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Smile 4 the superior white dick 🐒 #WhiteTop #WhiteBottom #BlackBottom #BlackSub #gayraceplay #whitedick #gaysex

Sub B Ni

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28,516 Aufrufe • vor 8 Monaten •via X (Twitter)

NSFW #WhiteTop #WhiteBottom #BlackBottom #BlackSub #gayraceplay #whitedick #gaysex

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Bred MY SUPERIOR LOAD into MY ni66er D after it was commanded to take another Superior's White Seed. I'll save the longer clip for the paywall. 🤑😈 #raceplay #interracial #whitedom #blacksub #gay #gaymen #masterandhisboy #daddy #white #black

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Bred MY SUPERIOR LOAD into MY ni66er D after it was commanded to take another Superior's White Seed. I'll save the longer clip for the paywall. 🤑😈 #raceplay #interracial #whitedom #blacksub #gay #gaymen #masterandhisboy #daddy #white #black

MASTER Jack and HIS boy 🐒

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MASSIVE MAGA FEET! Here to dominate you for the next 4 years. Stomping faces and wallets with my superior white feet 🦶🏻🇺🇸 10 min Video Link:

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Daddy Shawn 👟

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Are these those superior white genes all you racists keep talking about? These 4, all related and living in the cesspool that we call Ohio, had 16 children ages 18 months to 18 years in their care that they were abusing and starving.

Are these those superior white genes all you racists keep talking about? These 4, all related and living in the cesspool that we call Ohio, had 16 children ages 18 months to 18 years in their care that they were abusing and starving.

Mrs. Butters 🥧

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The “HeGetsUs” Super Bowl commercial is nothing but a sick woke fantasy, using Christianity as a shield to subliminally shit on Conservatives. Let’s break down the imagery by slide: 1: Black man getting feet washed by police officer 2: They/them lib getting feet washed by traditional-looking pretty blonde white girl 3: Native American getting feet washed by country white man 4: Girl getting her feet washed outside the abortion clinic by older white woman protesting abortion 5: Drug/alcohol-addicted woman getting feet washed by young white girl 6: Asian woman with “clean air now” poster getting feet washed by older white man surrounded by oil rigs 7: Illegal immigrant mother getting off the bus from over the border and getting feet washed by traditional looking white woman 8: Islamic family getting feet washed by white Christian family 9: Pro-censorship protester getting feet washed by anti-censorship protestor 10: Older white and black men washing feet together 11: Flaming gay black man getting his feet washed by a Priest Each slide contains a Left-wing talking point, and the imagery is used to make them look superior and us to be their humble slaves. It’s humiliation porn for Libs. All of this imagery is a not-so-subtle attack on Conservative Americans. The commercial has nothing to do with Jesus, and is essentially an excuse to tell Conservatives that they are lesser than, and must kneel at the feet of the Liberals and their ideology. And people wonder why Conservatives are sick of the woke bullshit.

The “HeGetsUs” Super Bowl commercial is nothing but a sick woke fantasy, using Christianity as a shield to subliminally shit on Conservatives. Let’s break down the imagery by slide: 1: Black man getting feet washed by police officer 2: They/them lib getting feet washed by traditional-looking pretty blonde white girl 3: Native American getting feet washed by country white man 4: Girl getting her feet washed outside the abortion clinic by older white woman protesting abortion 5: Drug/alcohol-addicted woman getting feet washed by young white girl 6: Asian woman with “clean air now” poster getting feet washed by older white man surrounded by oil rigs 7: Illegal immigrant mother getting off the bus from over the border and getting feet washed by traditional looking white woman 8: Islamic family getting feet washed by white Christian family 9: Pro-censorship protester getting feet washed by anti-censorship protestor 10: Older white and black men washing feet together 11: Flaming gay black man getting his feet washed by a Priest Each slide contains a Left-wing talking point, and the imagery is used to make them look superior and us to be their humble slaves. It’s humiliation porn for Libs. All of this imagery is a not-so-subtle attack on Conservative Americans. The commercial has nothing to do with Jesus, and is essentially an excuse to tell Conservatives that they are lesser than, and must kneel at the feet of the Liberals and their ideology. And people wonder why Conservatives are sick of the woke bullshit.

Clandestine

1,286,176 Aufrufe • vor 2 Jahren

*1970* NBA Finals in QUALITY REMASTERED [Game 4 - Full Highlights] Jerry West: 37pts 18ast 5reb Elgin Baylor: 30pts 13reb 3ast Wilt Chamberlain: 18pts 25reb 7ast Willis Reed: 23pts 12reb 2ast Walt Frazier: 16pts 11ast 6reb Dick Barnett: 29pts 3reb 3ast Kids see black and white then assume the talent was trash. Now you see how good they were? Don’t be an ignorant fool ✌🏻 (halftime_content IG)

1970 NBA Finals in QUALITY REMASTERED [Game 4 - Full Highlights] Jerry West: 37pts 18ast 5reb Elgin Baylor: 30pts 13reb 3ast Wilt Chamberlain: 18pts 25reb 7ast Willis Reed: 23pts 12reb 2ast Walt Frazier: 16pts 11ast 6reb Dick Barnett: 29pts 3reb 3ast Kids see black and white then assume the talent was trash. Now you see how good they were? Don’t be an ignorant fool ✌🏻 (halftime_content IG)

Jacob

203,353 Aufrufe • vor 1 Jahr

1/ IS AMERICA A CHRISTIAN NATION? Charlie Kirk was once challenged on the Christian foundations of America, and delivered this classic unrehearsed riff. There's actually lots more to be said on this topic, but for now I'll just add 4 things to what he said. Read this and watch the video: 1. Upon our founding, it was actually 12/13 states that required a Christian religious test for office, and 9/13 states that had state-backed Christian religions funded by taxes. 2. The American concept of "government of, by and for the people" & our particular version of self-government is the literal and direct outgrowth of the Protestant concept of the priesthood of all believers that our Protestant congregations throughout the 13 Colonies practiced from the very beginning of their settlements in America. 3. The Declaration of Independence, Articles of Confederation, Constitution and Bill of Rights did not create this Nation. PEOPLE constituted and created this Nation, and devised systems & documents to govern their Nation. The PEOPLE came first, not the documents. The NATION arose first, not the government. 4. To truly understand the purpose of the First Amendment, you have to remember that fights and quarrels over religion in the Old World led to centuries of war. You also need to understand that the inter-ethnic European rivalries also led to endless wars. Europe fought over race and religion for 2500 years. Maybe more. The First Congress of 1790 solved both of these problems in nearly identical ways: 1. The Naturalization Act of 1790 made all White people citizens, thereby making all White ethnicities EQUAL. Anglo Saxons weren't superior to Germans weren't superior to Frenchmen, weren't superior to Scandinavians, etc etc etc, (at least not in the eyes of the government or law. Lol). All White people were thus placed onto EQUAL footing. This eliminated the long-time European need & urge to fight wars over ethnic rivalries. 2. The First Amendment, proposed in 1790 & ratified in 1791, made all Christian denominations EQUAL. Lutherans weren't superior to Presbyterians weren't superior to Congregationalists weren't superior to Quakers, weren't superior to Anglicans, etc etc etc. In fact, 11/14 states had official religious tests for public office, requiring a variety of Christian denominations. A few states still had official Christian religions funded by state taxes. Not only did the 1st Amendment preserve the freedoms of worship and conscience—two of the biggest reasons Europeans came to America in the first place—but it eliminated the long-time European need & urge to fight wars over religious differences. And just to really drive the point home for the haters & the ignorant: obviously, the 11 states that had Christian religious tests for office when they passed & ratified the First Amendment didn't do so in order to negate or abrogate their state-sponsored religions or religious tests—quite the opposite: they did it so that they could KEEP their unique state-backed Christian religions & Christian religious tests without being overruled by the federal government or brought into conflict with their fellow states. DUH. ******* When John Adams said our Constitution was meant only for a moral & religious people, he wasn't speaking abstractly about morality or religion in general, he was specifically referring to Christian morality and the Christian religion. The fact is, America is Christian from the ground up. From the beginning, it grew up around the Christian churches. It was built by Christians. And it was Christians who conceived, conceptualized and created our forms of government and institutions. You can say the same about our White European heritage genetics and culture. America is White. America is Christian. They are inseparably connected and indisputably fundamental to this nation & our founding. And the First Congress recognized both of these vital factors. That is why even in 1965, when Congress decided to overthrow the White Christian order (by passing the new Immigration Act against the will of the American people), America was still about 89% White and 93% Christian. Because America placed all European ethnicities and Christian denominations onto equal footing, our broad European racial & cultural similarities along with our common general Christian beliefs UNITED us here, rather than DIVIDING us as they had in Europe—which was itself a Christian realm, or "Christendom." IOW, America became the real European Union—largely because of the Naturalization Act of 1790 and the First Amendment (1790-91). America was never meant to be non-White or Non-Christian, and to believe otherwise is just ignorant and absurd. Now, watch Charlie. Sources in next tweet.

1/ IS AMERICA A CHRISTIAN NATION? Charlie Kirk was once challenged on the Christian foundations of America, and delivered this classic unrehearsed riff. There's actually lots more to be said on this topic, but for now I'll just add 4 things to what he said. Read this and watch the video: 1. Upon our founding, it was actually 12/13 states that required a Christian religious test for office, and 9/13 states that had state-backed Christian religions funded by taxes. 2. The American concept of "government of, by and for the people" & our particular version of self-government is the literal and direct outgrowth of the Protestant concept of the priesthood of all believers that our Protestant congregations throughout the 13 Colonies practiced from the very beginning of their settlements in America. 3. The Declaration of Independence, Articles of Confederation, Constitution and Bill of Rights did not create this Nation. PEOPLE constituted and created this Nation, and devised systems & documents to govern their Nation. The PEOPLE came first, not the documents. The NATION arose first, not the government. 4. To truly understand the purpose of the First Amendment, you have to remember that fights and quarrels over religion in the Old World led to centuries of war. You also need to understand that the inter-ethnic European rivalries also led to endless wars. Europe fought over race and religion for 2500 years. Maybe more. The First Congress of 1790 solved both of these problems in nearly identical ways: 1. The Naturalization Act of 1790 made all White people citizens, thereby making all White ethnicities EQUAL. Anglo Saxons weren't superior to Germans weren't superior to Frenchmen, weren't superior to Scandinavians, etc etc etc, (at least not in the eyes of the government or law. Lol). All White people were thus placed onto EQUAL footing. This eliminated the long-time European need & urge to fight wars over ethnic rivalries. 2. The First Amendment, proposed in 1790 & ratified in 1791, made all Christian denominations EQUAL. Lutherans weren't superior to Presbyterians weren't superior to Congregationalists weren't superior to Quakers, weren't superior to Anglicans, etc etc etc. In fact, 11/14 states had official religious tests for public office, requiring a variety of Christian denominations. A few states still had official Christian religions funded by state taxes. Not only did the 1st Amendment preserve the freedoms of worship and conscience—two of the biggest reasons Europeans came to America in the first place—but it eliminated the long-time European need & urge to fight wars over religious differences. And just to really drive the point home for the haters & the ignorant: obviously, the 11 states that had Christian religious tests for office when they passed & ratified the First Amendment didn't do so in order to negate or abrogate their state-sponsored religions or religious tests—quite the opposite: they did it so that they could KEEP their unique state-backed Christian religions & Christian religious tests without being overruled by the federal government or brought into conflict with their fellow states. DUH. ******* When John Adams said our Constitution was meant only for a moral & religious people, he wasn't speaking abstractly about morality or religion in general, he was specifically referring to Christian morality and the Christian religion. The fact is, America is Christian from the ground up. From the beginning, it grew up around the Christian churches. It was built by Christians. And it was Christians who conceived, conceptualized and created our forms of government and institutions. You can say the same about our White European heritage genetics and culture. America is White. America is Christian. They are inseparably connected and indisputably fundamental to this nation & our founding. And the First Congress recognized both of these vital factors. That is why even in 1965, when Congress decided to overthrow the White Christian order (by passing the new Immigration Act against the will of the American people), America was still about 89% White and 93% Christian. Because America placed all European ethnicities and Christian denominations onto equal footing, our broad European racial & cultural similarities along with our common general Christian beliefs UNITED us here, rather than DIVIDING us as they had in Europe—which was itself a Christian realm, or "Christendom." IOW, America became the real European Union—largely because of the Naturalization Act of 1790 and the First Amendment (1790-91). America was never meant to be non-White or Non-Christian, and to believe otherwise is just ignorant and absurd. Now, watch Charlie. Sources in next tweet.

Sam Parker 🇺🇸🧯

25,168 Aufrufe • vor 2 Monaten

Listen to this. For 4 months straight 2 Royal Holloway students harassed me and my Jewish friend with nonstop No Caller ID calls. Sometimes 10+ an hour. They’d ring me, I ignore, straight to him, back to me. Here’s what they were screaming down the phone: “I’ll be antisemitic with my full chest, fuck them and fuck you” “You love Jewish dick… you’re obsessed with Jewish dick… why are you obsessed with Jewish people?” Plus “Free Palestine”, “white man with white privilege”, threats to my friend: “We know where you live. We’re below you right now. Coming to JSoc to beat you all up.” We reported it immediately. Uni knew the identities. Police got a full signed statement in February with recordings, call logs, everything. It’s now May. Uni is still “investigating”. No action. Yet I got suspended the same day for a political reply to someone starting on me. This is two-tier Britain. British students get punished instantly for words. Certain others can do months of antisemitic abuse, sexual harassment and threats - and nothing happens. Surrey Police and Royal Holloway: you’ve had the evidence for months. I’ll keep exposing what’s happening daily on this campus. If something happens to me or other students here, you were warned. #TwoTierBritain #CampusAntisemitism #RoyalHolloway #TwoTierPolicing

Listen to this. For 4 months straight 2 Royal Holloway students harassed me and my Jewish friend with nonstop No Caller ID calls. Sometimes 10+ an hour. They’d ring me, I ignore, straight to him, back to me. Here’s what they were screaming down the phone: “I’ll be antisemitic with my full chest, fuck them and fuck you” “You love Jewish dick… you’re obsessed with Jewish dick… why are you obsessed with Jewish people?” Plus “Free Palestine”, “white man with white privilege”, threats to my friend: “We know where you live. We’re below you right now. Coming to JSoc to beat you all up.” We reported it immediately. Uni knew the identities. Police got a full signed statement in February with recordings, call logs, everything. It’s now May. Uni is still “investigating”. No action. Yet I got suspended the same day for a political reply to someone starting on me. This is two-tier Britain. British students get punished instantly for words. Certain others can do months of antisemitic abuse, sexual harassment and threats - and nothing happens. Surrey Police and Royal Holloway: you’ve had the evidence for months. I’ll keep exposing what’s happening daily on this campus. If something happens to me or other students here, you were warned. #TwoTierBritain #CampusAntisemitism #RoyalHolloway #TwoTierPolicing

Brodie Mitchell

61,622 Aufrufe • vor 4 Monaten

$They say, "Humans have always wanted to understand the universe." How come, then, nearly 100% of the 25,000–30,000 astronomical objects—planets, exoplanets, stars, and galaxies—with proper names were named by men of European ancestry? This is not surprising, since almost all astronomical discoveries were made by European/American-led missions, telescopes, and superior science. 1. Planets: All 8 major planets have names derived from Roman/Greek mythology, formalized in modern usage by European astronomers. 2. Exoplanets: Over 5,000 confirmed exoplanets exist, of which a few hundred have proper names given by whites. 3. Stars: There are billions of stars, but only a small fraction have proper names (about 530), originated by white men. 4. Galaxies: All famous galaxies (Andromeda, Whirlpool, Sombrero) have descriptive names coined by European astronomers. Millions of galaxies have been cataloged with systematic designations (NGC/IC numbers from 19th-century European compilations).$

They say, "Humans have always wanted to understand the universe." How come, then, nearly 100% of the 25,000–30,000 astronomical objects—planets, exoplanets, stars, and galaxies—with proper names were named by men of European ancestry? This is not surprising, since almost all astronomical discoveries were made by European/American-led missions, telescopes, and superior science. 1. Planets: All 8 major planets have names derived from Roman/Greek mythology, formalized in modern usage by European astronomers. 2. Exoplanets: Over 5,000 confirmed exoplanets exist, of which a few hundred have proper names given by whites. 3. Stars: There are billions of stars, but only a small fraction have proper names (about 530), originated by white men. 4. Galaxies: All famous galaxies (Andromeda, Whirlpool, Sombrero) have descriptive names coined by European astronomers. Millions of galaxies have been cataloged with systematic designations (NGC/IC numbers from 19th-century European compilations).

Dr. Ricardo Duchesne

135,580 Aufrufe • vor 8 Monaten

#MeghanMarkle couldn’t hide her disdain for her engagement ring, even with her superior acting skillzz. She expected something comparable to Catherine’s 12 carat sapphire in 18k white gold, surrounded by 14 round cut diamonds totaling 2 carats. She got a basic, 3 carat cushion cut stone that looks occluded or cloudy (unless it’s just always filthy) and the side stones .75 carats each. She has friends married to regular guys with bigger rings-I have NO doubt that she expected a ROCK marrying a British Prince, son of the future King. She likely assumed the Queen would throw all sorts of huge gems at him for her ring, but she assumed wrong. Even Queen Elizabeth’s engagement ring was 3 carats. You have to keep it tasteful, not ostentatious as a Royal with engagement rings which was part of the reason Diana’s was frowned on-the other was that it wasn’t custom. Watch her expressions and micro expressions and tell me how much she loved that ring. Not to mention she’s altered it 3 times, maybe 4. #MeghanMarkleExposed #HarryandMeghan #MeghanIsTheProblem

#MeghanMarkle couldn’t hide her disdain for her engagement ring, even with her superior acting skillzz. She expected something comparable to Catherine’s 12 carat sapphire in 18k white gold, surrounded by 14 round cut diamonds totaling 2 carats. She got a basic, 3 carat cushion cut stone that looks occluded or cloudy (unless it’s just always filthy) and the side stones .75 carats each. She has friends married to regular guys with bigger rings-I have NO doubt that she expected a ROCK marrying a British Prince, son of the future King. She likely assumed the Queen would throw all sorts of huge gems at him for her ring, but she assumed wrong. Even Queen Elizabeth’s engagement ring was 3 carats. You have to keep it tasteful, not ostentatious as a Royal with engagement rings which was part of the reason Diana’s was frowned on-the other was that it wasn’t custom. Watch her expressions and micro expressions and tell me how much she loved that ring. Not to mention she’s altered it 3 times, maybe 4. #MeghanMarkleExposed #HarryandMeghan #MeghanIsTheProblem

Princess CarParkle 👑

139,527 Aufrufe • vor 3 Monaten

Before the city wakes up. ✨ Made with Seedance 2.5 on Higgsfield Prompt: Create a ultra-realistic lifestyle vlog following the same young Korean woman, age 24, from nighttime at home through waking up, getting ready, going to the gym, working out, and having breakfast. CHARACTER: Korean woman, 26, naturally attractive, realistic skin texture, soft natural facial features, minimal makeup, long dark black hair, slim natural proportions and realistic feminine physique. Maintain the exact same facial identity, facial features, body proportions, hair color and overall appearance throughout the entire video. NIGHT OUTFIT: At the beginning, she wears a delicate black-and-white sheer lace nightdress with thin shoulder straps, fitted bodice, translucent mesh fabric, scattered small black heart patterns, black lace trim around the neckline and edges, fitted waist and softly flared short skirt. Elegant and natural, not provocative. GYM OUTFIT: After waking up, she changes into a fitted white sleeveless athletic crop top with wide shoulder straps and a simple scoop neckline, loose light-gray high-waisted sweatpants with an elastic waistband and white drawstring, and simple white athletic sneakers. Her long dark hair is tied into a high ponytail. Keep the gym outfit consistent for the rest of the workout. 00:00–00:07 — NIGHT: Small cozy Seoul apartment bedroom at night. She sits sleepily on the edge of her bed wearing the black-and-white heart-pattern lace nightdress. Warm bedside lamp, dark room, faint cool blue light through a rain-covered window. She checks her phone, yawns, places it beside the bed, gets under the blanket and turns off the lamp. Rain continues outside. 00:07–00:14 — WAKE UP: Early rainy morning. Cold blue-gray daylight enters through the window. She wakes naturally, still wearing the same nightdress. She rubs her eyes, checks her phone, looks toward the rainy window, stretches slightly and gets out of bed. Her long hair is naturally messy from sleeping. 00:14–00:22 — GETTING READY: She walks to the bathroom, washes her face, brushes her teeth and looks sleepily into the mirror. She casually fixes her hair. She returns to the bedroom and changes into the white athletic crop top, loose light-gray sweatpants and white sneakers. Her hair is now tied into a neat high ponytail. Show the clothing change only as a natural transition: she leaves the frame in her nightdress and returns dressed for the gym. No nudity. 00:22–00:29 — LEAVING: She stands in the apartment entryway wearing her gym outfit. She checks herself briefly in a simple mirror, puts her phone and water bottle into a gym bag, grabs a black umbrella and leaves the apartment. The camera follows casually behind her. 00:29–00:36 — RAINY SEOUL: She walks through a quiet Seoul residential neighborhood under the black umbrella. Wet pavement, apartment buildings, parked cars, utility poles and small storefronts in the background. Her ponytail and loose sweatpants move naturally as she walks. She briefly turns toward the camera, notices she is being filmed and gives a small sleepy smile. 00:36–00:49 — GYM: She enters a clean modern neighborhood gym. She puts away her umbrella and gym bag. She begins with a light treadmill warm-up, then does stretching, dumbbell exercises and a simple resistance-machine exercise. Show realistic physical effort and natural breathing. Her ponytail moves naturally during exercise. She drinks water between sets. At one point she notices the camera filming her and gives a tiny amused smile before continuing. No exaggerated posing, no unrealistic weights, no fitness-model performance. 00:49–00:54 — FINISH: She finishes her workout, stretches her shoulders, wipes her forehead with a small towel and puts on a loose dark zip-up hoodie over her gym outfit. She grabs her gym bag and umbrella and heads toward the exit. She looks toward the camera with a tired but satisfied little smile. 00:54–01:00 — BREAKFAST: Small cozy Korean café near the gym. Rain continues outside the window. She sits at a small wooden table wearing the white athletic top, light-gray sweatpants and dark hoodie. A simple breakfast is on the table: eggs, toast, fresh fruit and a warm coffee or tea. She quietly eats while looking through the rainy window. At the end she notices the camera, looks directly into the lens, gives a tiny sleepy smile and takes one final sip. The camera naturally drifts toward the rainy window. End with rain visible and audible. CAMERA STYLE: Ultra-realistic early-2000s Sony MiniDV home-video footage filmed by another person. Authentic 4:3 consumer MiniDV appearance. Completely candid and unstaged. Natural handheld camera movement, subtle camera shake, imperfect framing, occasional gentle reframing, occasional autofocus hunting, mild exposure shifts, faded colors, soft contrast, authentic DV compression, subtle low-light digital noise and built-in camcorder microphone noise. The camera should feel like a real person holding an old consumer camcorder, not a modern phone or cinematic camera. No gimbal, no stabilization, no drone shots, no cinematic tracking shots, no perfect compositions, no modern influencer aesthetic, no beauty filter, no excessive skin smoothing and no modern cinematic color grading. MOTION: All movement must be smooth, continuous and physically realistic in real time. No stuttering, judder, frame skipping, duplicated frames, stop-motion appearance, artificial slow motion, speed ramps, excessive motion blur or low-frame-rate appearance. The vintage look must come from the MiniDV image characteristics, autofocus, exposure, colors, compression and handheld operation, NOT from choppy motion. Maintain consistent identity, anatomy, hair and clothing throughout. Realistic hair, fabric, umbrella and object physics. AUDIO: Natural location sound only: rain against the window, phone alarm, blanket movement, footsteps, bathroom water, clothing movement, apartment ambience, umbrella sounds, wet footsteps, distant Seoul traffic, gym equipment, treadmill motor, weights, natural breathing, water bottle, café dishes and rain against the café window. No background music, no narration, no voice-over and no artificial sound effects. OVERALL FEEL: A genuine nostalgic 60-second everyday morning vlog: sleepy night → waking up → getting ready → rainy Seoul commute → gym workout → simple breakfast. Intimate, cozy, realistic, understated and spontaneous, like a real old MiniDV recording rather than a polished commercial or modern influencer video.

Before the city wakes up. ✨ Made with Seedance 2.5 on Higgsfield Prompt: Create a ultra-realistic lifestyle vlog following the same young Korean woman, age 24, from nighttime at home through waking up, getting ready, going to the gym, working out, and having breakfast. CHARACTER: Korean woman, 26, naturally attractive, realistic skin texture, soft natural facial features, minimal makeup, long dark black hair, slim natural proportions and realistic feminine physique. Maintain the exact same facial identity, facial features, body proportions, hair color and overall appearance throughout the entire video. NIGHT OUTFIT: At the beginning, she wears a delicate black-and-white sheer lace nightdress with thin shoulder straps, fitted bodice, translucent mesh fabric, scattered small black heart patterns, black lace trim around the neckline and edges, fitted waist and softly flared short skirt. Elegant and natural, not provocative. GYM OUTFIT: After waking up, she changes into a fitted white sleeveless athletic crop top with wide shoulder straps and a simple scoop neckline, loose light-gray high-waisted sweatpants with an elastic waistband and white drawstring, and simple white athletic sneakers. Her long dark hair is tied into a high ponytail. Keep the gym outfit consistent for the rest of the workout. 00:00–00:07 — NIGHT: Small cozy Seoul apartment bedroom at night. She sits sleepily on the edge of her bed wearing the black-and-white heart-pattern lace nightdress. Warm bedside lamp, dark room, faint cool blue light through a rain-covered window. She checks her phone, yawns, places it beside the bed, gets under the blanket and turns off the lamp. Rain continues outside. 00:07–00:14 — WAKE UP: Early rainy morning. Cold blue-gray daylight enters through the window. She wakes naturally, still wearing the same nightdress. She rubs her eyes, checks her phone, looks toward the rainy window, stretches slightly and gets out of bed. Her long hair is naturally messy from sleeping. 00:14–00:22 — GETTING READY: She walks to the bathroom, washes her face, brushes her teeth and looks sleepily into the mirror. She casually fixes her hair. She returns to the bedroom and changes into the white athletic crop top, loose light-gray sweatpants and white sneakers. Her hair is now tied into a neat high ponytail. Show the clothing change only as a natural transition: she leaves the frame in her nightdress and returns dressed for the gym. No nudity. 00:22–00:29 — LEAVING: She stands in the apartment entryway wearing her gym outfit. She checks herself briefly in a simple mirror, puts her phone and water bottle into a gym bag, grabs a black umbrella and leaves the apartment. The camera follows casually behind her. 00:29–00:36 — RAINY SEOUL: She walks through a quiet Seoul residential neighborhood under the black umbrella. Wet pavement, apartment buildings, parked cars, utility poles and small storefronts in the background. Her ponytail and loose sweatpants move naturally as she walks. She briefly turns toward the camera, notices she is being filmed and gives a small sleepy smile. 00:36–00:49 — GYM: She enters a clean modern neighborhood gym. She puts away her umbrella and gym bag. She begins with a light treadmill warm-up, then does stretching, dumbbell exercises and a simple resistance-machine exercise. Show realistic physical effort and natural breathing. Her ponytail moves naturally during exercise. She drinks water between sets. At one point she notices the camera filming her and gives a tiny amused smile before continuing. No exaggerated posing, no unrealistic weights, no fitness-model performance. 00:49–00:54 — FINISH: She finishes her workout, stretches her shoulders, wipes her forehead with a small towel and puts on a loose dark zip-up hoodie over her gym outfit. She grabs her gym bag and umbrella and heads toward the exit. She looks toward the camera with a tired but satisfied little smile. 00:54–01:00 — BREAKFAST: Small cozy Korean café near the gym. Rain continues outside the window. She sits at a small wooden table wearing the white athletic top, light-gray sweatpants and dark hoodie. A simple breakfast is on the table: eggs, toast, fresh fruit and a warm coffee or tea. She quietly eats while looking through the rainy window. At the end she notices the camera, looks directly into the lens, gives a tiny sleepy smile and takes one final sip. The camera naturally drifts toward the rainy window. End with rain visible and audible. CAMERA STYLE: Ultra-realistic early-2000s Sony MiniDV home-video footage filmed by another person. Authentic 4:3 consumer MiniDV appearance. Completely candid and unstaged. Natural handheld camera movement, subtle camera shake, imperfect framing, occasional gentle reframing, occasional autofocus hunting, mild exposure shifts, faded colors, soft contrast, authentic DV compression, subtle low-light digital noise and built-in camcorder microphone noise. The camera should feel like a real person holding an old consumer camcorder, not a modern phone or cinematic camera. No gimbal, no stabilization, no drone shots, no cinematic tracking shots, no perfect compositions, no modern influencer aesthetic, no beauty filter, no excessive skin smoothing and no modern cinematic color grading. MOTION: All movement must be smooth, continuous and physically realistic in real time. No stuttering, judder, frame skipping, duplicated frames, stop-motion appearance, artificial slow motion, speed ramps, excessive motion blur or low-frame-rate appearance. The vintage look must come from the MiniDV image characteristics, autofocus, exposure, colors, compression and handheld operation, NOT from choppy motion. Maintain consistent identity, anatomy, hair and clothing throughout. Realistic hair, fabric, umbrella and object physics. AUDIO: Natural location sound only: rain against the window, phone alarm, blanket movement, footsteps, bathroom water, clothing movement, apartment ambience, umbrella sounds, wet footsteps, distant Seoul traffic, gym equipment, treadmill motor, weights, natural breathing, water bottle, café dishes and rain against the café window. No background music, no narration, no voice-over and no artificial sound effects. OVERALL FEEL: A genuine nostalgic 60-second everyday morning vlog: sleepy night → waking up → getting ready → rainy Seoul commute → gym workout → simple breakfast. Intimate, cozy, realistic, understated and spontaneous, like a real old MiniDV recording rather than a polished commercial or modern influencer video.

Ray

663,998 Aufrufe • vor 6 Tagen

This week, Mike Novogratz and I are getting into everything: the Iran ceasefire that isn't really a ceasefire, Alex Karp's unfiltered indictment of the entire AI business model, and why we think Trump Accounts might be the single best policy idea to come out of this administration. Plus, we're discussing whether we think a California billionaire wealth tax is a good idea. This and much more on this week's episode of All Things Markets (All Things Markets) (SALT) Watch/Listen on X, YouTube, and Spotify. Timestamps 0:00 Mooch and Novo are back! 0:52 What is going on in the markets? 4:02 Alex Karp's indictment of the AI business model 6:12 AI regulation coming: James Talarico, data centers, sharing AI upside with society 7:18 Is AI more like the cloud or something more dangerous? 10:05 California's billionaire wealth tax debate 15:04 Novogratz at the White House to launch Trump accounts 17:21 Trump accounts deep dive: "The best thing they've done" 20:32 Bullish or Bearish Begins (California’s Wealth Tax passes in November, Iran peace deal goes back into effect by the end of Summer, France wins the World Cup, Grok becomes an actual competitor to Claude and ChatGPT, AI models move away from selling tokens for a service, SpaceXAI trades below its IPO price in 3 months) 27:09 What made you smile this week?

This week, Mike Novogratz and I are getting into everything: the Iran ceasefire that isn't really a ceasefire, Alex Karp's unfiltered indictment of the entire AI business model, and why we think Trump Accounts might be the single best policy idea to come out of this administration. Plus, we're discussing whether we think a California billionaire wealth tax is a good idea. This and much more on this week's episode of All Things Markets (All Things Markets) (SALT) Watch/Listen on X, YouTube, and Spotify. Timestamps 0:00 Mooch and Novo are back! 0:52 What is going on in the markets? 4:02 Alex Karp's indictment of the AI business model 6:12 AI regulation coming: James Talarico, data centers, sharing AI upside with society 7:18 Is AI more like the cloud or something more dangerous? 10:05 California's billionaire wealth tax debate 15:04 Novogratz at the White House to launch Trump accounts 17:21 Trump accounts deep dive: "The best thing they've done" 20:32 Bullish or Bearish Begins (California’s Wealth Tax passes in November, Iran peace deal goes back into effect by the end of Summer, France wins the World Cup, Grok becomes an actual competitor to Claude and ChatGPT, AI models move away from selling tokens for a service, SpaceXAI trades below its IPO price in 3 months) 27:09 What made you smile this week?

Anthony Scaramucci

29,328 Aufrufe • vor 2 Monaten

Leaking my winners part 4: Porn + Targetting Racists This is another ad I made for the camera offer. It's a perfect example of an engagement baiting and angles for ecom. I basically put a brand new angle on the same old offer: Spying on your wife Here's what makes this work: I also sneaked in a couple very short, non-explicit porn clips to bait engagement. People find it funny/offensive and comment, driving down CPMs. I also hit a very core primal fear... There's nothing scarier to a white man than a big black dude fucking his woman. This is because on a subconscious level there's a societal belief that black dudes are physically superior to us. That's why you see so many dudes get worked up over interracial couples, and why cucks like to watch their wives with black bulls. Now I don't want to name this explicitly so I say: "a big fella, from one of them bad neighborhoods" Of course this also creates engagement. Next I use a military spokes person: This creates empathy in the viewer of the ad and builds affinity with the conservatives buying this. "Military" framing around the camera also creates affinity. Finally, there is a very subtle promise at the end: "Saved my ass in divorce court" All men know divorce court is the biggest scam of the 21st century. There's a pride around securing yourself and winning.

Jordan D

10,792 Aufrufe • vor 8 Monaten

POV: You came to watch the World Cup... and ended up stealing the spotlight. ⚽ A stylish Good Morning from New York ends with a Messi-inspired dribble under the World Cup spotlight. Which nation are you representing at World Cup 2026? Create your own World Cup story with SeaArt.Ai🐋 , earn free credits, and get a chance to win an iPhone 17 Made with Seedance. SeaArt Creator Lab Prompt: World Cup 2026 Match-Day Fashion Story — Argentina Theme (0–25 Seconds) | New York | 16:9 Cinematic Ultra-realistic cinematic sports-fashion commercial, 16:9 horizontal, World Cup 2026 atmosphere, New York City. A beautiful, stylish American woman with a naturally elegant appearance, healthy glowing skin, expressive eyes, sleek updo hairstyle with soft face-framing strands. Premium commercial quality, realistic lighting, stable identity, natural movement, no glitches. 0–4 Seconds Luxury suite in a high-rise Manhattan hotel overlooking the New York skyline. Afternoon sunlight streams through floor-to-ceiling windows. The woman stands in front of an open wardrobe containing several football jerseys. She wears a fitted white tank top and black tailored shorts. Camera slowly pushes in as she scans the jerseys with anticipation. 4–7 Seconds Quick cinematic whip-pan transition. Her hand reaches for an Argentina jersey. The sky-blue and white stripes catch the sunlight. Realistic cloth physics. The jersey unfolds elegantly as she lifts it from the wardrobe. Subtle lens flare and premium fashion-commercial lighting. 7–11 Seconds Fast-paced transformation montage synchronized with energetic transitions. She ties the Argentina jersey into a stylish knot, puts on oversized light-wash baggy jeans and clean white sneakers. She grabs a sleek luxury-style crossbody bag with no visible branding. Mirror shots. She adjusts her hair. Flawless influencer-style makeup. Dynamic reflections and realistic daylight behavior. 11–15 Seconds Match cut. She walks confidently through a luxury Manhattan hotel corridor. Polished marble floors, warm ambient lighting, premium fashion-week atmosphere. A handsome European actor-type celebrity figure walks past in the opposite direction. They exchange a brief smile while continuing naturally. Cinematic depth of field, realistic background movement. 15–19 Seconds Hotel doors open dramatically. Bright New York sunlight floods the frame. Fast-paced tracking shots through Manhattan streets. Yellow taxis pass in the background. Crowds move naturally. Wind reacts realistically with her hair and jersey fabric. Low-angle walking shots. Premium sports-commercial energy. 19–22 Seconds Cut to a massive World Cup 2026 stadium atmosphere in New York. Argentina supporters fill the area. Sky-blue and white flags wave everywhere. Stadium lights begin illuminating as late afternoon shifts toward evening. The crowd energy grows stronger. The sound of anticipation fills the environment. 22–25 Seconds She enters the main stadium plaza. A football rolls across her path. She smiles playfully and begins a smooth, Messi-inspired close-control dribble sequence while moving forward. Tiny touches, effortless control, subtle body feints, the ball remaining close to her feet. Argentina fans around her cheer and react. Camera drops to a low tracking angle following the ball and her feet as she glides through the crowd. The sequence ends with her stopping the ball softly beneath her foot, looking toward the glowing stadium interior with excitement and confidence as Argentina colors illuminate the background. Style: ultra-realistic sports commercial, World Cup 2026 energy, premium color grading, realistic skin texture, cinematic depth of field, natural crowd behavior, subtle film grain, luxury fashion aesthetic, stable identity, high-end broadcast quality. Negative Prompt: blurry face, identity drift, duplicate people, extra limbs, distorted hands, unrealistic football movement, cartoon style, oversaturated colors, text overlays, logos, flickering artifacts, low resolution, unnatural physics, motion glitches, warped body proportions. #WorldCup2026 #SeaArtWorldCup

POV: You came to watch the World Cup... and ended up stealing the spotlight. ⚽ A stylish Good Morning from New York ends with a Messi-inspired dribble under the World Cup spotlight. Which nation are you representing at World Cup 2026? Create your own World Cup story with SeaArt.Ai🐋 , earn free credits, and get a chance to win an iPhone 17 Made with Seedance. SeaArt Creator Lab Prompt: World Cup 2026 Match-Day Fashion Story — Argentina Theme (0–25 Seconds) | New York | 16:9 Cinematic Ultra-realistic cinematic sports-fashion commercial, 16:9 horizontal, World Cup 2026 atmosphere, New York City. A beautiful, stylish American woman with a naturally elegant appearance, healthy glowing skin, expressive eyes, sleek updo hairstyle with soft face-framing strands. Premium commercial quality, realistic lighting, stable identity, natural movement, no glitches. 0–4 Seconds Luxury suite in a high-rise Manhattan hotel overlooking the New York skyline. Afternoon sunlight streams through floor-to-ceiling windows. The woman stands in front of an open wardrobe containing several football jerseys. She wears a fitted white tank top and black tailored shorts. Camera slowly pushes in as she scans the jerseys with anticipation. 4–7 Seconds Quick cinematic whip-pan transition. Her hand reaches for an Argentina jersey. The sky-blue and white stripes catch the sunlight. Realistic cloth physics. The jersey unfolds elegantly as she lifts it from the wardrobe. Subtle lens flare and premium fashion-commercial lighting. 7–11 Seconds Fast-paced transformation montage synchronized with energetic transitions. She ties the Argentina jersey into a stylish knot, puts on oversized light-wash baggy jeans and clean white sneakers. She grabs a sleek luxury-style crossbody bag with no visible branding. Mirror shots. She adjusts her hair. Flawless influencer-style makeup. Dynamic reflections and realistic daylight behavior. 11–15 Seconds Match cut. She walks confidently through a luxury Manhattan hotel corridor. Polished marble floors, warm ambient lighting, premium fashion-week atmosphere. A handsome European actor-type celebrity figure walks past in the opposite direction. They exchange a brief smile while continuing naturally. Cinematic depth of field, realistic background movement. 15–19 Seconds Hotel doors open dramatically. Bright New York sunlight floods the frame. Fast-paced tracking shots through Manhattan streets. Yellow taxis pass in the background. Crowds move naturally. Wind reacts realistically with her hair and jersey fabric. Low-angle walking shots. Premium sports-commercial energy. 19–22 Seconds Cut to a massive World Cup 2026 stadium atmosphere in New York. Argentina supporters fill the area. Sky-blue and white flags wave everywhere. Stadium lights begin illuminating as late afternoon shifts toward evening. The crowd energy grows stronger. The sound of anticipation fills the environment. 22–25 Seconds She enters the main stadium plaza. A football rolls across her path. She smiles playfully and begins a smooth, Messi-inspired close-control dribble sequence while moving forward. Tiny touches, effortless control, subtle body feints, the ball remaining close to her feet. Argentina fans around her cheer and react. Camera drops to a low tracking angle following the ball and her feet as she glides through the crowd. The sequence ends with her stopping the ball softly beneath her foot, looking toward the glowing stadium interior with excitement and confidence as Argentina colors illuminate the background. Style: ultra-realistic sports commercial, World Cup 2026 energy, premium color grading, realistic skin texture, cinematic depth of field, natural crowd behavior, subtle film grain, luxury fashion aesthetic, stable identity, high-end broadcast quality. Negative Prompt: blurry face, identity drift, duplicate people, extra limbs, distorted hands, unrealistic football movement, cartoon style, oversaturated colors, text overlays, logos, flickering artifacts, low resolution, unnatural physics, motion glitches, warped body proportions. #WorldCup2026 #SeaArtWorldCup

Shami

39,301 Aufrufe • vor 3 Monaten

From beating heatwaves to sudden storms and dry fields, a giant helping hand can turn any struggle into pure joy! Prompt : A hyper-realistic tilt-shift macro photography video sequence of a miniature diorama world. Cinematic macro lens, stop-motion aesthetic, 8k resolution, vertical 9:16 aspect ratio. Scene 1: An elderly miniature couple sitting on a woven cot inside a rustic, muddy-walled clay hut, sweating and looking hot; a giant human hand with pink-painted nails holds an AC remote and an air conditioner, turns it on to blow cool air, instantly refreshing the couple as they smile happily under a white sheet. Scene 2: A miniature forest road blocked by a massive fallen tree trunk after a storm, with an ambulance, injured doll on a stretcher, a firefighter, and police cars; a giant human hand reaches down and lifts the heavy tree trunk away to clear the road. Scene 3: Tiny villagers and children standing around a dry, cracked, and withered crop field in a rural village; a giant human hand pours water from a large glass, instantly reviving the dead crops into lush green plants as the villagers cheer and hug with joy. Scene 4: A lonely miniature farmer in overalls kneeling desperately on dry, cracked earth holding a small wooden bucket next to dead withered plants; a giant human hand uses a green water hose to flood the ground with fresh water, transforming the barren field into tall green crops while the farmer jumps up and cheers with excitement. Cinematic depth of field, detailed textures, smooth motion --ar 9:16

From beating heatwaves to sudden storms and dry fields, a giant helping hand can turn any struggle into pure joy! Prompt : A hyper-realistic tilt-shift macro photography video sequence of a miniature diorama world. Cinematic macro lens, stop-motion aesthetic, 8k resolution, vertical 9:16 aspect ratio. Scene 1: An elderly miniature couple sitting on a woven cot inside a rustic, muddy-walled clay hut, sweating and looking hot; a giant human hand with pink-painted nails holds an AC remote and an air conditioner, turns it on to blow cool air, instantly refreshing the couple as they smile happily under a white sheet. Scene 2: A miniature forest road blocked by a massive fallen tree trunk after a storm, with an ambulance, injured doll on a stretcher, a firefighter, and police cars; a giant human hand reaches down and lifts the heavy tree trunk away to clear the road. Scene 3: Tiny villagers and children standing around a dry, cracked, and withered crop field in a rural village; a giant human hand pours water from a large glass, instantly reviving the dead crops into lush green plants as the villagers cheer and hug with joy. Scene 4: A lonely miniature farmer in overalls kneeling desperately on dry, cracked earth holding a small wooden bucket next to dead withered plants; a giant human hand uses a green water hose to flood the ground with fresh water, transforming the barren field into tall green crops while the farmer jumps up and cheers with excitement. Cinematic depth of field, detailed textures, smooth motion --ar 9:16

Elara AI

379,156 Aufrufe • vor 1 Tag

EPISODE 1- FINAL REPLAY Was their love story built on a lie? The championship was over, but the biggest betrayal was just beginning. Made with Nano Banana 2 + Seedance 2.0 on RoboNeo prompt Style: Ultra-cinematic drama, premium streaming-series aesthetics, photorealistic visuals, anamorphic framing, shallow depth of field, luxurious golden ballroom lighting with dramatic shadows, subtle facial acting, slow deliberate camera moves, emotional orchestral score swelling with tension. GRAND GALA BALLROOM – NIGHT 0–5s | Recall & Re-hook Freeze frame from Episode Zero lingers on the brunette’s @[Image 2](image_2) knowing smile as she lowers her wine glass. The giant replay screen behind her flashes blinding white. Hard cut to black. A single heartbeat sound. The replay screen bursts to life — but instead of football highlights, it shows intimate, hidden footage: the football champion @[Image 4](image_4) and the elegant dark-haired brunette @[Image 2](image_2) in a passionate embrace in a private locker room, his winner’s medal still around his neck. The crowd in the ballroom gasps audibly. 5–12s | Consequence Cut to the blonde woman @[Image 3](image_3) at the elegant table. Her face drains of color as she stares at the massive screen. Tears well up again. She picks up her engagement ring from the table in her bare hand and clutches it so tightly it digs into her right hand. The football champion @[Image 4](image_4)(still in black suit, medal now missing from his neck) stands frozen a few feet away, horror dawning on his face. He (medal now missing from his neck) turns toward the screen, then desperately toward the blonde. Blonde woman (whispering, broken): “You said it was only the match that changed everything…” The blonde @[Image 2](image_2) walks away abruptly, knocking over a champagne flute. It shatters loudly on the marble floor — the sound cutting through the now-hushed ballroom. She looks between the champion @[Image 3](image_3) and the brunette @[Image 1](image_1), betrayal turning to cold fury. Blonde woman @[Image 2](image_2)(voice cracking but gaining strength): “Then why does the final replay show you celebrating with her… while I waited for you?” The replay screen loops the damning embrace in slow motion. Guests murmur and film with their phones. 27–30s | Next Cliffhanger The brunette @[Image 1](image_1) smiles wider, turns, and begins walking away through the crowd as the replay screen suddenly cuts to new unseen footage — a close-up of the brunette @[Image 1](image_1) slipping something into the champion’s drink earlier that night, followed by a quick flash of a mysterious document with official-looking seals. The champion’s face twists in shock and realization. The blonde’s eyes widen in horror as she sees it too. Freeze frame on the three of them — triangle of tension. Text on screen fades in: EPISODE TWO Fade to black. Distant crowd applause mixes with a rising, ominous orchestral sting.

EPISODE 1- FINAL REPLAY Was their love story built on a lie? The championship was over, but the biggest betrayal was just beginning. Made with Nano Banana 2 + Seedance 2.0 on RoboNeo prompt Style: Ultra-cinematic drama, premium streaming-series aesthetics, photorealistic visuals, anamorphic framing, shallow depth of field, luxurious golden ballroom lighting with dramatic shadows, subtle facial acting, slow deliberate camera moves, emotional orchestral score swelling with tension. GRAND GALA BALLROOM – NIGHT 0–5s | Recall & Re-hook Freeze frame from Episode Zero lingers on the brunette’s @[Image 2](image_2) knowing smile as she lowers her wine glass. The giant replay screen behind her flashes blinding white. Hard cut to black. A single heartbeat sound. The replay screen bursts to life — but instead of football highlights, it shows intimate, hidden footage: the football champion @[Image 4](image_4) and the elegant dark-haired brunette @[Image 2](image_2) in a passionate embrace in a private locker room, his winner’s medal still around his neck. The crowd in the ballroom gasps audibly. 5–12s | Consequence Cut to the blonde woman @[Image 3](image_3) at the elegant table. Her face drains of color as she stares at the massive screen. Tears well up again. She picks up her engagement ring from the table in her bare hand and clutches it so tightly it digs into her right hand. The football champion @[Image 4](image_4)(still in black suit, medal now missing from his neck) stands frozen a few feet away, horror dawning on his face. He (medal now missing from his neck) turns toward the screen, then desperately toward the blonde. Blonde woman (whispering, broken): “You said it was only the match that changed everything…” The blonde @[Image 2](image_2) walks away abruptly, knocking over a champagne flute. It shatters loudly on the marble floor — the sound cutting through the now-hushed ballroom. She looks between the champion @[Image 3](image_3) and the brunette @[Image 1](image_1), betrayal turning to cold fury. Blonde woman @[Image 2](image_2)(voice cracking but gaining strength): “Then why does the final replay show you celebrating with her… while I waited for you?” The replay screen loops the damning embrace in slow motion. Guests murmur and film with their phones. 27–30s | Next Cliffhanger The brunette @[Image 1](image_1) smiles wider, turns, and begins walking away through the crowd as the replay screen suddenly cuts to new unseen footage — a close-up of the brunette @[Image 1](image_1) slipping something into the champion’s drink earlier that night, followed by a quick flash of a mysterious document with official-looking seals. The champion’s face twists in shock and realization. The blonde’s eyes widen in horror as she sees it too. Freeze frame on the three of them — triangle of tension. Text on screen fades in: EPISODE TWO Fade to black. Distant crowd applause mixes with a rising, ominous orchestral sting.

Sharon Riley

68,710 Aufrufe • vor 2 Monaten

BREAKING: Former Vice President Dick Cheney Implicated In The American UFO Reverse Engineering Program UAP researcher UAPGerb (Gerb) lays out the most detailed reconstruction yet of how the U.S. government has organized UFO crash retrieval, storage, and technology exploitation since the 1940s. This is not one program. It is a layered, compartmentalized system that grew out of the Manhattan Project, the Atomic Energy Commission, and Cold War intelligence structures. 1) The Pyramid Gerb explains the UFO legacy program as a pyramid. Top layer: A small group of ultimate decision-makers. He names Dick Cheney as someone who likely sat at the top of parts of this system for years, based on testimony passed through whistleblower David Grusch. Administrative layer: Six core intelligence agencies: NSA, CIA, DIA, NRO, NGA, and the still-undisclosed National Underwater Reconnaissance Office (NURO). These directorates oversee UFO programs, not the White House or Congress. The critical middle layer, FFRDCs: Federally Funded Research and Development Centers like MITRE, Battelle, Sandia, Lawrence Livermore, Oak Ridge. These are government-owned but contractor-operated labs that act as the real technical stewards of exotic materials and systems. Bottom layer, defense contractors: Lockheed Martin, Northrop Grumman, Raytheon, Teledyne Ryan, TRW, the companies that actually build and test hardware under classified direction. 2) How It’s Funded Gerb says these programs don’t rely on formal congressional budgets. They use IRAD (Independent Research & Development), carryover funds (unreported leftover money), and systematic overbilling of parts and services. He points to the 1994–1995 NRO audit, when the U.S. spy satellite agency was caught misplacing $3.2 billion through these exact mechanisms. 3) Where Testing Happens He identifies major range and test bases as the physical backbone of the system, including: Nevada Test and Training Range (Area 51, Tonopah, S-4), Dugway Proving Ground, Edwards AFB (412th Test Wing), China Lake, Patuxent River. These locations allow experimental craft and recovered technology to be flown, tested, and hidden inside normal military activity. 4) What’s Being Worked On He describes derivative technology, not just full “alien reproduction vehicles,” but the extraction of usable systems from non-human craft, including: electro-optic cloaking (vehicles that visually disappear), signature management, exotic propulsion concepts. Witnesses inside the system claim U.S. airframes have already been fitted with some of these capabilities. 5) The Historical Core He ties modern programs back to: Roswell (1947), the Atomic Energy Commission, AFSWP (Armed Forces Special Weapons Project), Sandia National Labs, and the mysterious Interplanetary Phenomenon Unit (IPU), which Army Counterintelligence confirmed existed but erased from records. 6) Why This Stayed Hidden According to Gerb, the secrecy doesn’t rely on silence alone. It is protected by Special Access Programs (SAPs / USAPs), DOE intelligence, DARPA program-protection units, and disinformation campaigns and internal counterintelligence. The structure is designed so no single branch, not even the President, automatically controls or sees the whole system. This episode does not argue for one centralized UFO “command center.” It documents something more disturbing: a distributed, self-protecting runway intelligence-industrial system that has been recovering, studying, and weaponizing non-human technology for nearly a century, while operating outside normal democratic oversight. That is what Gerb is mapping. Episode out now.

BREAKING: Former Vice President Dick Cheney Implicated In The American UFO Reverse Engineering Program UAP researcher UAPGerb (Gerb) lays out the most detailed reconstruction yet of how the U.S. government has organized UFO crash retrieval, storage, and technology exploitation since the 1940s. This is not one program. It is a layered, compartmentalized system that grew out of the Manhattan Project, the Atomic Energy Commission, and Cold War intelligence structures. 1) The Pyramid Gerb explains the UFO legacy program as a pyramid. Top layer: A small group of ultimate decision-makers. He names Dick Cheney as someone who likely sat at the top of parts of this system for years, based on testimony passed through whistleblower David Grusch. Administrative layer: Six core intelligence agencies: NSA, CIA, DIA, NRO, NGA, and the still-undisclosed National Underwater Reconnaissance Office (NURO). These directorates oversee UFO programs, not the White House or Congress. The critical middle layer, FFRDCs: Federally Funded Research and Development Centers like MITRE, Battelle, Sandia, Lawrence Livermore, Oak Ridge. These are government-owned but contractor-operated labs that act as the real technical stewards of exotic materials and systems. Bottom layer, defense contractors: Lockheed Martin, Northrop Grumman, Raytheon, Teledyne Ryan, TRW, the companies that actually build and test hardware under classified direction. 2) How It’s Funded Gerb says these programs don’t rely on formal congressional budgets. They use IRAD (Independent Research & Development), carryover funds (unreported leftover money), and systematic overbilling of parts and services. He points to the 1994–1995 NRO audit, when the U.S. spy satellite agency was caught misplacing $3.2 billion through these exact mechanisms. 3) Where Testing Happens He identifies major range and test bases as the physical backbone of the system, including: Nevada Test and Training Range (Area 51, Tonopah, S-4), Dugway Proving Ground, Edwards AFB (412th Test Wing), China Lake, Patuxent River. These locations allow experimental craft and recovered technology to be flown, tested, and hidden inside normal military activity. 4) What’s Being Worked On He describes derivative technology, not just full “alien reproduction vehicles,” but the extraction of usable systems from non-human craft, including: electro-optic cloaking (vehicles that visually disappear), signature management, exotic propulsion concepts. Witnesses inside the system claim U.S. airframes have already been fitted with some of these capabilities. 5) The Historical Core He ties modern programs back to: Roswell (1947), the Atomic Energy Commission, AFSWP (Armed Forces Special Weapons Project), Sandia National Labs, and the mysterious Interplanetary Phenomenon Unit (IPU), which Army Counterintelligence confirmed existed but erased from records. 6) Why This Stayed Hidden According to Gerb, the secrecy doesn’t rely on silence alone. It is protected by Special Access Programs (SAPs / USAPs), DOE intelligence, DARPA program-protection units, and disinformation campaigns and internal counterintelligence. The structure is designed so no single branch, not even the President, automatically controls or sees the whole system. This episode does not argue for one centralized UFO “command center.” It documents something more disturbing: a distributed, self-protecting runway intelligence-industrial system that has been recovering, studying, and weaponizing non-human technology for nearly a century, while operating outside normal democratic oversight. That is what Gerb is mapping. Episode out now.

Jesse Michels

85,579 Aufrufe • vor 8 Monaten

Seedance 2.5 on TapNow Prompt Create a 30-second, 16:9 ultra-realistic handheld lifestyle vlog following the same young Japanese woman in her 20s through an ordinary afternoon in Kyoto. Keep her face, identity, hairstyle, body, outfit, accessories, and proportions perfectly consistent in every shot. She wears a tight pastel green halter top, straight-leg light denim jeans, yellow canvas sneakers, a small tan tote bag, and thin gold hoop earrings throughout. New scenario: A quiet afternoon in Kyoto 0–5s — Leaving home She steps out of a small traditional Kyoto townhouse into a quiet residential lane. She checks the sky, adjusts the strap of her tote bag, and notices the camera. She gives a small smile and says naturally: 「今日は、ゆっくりしよう。」 She starts walking, and the camera follows a little late. 5–11s — Small flower shop She stops at a tiny neighborhood flower shop, looks at a bucket of fresh flowers, and gently touches a small yellow flower. She smiles and says: 「この色、好きだな。」 She buys one small flower, places it carefully in her tote bag, and walks outside. The camera briefly loses focus on her hands before finding her face again. 11–17s — Quiet café She enters a small local café, orders an iced tea, and sits near the window. She looks outside at the passing bicycles and old wooden buildings, then turns toward the camera and says softly: 「こういう時間、落ち着くね。」 She takes a sip, notices the camera still filming, and gives a slightly amused smile. 17–23s — Narrow walking street She leaves the café and walks through a narrow street lined with small shops. A delivery bicycle passes unexpectedly, and she steps aside with a little laugh. She looks back at the camera and says: 「あ、びっくりした。」 She continues walking, holding her tote bag naturally at her side. 23–27s — Canal-side pause She reaches a quiet canal-side path in the late afternoon. She sits on a low stone ledge, places her drink beside her, and takes the small flower out of her tote bag. She looks at it for a moment, then watches the water. The wind moves her hair naturally, and she gives a small, genuine smile. 27–30s — Walking home She stands, puts the flower back into her tote bag, and starts walking away. After a few steps, she looks back at the camera and says: 「また、ゆっくり歩こうね。」 She continues walking as the camera follows behind. Recording naturally ends around 29.5 seconds. Filming style Genuine footage filmed casually by a close friend on a smartphone or compact camera. Handheld shake, imperfect framing, autofocus hunting, exposure pumping, natural motion blur, mild digital noise, occasional late camera reactions. No gimbal, drone, cinematic choreography, slow motion, beauty filter, or commercial look. Camcorder aesthetic Authentic early-2000s MiniDV / consumer camcorder footage, as if someone found an old family tape from around 2002–2005. 4:3 home-video framing Slight handheld shake Imperfect framing Autofocus hunting Occasional exposure pumping Mild blown highlights Soft digital sharpness Interlaced-looking motion characteristics Subtle motion blur Low dynamic range Faded, slightly warm colors Realistic digital noise Tiny compression artifacts Occasional accidental micro-zoom Imperfect white balance Slight lens flare when sunlight hits the lens Natural camera operator mistakes Do not make the footage excessively degraded. It should still be clear enough to see her face and environment. Realism The most important goal is believability. Accurate human biomechanics, grounded feet, continuous objects, realistic walking, sitting, drinking, and handling of the flower. Consistent architecture and wardrobe. Hands must remain anatomically correct with five fingers. Clothes must move naturally with her body and wind.

Seedance 2.5 on TapNow Prompt Create a 30-second, 16:9 ultra-realistic handheld lifestyle vlog following the same young Japanese woman in her 20s through an ordinary afternoon in Kyoto. Keep her face, identity, hairstyle, body, outfit, accessories, and proportions perfectly consistent in every shot. She wears a tight pastel green halter top, straight-leg light denim jeans, yellow canvas sneakers, a small tan tote bag, and thin gold hoop earrings throughout. New scenario: A quiet afternoon in Kyoto 0–5s — Leaving home She steps out of a small traditional Kyoto townhouse into a quiet residential lane. She checks the sky, adjusts the strap of her tote bag, and notices the camera. She gives a small smile and says naturally: 「今日は、ゆっくりしよう。」 She starts walking, and the camera follows a little late. 5–11s — Small flower shop She stops at a tiny neighborhood flower shop, looks at a bucket of fresh flowers, and gently touches a small yellow flower. She smiles and says: 「この色、好きだな。」 She buys one small flower, places it carefully in her tote bag, and walks outside. The camera briefly loses focus on her hands before finding her face again. 11–17s — Quiet café She enters a small local café, orders an iced tea, and sits near the window. She looks outside at the passing bicycles and old wooden buildings, then turns toward the camera and says softly: 「こういう時間、落ち着くね。」 She takes a sip, notices the camera still filming, and gives a slightly amused smile. 17–23s — Narrow walking street She leaves the café and walks through a narrow street lined with small shops. A delivery bicycle passes unexpectedly, and she steps aside with a little laugh. She looks back at the camera and says: 「あ、びっくりした。」 She continues walking, holding her tote bag naturally at her side. 23–27s — Canal-side pause She reaches a quiet canal-side path in the late afternoon. She sits on a low stone ledge, places her drink beside her, and takes the small flower out of her tote bag. She looks at it for a moment, then watches the water. The wind moves her hair naturally, and she gives a small, genuine smile. 27–30s — Walking home She stands, puts the flower back into her tote bag, and starts walking away. After a few steps, she looks back at the camera and says: 「また、ゆっくり歩こうね。」 She continues walking as the camera follows behind. Recording naturally ends around 29.5 seconds. Filming style Genuine footage filmed casually by a close friend on a smartphone or compact camera. Handheld shake, imperfect framing, autofocus hunting, exposure pumping, natural motion blur, mild digital noise, occasional late camera reactions. No gimbal, drone, cinematic choreography, slow motion, beauty filter, or commercial look. Camcorder aesthetic Authentic early-2000s MiniDV / consumer camcorder footage, as if someone found an old family tape from around 2002–2005. 4:3 home-video framing Slight handheld shake Imperfect framing Autofocus hunting Occasional exposure pumping Mild blown highlights Soft digital sharpness Interlaced-looking motion characteristics Subtle motion blur Low dynamic range Faded, slightly warm colors Realistic digital noise Tiny compression artifacts Occasional accidental micro-zoom Imperfect white balance Slight lens flare when sunlight hits the lens Natural camera operator mistakes Do not make the footage excessively degraded. It should still be clear enough to see her face and environment. Realism The most important goal is believability. Accurate human biomechanics, grounded feet, continuous objects, realistic walking, sitting, drinking, and handling of the flower. Consistent architecture and wardrobe. Hands must remain anatomically correct with five fingers. Clothes must move naturally with her body and wind.

Aaliya

12,425 Aufrufe • vor 20 Tagen