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So apparently Apple has begun production of a variable aperture camera for the iPhone 18 Pro Max. This would let the lens physically change its aperture depending on lighting, opening up in low light and narrowing in bright scenes. The result should be better exposure control and more natural... show more

Shishir

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183,860 次观看 • 4 个月前 •via X (Twitter)

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The first smartphone I plan to buy in 2026 is the Honor Magic 8 Pro Air. There’s only one reason: despite being absurdly thin and light, it delivers truly uncompromised flagship-level hardware. The Honor Magic 8 Pro Air measures just 6.1 mm in thickness and weighs only 155 g, yet it packs a 5,500 mAh battery. This combination alone is extremely rare. It doesn’t sacrifice experience for thinness. Instead, it force-fits everything a flagship should have into an Air-class body. The camera system is where this phone becomes genuinely outrageous. The main camera features a 50 MP sensor with a 1/1.3-inch large sensor, an f/1.6 aperture, and a 23 mm equivalent focal length, along with OIS optical image stabilization. Through pixel binning, it delivers a 2.4 μm effective pixel size, which is squarely in Pro-grade territory. The ultra-wide camera is also 50 MP, with an f/2.2 aperture, a 16 mm equivalent focal length, and a 112° field of view. It even supports 2.5 cm high-resolution macro photography, making it far from a throwaway lens. For telephoto, the Magic 8 Pro Air uses a 64 MP periscope camera with 3.2× optical zoom, an f/2.6 aperture, and a 74 mm equivalent focal length, once again with OIS. It supports up to 100× digital zoom. In addition, the camera system includes a color temperature sensor and a flicker sensor, completing a full flagship-level imaging setup. The front-facing camera is a 50 MP sensor with an f/2.0 aperture, clearly not an afterthought.

The first smartphone I plan to buy in 2026 is the Honor Magic 8 Pro Air. There’s only one reason: despite being absurdly thin and light, it delivers truly uncompromised flagship-level hardware. The Honor Magic 8 Pro Air measures just 6.1 mm in thickness and weighs only 155 g, yet it packs a 5,500 mAh battery. This combination alone is extremely rare. It doesn’t sacrifice experience for thinness. Instead, it force-fits everything a flagship should have into an Air-class body. The camera system is where this phone becomes genuinely outrageous. The main camera features a 50 MP sensor with a 1/1.3-inch large sensor, an f/1.6 aperture, and a 23 mm equivalent focal length, along with OIS optical image stabilization. Through pixel binning, it delivers a 2.4 μm effective pixel size, which is squarely in Pro-grade territory. The ultra-wide camera is also 50 MP, with an f/2.2 aperture, a 16 mm equivalent focal length, and a 112° field of view. It even supports 2.5 cm high-resolution macro photography, making it far from a throwaway lens. For telephoto, the Magic 8 Pro Air uses a 64 MP periscope camera with 3.2× optical zoom, an f/2.6 aperture, and a 74 mm equivalent focal length, once again with OIS. It supports up to 100× digital zoom. In addition, the camera system includes a color temperature sensor and a flicker sensor, completing a full flagship-level imaging setup. The front-facing camera is a 50 MP sensor with an f/2.0 aperture, clearly not an afterthought.

Ice Universe

90,075 次观看 • 7 个月前

Made with Gemini AI Introducing iPhone 17 Pro 🧡📱 A bold visual concept built around Pro performance, advanced cameras, and cinematic storytelling. Video Prompt 👇👇 Shot 1 Bold Opening Start with a powerful orange background and huge PRO typography. The iPhone 17 Pro enters the frame with a dramatic camera push-in. Shot 2 Lifestyle Hero Low-angle fashion shot of the model holding the iPhone 17 Pro toward the camera. Orange cap, modern streetwear, bold lighting, confident attitude. Shot 3 Camera Detail Extreme macro close-up of the iPhone 17 Pro camera system. Smooth rotation around the lenses with sharp reflections and premium product lighting. Shot 4 Performance Visual Show the phone surrounded by dynamic light trails and subtle motion graphics representing powerful performance. Keep the device crisp and centered. Shot 5 Pro Camera Experience Model captures cinematic footage with the iPhone. Transition from the phone screen to the real scene being filmed, highlighting a professional creator aesthetic. Shot 6 Cinematic Video Show a smooth sequence of the model walking through an urban environment while filming. Dynamic tracking camera, natural movement, premium smartphone-ad feel. Shot 7 Apple Intelligence Moment Close-up of the iPhone display showing an intelligent feature in action. Clean interface, subtle animations, modern orange environment. Shot 8 Final Product Reveal The iPhone 17 Pro floats against a vibrant orange background. Camera slowly circles the device before landing on the camera module. Shot 9 Final Frame Bold iPhone 17 Pro typography appears alongside the hero device, with a clean premium finish and dramatic lighting. Overall style: bold orange campaign, premium smartphone advertising, fashion + technology aesthetic, cinematic camera movements, realistic product details, glossy highlights, high-energy commercial visuals.

Made with Gemini AI Introducing iPhone 17 Pro 🧡📱 A bold visual concept built around Pro performance, advanced cameras, and cinematic storytelling. Video Prompt 👇👇 Shot 1 Bold Opening Start with a powerful orange background and huge PRO typography. The iPhone 17 Pro enters the frame with a dramatic camera push-in. Shot 2 Lifestyle Hero Low-angle fashion shot of the model holding the iPhone 17 Pro toward the camera. Orange cap, modern streetwear, bold lighting, confident attitude. Shot 3 Camera Detail Extreme macro close-up of the iPhone 17 Pro camera system. Smooth rotation around the lenses with sharp reflections and premium product lighting. Shot 4 Performance Visual Show the phone surrounded by dynamic light trails and subtle motion graphics representing powerful performance. Keep the device crisp and centered. Shot 5 Pro Camera Experience Model captures cinematic footage with the iPhone. Transition from the phone screen to the real scene being filmed, highlighting a professional creator aesthetic. Shot 6 Cinematic Video Show a smooth sequence of the model walking through an urban environment while filming. Dynamic tracking camera, natural movement, premium smartphone-ad feel. Shot 7 Apple Intelligence Moment Close-up of the iPhone display showing an intelligent feature in action. Clean interface, subtle animations, modern orange environment. Shot 8 Final Product Reveal The iPhone 17 Pro floats against a vibrant orange background. Camera slowly circles the device before landing on the camera module. Shot 9 Final Frame Bold iPhone 17 Pro typography appears alongside the hero device, with a clean premium finish and dramatic lighting. Overall style: bold orange campaign, premium smartphone advertising, fashion + technology aesthetic, cinematic camera movements, realistic product details, glossy highlights, high-energy commercial visuals.

𝐒𝐊_𝐀𝐈

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Every click preserves a moment that can never be repeated Generated with BudgetPixel AI Prompt 👇 A professional female wildlife photographer in a dense jungle, shot in true-to-life documentary style, early morning golden hour with soft mist, natural lighting, highly realistic environment. She moves carefully and silently through foliage with a high-end DSLR and telephoto lens, wearing neutral outdoor gear. Subtle handheld camera movement for realism.* She suddenly spots a Bengal tiger resting with two cubs in the wild. The scene feels authentic and undisturbed. She slowly crouches, stabilizes her camera, adjusts focus and aperture — extreme close-up of her finger pressing the shutter, capturing the moment. Cut to ultra-realistic telephoto shots: the tiger calmly watching, cubs playfully moving around, detailed fur, natural eye movement, dust particles in the air. No exaggeration — pure documentary realism. Include professional camera work: over-the-shoulder shot, tight lens framing, shallow depth of field, natural focus pulls, slight lens breathing. Add subtle slow-motion (only for key moments like cub movement and tiger head turn), maintaining realism.* Ambient audio: real jungle sounds — birds, insects, leaves rustling, distant animal calls, camera shutter clicks. No artificial effects. Ending: she quietly exhales in awe, small genuine smile, reviews the captured shots on camera screen. No dramatic acting — natural human reaction. Ultra-realistic, 4K, HDR, National Geographic/BBC Earth style, cinematic but grounded in reality.

Every click preserves a moment that can never be repeated Generated with BudgetPixel AI Prompt 👇 A professional female wildlife photographer in a dense jungle, shot in true-to-life documentary style, early morning golden hour with soft mist, natural lighting, highly realistic environment. She moves carefully and silently through foliage with a high-end DSLR and telephoto lens, wearing neutral outdoor gear. Subtle handheld camera movement for realism.* She suddenly spots a Bengal tiger resting with two cubs in the wild. The scene feels authentic and undisturbed. She slowly crouches, stabilizes her camera, adjusts focus and aperture — extreme close-up of her finger pressing the shutter, capturing the moment. Cut to ultra-realistic telephoto shots: the tiger calmly watching, cubs playfully moving around, detailed fur, natural eye movement, dust particles in the air. No exaggeration — pure documentary realism. Include professional camera work: over-the-shoulder shot, tight lens framing, shallow depth of field, natural focus pulls, slight lens breathing. Add subtle slow-motion (only for key moments like cub movement and tiger head turn), maintaining realism.* Ambient audio: real jungle sounds — birds, insects, leaves rustling, distant animal calls, camera shutter clicks. No artificial effects. Ending: she quietly exhales in awe, small genuine smile, reviews the captured shots on camera screen. No dramatic acting — natural human reaction. Ultra-realistic, 4K, HDR, National Geographic/BBC Earth style, cinematic but grounded in reality.

Ai Bella

20,682 次观看 • 1 个月前

Love how natural the lighting, expressions, and product showcase turned out in this one. Created with Seedance 2.0 on WaveSpeedAI, WaveSpeedAI CPP Prompt: Shot on iPhone front camera, natural HDR, slight exposure shifts, real skin tones, authentic UGC creator energy, warm indoor natural light A bright casual room — warm natural light from the side, a clean desk surface with the ATELIER INK 12 CORE colors set in its clear transparent plastic case, the colorful marker caps visible through the case walls, a white sketchpad open beside it. A young woman sits close to the front camera, relaxed and natural, speaking slowly and genuinely. Action and dialogue sequence: She picks up the full ATELIER INK clear case with both hands and holds it up to the front camera, the 12 colorful caps facing the lens, the label readable. She looks at it for a beat — then at the camera: "Okay I need to show you these." She sets the case down, pulls out the green G04 marker, uncaps it slowly, sniffs the tip, pauses. Looks at camera: "Why does it smell like that." Genuine. Unhurried. She opens the sketchpad and draws a slow deliberate star with the green marker. Holds the paper up to the lens. Says nothing for a beat — just lets the color speak. Then quietly: "That color is insane." She picks up the cobalt blue B17, draws beside the green. Holds it up again. "The pigment is so good." She sets the paper down. Looks directly into the camera. Taps the marker cap slowly against her lip. One breath. Then: "Honestly — if you draw, if you doodle — just get these." She lifts the full clear case up to the lens, all 12 caps facing camera. Holds it there. Smiles slowly. Says nothing.

Love how natural the lighting, expressions, and product showcase turned out in this one. Created with Seedance 2.0 on WaveSpeedAI, WaveSpeedAI CPP Prompt: Shot on iPhone front camera, natural HDR, slight exposure shifts, real skin tones, authentic UGC creator energy, warm indoor natural light A bright casual room — warm natural light from the side, a clean desk surface with the ATELIER INK 12 CORE colors set in its clear transparent plastic case, the colorful marker caps visible through the case walls, a white sketchpad open beside it. A young woman sits close to the front camera, relaxed and natural, speaking slowly and genuinely. Action and dialogue sequence: She picks up the full ATELIER INK clear case with both hands and holds it up to the front camera, the 12 colorful caps facing the lens, the label readable. She looks at it for a beat — then at the camera: "Okay I need to show you these." She sets the case down, pulls out the green G04 marker, uncaps it slowly, sniffs the tip, pauses. Looks at camera: "Why does it smell like that." Genuine. Unhurried. She opens the sketchpad and draws a slow deliberate star with the green marker. Holds the paper up to the lens. Says nothing for a beat — just lets the color speak. Then quietly: "That color is insane." She picks up the cobalt blue B17, draws beside the green. Holds it up again. "The pigment is so good." She sets the paper down. Looks directly into the camera. Taps the marker cap slowly against her lip. One breath. Then: "Honestly — if you draw, if you doodle — just get these." She lifts the full clear case up to the lens, all 12 caps facing camera. Holds it there. Smiles slowly. Says nothing.

Zara

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The DISEASE music video didn’t get its flowers enough for me. The meaning, the visuals, the acting, the concept….this video is so detailed & intricate. It’s so unique and so mesmerising. This is MAYHEM right here in one video. The duality of Gaga & The Mistress Of Mayhem (her internal chaos), the dark and the light visuals (darkness within sunny suburbs). DISEASE is still one of my favourite songs from this era and this music video truly is a testament to the legendary artistry that Gaga has honed in with the MAYHEM era!! 🦠 DISEASE by Lady Gaga i will always always cherish you. I will never forget the release night of this legendary legendary track!! 🖤

The DISEASE music video didn’t get its flowers enough for me. The meaning, the visuals, the acting, the concept….this video is so detailed & intricate. It’s so unique and so mesmerising. This is MAYHEM right here in one video. The duality of Gaga & The Mistress Of Mayhem (her internal chaos), the dark and the light visuals (darkness within sunny suburbs). DISEASE is still one of my favourite songs from this era and this music video truly is a testament to the legendary artistry that Gaga has honed in with the MAYHEM era!! 🦠 DISEASE by Lady Gaga i will always always cherish you. I will never forget the release night of this legendary legendary track!! 🖤

killah dolls

39,881 次观看 • 1 年前

Vintage Camera Experts 🎥 We appreciate all the camera operator experts and enthusiast that have been reaching out. Ideally, we would love a robust army of imagers helping us gather as much imagery as possible - from different angles, distances, and altitudes with a variety of equipment. Two of the primary challenges for our camera operators right now are digital interference and the extreme speed and movement of the objects. For the former, there seems to be something about the phenomenon that interferes with digital camera technology. Because of this we are looking to also add a vintage camera suite. There’s lots of evidence that suggests analog imagery of the phenomenon produces better results in some circumstances. In regards to the speed and movement challenge, please see the below video clip from episode two. This is what we are dealing with. Note the speed and movement of the Tic Tacs at 100% vs. 15% . If you feel you’re up to the challenge and have something of value to add, please continue to reach out and offer solutions. 🙏🇺🇸

Vintage Camera Experts 🎥 We appreciate all the camera operator experts and enthusiast that have been reaching out. Ideally, we would love a robust army of imagers helping us gather as much imagery as possible - from different angles, distances, and altitudes with a variety of equipment. Two of the primary challenges for our camera operators right now are digital interference and the extreme speed and movement of the objects. For the former, there seems to be something about the phenomenon that interferes with digital camera technology. Because of this we are looking to also add a vintage camera suite. There’s lots of evidence that suggests analog imagery of the phenomenon produces better results in some circumstances. In regards to the speed and movement challenge, please see the below video clip from episode two. This is what we are dealing with. Note the speed and movement of the Tic Tacs at 100% vs. 15% . If you feel you’re up to the challenge and have something of value to add, please continue to reach out and offer solutions. 🙏🇺🇸

jakebarber

76,578 次观看 • 1 年前

Turkish #aerospace giant #TUSAS has a busy schedule ahead in 2026: ✅ 3 more TFX/MMU #KAAN prototypes will roll out and proceed to flight tests by the end of the year; first coming up in May/June. ✅ Serial production of the KAAN is scheduled to strat in 2029, with a Turkish #AirForce order for a first batch of 20 expected in the coming months. ✅ #ANKA3 stealth bomber R&D has been concluded. 2 more prototypes will fly this year and the company is working on the assembly line for serial production with an expected order for 50+ later this year. ✅ TUSAS is gearing up to produce up to 3 #HÜRJET fighters/month to meet both Spanish & Turkish orders. ✅ 12 #GÖKBEY multipurpose helicopters will be delivered in 2026, more in 2027. ✅ #T925 heavy utility helicopter will conduct its first flight test this year with deliveries beginning in 2028.

Turkish #aerospace giant #TUSAS has a busy schedule ahead in 2026: ✅ 3 more TFX/MMU #KAAN prototypes will roll out and proceed to flight tests by the end of the year; first coming up in May/June. ✅ Serial production of the KAAN is scheduled to strat in 2029, with a Turkish #AirForce order for a first batch of 20 expected in the coming months. ✅ #ANKA3 stealth bomber R&D has been concluded. 2 more prototypes will fly this year and the company is working on the assembly line for serial production with an expected order for 50+ later this year. ✅ TUSAS is gearing up to produce up to 3 #HÜRJET fighters/month to meet both Spanish & Turkish orders. ✅ 12 #GÖKBEY multipurpose helicopters will be delivered in 2026, more in 2027. ✅ #T925 heavy utility helicopter will conduct its first flight test this year with deliveries beginning in 2028.

Turkish Century

15,458 次观看 • 7 个月前

Celebrating one incredible year of our maasi #Jawan! 💥 This film is the result of the immense hard work, dedication, and passion poured in by the entire team. It’s hard to believe that a whole year has passed since its release, and we are deeply grateful for all the love and support it has received. Thank you for making this journey unforgettable! The VFX Showreel is up on our YouTube Channel : ➖ #VFXbyRedChillies 🌶️ #ColorByRedchillies

Celebrating one incredible year of our maasi #Jawan! 💥 This film is the result of the immense hard work, dedication, and passion poured in by the entire team. It’s hard to believe that a whole year has passed since its release, and we are deeply grateful for all the love and support it has received. Thank you for making this journey unforgettable! The VFX Showreel is up on our YouTube Channel : ➖ #VFXbyRedChillies 🌶️ #ColorByRedchillies

Redchillies.vfx

26,067 次观看 • 2 年前

The video smooth zoom on the Samsung Galaxy S26 Ultra is still the closest thing to a professional camcorder experience in the smartphone industry today. In fact, it’s even easier to control than the iPhone. On many other phones, video zooming requires constant finger movement and very precise control. The zoom speed can easily become inconsistent, suddenly speeding up or slowing down. Samsung works differently. You simply hold your finger at a certain position, and the phone continues zooming at a constant speed. The entire process feels extremely stable and linear. It genuinely resembles the powered zoom control of a professional video camera. This logic is fundamentally related to Samsung’s AI slow motion technology. They share the same core foundation: real time control over motion trajectories, speed transitions, and frame interpolation. What you’re seeing here was shot in very windy conditions using Samsung’s Pro Video mode, continuously zooming from 5x to 25x. Aside from some slight stutter during optical lens switching points, the continuous zoom transition within digital zoom ranges is arguably the closest thing to a professional camera currently available on a smartphone. So if the future Samsung Galaxy S27 Ultra really removes the 3x telephoto camera, it could actually improve the video zoom experience further. Fewer optical switching points would theoretically reduce transition jumps and stutters, making the entire zoom range feel even more natural and continuous.

The video smooth zoom on the Samsung Galaxy S26 Ultra is still the closest thing to a professional camcorder experience in the smartphone industry today. In fact, it’s even easier to control than the iPhone. On many other phones, video zooming requires constant finger movement and very precise control. The zoom speed can easily become inconsistent, suddenly speeding up or slowing down. Samsung works differently. You simply hold your finger at a certain position, and the phone continues zooming at a constant speed. The entire process feels extremely stable and linear. It genuinely resembles the powered zoom control of a professional video camera. This logic is fundamentally related to Samsung’s AI slow motion technology. They share the same core foundation: real time control over motion trajectories, speed transitions, and frame interpolation. What you’re seeing here was shot in very windy conditions using Samsung’s Pro Video mode, continuously zooming from 5x to 25x. Aside from some slight stutter during optical lens switching points, the continuous zoom transition within digital zoom ranges is arguably the closest thing to a professional camera currently available on a smartphone. So if the future Samsung Galaxy S27 Ultra really removes the 3x telephoto camera, it could actually improve the video zoom experience further. Fewer optical switching points would theoretically reduce transition jumps and stutters, making the entire zoom range feel even more natural and continuous.

Ice Universe

27,250 次观看 • 3 个月前

🚨 SCIENTISTS JUST SHOWED THAT LIGHT CAN TWIST MATTER USING ITS MAGNETIC FIELD. For a long time, physicists assumed the magnetic component of light was far too weak to have any meaningful effect on matter compared to its electric field. New experiments are challenging that view. Researchers have demonstrated that intense, properly structured light can induce magnetization and even mechanical twisting in materials through its magnetic field alone. This is an extension of the inverse Faraday effect, but observed with greater strength and control than many expected. Why this matters: • It opens new ways to control magnetism and material properties using only light • Could lead to faster, more energy-efficient magnetic memory and spintronic devices • Offers a new tool for manipulating matter at the nanoscale without physical contact • Bridges optics and magnetism in ways that were previously difficult to achieve The deeper implication: Light is not just an information carrier under the right conditions, its magnetic field can directly reshape the magnetic and mechanical state of matter. This blurs the line between electromagnetic waves and material control. If these effects can be scaled and made practical, we may eventually use light itself as a precise tool to write magnetic information or mechanically actuate tiny structures, rather than relying solely on electric currents or physical forces. We’re discovering that light still has hidden capabilities we haven’t fully exploited. How do you think being able to control matter with light’s magnetic field could change technology in the next decade? Follow for more frontier optics, quantum materials, and light-matter physics.

🚨 SCIENTISTS JUST SHOWED THAT LIGHT CAN TWIST MATTER USING ITS MAGNETIC FIELD. For a long time, physicists assumed the magnetic component of light was far too weak to have any meaningful effect on matter compared to its electric field. New experiments are challenging that view. Researchers have demonstrated that intense, properly structured light can induce magnetization and even mechanical twisting in materials through its magnetic field alone. This is an extension of the inverse Faraday effect, but observed with greater strength and control than many expected. Why this matters: • It opens new ways to control magnetism and material properties using only light • Could lead to faster, more energy-efficient magnetic memory and spintronic devices • Offers a new tool for manipulating matter at the nanoscale without physical contact • Bridges optics and magnetism in ways that were previously difficult to achieve The deeper implication: Light is not just an information carrier under the right conditions, its magnetic field can directly reshape the magnetic and mechanical state of matter. This blurs the line between electromagnetic waves and material control. If these effects can be scaled and made practical, we may eventually use light itself as a precise tool to write magnetic information or mechanically actuate tiny structures, rather than relying solely on electric currents or physical forces. We’re discovering that light still has hidden capabilities we haven’t fully exploited. How do you think being able to control matter with light’s magnetic field could change technology in the next decade? Follow for more frontier optics, quantum materials, and light-matter physics.

TheNewPhysics

34,654 次观看 • 2 个月前

Apple iPhone 16 vs Pixel 9: Which one should you buy? The iPhone 16 is more of an iterative upgrade over its predecessor, but the Pixel 9 brings several notable upgrades, especially in the camera, design and chipset. While the Tensor G4 may not be as fast as the iPhone 16’s A18 chipset, it no longer heats up and is pretty fast when it comes to multitasking and completing AI-powered tasks. If you are already a part of the Apple ecosystem and have the iPhone 14 or an older device, the iPhone 16 might make sense. On the other hand, the Pixel 9 with its smart AI features, solid design and capable cameras might appeal to to those who want a phone that will get software updates for years to come and want to enjoy the clean user interface stock Android has to offer.

Apple iPhone 16 vs Pixel 9: Which one should you buy? The iPhone 16 is more of an iterative upgrade over its predecessor, but the Pixel 9 brings several notable upgrades, especially in the camera, design and chipset. While the Tensor G4 may not be as fast as the iPhone 16’s A18 chipset, it no longer heats up and is pretty fast when it comes to multitasking and completing AI-powered tasks. If you are already a part of the Apple ecosystem and have the iPhone 14 or an older device, the iPhone 16 might make sense. On the other hand, the Pixel 9 with its smart AI features, solid design and capable cameras might appeal to to those who want a phone that will get software updates for years to come and want to enjoy the clean user interface stock Android has to offer.

cutie 🥰

23,995 次观看 • 1 年前

Samsung Galaxy S25 Ultra has completely targeted its competitors at the iPhone, and no longer competes with Chinese brand phones. This is because young people in South Korea are almost completely occupied by Apple, and Samsung’s strategy is to pull these young people back, so it strives to make Galaxy look like the Apple iPhone. There are several reasons for not competing with Chinese brands: 1. On the surface, although the Chinese Ultra models have powerful cameras and are suitable for those who pursue the ultimate in images, they are only limited to these people. Overall, the sales of Ultra models are not high, and even the sum of all brands of Ultra models cannot be compared with the sales of S24Ultra. 2. Moreover, these models with powerful cameras are relatively thick and heavy, with serious camera bulges, and the design is not perfect. It cannot be perfect. This design may not be suitable for everyone. Samsung will not easily take the risk to adopt this design in the global market. 3. The infinitely enhanced camera configuration will greatly increase the cost, which is difficult for Samsung to accept, and the production of this frequently updated camera may not be able to support Samsung's sales demand of tens of millions. In short, the Chinese brand Ultra model is more like a special non-popular model suitable for geeks. The Galaxy S25 series is defined as a popular model, and it must consider everyone's feelings and sufficient supply. This is why Samsung will not design the S25 Ultra as a Chinese brand Ultra. It remains consistent with the iPhone 16 Pro Max, but subtly. It is always slightly better than it For example, it is a little thinner (8.2mm vs 8.25mm), a little lighter (219g vs 227g), a little narrower bezel, a little stronger performance, a little more camera (retain 3x), a little more ultra-wide-angle pixels (50MP vs 48MP), a little bigger battery, and a little faster charging. Even the most incredible improvement: One UI 7.1 is a little smoother than iOS18 software. This is happening.

Ice Universe

347,352 次观看 • 1 年前

When creating this cut for SCP:GALLIONIC's trailer we started out with a 3D layout, where the general movement and camera placements are decided. Then animation and Backgrounds are worked on in tandem. Creating the background was fairly straightforward (just define the structure, textures and lighting) [done by Brando Leon Rustici - (So So Animations) ] Animation however, was definitely a bit trickier, but Jag アニメーター really knocked it out of the park: especially with such complicated designs and number of individual objects, it's always good (as he's done) to break it down first to just "blobs", to get the movement down and after that actually drawing the characters properly. Mikey Nowack, other than being being responsible for SCP-1762's design, also took care of the colour script for this cut, and together with Wing (in charge of compositing) brought the final scene to life! Go check out the full trailer if you have not already! #scp #indie_anime

When creating this cut for SCP:GALLIONIC's trailer we started out with a 3D layout, where the general movement and camera placements are decided. Then animation and Backgrounds are worked on in tandem. Creating the background was fairly straightforward (just define the structure, textures and lighting) [done by Brando Leon Rustici - (So So Animations) ] Animation however, was definitely a bit trickier, but Jag アニメーター really knocked it out of the park: especially with such complicated designs and number of individual objects, it's always good (as he's done) to break it down first to just "blobs", to get the movement down and after that actually drawing the characters properly. Mikey Nowack, other than being being responsible for SCP-1762's design, also took care of the colour script for this cut, and together with Wing (in charge of compositing) brought the final scene to life! Go check out the full trailer if you have not already! #scp #indie_anime

soem studios

23,295 次观看 • 5 个月前

One woman. Nine cinematic worlds. Made by using Seedance 2.0 on Picsart AI Playground: Scene Breakdown — Cinematic Color Grading Series One Western woman, nine moods — a study in color grading, cinematography, and visual storytelling Character Consistency: A beautiful Western woman in her late 20s with long wavy blonde hair, natural features, expressive eyes, elegant yet effortless style. She remains the exact same person across all nine scenes, maintaining identical facial structure, hairstyle, and identity while changing only the mood, lighting, wardrobe details, and cinematic environment. Scene 1 — "Golden Path" Tone: Warm, nostalgic, tender Lighting: Natural golden hour light diffused through thin clouds, soft directional sunlight, cinematic naturalism Camera & Lens: 35mm format, 50mm f/1.4 prime lens, shallow depth of field Scene: The blonde woman walks along a quiet countryside path, gentle breeze moving through her wavy hair, wearing a soft linen dress and a peaceful expression. Warm nostalgic color grading with golden highlights and soft shadows. Scene 2 — "Neon Crossing" Tone: Sleek, mysterious, cinematic-noir Lighting: Urban neon street lighting, wet pavement reflections, dramatic rim lighting, cinematic noir lighting Camera & Lens: Anamorphic cinema lens, 35mm equivalent, shallow depth of field, anamorphic flares Scene: The same blonde woman stands at a rainy city intersection at night, wearing a stylish dark coat, neon colors reflecting across her face, mysterious confident expression, cinematic noir atmosphere. Scene 3 — "Glass Plaza" Tone: Calm, minimalist, composed Lighting: Overcast daylight, subtle negative fill, soft gradual light fall-off Camera & Lens: Medium format aesthetic (Phase One-style), 85mm f/2.8 lens, sharp focus Scene: The woman stands inside a modern glass plaza wearing a minimalist neutral outfit. Her wavy blonde hair frames her face, calm posture, clean architectural background, refined editorial photography style. Scene 4 — "Bright Street" Tone: Energetic, vibrant, confident Lighting: Mixed ambient and natural commercial lighting, bright and inviting, perfect exposure Camera & Lens: High-end digital mirrorless, 70-200mm zoom, compressed perspective, corner-to-corner sharpness Scene: The blonde woman walks through a lively city street, wearing fashionable casual western-inspired clothing, smiling confidently, vibrant colors, luxury lifestyle campaign aesthetic. Scene 5 — "Night Market" Tone: Chaotic, spontaneous, raw Lighting: Direct on-camera hard flash, pitch-black background, harsh specular highlights Camera & Lens: Point-and-shoot digital aesthetic, 24mm wide-angle lens, slight distortion Scene: The woman explores a crowded night market, candid expression, holding street food, messy movement, flash photography style, realistic imperfections, raw documentary feeling. Scene 6 — "Greenhouse Bloom" Tone: Dreamy, delicate, joyful Lighting: Bright overcast natural lighting, backlit ethereal glow, no harsh shadows Camera & Lens: 50mm f/1.2 prime lens, extremely shallow depth of field, soft optical focus Scene: The blonde woman stands among flowers inside a greenhouse, wearing a flowing pastel dress, sunlight glowing through plants, dreamy romantic atmosphere, soft focus beauty. Scene 7 — "Rooftop Dusk" Tone: Dramatic, contemplative, powerful Lighting: Directional dusk light, dramatic chiaroscuro, atmospheric haze Camera & Lens: 35mm f/1.4 prime lens, sharp subject isolation, deep background depth of field Scene: The woman stands on a rooftop overlooking the city at sunset, wearing a structured jacket, wind moving through her blonde waves, powerful cinematic portrait with emotional depth. Scene 8 — "Pastel Spin" Tone: Carefree, nostalgic, playful Lighting: Direct harsh sunlight backlighting, heavy lens flare, hazy atmosphere Camera & Lens: 35mm consumer film camera aesthetic, soft focus lens, light leaks Scene: The blonde woman spins through a colorful outdoor setting, wearing a vintage-inspired outfit, laughing naturally, nostalgic summer film photography style. Scene 9 — "Quiet Café" Tone: Introspective, peaceful, warm Lighting: Overcast soft diffused lighting, gentle window light Camera & Lens: Medium format film aesthetic, soft vintage lens, shallow depth of field Scene: The same woman sits alone in a cozy café near a window, wavy blonde hair softly illuminated, holding coffee, thoughtful expression, warm vintage cinematic mood. Final Instruction: Create one continuous character across nine distinct cinematic color grading styles. Maintain the exact same Western woman with wavy blonde hair, facial identity, and natural beauty throughout all scenes. Ultra-realistic photography, cinematic composition, high detail, professional color grading, 8K realism.

One woman. Nine cinematic worlds. Made by using Seedance 2.0 on Picsart AI Playground: Scene Breakdown — Cinematic Color Grading Series One Western woman, nine moods — a study in color grading, cinematography, and visual storytelling Character Consistency: A beautiful Western woman in her late 20s with long wavy blonde hair, natural features, expressive eyes, elegant yet effortless style. She remains the exact same person across all nine scenes, maintaining identical facial structure, hairstyle, and identity while changing only the mood, lighting, wardrobe details, and cinematic environment. Scene 1 — "Golden Path" Tone: Warm, nostalgic, tender Lighting: Natural golden hour light diffused through thin clouds, soft directional sunlight, cinematic naturalism Camera & Lens: 35mm format, 50mm f/1.4 prime lens, shallow depth of field Scene: The blonde woman walks along a quiet countryside path, gentle breeze moving through her wavy hair, wearing a soft linen dress and a peaceful expression. Warm nostalgic color grading with golden highlights and soft shadows. Scene 2 — "Neon Crossing" Tone: Sleek, mysterious, cinematic-noir Lighting: Urban neon street lighting, wet pavement reflections, dramatic rim lighting, cinematic noir lighting Camera & Lens: Anamorphic cinema lens, 35mm equivalent, shallow depth of field, anamorphic flares Scene: The same blonde woman stands at a rainy city intersection at night, wearing a stylish dark coat, neon colors reflecting across her face, mysterious confident expression, cinematic noir atmosphere. Scene 3 — "Glass Plaza" Tone: Calm, minimalist, composed Lighting: Overcast daylight, subtle negative fill, soft gradual light fall-off Camera & Lens: Medium format aesthetic (Phase One-style), 85mm f/2.8 lens, sharp focus Scene: The woman stands inside a modern glass plaza wearing a minimalist neutral outfit. Her wavy blonde hair frames her face, calm posture, clean architectural background, refined editorial photography style. Scene 4 — "Bright Street" Tone: Energetic, vibrant, confident Lighting: Mixed ambient and natural commercial lighting, bright and inviting, perfect exposure Camera & Lens: High-end digital mirrorless, 70-200mm zoom, compressed perspective, corner-to-corner sharpness Scene: The blonde woman walks through a lively city street, wearing fashionable casual western-inspired clothing, smiling confidently, vibrant colors, luxury lifestyle campaign aesthetic. Scene 5 — "Night Market" Tone: Chaotic, spontaneous, raw Lighting: Direct on-camera hard flash, pitch-black background, harsh specular highlights Camera & Lens: Point-and-shoot digital aesthetic, 24mm wide-angle lens, slight distortion Scene: The woman explores a crowded night market, candid expression, holding street food, messy movement, flash photography style, realistic imperfections, raw documentary feeling. Scene 6 — "Greenhouse Bloom" Tone: Dreamy, delicate, joyful Lighting: Bright overcast natural lighting, backlit ethereal glow, no harsh shadows Camera & Lens: 50mm f/1.2 prime lens, extremely shallow depth of field, soft optical focus Scene: The blonde woman stands among flowers inside a greenhouse, wearing a flowing pastel dress, sunlight glowing through plants, dreamy romantic atmosphere, soft focus beauty. Scene 7 — "Rooftop Dusk" Tone: Dramatic, contemplative, powerful Lighting: Directional dusk light, dramatic chiaroscuro, atmospheric haze Camera & Lens: 35mm f/1.4 prime lens, sharp subject isolation, deep background depth of field Scene: The woman stands on a rooftop overlooking the city at sunset, wearing a structured jacket, wind moving through her blonde waves, powerful cinematic portrait with emotional depth. Scene 8 — "Pastel Spin" Tone: Carefree, nostalgic, playful Lighting: Direct harsh sunlight backlighting, heavy lens flare, hazy atmosphere Camera & Lens: 35mm consumer film camera aesthetic, soft focus lens, light leaks Scene: The blonde woman spins through a colorful outdoor setting, wearing a vintage-inspired outfit, laughing naturally, nostalgic summer film photography style. Scene 9 — "Quiet Café" Tone: Introspective, peaceful, warm Lighting: Overcast soft diffused lighting, gentle window light Camera & Lens: Medium format film aesthetic, soft vintage lens, shallow depth of field Scene: The same woman sits alone in a cozy café near a window, wavy blonde hair softly illuminated, holding coffee, thoughtful expression, warm vintage cinematic mood. Final Instruction: Create one continuous character across nine distinct cinematic color grading styles. Maintain the exact same Western woman with wavy blonde hair, facial identity, and natural beauty throughout all scenes. Ultra-realistic photography, cinematic composition, high detail, professional color grading, 8K realism.

Sharon Riley

40,703 次观看 • 1 个月前

SOMEONE GOT TIRED OF PAYING HIGGSFIELD AI'S SUBSCRIPTION SO HE REBUILT THE WHOLE THING AND OPEN-SOURCED IT 200+ models. text-to-image, image-to-image, text-to-video, image-to-video all in one interface you configure a virtual camera in the Cinema Studio. pick the body, the lens, the focal length, the aperture and it writes the optimized cinematic prompt for you. completely in the background you never touch the camera keywords. you just set up the shot like a real cinematographer would Kling v3, Sora 2, Veo 3, Flux Dev, Midjourney v7, GPT-4o, Seedream 5.0, Runway Gen-3 all in there self-hosted. MIT licensed. runs on your machine. your data stays local the only thing you pay for is the model API calls themselves someone built this so you never have to pay Higgsfield AI again

SOMEONE GOT TIRED OF PAYING HIGGSFIELD AI'S SUBSCRIPTION SO HE REBUILT THE WHOLE THING AND OPEN-SOURCED IT 200+ models. text-to-image, image-to-image, text-to-video, image-to-video all in one interface you configure a virtual camera in the Cinema Studio. pick the body, the lens, the focal length, the aperture and it writes the optimized cinematic prompt for you. completely in the background you never touch the camera keywords. you just set up the shot like a real cinematographer would Kling v3, Sora 2, Veo 3, Flux Dev, Midjourney v7, GPT-4o, Seedream 5.0, Runway Gen-3 all in there self-hosted. MIT licensed. runs on your machine. your data stays local the only thing you pay for is the model API calls themselves someone built this so you never have to pay Higgsfield AI again

Rimsha Bhardwaj

101,371 次观看 • 4 个月前

🇺🇦🇪🇸 A BMP-1/2 infantry fighting vehicle equipped with the Guardian 30 combat module produced by the Spanish company Escribano Mechanical & Engineering has been spotted for the first time in Ukrainian service. 🔻 The Guardian 30 is a remotely controlled combat module armed with a 30mm automatic cannon and a coaxial 7.62mm machine gun. It is equipped with a modern fire control and targeting system. 🔻 For reference: Negotiations between Ukraine and the Spanish company began in May 2025. One of the discussed issues was the localization of production of Guardian 30 combat modules in Ukraine. This upgrade represents an important step in modernizing Ukraine’s large fleet of Soviet-era BMP vehicles. The installation of the advanced Spanish Guardian 30 module significantly increases the vehicle’s firepower and situational awareness. The talks on local production also show Ukraine’s long-term strategy to reduce dependence on foreign supplies and develop its own defense industry. Video is generated by grok AI

🇺🇦🇪🇸 A BMP-1/2 infantry fighting vehicle equipped with the Guardian 30 combat module produced by the Spanish company Escribano Mechanical & Engineering has been spotted for the first time in Ukrainian service. 🔻 The Guardian 30 is a remotely controlled combat module armed with a 30mm automatic cannon and a coaxial 7.62mm machine gun. It is equipped with a modern fire control and targeting system. 🔻 For reference: Negotiations between Ukraine and the Spanish company began in May 2025. One of the discussed issues was the localization of production of Guardian 30 combat modules in Ukraine. This upgrade represents an important step in modernizing Ukraine’s large fleet of Soviet-era BMP vehicles. The installation of the advanced Spanish Guardian 30 module significantly increases the vehicle’s firepower and situational awareness. The talks on local production also show Ukraine’s long-term strategy to reduce dependence on foreign supplies and develop its own defense industry. Video is generated by grok AI

NSTRIKE

34,049 次观看 • 3 个月前

The AI based surveillance mechanism set up by TN Forest Dept has started recording elephant movements on Railway tracks in pilot project mode in Madhukkarai at Coimbatore. The surveillance system has 12 towers fitted with both thermal and normal cameras, installed at strategic locations along the railway track for early detection of animal movement. The sensed data is automatically transferred to the control room set up on the site that processes the data collected from the field on real time basis and alerts loco pilots through calls and SMS. This area has seen several tragic elephant deaths due to collision with trains on these tracks. We are trying our best to prevent these collissions through use of modern technology which can be a big boon in preventing elephant deaths in such areas. Video -TNForest Coimbatore Division Tamil Nadu Forest Department

The AI based surveillance mechanism set up by TN Forest Dept has started recording elephant movements on Railway tracks in pilot project mode in Madhukkarai at Coimbatore. The surveillance system has 12 towers fitted with both thermal and normal cameras, installed at strategic locations along the railway track for early detection of animal movement. The sensed data is automatically transferred to the control room set up on the site that processes the data collected from the field on real time basis and alerts loco pilots through calls and SMS. This area has seen several tragic elephant deaths due to collision with trains on these tracks. We are trying our best to prevent these collissions through use of modern technology which can be a big boon in preventing elephant deaths in such areas. Video -TNForest Coimbatore Division Tamil Nadu Forest Department

Supriya Sahu IAS

810,819 次观看 • 2 年前

This effect was captured within the time it takes to bake a single cake using edelkrone motion control devices with flawless position accuracy and with just one camera. This is a new generation effect that has never been seen before in the world. In this age where competition in content production is at its fiercest, we are proud to be able to offer such a feature to our customers for free to help them get ahead in the competition. As edelkrone, we are committed to pushing the boundaries of innovation and delivering the never seen before.

This effect was captured within the time it takes to bake a single cake using edelkrone motion control devices with flawless position accuracy and with just one camera. This is a new generation effect that has never been seen before in the world. In this age where competition in content production is at its fiercest, we are proud to be able to offer such a feature to our customers for free to help them get ahead in the competition. As edelkrone, we are committed to pushing the boundaries of innovation and delivering the never seen before.

Kadir Köymen

161,089 次观看 • 3 年前

Created a UGC ad using Seedream 5.0 Lite on SocialSight Prompt Use the same face from the reference image without changing facial features UGC Ad Cut Scenes – Western Version 1. Intro Scene (Direct-to-Camera) Shot: Medium close-up, eye-level, handheld. Action: Woman looks into the camera, warm smile, says: “Do you struggle with low iron and don’t like taking tablets?” Cut Notes: Natural lighting, soft focus on her face, slight background blur. 2. Bottle Reveal Shot: Medium close-up, shallow depth of field. Action: She lifts the Swisse IRON gummies bottle toward the camera, label fully visible. Cut Notes: Keep hand movement natural, focus shifts slightly to bottle. 3. Gummy Close-Up Shot: Extreme close-up of her hand holding a single gummy. Action: She picks up a gummy and shows it to the camera. Cut Notes: Label of bottle still partially visible in the background. 4. Lifestyle Interaction Scene Shot: Wide shot, showing the bright home interior with Monstera plant. Action: She walks casually toward the camera, sits near the plant, or gestures naturally with the bottle. Cut Notes: Adds warmth and authenticity, slight camera movement to mimic handheld feel. 5. Product Highlight with Smile (Payoff) Shot: Medium close-up, eye-level. Action: She smiles, holds the bottle up, says: “You need to try the 99% sugar-free iron gummies from Swisse. Getting your iron intake has never been easier.” Cut Notes: Keep bottle label in focus, background softly blurred. 6. Closing Scene (Confidence & Authenticity) Shot: Handheld, eye-level medium shot. Action: She smiles confidently, holding the bottle naturally in front of her. Cut Notes: Slight movement for natural handheld feel, bright window light on her face. Optional Micro Cut Scenes for Storytelling Flow: Pouring gummies into hand. Putting the bottle on a countertop. Looking at the gummy thoughtfully before smiling. Short laughter or natural reaction to show personality. #SocialSightxSeedreamAdRemix

Created a UGC ad using Seedream 5.0 Lite on SocialSight Prompt Use the same face from the reference image without changing facial features UGC Ad Cut Scenes – Western Version 1. Intro Scene (Direct-to-Camera) Shot: Medium close-up, eye-level, handheld. Action: Woman looks into the camera, warm smile, says: “Do you struggle with low iron and don’t like taking tablets?” Cut Notes: Natural lighting, soft focus on her face, slight background blur. 2. Bottle Reveal Shot: Medium close-up, shallow depth of field. Action: She lifts the Swisse IRON gummies bottle toward the camera, label fully visible. Cut Notes: Keep hand movement natural, focus shifts slightly to bottle. 3. Gummy Close-Up Shot: Extreme close-up of her hand holding a single gummy. Action: She picks up a gummy and shows it to the camera. Cut Notes: Label of bottle still partially visible in the background. 4. Lifestyle Interaction Scene Shot: Wide shot, showing the bright home interior with Monstera plant. Action: She walks casually toward the camera, sits near the plant, or gestures naturally with the bottle. Cut Notes: Adds warmth and authenticity, slight camera movement to mimic handheld feel. 5. Product Highlight with Smile (Payoff) Shot: Medium close-up, eye-level. Action: She smiles, holds the bottle up, says: “You need to try the 99% sugar-free iron gummies from Swisse. Getting your iron intake has never been easier.” Cut Notes: Keep bottle label in focus, background softly blurred. 6. Closing Scene (Confidence & Authenticity) Shot: Handheld, eye-level medium shot. Action: She smiles confidently, holding the bottle naturally in front of her. Cut Notes: Slight movement for natural handheld feel, bright window light on her face. Optional Micro Cut Scenes for Storytelling Flow: Pouring gummies into hand. Putting the bottle on a countertop. Looking at the gummy thoughtfully before smiling. Short laughter or natural reaction to show personality. #SocialSightxSeedreamAdRemix

Sharon Riley

32,931 次观看 • 5 个月前

I've seen a lot of animatics lately that are super detailed, essentially viewport previews of the final shot. But an animatic at it's core doesn't need to be anything fancy. Its main purpose is to plan and test the timing, camera angles, movement, and overall composition. With animatics you have to keep in mind the following: Pre-visualization: It allows to see a basic version of the animation or scene before committing to detailed work. Timing and pacing: An animatic helps identify how long each scene or shot should last, ensuring that the timing feels right. Planning: It helps with layout, camera angles, and transitions. By visualizing the shots, the team can ensure that the framing and overall design of the scenes work well in 3D space. Efficiency: It allows the team to test and fix any potential issues early on, like awkward movements or awkward pacing, before spending time on high-quality rendering or complex animation. In short, an animatic helps in conceptualizing the final animation by giving a low-res, rough version of the scenes, which guides the entire production process in terms of visual design, timing, and storytelling.

I've seen a lot of animatics lately that are super detailed, essentially viewport previews of the final shot. But an animatic at it's core doesn't need to be anything fancy. Its main purpose is to plan and test the timing, camera angles, movement, and overall composition. With animatics you have to keep in mind the following: Pre-visualization: It allows to see a basic version of the animation or scene before committing to detailed work. Timing and pacing: An animatic helps identify how long each scene or shot should last, ensuring that the timing feels right. Planning: It helps with layout, camera angles, and transitions. By visualizing the shots, the team can ensure that the framing and overall design of the scenes work well in 3D space. Efficiency: It allows the team to test and fix any potential issues early on, like awkward movements or awkward pacing, before spending time on high-quality rendering or complex animation. In short, an animatic helps in conceptualizing the final animation by giving a low-res, rough version of the scenes, which guides the entire production process in terms of visual design, timing, and storytelling.

Voxyde

22,244 次观看 • 1 年前