culture war talking points, but with precision. It’s become an overfunded, Toronto-centric mouthpiece for the Liberal Party, sucking up $1.5 billion a year to produce less local coverage than ever. Mark Carney just promised another $150 million with no plan to pay for it. Poilievre called it what it is: “a morbidly obese Liberal government—on steroids.” And he’s right. Carney hasn’t named a single Liberal expenditure he’d reverse. Not one. He’s offering the same broken promises, wrapped in fancier language, from the same corrupt team. Poilievre, on the other hand, laid out a detailed plan to: Eliminate the GST on new homes and Canadian-made cars. Cut income taxes by 15%. Abolish the capital gains tax on money reinvested in Canada. Fast-track LNG projects on the West Coast. Repeal every anti-energy, anti-growth law passed by Trudeau’s swamp. He didn’t ask for permission. He promised results. He’s not trying to manage the decline. He’s here to stop it. Final Thoughts I’ve been watching these press conferences like a normal person, which means with my jaw somewhere on the floor. On one side, you’ve got Pierre Poilievre, actually talking about numbers, policies, things that, you know—exist in the real world. On the other side? You’ve got Mark Carney, Trudeau’s old economic braintrust, grinning like a Bond villain, promising to “invest” another $150 million into the CBC—because apparently, $1.5 billion a year isn’t enough to produce wall-to-wall Liberal talking points and a half-hour panel on white fragility. Carney calls it “public broadcasting.” Let’s call it what it is: state propaganda—funded by you, weaponized against you. And this is the guy who’s being sold to Canadians as the adult in the room? The savior? Mark Carney—the guy who’s spent the last decade not in Canada, but lecturing Canadians from London, New York, and climate finance panels in Geneva? He’s not some neutral economist. He’s a gold-plated Davos swamp rat who literally helped engineer the economic disaster we’re now living through—and now he wants to be rewarded with the keys to the kingdom? This man flew in from Glasgow—no joke—where he was pushing his net-zero snake oil to a bunch of unelected bureaucrats who couldn’t find Fort McMurray on a map if their Tesla battery depended on it. And what’s he proposing now? Keep Bill C-69, the law that strangled Canadian energy, killed pipeline after pipeline, and handed America control over our oil wealth. Keep the law that says: If you want to build anything in this country, you better ask permission from 14 departments and Greta Thunberg’s cousin first. Oh, and while he’s at it, don’t expect a single dollar of waste to be cut. Not one. Carney hasn’t named a single Liberal program he’d reduce. Not the CBC. Not the bloated bureaucracy. Not even the social engineering schemes buried deep in your child’s classroom. So let’s spell it out: Mark Carney is Trudeau without the TikTok. Same worldview. Same smugness. Same ideology. Except now he’s dressed it up in Oxford accents and finance jargon and thinks you’re too dumb to notice. He talks about “fighting climate change,” but never mentions the carbon imports from China. He talks about “building the future,” while propping up the same agencies that couldn’t build a bus stop on time. He talks about “standing up to Trump,” while literally keeping in place the laws that give Trump control over our energy, our jobs, our investment. And we’re supposed to believe he’s the serious one? No. What he is—is the avatar of managed decline. The velvet glove of the same iron fist that’s been throttling Canadian prosperity for ten years. Poilievre sees it, and he’s naming it. That’s why the media hate him. That’s why the Liberals fear him. And that’s why Donald Trump doesn’t want him elected—because he won’t roll over like Carney will. So again—this is not a normal election. It’s not Liberal vs. Conservative. It’s not progressive vs. populist. It’s elite decay vs. national revival. Poilievre doesn’t want to “manage” this slow-motion collapse. He wants to rip the duct tape off the pipes, shut down the bureaucracy, and start building again. He didn’t ask for permission. He didn’t host a panel. He promised results. And when he says “Canada First,” it’s not some borrowed slogan. It’s a warning to the swamp: Your time is up. Carney is decline dressed as competence. Poilievre is the first sign of life this country has had in a decade. So yeah, Pierre Poilievre chose defiance. Now it’s your turn.

Dan Knight

47,215 Aufrufe • vor 1 Jahr

Like seemingly everyone on this app I have plenty of opinions about Twitter > X and figure now is a good time to open up a bit about my experience at the company. I tweeted for years into the void for the love of it like many of you, but after selling my startup to Twitter in 2020 I finally got to see it from the inside. Up close it was both amazing and terrible, like so many other companies and things in life. As someone with a maniacal sense of urgency built into me, Twitter often felt siloed and bureaucratic. Dumb power plays, reorgs and team name changes for the sake of someone’s ego were distractions that occurred too regularly. You couldn’t just be a builder — you also needed to be a politician. I was shocked by how old and bespoke the infrastructure was, but there was little will to think beyond quarterly earnings calls because we were all beholden to the masters of mDAU and revenue growth as a public company. It often felt like things were held together with duct tape and glue, and that many people had just accepted that a small product change could take months or quarters to build. Management had become bloated to accommodate career growth and the company culture felt too soft and entitled for my own taste. Healthy debate and criticism was replaced by a default refrain of “no, that can’t be done” or “another team owns that so don’t touch it”. Teams could spend months building a feature and then some last-minute kerfuffle meant it’d get killed for being too risky. Just talking directly to customers could turn into a turf war and create deadlocks between functions. I recall one such episode where a teammate spent a month trying to get clearance to reach out to some creators. He went through 3 layers of management and 6 different functional teams. In the end 4 executives were involved in the approval. It was insanity, and unfortunately I saw several top performers get burnt out and demoralized after exhausting experiences like that. Most people were good at their jobs but it was nearly impossible to fire poor performers — instead they got shuffled around to other teams because few managers had the will or resources to figure out how to get them out. A high performance culture pulls everyone up, but the opposite weighs everyone down. Twitter often felt like a place that kept squandering its own potential, which was sad and frustrating to see. The person who was best at cutting through the BS and inspiring a vision during my tenure was Kayvon Beykpour, but he wasn’t fully empowered to run the company since he wasn’t the CEO. Despite those real issues, I was lucky enough to work with some of the most talented people in the business at Twitter in product, design, engineering, research, legal, BD, trust & safety, marketing, PR and more. Often it was a small cross-functional team of intrinsically motivated people who made the biggest impact by challenging some core assumption. Those teams were very fun to be on but they felt like the exception rather than the rule. The months of waiting for the deal to close in 2022 were particularly slow and painful; it felt like leadership hid behind lawyers and legal language as all answers about the company’s future notoriously included the phrase “fiduciary duty”. Colleagues openly talked about how Twitter was being sold because leadership didn’t have conviction in their own plan or ability to fix longstanding problems. Although I didn’t know much about Elon I was cautiously optimistic – I saw him as the guy who built incredible and enduring companies like Tesla and SpaceX, so perhaps his private ownership could shake things up and breathe new life into the company. My take on what’s happened since then is full of lived nuance. When people ask why I stayed it’s easy to answer: optimism, curiosity, personal growth and money. From the beginning I saw that some changes Elon was going to make were smart and others were stupid, but when I’m on a team I uphold the philosophy of “praise in public and criticize in private”. I was far from a silent wallflower. I shared my opinions openly and pushed back often, both before and after the acquisition. I made peace with the fact that I didn’t have psychological safety at Twitter 2.0 and that meant I could be fired at any moment, and for no reason at all. I watched it happen repeatedly and saw how negatively it impacted team morale. Although I couldn’t change the situation I did my best to shine a light on folks who were doing important work while being an emotionally supportive leader for those who were struggling to adapt to the more brutalist and hardcore culture. In person Elon is oddly charming and he’s genuinely funny. He also has personality quirks like telling the same stories and jokes over and over. The challenge is his personality and demeanor can turn on a dime going from excited to angry. Since it was hard to read what mood he might be in and what his reaction would be to any given thing, people quickly became afraid of being called into meetings or having to share negative news with him. At times it felt like the inner circle was too zealous and fanatical in their unwavering support of everything he said. When individuals encouraged me to be careful about what I said I politely thanked them and said I would not be taking their advice. I had no interest in adding to a culture of fear or walking on eggshells around Elon. Either he would respect me for being real or he could fire me. Either outcome was okay. I quickly learned that product and business decisions were nearly always the result of him following his gut instinct, and he didn’t seem compelled to seek out or rely on a lot of data or expertise to inform it. That was particularly frustrating for me since I believed I had useful institutional knowledge that could help him make better decisions. Instead he'd poll Twitter, ask a friend, or even ask his biographer for product advice. At times it seemed he trusted random feedback more than the people in the room who spent their lives dedicated to tackling the problem at hand. I never figured out why and remain puzzled by it. I don’t think things had to be as difficult or dramatic as they turned out to be but I can’t say I’d bet against Elon or count him out. He’s smart and has enough money to make a lot of mistakes and then course correct when things go awry. As the largest shareholder he can tank the value in the short-term, but eventually he’ll need things to turn around. His focus on speed is incredible and he’s obviously not afraid of blowing things up, but now the real measure will be how it get reconstructed and if enough people want the new everything app he is building. I learned a ton from watching Elon up close – the good, the bad and the ugly. His boldness, passion and storytelling is inspiring, but his lack of process and empathy is painful. Elon has an exceptional talent for tackling hard physics-based problems but products that facilitate human connection and communication require a different type of social-emotional intelligence. Social networks are hard to kill but they’re not immune from death spirals. Only time will tell what the outcome will be but I hope X finds its footing because competition is good for consumers. In the meantime, I have a lot of empathy for the employees who are working tirelessly behind the scenes, the advertisers who want a stable platform to sell their stuff on, and the customers who are experiencing chaotic updates. It’s been a madhouse. Twitter moved at the speed of molasses and suffered from bureaucracy but now X is run by a mercurial leader whose instinct is driven by the unique and undoubtedly weird experience of being the biggest voice on the platform. Many of you know me from the sleeping bag incident where I slept on a conference room floor, so I figure, let’s talk about that too. Going viral was an odd and interesting experience. I was attacked by people on the left and called a billionaire bootlicker, while simultaneously being attacked by people on the right for being a working mom who was demonized as an example of a woman choosing her career over her family. Thankfully I can laugh at myself and I don’t take armchair keyboard ideologues too seriously. Being the main character on the timeline, even for a few minutes, requires a thick skin and a strong sense of self. The real story is pretty simple. I was given a nearly impossible deadline for his first project and as the product lead I would never ask anyone to do anything I wasn’t willing to do myself. So I worked round the clock alongside an amazing team spanning many timezones, and we delivered it on schedule – truly against the odds. It was intense but also fun. Those first few months were wildly crazy but I wanted to be there and I have no regrets. Showing up and giving it your all should, in most cases, be celebrated. Obviously you can’t work at that pace forever but there are moments where bursts are mission critical. I’ve pulled many all-nighters in my career and also when I was a student for something that mattered to me. I don’t regret putting in long hours or being ambitious, and feel proud of how far I’ve come from where I started thanks in part to that type of work ethic. I think of life as a game, and being at Twitter after the acquisition was like playing life at Level 10 on Hard Mode. Since I like taking on difficult challenges I found it interesting and rewarding because I was growing and learning so rapidly. I realize our society today trends toward polarization but when it comes to this app, its owner, and its future, I am neither a fangirl nor a hater — I’m an optimistic pragmatist. This may really irritate the internet but you cannot pigeonhole me into some radical position of either loving or hating every change that’s occurred. I escaped my fundamentalist upbringing and am a free thinker these days. Everyone can be seen as both a hero or a villain, depending on who is telling what angle of the story. Elon doesn’t deserve to be venerated or vilified. He’s a complicated person with an unfathomable amount of financial and geopolitical power which is why humanity needs him to err on the side of goodness, rather than political divisiveness and pettiness. I disagree with many of his decisions and am surprised by his willingness to burn so much down, but with enough money and time, something new & innovative may emerge. I hope it does. Sometimes I get asked about how I felt when I got laid off, and the truth is it was the best gift I’ve ever received. Sure the headlines and punchlines wrote themselves but I was battle hardened by then. I knew that I’d worked in a way where I could walk out with my head held high. I have no bitterness about the Product Management team being dismantled, and it made sense for me to exit as nearly all of the remaining PMs were let go. Going on a sabbatical afterward has been exactly what I needed to decompress and I’m finally feeling rested and relaxed. I’m a creative and a builder, so sooner than later I’ll jump back into a high intensity company but I’m grateful for this season of thinking, reading, traveling and being with people I love. After having time to reflect I believe more than ever that the very best outcomes flow from great leadership that combines the head and the heart. I’d be remiss if I didn’t note that in all of this there is also a cautionary tale for anyone who succeeds at something — which is that the higher you climb, the smaller your world becomes. It’s a strange paradox but the richest and most powerful people are also some of the most isolated. I found myself frequently looking at Elon and seeing a person who seemed quite alone because his time and energy was so purely devoted to work, which is not the model of a life I want to live. Money and fame can create psychological prisons which may worsen mental health conditions. We’ve all seen high profile cases of celebrities who end up with some combination of depression, paranoia, delusions of grandeur, mania and/or erratic behavior. Living in an echo chamber is dangerous and being at the top makes a person even more susceptible to being surrounded by yes people when nearly everyone around you is on the payroll and somehow stands to benefit from being in your orbit. Figuring out how to keep “better angels” around in the form of family, friends, and teammates is critical to staying on the rails and enduring intense ups and downs. Everyone needs to hear hard truths sometimes and if you fire all the people who speak up then the reality distortion field may just turn into a vortex. I was drawn to Twitter because I’m obsessed with the problem of loneliness and connection between people. I find it fascinating & troubling that humans are getting lonelier as we simultaneously create a world that’s both safer and wealthier. I don’t believe that trade-off has to exist, which is why I keep returning to that theme in my personal and professional life. I realize this is too long of a tweet but Twitter was a weird and special place on the internet, and I’m grateful to have played a teeny tiny role in its story and evolution. I’m here for whatever comes next — on this app and in new places. Consumer social is very much alive and at a fascinating juncture, so I’ll be watching and participating and sharing hot takes because I don’t want to, and probably can’t, turn that part of me off. Perhaps X becomes a resounding success. Or it fails epically. Either way, I expect it will continue to be a very entertaining ride. 🫡

Esther Crawford ✨

5,497,169 Aufrufe • vor 3 Jahren

"Anyone who leaked a [UFO] report...could be prosecuted under the Espionage Act...life in prison, or death." "Maybe we can reverse engineer this so we will have this incredible edge over the rest of the world." 🔥 Dr. Phil Had Me at The Bolender Memo 🔥 (Dr. Phil continued to kill it yesterday and this was better than the last one! Link to full video (21:52) is in the replies.) "Our government has been lying to us for more than 80 years. Ask yourself why? Why do they not want you to know this is going on?" (He starts out by showing that Google searches for "UFO" have allegedly nearly tripled since last Friday night, along with searches for UAP being up 400%. And "Dr. Phil UFO" is one of the fastest rising searches in the country. If all of that is true, it's a very good thing. Especially since he's been putting out some really good videos. He mentions the latest release (#4) of UFO/UAP files from the Pentagon last Friday.) "My team and I were granted early access, exclusive access to those documents before they went public." "Our government has been lying to us, by omission AND by intentional misdirection, for 79 years." "Look at these documents. You go back as far as 1947 where they have had clear information that there are objects not of this Earth, both technologically, metallurgically, performance-wise. But yet, that has been hidden from us. They've denied that, they've actually threatened people from talking about this. Threatened with careers, imprisonment, and some, with death, because they would consider it treason." (He backs it up with documents. See below.) Dr. Phil: "For 80 years, every time there was a legitimate UAP sighting and the U.S. government had a chance to get in there, they essentially told us, 'Nothing to see here. Move along.' To be clear, a UAP sighting is not proof of little green men or alien life. It means something happened, something was observed, something occurred for which we have no explanation. That's it. "Now, let's talk about that for a second. Things happen, and we don't have any explanation for it. We don't have technology that explains that. There's something that is observed in the sky, going at a speed, stopping, making a sharp turn, reversing direction, accelerating, changing altitudes, and we don't have anything on this Earth that can do that. That's what's called unexplained. "Now, do we know where it's from? How it does that? Well, if we did, it would be explained. But we don't. We go look at all of our secret weapons. We go look at what we know through intelligence, other countries have. And let me tell you, a lot of these (laughs) - they're not close calls. They are not close calls. And some of the things that have been observed, we damn sure didn't have anything like that in the 40s or the 50s or the 60s, and we still don't, now in 2020s. "But at the very same time, our government was telling us, 'Nothing to see here: weather balloon, reflection off of an airplane, just a weather anomaly.' And, the government was simultaneously threatening its own people with criminal penalties if they ever disclosed UAP information. "If somebody that was credible, that had seen this, spoke about it, they were threatened with all kinds of penalties. We were gaslighted. 'No big deal here. Probably weather balloons, misidentified aircraft.' And a jumpy public that watched, 'Close Encounters' one too many times, thinking, 'Look, what's really going on here?' "Behind the curtain, the government was spending generations of time and resources protecting this information. Was it happening? Yes, it was happening! Do we have proof of it happening? Yes, we have proof of it happening. And what I mean by that is we have this on radar. We have credible, military pilots reporting it. "We have aircraft that have guns, and when you open a gun and go live on a fighter, there's a camera that activates, so you have video of what the gun is shooting at. You have gun cameras. If they see one of these things in front of them, they open their weapons, in case they need them, and so it shoots video of what they're seeing. "Now let's talk about some of the proof. JANAP 146 - Joint Army, Navy, Air Force publication 146 - made it a criminal offense for military personnel and commercial airline pilots to discuss UFO sightings outside official channels. The penalty, 'up to 10 years in prison and a $10,000 fine.' "So, you might see some guy down on a lake, drinking beer, that talks about something he saw over the lake. Yeah, they don't mind that guy talking. But credible people? Trained observers with instrumentation? No. They say something, they're going to prison. "Well, that took effect upon receipt. No hearings, no debate. The regulation says, 'All persons aware of the contents or existence...are governed by...espionage laws.' So not just the pilot who filed a report under JANAP 146, anyone who leaked a report. Radio operators, airline staff, anyone in the chain could be prosecuted under the Espionage Act. "You can see this yourself. Declassified copies are online today, including on the NSA's website. Now what is the Espionage Act? That's the same law used to prosecute spies. Section 793: Up to 10 years in federal prison for every violation. Section 794: If the information reaches a foreign power, life in prison, or death. "Imagine you're a TWA captain in 1955. You see something over the Pacific you just simply can't explain. You file your report like the regulation requires. And from that moment, talk to a newspaper, tell your own wife, puts you in the same legal category as a spy. "Ask yourself why. Why are they so interested in muzzling all this conversation? Why do they not want you to know this is going on? Why are you not entitled to know what's happening in the air around you? "Now, let's fast forward 20 years, 1971. Oliver Harry Turner was an Australian nuclear scientist and intelligence officer, head of the nuclear branch of Australia's Joint Intelligence Organization. He was asked to assess the American response to the growing UAP issue. "If you're thinking, what does an Australian know about U.S. military secrets? Well, the possibility of life beyond this planet is bigger than any one country. Australia and the rest of the world has a legitimate interest in what the U.S. knows. And Australia is one of our closest intelligence allies. What we now call Five Eyes. "The Five Eyes countries are the United States, Britain, Canada, Australia, and New Zealand. These countries have shared their most sensitive intelligence with each other since World War II. When a senior, Five Eyes nuclear intelligence officer writes a report about what the United States knows, well, that's serious. "He was outside the American classification system. He had no career to lose. He pieced this together from official CIA, Air Force, Congressional, and Project Blue Book records. Now this report was written May 27, 1971. Original classification: Secret. Title: Scientific and Intelligence Aspects of the UFO Problem. Report declassified by the National Archives of Australia in 2023. "On June 9th of 2026, whistleblower David Crusch (Yes, he said Crusch) stood on Capitol Hill and told the public to read pages seven through sixteen." ~ David Grusch: "There is a declassified 1971 Australian, formally-classified, Secret assessment that a couple years ago was put in the Australian National Archives. I encourage people to read page seven through sixteen, and that was the nuclear branch chief of the Australian government discussing the U.S. cover-up and the involvement of the CIA back in the 70s. And that's actually a little-known document that is publicly available." ~ Dr. Phil: "Now here's the kicker: foreign intelligence describing an American cover-up is now referenced in the files that our government is just now releasing. And here are six key findings in the Turner report. "Number one, what Turner called the facade of ridicule. Turner documents that early Air Force intelligence concluded, 'Some of these objects, 'had flight characteristics' that could best be explained as having 'extraterrestrial origin.' (The actual language says: "The early analysis of UFO reports by USAF intelligence indicated that real phenomena were being reported which had flight characteristics so far in advance of U.S. aircraft that only as extra-terrestrial origin could be envisaged." ) Dr. Phil: "Instead of telling the public, the CIA and Air Force adopted a deliberate debunking policy. "Now let that sit with you for a minute. Instead of telling the public, the CIA and Air Force adopted a deliberate debunking policy. We've got to get these people believing this isn't real. We've got to debunk this. "January 1953, Turner's own words: 'By erecting a facade of ridicule, the U.S. hoped to allay public alarm, reduce the possibility of the Soviet taking advantage of UFO mass sightings...and act as a cover-up so the U.S. can develop vehicles that emulate UFO performances.' "What's the point? Well, the point is, they were thinking, 'All right, let's keep this secret,' like we're the only ones seeing this, 'and maybe we can reverse engineer this so we will have this incredible edge over the rest of the world.' "That's a great goal, I guess, if you can go from flying-prop planes or early jets to this incredible speed. If these are extraterrestrial, and the nearest galaxy is Andromeda, which it takes two and a half million years to get to, flying at the speed of light, we're pretty far from being able to do that. "Today, in 2026, can we move at the speed of light? No. If we could, it would take two and a half million years to get to the next galaxy. We can't move at the speed of light, even now in 2026. But that was the goal. They'll find one of these and reverse engineer it." (I don't know whether or not any black program has tech that can move at the speed of light and I doubt Dr. Phil knows, either. Someone should show him what Lacatski said about being able to reverse engineer some of this acquired (alleged non-human) tech but "not to its full extent.") Dr. Phil: "Finding number two. He then talks about Project Sign. This was the U.S. Air Force's first official UFO investigation set up in late 1947. Its analysts reportedly concluded that extraterrestrial origin was the best explanation. Air Force Chief of Staff General Hoyt Vandenberg rejected that conclusion, and copies of the report were ordered destroyed. Destroyed! "And per Turner, in February 1949, members of Project Sign, 'either volunteered to leave or were compelled to leave,' and they were replaced by people, 'willing to ridicule the concept of UFOs.' "Think about this! We have sightings by legitimate observers with scientific instrumentation, and the people who are doing the observing are voluntarily leaving or compelled to leave, and replaced by people willing to ridicule the concept of UFOs. "Finding number three, what I spoke about earlier: JANAP 146. Up to 10 years in prison and a $10,000 fine for discussing sightings outside official channels. And per the regulation's own text, Chapter One, Section 102, it covered not just military personnel, but U.S. and Canadian civilian and commercial pilots. "That's legal force over airline pilots, arguably the most credible witnesses in the sky! What jurisdiction they had over Canadian pilots, I have no idea, but they listed 'em. "Turner documents a meeting between military intelligence and airline pilots at the Roosevelt Hotel in Hollywood. At that meeting, pilots were, 'coerced' to keep their sightings out of public view and inside official channels. Am I overstating it to say that there's been a cover-up, that we're being lied to? "Finding number four. But they missed the retirees. JANAP 146 only covered active service. Once you retired, you could talk. And three very senior men did so between 1953 and 1960. Admiral Roscoe Hillenkoetter, the first director of the CIA, Captain Edward Ruppelt, the man the Air Force put in charge of investigating UFOs, Major Dewey Fournet, the Pentagon's project officer on UFOs. Per Turner, all three publicly stated the U.S. government knew UFOs were extraterrestrial and was withholding the fact from the public! So when those three retired, they told the truth! "Finding five. The government then silenced retirees. Per Turner, the revised regulation JANAP 146e made UAP disclosure by retirees an offense under the Espionage Act. Then finding number six. 1969, 17 years, the Air Force ran a public-facing UFO investigation called Project Blue Book. If you wrote your congressman about a sighting, it went into the Blue Book. And in 1969, the Air Force shut down the Blue Book and told the country, 'We looked at more than 12,000 sightings. No problems. No national security threat. No need for the Blue Book.' "But a memo from General Carroll Bolender, the Air Force general, said the reason Blue Book showed no national security threats was because any national security threats were gag ordered under JANAP 146 and were quote, 'not part of the Blue Book system.' The serious reports never stopped; they just moved out of public view. "Now, I know that was a lot of information. You may need to listen back to that, but those are facts. Those are in the government's documents that have now been declassified! "If the government has known for decades that unidentified objects are flying through our skies, and therefore, we may not be alone in the Universe, then the greatest revelation in American history has also been the target of a huge cover-up. "One of the challenges of social media and TV news is taking something this complex and reducing it to sound bites. And you're getting bits and pieces from the media. That's why I invest so much time and energy giving you the real story. I don't want to tell you what you believe or don't believe, but I want to give you the information so you can make up your own mind. "This information is in the files, we just haven't had access to the files. And then when we get the files, we're given the files without any context. You see a radar screen and you see a blip, and then it moves. Well, what do you have to compare it to? Is it moving fast? Too fast? Unexplainably fast? Without any context, how are we supposed to interpret that? "Well, I'm digging in, I'm talking to experts, I'm finding out what the scale is. And what we're learning, is we don't have anything that'll move that fast. We don't have anything that'll turn that sharp. We don't have anything that will withstand those kind of G-forces."

Joe Murgia

50,059 Aufrufe • vor 25 Tagen

Last night, in a massive warehouse just outside Edmonton, something extraordinary happened. Fifteen thousand Canadians showed up—not for a concert, not for a protest, but for a political rally. For one reason: to hear Pierre Poilievre speak. But the real shock? The man who introduced him. Stephen Harper—the most successful Conservative prime minister in a generation—took the stage to deliver a blistering endorsement of Poilievre, and a scathing indictment of the Liberal regime. He didn’t mince words. Harper said what every Canadian knows but no one in the press gallery will admit: this country needs change—desperately. And he didn’t hedge. He didn’t qualify. He didn’t say “both parties have made mistakes.” No. Harper made it clear: this crisis—soaring costs, collapsing standards, vanishing jobs, growing division—it wasn’t created by Donald Trump. It was made right here. In Ottawa. By three terms of Liberal government and the Prime Minister who wants a fourth. “These were not created by Donald Trump… They were created by the policies of three Liberal terms—policies the present Prime Minister supported.” That’s as blunt as Harper gets. And it should be a headline on every newspaper in the country. But it won’t be. Because it hits too close to home for the elite class that’s spent nearly a decade covering for Trudeau’s failures. Harper pointed out that the Liberals and their media allies are now trying to blame everything on geopolitics. Blame Trump. Blame supply chains. Blame COVID. Blame war. Blame anything but themselves. Because the truth? They can’t run on their record—so they’re running from it. What is that record? Exploding debt Collapsing GDP per capita A federal bureaucracy that punishes work and rewards compliance A housing market that’s locked out an entire generation And an energy sector that’s been handed over to the Americans while Canadians sit unemployed on world-class resources And now, as Mark Carney floats in with his $180 million CBC top-up and another round of green buzzwords, Harper reminded everyone: they’ve had their shot. Three terms. And they blew it. He warned Canadians not to fall for the same routine again. Not to fall for the same slogans. Not to fall for the polished elites promising “solutions” to the very problems they created. He reminded Canadians that while the Liberals talk about “fighting Trump,” they’re really just using the U.S. as a scapegoat for their own failures. And what did Harper offer instead? A rallying cry to seize this moment—not as an excuse—but as an opportunity to rebuild a truly independent Canada. “The challenge from the United States… should not be another excuse for Liberal failure. It should be a historic opportunity.” But the line that hit hardest? It was personal. Harper reminded everyone that he’s the only person alive who actually led Canada through the global financial crisis. That little swipe at Mark Carney—you could feel the building rumble. Carney wants credit for crisis leadership? Harper was running the country when the global economy was imploding. He knows what real leadership looks like—and he said flatly that Pierre Poilievre is the only one on the stage today who’s shown it. Stephen Harper stood up and told the country what it needs to hear: Pierre Poilievre is ready to lead. Not because of branding. Not because he’s a “fresh face.” Not because some elite committee in Ottawa thinks it’s his turn. No—because he earned it. Harper laid it out plainly. Poilievre started in the back row. He built his career not on media hype or party privilege, but on policy work, persistence, and a rock-solid conservative vision. He wasn’t parachuted in. He wasn’t picked by insiders. He clawed his way up with substance. “Pierre is not new to this. He’s been on the national scene for more than two decades. He has been in cabinet. He has been in opposition. He’s a serious policy-maker. A leader who has grown through experience.” That’s what Stephen Harper said. And you could hear the crowd erupt when he said it. Because Canadians are desperate—desperate—for someone who doesn’t just play politics, but actually understands the fight. Someone who knows how Parliament works. Someone who has taken on the gatekeepers—and won. And Harper wasn’t just praising Poilievre’s résumé. He called him what the man actually is: an ideas-driven, battle-tested leader who has spent his entire career pushing back against the smug, bloated, bureaucratic class that now defines Ottawa. “Pierre has always been guided by conservative values… smaller government, fiscal responsibility, and making this country work for those who do the work.” Imagine that. A politician who talks about work—and means it. Harper could’ve stayed silent. He’s done the job. He’s earned his peace. But he stepped into that warehouse in Nisku for one reason: to make it clear that this is Pierre’s moment—and Canada can’t afford to miss it. “He is our leader. And he is the next Prime Minister of Canada.” That wasn’t hyperbole. That was a warning shot to the Liberal machine. A message to the Laurentian elite, the smug consultants, the CBC newsrooms, and every Davos-friendly banker currently circling Ottawa like vultures: your time is up. Stephen Harper didn’t back Pierre out of nostalgia. He backed him because he sees a real, competent, fearless leader—someone who knows that you don’t fix this country by managing the decline. You stop the decline. Pierre Poilievre isn’t Trudeau with a different haircut. He’s the anti-Trudeau. He’s not trying to be liked by the press gallery. He’s trying to restore the country. And if you want a Prime Minister who understands the value of work, who believes in the dignity of the individual, who will cut the red tape, slash the taxes, fire the gatekeepers, and take Canada back from the bureaucratic swamp—Harper made it clear: There is only one choice. Pierre Poilievre.

Dan Knight

218,945 Aufrufe • vor 1 Jahr

TRUMP THE ANTIKRYST? PT 2 Trump awarded Elvis, his cousin, the Presidential Medal of Freedom in 2018. The highest civilian award of the United States. Freedom? Why would Elvis need this? Then he just dropped video of Elvis & himself on stage. He also just dropped another video of how he and Elvis look alike. In the video below by Abraham Ojeda Abraham Ojeda, Elon randomly changes the subject to interject into the interview out of literally nowhere, "Memphis, the capital of ancient Egypt. Perhaps that's where our new god will come from." while strangely, and maniacally, laughing at something that's simply not funny. Memphis. Really? As Abraham Ojeda explains in the video, the man who walked on water warned people about the rise of an antichrist, showing the text: "And unless those days were shortened, no flesh would be saved: but for the elect's sake [the Human Elohim Krystos] those days will be shortened." [True, the mRNA shots have been shown to self-replicate and easily transmissible from vaxxed-to-unvaxxed. So it is only a matter of time before all people will become infected with this deadly pathogen that ultimately destroys the body over 3-5 years. Remember, 'all the animals died'.] "For false christs [krysts, see explanation below] and false prophets will rise and show great signs and wonders to deceive, if possible, even the elect." [Again, the Human Elohim Krystos below.] "See, I have told you beforehand." "Therefore if they say to you, 'Look, he is in the desert!' or 'Look, he is in the inner rooms!, do not believe it." Ojeda goes on to explain the original Memphis is located right next to the Great Pyramid of Giza that is in the desert and has hidden rooms inside. Not to mention the extremely obfuscated and hidden Sphere of Amenti, a 'Turnstile Stargate', located directly below the Sphinx right in front of the Great Pyramid, that Jesheua Sananda Melchizedek, the true 'Kryst' of the fully restored 12-strand DNA pure bloodline of the Human Elohim avatar project used to transport people who had already reached 4th dimensional or higher vibration, to secretly move up to the next level of this time matrix during his short time of witnessing to the world. Jesheua Sananda was working directly with Jeshewua Ahumbra Melchizedek, the fully restored 9-strand DNA 'pure' bloodline of the Hyksos Anunnaki Human Hybrids developed in E-Den, that was the 'king of the J3ws' at this time who was assisting Sananda in these mechanical ascension sacred rituals while the two were both under the Co-Evolution BioRegenesis Treaty of Palaidor that provided an ascension mechanism for the J3ws to actually move up through all 15 levels of the Gaia time matrix. Without this Treaty, the children of Adam & Eve would have no possible way of ever moving out of this matrix, as their development project was not an officially authorized program, but actually an illegal invasion of Tara earth perpetrated by various groups of ETs over the previous 560m years. You must have a 12 strand genetic DNA sequence in order to ascend this matrix & the Treaty process gives them access to that. [For more on the bioforming invasion of Tara earth's hosted Human Elohim Project by your captors, see my article: 👉THE HISTORY OF THE CHIMERA] Soon after the two 'Krysts' worked together for a few years helping people ascend through the Sphere of Amenti below the Sphinx, who had been unfairly held back from moving forward for hundreds of millions of years, and spreading the word about how people were eternal spirit essences and not just random creatures in bipedal hominid bodies evolved out of pond scum; teaching them not to embrace this prison world and all its traps and pitfalls, Jeshewua Ahumbra ✡️ abandoned the ascension Treaty for whatever reason, and has since either directly or indirectly stolen the real Kryst's identity, which is now saturated throughout the fake King James 'bible'. [For more on these two figures, see my article: 👉THE TWO CHRISTS] [For more on the King James fake bible, the complex hypnotizing spell it casts and who is the real god of the Catholic Church (and all other religions of the world), see my article: 👉HARD. RED. PILL.] As an aside, the reason Jesheua and Jeshewua's names are so nearly identical is because the invader races always set out to mimic and rob the identity of all things authentic about the real Human Elohim Project. The 'king of the J3ws' was born a few years after Jeshua Sananda was, & was meant to usurp his miraculous works even before he was born. Identity theft was invented by your invaders, and is key to why the J3ws have been kicked out of over 110 countries over the last 12,000 years after infiltrating every group in the world, claiming to adopt their religions and cultures, only to secretly remain utterly devoted to the Talmud, and the practices of the Babylonian Mystery Religion (see more below). So the fake 'Christ' ('Jesus') has a significant history in Memphis and is set to return to the world's stage during Armageddon, which you are currently in the middle of at the time of this writing of 12/5/24. He is referred to as the 'antichrist', deceiving the nations, because the invader's agenda is to eliminate all actual Humans that carry the sacred eternal-life genetics of the Elohim bloodline known as the Krystos 'pale silver cord' that connects to the eternal sound and light fields of the deity planes that provides them with both eternal life as well as unlimited power without the need to eat or sleep. So 'anti-Humans' was also referred to 'Anti-Krystos', being transliterated today as Antichrist. So, even though the term 'antichrist' denotes evil and wickedness, it will not be delivered to you in that way, but it will appear almost identical to what Jesheua Sananda recommended as life-principals that lead to a greater experience in life. But while milk and honey will be coming out of this being's mouth, his ultimate intent all along will be to continue your eternal enslavement and capture by appealing to your Krystic predispositions, while at the same time other arms of his fake teachings, such as the Church of Satan, will appeal to the billions of Hyksos Anunnaki Hybrids who are genetically predisposed to pagan debauchery and self-destructive tendencies as celebrated in the Babylonian Mystery Religion (also explained below). Remember, most of the Anunnaki Hybrids around you are literally wolves, bears, snakes & many other animals that are now suddenly inside bipedal bodies with opposable thumbs that can walk and talk. They didn't earn those avatars like Humans did, they simply fell into them with no idea how to maintain that very powerful and higher level of body. Their instincts are feral, not civilized as the Human avatar template was encoded with. You may be hesitant to believe that J3ws (and their Crypto J3wish associates as explained in my article 👉THE HISTORY OF THE CHIMERA) are from other planes ('planets'), such as Sirius A, Alcyone Pleiades, Antiparticle Gaia, Nibiru and others, but you can hear R@bbi L@itman tell his students in his own words in video that they are: ‘UNDERCOVER ALIENS FROM ANOTHER PLANET’. That's pretty clear and not open to interpretation. [Watch R@bbi L@itman in my article: 👉 THE GREAT WHORE OF BABYLON PT1] If anyone here hasn't yet been informed, Trump was officially crowned the Messiah, 'King of the J3ws' by Orthodox T@lmudic J3wish R@bbis on behalf of the Zi0nist Organization of America & the Isr@el Heritage Foundation. While you may think that Zi0nists and T@mudic J3ws are at direct odds with each other, the bottom line is all J3wish factions in the world come together with the one shared goal of 'inheriting the earth' from the Krystos (Human Elohim), so they can have these 'promised lands' for themselves, regardless if they interpret the teachings of their forefathers slightly differently, or not. They are, in every faction, still the 'chosen ones'. In case you are unaware, the Babylonian Talmud is the teachings of sexual magic & blood ritual sacrif1ce referred to as ‘Mystery, Babylon the Great, the Whore of Babylon’ religion that was founded in Sumer-Ur 12,000 years ago by ‘those who from heaven came’ (the Anunnaki), where the wheel, the plow, indoor plumbing, production, writing, hydraulics, fabric, brick production, metallurgy, mathematics, philosophy, sailboats, chariots, numerals, taxes, calendars, codes-of-law, contract law, board games, beer, stringed instruments, maps, schools, farmer's almanac, jobs, congress, J3wdicial systems, corporations, paved roads, banks and formal municipal services suddenly fell right out of the clear blue sky to earth while the rest of the world were still living in caves and trying to invent fire. All with no archeological evidence of development for any of them. 👉 Trumps' coronation took place on July 10th, 2023, after J3ws had awaited the return of their 'Mashiach, Anointed One', for thousands of years. 👉 Tesla's new 4 million square ft AI data center is located in Memphis Tennessee, just 11 miles away from Elvis Presley's Graceland Estate. Those are some strong coincidences given the repeated Elvis comms Trump has been dropping, featuring Elvis songs at his rallies and gatherings along with dropping very deliberate multiple videos. So what about Memphis then? Why is Tesla there, why is Musk going off-topic in his interview about subjects totally unassociated with anything Egypt, Memphis, antichrists or 'gods' returning? Because it is time to lay the foundations of the return of the savior. And of course, that savior will be 'of the J3ws', not 'of the humans'. For those who have taken the time to read my article: 👉THE HISTORY OF THE CHIMERA, you will understand by now that I've seen ancient false 'gods' in person over many years already. I've seen their multiple bodies of the same being, some identical, some very different. But they are all the same exact person inside (the same spirit essence). Somehow they have figured out how to do this. So there is never a time they are just in one body here on earth. But in thousands of bodies, many in stasis as 'vehicles' they can wear in all countries of the world through instant 'translocation', hidden away in stasis chambers, and many walking around awake and aware and at the ready to step in for the current leading position at a moment's notice, as covered in my article: 👉SOPHIA as well. Anyone paying attention has now seen many different Donald Trumps. Some are short, 5' 11", some are taller at 6' 3", some heavier, some slimmer, and even older. But what you likely didn't know is that in one of his eras, he was also King Antiochus of Babylon that conquered Memphis Egypt. So while you and I would see Donald Trump as 'cousins' with Elvis, the way it really works with the 'gods', is that's the same person in both bodies, and not just both bodies, but thousands of bodies worldwide. That's why the gods never die, not because they are in eternal-life bodies, but because they have replacements of differing ages at all times so their awareness never leaves, even if one or a dozen of their avatars is killed, as Donald Trump passed in 1989, but no one ever noticed, since he showed up on-time the following day without missing a beat. For a long time I have wondered who 'Mel' was that never showed up in Elvis' group photo collages, now I'm wondering if he wasn't strikingly similar to Donald Trump. Bear in mind, birthdates have nothing to do with the 'gods', as they are here in all different ages at all times, while they also have others here extremely close to the exact same age for reasons of being able to step in for each other for all sorts of reasons. Maybe now you understand how it was Trump managed to do hundreds of rallies leading up to the election that no living person could possibly pull off looking fit and fresh at each one, sometimes 3 in one day. Or why he was rumored to have "been awake for 72 hours before he gave his acceptance speech" on Nov 6th after the election and still looked great. You and I would have been half, if not fully, ded, by that time. Even at 21 yrs old I hit a wall at 24 hours that nearly felt like I was going to pass away if I didn't sleep. That’s impossible at 78 no matter who you are without body backups. Not that this is a religious note, because it isn't, but Jesheua Sananda is also scheduled to make a return during this same time to possibly use his legend to help as many humans and hybrids who are truly seeking to move on from this level make the shift. But what he's never going to do is command you to do anything. He won't be boasting about his accomplishments as being the best, yuge, or 'proud' of what he is able to do. He's only here to set an example for you of how to reach higher, outside of material, worldly matters. This is the sifting, where the wheat will be separated from the chaff for harvest. I came here as a 'gatherer', which means I'm here to help show the way out for those who make that cut. [For more see my article: 👉THE SEPARATION] Don't fall for all that glitters and glows in the future painted for you by the antichrist. What you have waiting for you is a million x more precious than being able to fly in a vertical take-off vehicle to a job you will still hate. Where you're going, you won't need a vehicle to fly, and you won't be traveling to work a job you don't like, since working will be voluntary, as you will not need money. For more on this subject, please see my article: 👉TRUMP, THE ANTICHRIST? (Part 1). This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time. See off-site link below for my other 100+ recent articles and many thousands of comments on X, assembled thanks to Justin

W.R. Schock, QBD

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