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SNL’s “Young Rell’s Crew” has a simple premise with a surprisingly sharp target: a rapper who can afford success on paper but is bleeding money to maintain the image around it. Jalen Brunson plays Young Rell, whose accountant has to explain that his enormous entourage costs more than he... show more

𝓥𝓲𝓫𝓮𝓼𝓞𝓷𝓣𝓪𝓹

20,989 subscribers

77,698 Aufrufe • vor 26 Tagen •via X (Twitter)

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11 Kommentare

Profilbild von wtf

wtfvor 25 Tagen

Why Brunson look like tall Kyler Murray?

Profilbild von ebanski.sol

ebanski.solvor 25 Tagen

A cautionary tale

Profilbild von Shakell Gant

Shakell Gantvor 24 Tagen

And we need the yo chill guy like the extra extra read all about it chill, then we need the pause guy to make sure no one have misplaced anger and can focus

Profilbild von 𝓥𝓲𝓫𝓮𝓼𝓞𝓷𝓣𝓪𝓹

𝓥𝓲𝓫𝓮𝓼𝓞𝓷𝓣𝓪𝓹vor 26 Tagen

The sketch turns the entourage into a business built around protecting the appearance of importance. Young Rell has people assigned to increasingly ridiculous tasks, including separate jobs involving hats. Every new role makes the operation look less like a team supporting the music and more like a machine supporting the rapper's ego. That's the central joke: the bigger his image becomes, the harder it is to justify what the business actually does.

Profilbild von Emmanuel Smith

Emmanuel Smithvor 25 Tagen

Tuff

Profilbild von Andrew Williams

Andrew Williamsvor 25 Tagen

🤣🤣🤣🤣🤣🤣🤣

Profilbild von @CEOKEEM247💸

@CEOKEEM247💸vor 25 Tagen

😂😂😂

Profilbild von Ace inna cleaners

Ace inna cleanersvor 25 Tagen

The ending was funny ngl😂

Profilbild von osman

osmanvor 25 Tagen

😭😭😭

Profilbild von Joe Ma

Joe Mavor 25 Tagen

😂😂😂

Profilbild von Andrew Williams

Andrew Williamsvor 25 Tagen

🤣🤣🤣🤣🤣🤣🤣🤣🤣

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Niko

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I am simply taking Bilbo’s own image of “butter and bread” and using it to look more deeply into the feeling he is describing. Too Much Bread and Too Little Butter If I had to imagine that feeling through another image, I would think of a balloon. When it is in its natural state, it has a certain shape. As the pressure increases, it begins to stretch. It has not burst. But it is no longer in its original state. And I think Bilbo is much the same. He has possessed the Ring for sixty years. Yet what is remarkable is that, after all that time, Bilbo is still Bilbo. He still loves the Shire, loves Bag End, cares about Frodo, writes books, smokes, and talks with Gandalf. The Ring has affected him, but it has not completely taken over who he is. That is why I do not think Bilbo’s endurance should simply be understood as: “He was so strong that the Ring could not affect him.” Quite the opposite. The words “I feel thin, sort of stretched...” show that he has already begun to feel that pressure from within. And this is where the image of “butter and bread” becomes especially interesting. The piece of bread does not necessarily have to be understood as the Ring itself. In the way I see it, it is something broader. It is the entire scope of what Bilbo is carrying: the passing years, his unusual existence, the pressure of the Ring, and everything that comes with it. The butter, meanwhile, is Bilbo himself. A finite being with finite capacity. A little butter is enough for a reasonably sized piece of bread. But when it has to be spread across a piece of bread that is too large, it has to become thinner. And that is what I feel in Bilbo. It is not that he suddenly becomes weak. It is that the same being is having to stretch itself to accommodate a burden that has grown beyond the boundaries of an ordinary life. “Stretched” Does Not Mean Destroyed This is the part I find most important. Bilbo is still alive. He is still himself. He still has things he loves and still has the ability to experience the world around him. But something has appeared within him that perhaps was not there before: He feels that he is being stretched too thin. So, being “stretched” does not mean that Bilbo has been destroyed. It shows that he is still enduring, but that his endurance has begun to leave a mark. Being able to endure does not mean being unaffected. A person can endure something for a very long time and still become tired. Someone can continue living almost normally while inwardly feeling that they are being stretched too thin. Bilbo is in precisely that state. And perhaps that is why his next words feel so natural: “I need a holiday, a very long holiday...” I like the way Bilbo says this. He does not try to prove that he can endure more. He simply realizes that he needs to leave. To me, this is a remarkable form of awareness. Bilbo does not wait until he has completely lost himself before recognizing the problem. He realizes that he is being stretched. And from that realization, he wants to step away from the circumstances creating that pressure. Recognizing Your Limit Is Also a Form of Strength If we continue with the image of the balloon, Bilbo has enough elasticity to withstand that pressure for decades. But that elasticity is not infinite. The more it is stretched, the farther it moves from its original state. And what catches my attention most is that Bilbo is still aware enough to recognize this. From this perspective, I see Bilbo’s decision to leave in a different way. He does not leave because he has failed. He leaves because he has recognized his limit. To me, this is much more meaningful than simply saying that Bilbo is “strong” because he was able to possess the Ring for so long. A being can be remarkably resilient and still have limits. And being able to recognize those limits is not weakness. It is awareness. Bilbo does not say: “I can endure more.” He says, in a very different way: “I need a holiday.” Perhaps that simplicity is exactly what makes the line so thought-provoking. He does not need to prove how strong he is. He only needs to be honest about what he is feeling. Why Is the Image of the “Butter” So Sad? That is also why I find Bilbo’s image of the butter so sad. Bilbo is still there. He has not disappeared. He has not been destroyed. But he feels as though he has been spread too thin. The image does not describe a moment of collapse. It describes a process. The burden creates pressure. The pressure forces Bilbo to adapt. That prolonged adaptation makes him feel increasingly stretched. And eventually, he realizes that he cannot continue that way forever. That is what makes the words “I feel thin” so important. “Thin” is not a declaration of weakness. It is a sign that a being has been pulled away from its natural state for too long. And recognizing that opens a choice for Bilbo: To leave. It makes me see Bilbo differently: “Bilbo is not a being that cannot be stretched; he is a being that has endured pressure for a very long time, yet remained aware enough to recognize that his capacity to stretch is not infinite.” And perhaps that is what I like most about this line. Strength is not always about enduring more. Sometimes, strength is knowing that you have endured enough.

Bilbo Baggins: When a Life Is Stretched to Its Limit There is a line spoken by Bilbo Baggins in The Lord of the Rings that has stayed with me: “I’m old, Gandalf. I know I don’t look it, but I’m beginning to feel it in my heart. I feel thin, sort of stretched, like butter that has been scraped over too much bread.” At first, this might sound like nothing more than the complaint of someone who has lived too long. But what caught my attention was not that Bilbo says he is old. It is the way he describes that feeling: “I feel thin.” He does not say that he is in pain. He says that he is being stretched. And from there, I began to see this line as an image of a being carrying a burden greater than the scope of an ordinary life. This is my personal interpretation. Tolkien does not directly present a concept of “capacity” or “the elasticity of a life” in the way I am using those ideas here. I am simply taking Bilbo’s own image of “butter and bread” and using it to look more deeply into the feeling he is describing. Too Much Bread and Too Little Butter If I had to imagine that feeling through another image, I would think of a balloon. When it is in its natural state, it has a certain shape. As the pressure increases, it begins to stretch. It has not burst. But it is no longer in its original state. And I think Bilbo is much the same. He has possessed the Ring for sixty years. Yet what is remarkable is that, after all that time, Bilbo is still Bilbo. He still loves the Shire, loves Bag End, cares about Frodo, writes books, smokes, and talks with Gandalf. The Ring has affected him, but it has not completely taken over who he is. That is why I do not think Bilbo’s endurance should simply be understood as: “He was so strong that the Ring could not affect him.” Quite the opposite. The words “I feel thin, sort of stretched...” show that he has already begun to feel that pressure from within. And this is where the image of “butter and bread” becomes especially interesting. The piece of bread does not necessarily have to be understood as the Ring itself. In the way I see it, it is something broader. It is the entire scope of what Bilbo is carrying: the passing years, his unusual existence, the pressure of the Ring, and everything that comes with it. The butter, meanwhile, is Bilbo himself. A finite being with finite capacity. A little butter is enough for a reasonably sized piece of bread. But when it has to be spread across a piece of bread that is too large, it has to become thinner. And that is what I feel in Bilbo. It is not that he suddenly becomes weak. It is that the same being is having to stretch itself to accommodate a burden that has grown beyond the boundaries of an ordinary life. “Stretched” Does Not Mean Destroyed This is the part I find most important. Bilbo is still alive. He is still himself. He still has things he loves and still has the ability to experience the world around him. But something has appeared within him that perhaps was not there before: He feels that he is being stretched too thin. So, being “stretched” does not mean that Bilbo has been destroyed. It shows that he is still enduring, but that his endurance has begun to leave a mark. Being able to endure does not mean being unaffected. A person can endure something for a very long time and still become tired. Someone can continue living almost normally while inwardly feeling that they are being stretched too thin. Bilbo is in precisely that state. And perhaps that is why his next words feel so natural: “I need a holiday, a very long holiday...” I like the way Bilbo says this. He does not try to prove that he can endure more. He simply realizes that he needs to leave. To me, this is a remarkable form of awareness. Bilbo does not wait until he has completely lost himself before recognizing the problem. He realizes that he is being stretched. And from that realization, he wants to step away from the circumstances creating that pressure. Recognizing Your Limit Is Also a Form of Strength If we continue with the image of the balloon, Bilbo has enough elasticity to withstand that pressure for decades. But that elasticity is not infinite. The more it is stretched, the farther it moves from its original state. And what catches my attention most is that Bilbo is still aware enough to recognize this. From this perspective, I see Bilbo’s decision to leave in a different way. He does not leave because he has failed. He leaves because he has recognized his limit. To me, this is much more meaningful than simply saying that Bilbo is “strong” because he was able to possess the Ring for so long. A being can be remarkably resilient and still have limits. And being able to recognize those limits is not weakness. It is awareness. Bilbo does not say: “I can endure more.” He says, in a very different way: “I need a holiday.” Perhaps that simplicity is exactly what makes the line so thought-provoking. He does not need to prove how strong he is. He only needs to be honest about what he is feeling. Why Is the Image of the “Butter” So Sad? That is also why I find Bilbo’s image of the butter so sad. Bilbo is still there. He has not disappeared. He has not been destroyed. But he feels as though he has been spread too thin. The image does not describe a moment of collapse. It describes a process. The burden creates pressure. The pressure forces Bilbo to adapt. That prolonged adaptation makes him feel increasingly stretched. And eventually, he realizes that he cannot continue that way forever. That is what makes the words “I feel thin” so important. “Thin” is not a declaration of weakness. It is a sign that a being has been pulled away from its natural state for too long. And recognizing that opens a choice for Bilbo: To leave. It makes me see Bilbo differently: “Bilbo is not a being that cannot be stretched; he is a being that has endured pressure for a very long time, yet remained aware enough to recognize that his capacity to stretch is not infinite.” And perhaps that is what I like most about this line. Strength is not always about enduring more. Sometimes, strength is knowing that you have endured enough.

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🌟Ajayi is genuinely a world-class level talent, and you could even argue he has the potential to become even better than that. He’s got the 'unplayable' factor that reminds me of a young Thierry Henry with that height and directness. It's a shame he came off injured but the fact he walked off rather than being carried is a good sign. 🎥 {@oliselcomp2}

🌟Ajayi is genuinely a world-class level talent, and you could even argue he has the potential to become even better than that. He’s got the 'unplayable' factor that reminds me of a young Thierry Henry with that height and directness. It's a shame he came off injured but the fact he walked off rather than being carried is a good sign. 🎥 {@oliselcomp2}

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The number of young Canadians forced to live with their parents is out of control. More than a decade of Liberals has made it massively worse. Let’s cut red tape and building taxes across Canada, so our young people can afford to live in a home of their own:

The number of young Canadians forced to live with their parents is out of control. More than a decade of Liberals has made it massively worse. Let’s cut red tape and building taxes across Canada, so our young people can afford to live in a home of their own:

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This conversation is uncomfortable because Tony isn’t really talking about homosexuality as much as he is revealing the rules of the world he comes from. He can be surprisingly accepting when it’s someone outside his immediate circle. But when masculinity, reputation, and his crew’s image get involved, that tolerance becomes much harder to maintain. That contradiction is what makes the scene worth watching. Tony wants to see himself as a reasonable person, but his environment has taught him that showing vulnerability or stepping outside certain expectations can make you a target. The Sopranos never needed Tony to give a perfect speech about prejudice. Sometimes the contradiction in what he says tells you more about him than any speech could.

This conversation is uncomfortable because Tony isn’t really talking about homosexuality as much as he is revealing the rules of the world he comes from. He can be surprisingly accepting when it’s someone outside his immediate circle. But when masculinity, reputation, and his crew’s image get involved, that tolerance becomes much harder to maintain. That contradiction is what makes the scene worth watching. Tony wants to see himself as a reasonable person, but his environment has taught him that showing vulnerability or stepping outside certain expectations can make you a target. The Sopranos never needed Tony to give a perfect speech about prejudice. Sometimes the contradiction in what he says tells you more about him than any speech could.

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It's so much more than a game to Coach Tang. On the 'Cats year 1 success: "It's a testament to God's faithfulness... I'm simply an instrument. Basketball is just the platform that God has given me in order to help mentor young men." Jerome Tang #KStateMBB

It's so much more than a game to Coach Tang. On the 'Cats year 1 success: "It's a testament to God's faithfulness... I'm simply an instrument. Basketball is just the platform that God has given me in order to help mentor young men." Jerome Tang #KStateMBB

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.Kevin Garnett talks about Yaxel: "Given the kid from Michigan, I love him. I think he's going to be the 1st part of the rebuilding of having young pieces in there. That kid actually, you can give him the ball and he can get some money bro. He got that star game . . . He's strong. I don't know if everybody understand, I think he a little older than everybody too. He's a little more mature. He bounced around a little bit, but he has a mature game. I think what they wanted with Wiseman and Kuminga, they're getting with this kid because this kid has a throttle, but he's low throttle. He doesn't seem like he has an ego . . ."

.Kevin Garnett talks about Yaxel: "Given the kid from Michigan, I love him. I think he's going to be the 1st part of the rebuilding of having young pieces in there. That kid actually, you can give him the ball and he can get some money bro. He got that star game . . . He's strong. I don't know if everybody understand, I think he a little older than everybody too. He's a little more mature. He bounced around a little bit, but he has a mature game. I think what they wanted with Wiseman and Kuminga, they're getting with this kid because this kid has a throttle, but he's low throttle. He doesn't seem like he has an ego . . ."

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