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somebody explain this because i refuse to accept it someone ran 48 scored trials and one agent beat a whole fleet of them on all 6 task families, at 0.93 cents a run against 1.9, while openai's best fleet shape was paying $0.008 for every single point of accuracy... it bought i read it expecting a hit piece and found the opposite: the fleets that partitioned the dependency graph properly lifted pass rate 14% and cut wall-clock 2.10x on the same tasks, and one of them beat claude code with agent teams the thing that decides it has a name, Graph Engineering, and it is a property of the diagram rather than the model: - partition on the real dependency graph pulled from static analysis, never by folder or by file, because the gains land hardest on the most dependency-dense projects - isolate the structural hub files first, since those are the nodes every partition would otherwise have to share - measure the critical path and treat it as the floor, because a chain that genuinely feeds itself cannot be replaced by more workers and wrapping it in a scheduler does not shorten it - match the topology to the coupling instead of defaulting to parallel: on coupled work a static parallel shape drops below a single agent, so the mismatch is worse than no orchestration - remember each worker serialises its own subtasks, which adds edges inside every agent that were never in your plan - budget the fan-out before you fire it, because three agents already burn roughly three times the tokens and the multiplier compounds across sessions - check worker count against your rate limit, since fifteen workers at ten requests a second walk straight through a hundred-per-second ceiling and cascade - put a script gate in front of the planner: it costs 0.15 seconds and zero tokens, and it lets the expensive model skip 43 to 63% of the steps for at most 1.4 points of accuracy the catch is the coordination tax, and it scales with how clever the shape looks: 58% extra reasoning turns for independent workers, 263% decentralised, 285% centralised, and 515% for the hybrid setup everyone reaches for first the same paper found that hybrid then collapses hardest on tool-heavy work at a 0.452 success rate, while the plainer decentralised shape beat centralised outright despite carrying more overhead, because parallel efficiency is what survives bookmark this, the whole build sits in the article ↓show more

Argona

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SOMEONE MAPPED CHAOS INTO A NAVIGABLE SPACE AND YOUR HERMES AGENT NEEDS THE SAME THING thousands of chaotic data points, each given a position, navigation becomes instant because the structure does the work your vault is the same chaos, hermes lands in it and opens files at random because nothing tells it where to start one index file per major folder with a clear starting point changes everything 2 minutes per task drops to 10 seconds, same agent, same model full breakdown in the article below ↓

SOMEONE MAPPED CHAOS INTO A NAVIGABLE SPACE AND YOUR HERMES AGENT NEEDS THE SAME THING thousands of chaotic data points, each given a position, navigation becomes instant because the structure does the work your vault is the same chaos, hermes lands in it and opens files at random because nothing tells it where to start one index file per major folder with a clear starting point changes everything 2 minutes per task drops to 10 seconds, same agent, same model full breakdown in the article below ↓

leopardracer

23,629 görüntüleme • 1 ay önce

a contractor in Shenzhen priced a ¥12,470,900 hospital contract, about $1.7m, in one afternoon and beat firms carrying forty people he explained how he did it: the bid consultancy he used to pay took three days and ¥46,000 for the same envelope. he did this one alone, off one screen, at 11.4% margin, uploaded before the 17:00 cutoff 214 pages of tender documents read, 68 binding clauses pulled out, 9,485 building parts loaded, 14 places found where a duct and a beam sit in the same cubic metre, deepest one 38mm, all of them fixed, 3,318 lines of quantities priced and the package encrypted and uploaded before the 17:00 cutoff this is Graph Engineering: the job gets cut into small nodes, one narrow task each, wired so that one node's output is the next node's input, and any node is allowed to stop the whole run. it turns a model that answers you into a machine that finishes the job: - give every node one job and one output. a node doing two things fails at both and you cannot tell which one broke - put the cheapest rejection first. his qualification node reads clause 7.4, foreign-owned firms barred, and ends the run four seconds in, before anything expensive touches the model - what moves between nodes is a file. the model travels as a model, the quantities as a table, the price as a number - build exactly one loop: the checker finds 14 collisions, the fixer drops the duct 550mm, the checker runs again, and nothing moves on until the count is zero - cap that loop, or a graph will grind on three impossible clashes until the deadline passes - keep one node whose only job is to say no, and give it authority over everything above it - log each node's output on its own, because when the price comes out wrong you need to know which node believed the wrong thing - run the expensive nodes last, always the catch is that a graph is an extremely confident machine: point it at an outdated rate book and it prices an entire hospital off it without a single node noticing, because no node is asked to doubt the input, only to process it so the nodes that earn their keep are the ones that reject, and almost nobody builds those first bookmark this, the full build with all nine nodes and what each one hands to the next is written out in the article ↓

a contractor in Shenzhen priced a ¥12,470,900 hospital contract, about $1.7m, in one afternoon and beat firms carrying forty people he explained how he did it: the bid consultancy he used to pay took three days and ¥46,000 for the same envelope. he did this one alone, off one screen, at 11.4% margin, uploaded before the 17:00 cutoff 214 pages of tender documents read, 68 binding clauses pulled out, 9,485 building parts loaded, 14 places found where a duct and a beam sit in the same cubic metre, deepest one 38mm, all of them fixed, 3,318 lines of quantities priced and the package encrypted and uploaded before the 17:00 cutoff this is Graph Engineering: the job gets cut into small nodes, one narrow task each, wired so that one node's output is the next node's input, and any node is allowed to stop the whole run. it turns a model that answers you into a machine that finishes the job: - give every node one job and one output. a node doing two things fails at both and you cannot tell which one broke - put the cheapest rejection first. his qualification node reads clause 7.4, foreign-owned firms barred, and ends the run four seconds in, before anything expensive touches the model - what moves between nodes is a file. the model travels as a model, the quantities as a table, the price as a number - build exactly one loop: the checker finds 14 collisions, the fixer drops the duct 550mm, the checker runs again, and nothing moves on until the count is zero - cap that loop, or a graph will grind on three impossible clashes until the deadline passes - keep one node whose only job is to say no, and give it authority over everything above it - log each node's output on its own, because when the price comes out wrong you need to know which node believed the wrong thing - run the expensive nodes last, always the catch is that a graph is an extremely confident machine: point it at an outdated rate book and it prices an entire hospital off it without a single node noticing, because no node is asked to doubt the input, only to process it so the nodes that earn their keep are the ones that reject, and almost nobody builds those first bookmark this, the full build with all nine nodes and what each one hands to the next is written out in the article ↓

Argona

38,189 görüntüleme • 24 gün önce

I STOPPED REVIEWING MY OWN AGENT, SOMETHING ELSE DOES IT NOW I used to read every diff it produced and approve most of them, because an agent grading itself always says the work is good. -> Now a second model with different instructions tries to break the work first, and I only read what survived. Here is what is actually in the folder that took over the night shift: • the brief > CONTRACT.md -- what it may touch, and what it may never touch. > VISION.md -- the destination, so turn 47 still knows why it started. • the gate > judge/ -- a different model, never the one that wrote the code. > break-it.md -- it opens the page, clicks, screenshots, reports back. > -- no opinion, just zero or non-zero. > shift.yml -- 03:30 every night, laptop closed. • the memory > receipts/ -- one folder per night, dated and graded. > STATE.md -- where it stopped and what it escalated. > lessons.log -- the flaky test, written down once instead of rediscovered weekly. • the brakes > caps.json -- turn limit, retry limit, spend limit. > -- written on day one, used never. The generator decides what your loop can produce -> The judge decides what it refuses to produce. One of those is the part everyone builds -> The other is why most loops quietly fail. Bookmark it & Read Full breakdown below ↓

I STOPPED REVIEWING MY OWN AGENT, SOMETHING ELSE DOES IT NOW I used to read every diff it produced and approve most of them, because an agent grading itself always says the work is good. -> Now a second model with different instructions tries to break the work first, and I only read what survived. Here is what is actually in the folder that took over the night shift: • the brief > CONTRACT.md -- what it may touch, and what it may never touch. > VISION.md -- the destination, so turn 47 still knows why it started. • the gate > judge/ -- a different model, never the one that wrote the code. > break-it.md -- it opens the page, clicks, screenshots, reports back. > -- no opinion, just zero or non-zero. > shift.yml -- 03:30 every night, laptop closed. • the memory > receipts/ -- one folder per night, dated and graded. > STATE.md -- where it stopped and what it escalated. > lessons.log -- the flaky test, written down once instead of rediscovered weekly. • the brakes > caps.json -- turn limit, retry limit, spend limit. > -- written on day one, used never. The generator decides what your loop can produce -> The judge decides what it refuses to produce. One of those is the part everyone builds -> The other is why most loops quietly fail. Bookmark it & Read Full breakdown below ↓

slash1s

37,556 görüntüleme • 22 gün önce

New open-source agent harness just landed! I got early access to TrueForge by TrueFoundry and have been running it locally for the past few days. The harness layer deserves as much attention as the model, and open source matters here because you can inspect the loop, run it on your own infrastructure, and swap to the latest or cheaper models. TrueForge handles the runtime work that makes an agent reliable. It drives the tool-calling loop, manages context, coordinates subagents, and executes code in a sandbox, with any model you choose. Every tool call re-sends the growing context to the model, so in practice the harness controls most of what an agent costs to run. A few things stood out from my testing and their published benchmarks. Vendor-Neutral by design. It runs OpenAI, Anthropic, and Google models alongside open-weight models like Kimi, GLM, and DeepSeek. Model routing is a setting, and you can send each task to the model that fits it. On a 14-task enterprise agent benchmark, it matched the accuracy of Claude Managed Agents running the same Opus 4.8 model at roughly 30% lower cost per run (3.8M tokens vs 10M for the same answers). Routing the same tasks to GLM-5.2 held accuracy and brought cost down by about 75%, around $3 per run instead of $12. Fully self-hosted and Open Source (MIT License). I had it running locally with one command, with sandboxed code execution working out of the box. It's time to own your agent harness. Thanks to TrueFoundry for partnering on this post.

New open-source agent harness just landed! I got early access to TrueForge by TrueFoundry and have been running it locally for the past few days. The harness layer deserves as much attention as the model, and open source matters here because you can inspect the loop, run it on your own infrastructure, and swap to the latest or cheaper models. TrueForge handles the runtime work that makes an agent reliable. It drives the tool-calling loop, manages context, coordinates subagents, and executes code in a sandbox, with any model you choose. Every tool call re-sends the growing context to the model, so in practice the harness controls most of what an agent costs to run. A few things stood out from my testing and their published benchmarks. Vendor-Neutral by design. It runs OpenAI, Anthropic, and Google models alongside open-weight models like Kimi, GLM, and DeepSeek. Model routing is a setting, and you can send each task to the model that fits it. On a 14-task enterprise agent benchmark, it matched the accuracy of Claude Managed Agents running the same Opus 4.8 model at roughly 30% lower cost per run (3.8M tokens vs 10M for the same answers). Routing the same tasks to GLM-5.2 held accuracy and brought cost down by about 75%, around $3 per run instead of $12. Fully self-hosted and Open Source (MIT License). I had it running locally with one command, with sandboxed code execution working out of the box. It's time to own your agent harness. Thanks to TrueFoundry for partnering on this post.

elvis

11,303 görüntüleme • 4 gün önce

I MADE MY AI AGENT 10X FASTER WITHOUT CHANGING THE MODEL not a smarter model, not a bigger context window, not another clever prompt the same kind of AI that designs vaccines for viruses we have not even met yet was spending two minutes opening the wrong files just to hand me a brief from three months ago the problem was never capability, it was the scaffolding that piled up around my agent by accident, folder by folder an agent does not think in your categories, it searches from scratch every single time, and your tidy human folders are a maze to it the fix was almost stupidly small, one index file at the root of each big folder and a few numbers in front of the folder names slowest task dropped from 2 minutes to 26 seconds, fastest ones hit 10, zero model changes capability is cheap when the scaffolding around it is broken the article breaks down the whole system in 15 minutes ↓

I MADE MY AI AGENT 10X FASTER WITHOUT CHANGING THE MODEL not a smarter model, not a bigger context window, not another clever prompt the same kind of AI that designs vaccines for viruses we have not even met yet was spending two minutes opening the wrong files just to hand me a brief from three months ago the problem was never capability, it was the scaffolding that piled up around my agent by accident, folder by folder an agent does not think in your categories, it searches from scratch every single time, and your tidy human folders are a maze to it the fix was almost stupidly small, one index file at the root of each big folder and a few numbers in front of the folder names slowest task dropped from 2 minutes to 26 seconds, fastest ones hit 10, zero model changes capability is cheap when the scaffolding around it is broken the article breaks down the whole system in 15 minutes ↓

shmidt

36,479 görüntüleme • 1 ay önce

Don't train the model, evolve the harness. I read a brilliant blog post from Hugging Face where they took a frozen open model scoring 0% on a hard legal agent benchmark, left its weights alone, and let an automated loop rewrite only the code around it. That code layer is the harness, the runtime wrapper that feeds the model context, runs its tool calls, and decides when a run ends. By the time the loop finished, the system had essentially matched Sonnet 4.6 on the benchmark's headline metric, at roughly 7x lower cost per task. Zero weights changed. The gain existed because of where the model was failing. The judge only grades files saved in the right place under the exact requested filename, and the model kept doing the legal analysis correctly, then saving it under the wrong name, dropping it in a scratch folder, or never writing it at all. So the 0% was never measuring legal reasoning. It was measuring the harness. Hand-tuning that layer is slow and model-specific, so they automated it. A Claude proposer adds exactly one mechanism per iteration, and an outer loop keeps it only if it clearly beats the current best, so accepted mechanisms compound. What the loop discovered says a lot about where agents actually fail. → The biggest single gain was file handling, not intelligence. An automatic step that lands the deliverable exactly where the judge expects it beat every prompt change, with zero extra model tokens. → Code fixes transferred across models, prompt playbooks did not. The same harness lifted a smaller model from the same family by 14 points, but the tuned prompts hurt a different model family on tasks it could already finish. → The harness mattered more than anything else. Same model, same judge, same tasks, and five different harnesses scored anywhere between 3.5% and 80.1%. The gains do eventually flatten, and the remaining misses look like real capability gaps. At some point the wrapper runs out of tricks and the model has to carry the work. But the lesson holds. A benchmark score measures the model and its harness together, and until the harness is fixed, it's impossible to know which one failed. I highly recommend reading this: I also wrote a deep dive on agent harness engineering a while back, covering the orchestration loop, tools, memory, context management, and everything that turns a stateless LLM into a capable agent. The article is quoted below.

Don't train the model, evolve the harness. I read a brilliant blog post from Hugging Face where they took a frozen open model scoring 0% on a hard legal agent benchmark, left its weights alone, and let an automated loop rewrite only the code around it. That code layer is the harness, the runtime wrapper that feeds the model context, runs its tool calls, and decides when a run ends. By the time the loop finished, the system had essentially matched Sonnet 4.6 on the benchmark's headline metric, at roughly 7x lower cost per task. Zero weights changed. The gain existed because of where the model was failing. The judge only grades files saved in the right place under the exact requested filename, and the model kept doing the legal analysis correctly, then saving it under the wrong name, dropping it in a scratch folder, or never writing it at all. So the 0% was never measuring legal reasoning. It was measuring the harness. Hand-tuning that layer is slow and model-specific, so they automated it. A Claude proposer adds exactly one mechanism per iteration, and an outer loop keeps it only if it clearly beats the current best, so accepted mechanisms compound. What the loop discovered says a lot about where agents actually fail. → The biggest single gain was file handling, not intelligence. An automatic step that lands the deliverable exactly where the judge expects it beat every prompt change, with zero extra model tokens. → Code fixes transferred across models, prompt playbooks did not. The same harness lifted a smaller model from the same family by 14 points, but the tuned prompts hurt a different model family on tasks it could already finish. → The harness mattered more than anything else. Same model, same judge, same tasks, and five different harnesses scored anywhere between 3.5% and 80.1%. The gains do eventually flatten, and the remaining misses look like real capability gaps. At some point the wrapper runs out of tricks and the model has to carry the work. But the lesson holds. A benchmark score measures the model and its harness together, and until the harness is fixed, it's impossible to know which one failed. I highly recommend reading this: I also wrote a deep dive on agent harness engineering a while back, covering the orchestration loop, tools, memory, context management, and everything that turns a stateless LLM into a capable agent. The article is quoted below.

Akshay 🚀

244,567 görüntüleme • 1 ay önce

I just built a Meta Ads diagnostic in Claude Code that tells you WHY your account broke, not just what changed 🤯 It spins up a team of agents that each investigate a different reason performance dropped, then argue against each other to kill the wrong answer before it ever reaches you. All inside Claude Code. Perfect for DTC brands and agencies who panic-kill creative the second CPA spikes. If you've watched ROAS fall off a cliff and opened Ads Manager with ten tabs going, you already know what happens next. Your gut says "creative fatigue." You kill your best-performing ad. A week later performance is still broken, because that was never the problem. Guessing wrong is the most expensive move in paid social. This workflow ends the guessing: → One agent investigates each competing theory — creative fatigue, budget and delivery changes, traffic quality, offer and seasonality → Each one is blind to the others, reasoning only from its own slice of the data so they can't bias each other → A refuter agent then attacks every surviving theory and tries to kill it → A theory only stands if the data can't disprove it → You get a ranked diagnosis: the real cause, the evidence for and against it, and the one move to make this week No anchoring on the first obvious answer. No killing winning creative on a hunch. No "here's what happened" reports that never tell you why. What you get: → Every theory tested in parallel instead of one biased guess → An adversarial pass that kills the wrong answer before you act on it → A ranked diagnosis with confidence levels and evidence both ways → A reusable workflow you drop next month's export into and re-run Built 100% in Claude Code with the new dynamic workflows. The first account I ran it on looked like textbook creative fatigue. The workflow disagreed, and traced the real cause to a budget change that had doubled spend and flooded delivery with junk traffic. I put together a full playbook with the exact workflow, the prompt, and how to run it on your own account. Want it for free? > Like this post > Comment "META" And I'll send it over (must be following so I can DM)

I just built a Meta Ads diagnostic in Claude Code that tells you WHY your account broke, not just what changed 🤯 It spins up a team of agents that each investigate a different reason performance dropped, then argue against each other to kill the wrong answer before it ever reaches you. All inside Claude Code. Perfect for DTC brands and agencies who panic-kill creative the second CPA spikes. If you've watched ROAS fall off a cliff and opened Ads Manager with ten tabs going, you already know what happens next. Your gut says "creative fatigue." You kill your best-performing ad. A week later performance is still broken, because that was never the problem. Guessing wrong is the most expensive move in paid social. This workflow ends the guessing: → One agent investigates each competing theory — creative fatigue, budget and delivery changes, traffic quality, offer and seasonality → Each one is blind to the others, reasoning only from its own slice of the data so they can't bias each other → A refuter agent then attacks every surviving theory and tries to kill it → A theory only stands if the data can't disprove it → You get a ranked diagnosis: the real cause, the evidence for and against it, and the one move to make this week No anchoring on the first obvious answer. No killing winning creative on a hunch. No "here's what happened" reports that never tell you why. What you get: → Every theory tested in parallel instead of one biased guess → An adversarial pass that kills the wrong answer before you act on it → A ranked diagnosis with confidence levels and evidence both ways → A reusable workflow you drop next month's export into and re-run Built 100% in Claude Code with the new dynamic workflows. The first account I ran it on looked like textbook creative fatigue. The workflow disagreed, and traced the real cause to a budget change that had doubled spend and flooded delivery with junk traffic. I put together a full playbook with the exact workflow, the prompt, and how to run it on your own account. Want it for free? > Like this post > Comment "META" And I'll send it over (must be following so I can DM)

Mike Futia

12,772 görüntüleme • 2 ay önce

Another WTF moment. A developer just open-sourced a coding agent harness that boots 245x faster than Claude Code. It's called jcode. You launch it and the first frame renders in 14 milliseconds. Claude Code takes 3,436. One active session uses 27.8 MB of RAM. Claude Code uses 386.6. Run ten sessions in parallel and jcode holds at 117 MB while OpenCode swells to 3.2 GB. Each agent has a semantic memory graph instead of a scratchpad. Every turn gets embedded as a vector. The graph is queried on every turn for related memories, and a sideagent verifies the hits before injecting them into context. Consolidation runs in the background to check for stale or conflicting facts. No manual /remember calls. No token burn on lookup tools. The provider list is 30+ deep. Claude, ChatGPT, Gemini, GitHub Copilot, Azure, OpenRouter, DeepSeek, Groq, Mistral, Perplexity, Fireworks, Ollama, LM Studio, and any OpenAI-compatible endpoint you point it at. Ran out of tokens on your first ChatGPT Pro sub? /account swaps to the second. Then there's Swarm. Spawn two agents in the same repo and the server manages them. When agent A edits a file agent B has been reading, agent B gets pinged and can check the diff. Agents can DM each other, broadcast to the room, or spawn their own worker teams for parallel tasks. Groups, channels, and completion statuses are handled automatically. The UI has live side panels that render mermaid diagrams inline. To make it fast, the author wrote a Rust mermaid renderer 1800x faster than the JavaScript one, then wrote a custom terminal called Handterm because no existing terminal could do smooth partial-line scrolling. Self-dev mode is where it gets wild. Tell your agent to enter self-dev and it starts editing jcode's own source code, rebuilds the binary, reloads it live, and keeps working across your existing sessions. You can also resume broken sessions from Claude Code, Codex, OpenCode, or pi directly inside jcode. Anthropic's cache goes cold at the 5-minute mark and you're staring down a big cache miss on your next turn? The UI warns you before you spend the tokens. Written in Rust. MIT licensed. Runs on macOS, Windows, Linux, and Termux. Sitting at 11.2k stars with a native iOS app coming.

Another WTF moment. A developer just open-sourced a coding agent harness that boots 245x faster than Claude Code. It's called jcode. You launch it and the first frame renders in 14 milliseconds. Claude Code takes 3,436. One active session uses 27.8 MB of RAM. Claude Code uses 386.6. Run ten sessions in parallel and jcode holds at 117 MB while OpenCode swells to 3.2 GB. Each agent has a semantic memory graph instead of a scratchpad. Every turn gets embedded as a vector. The graph is queried on every turn for related memories, and a sideagent verifies the hits before injecting them into context. Consolidation runs in the background to check for stale or conflicting facts. No manual /remember calls. No token burn on lookup tools. The provider list is 30+ deep. Claude, ChatGPT, Gemini, GitHub Copilot, Azure, OpenRouter, DeepSeek, Groq, Mistral, Perplexity, Fireworks, Ollama, LM Studio, and any OpenAI-compatible endpoint you point it at. Ran out of tokens on your first ChatGPT Pro sub? /account swaps to the second. Then there's Swarm. Spawn two agents in the same repo and the server manages them. When agent A edits a file agent B has been reading, agent B gets pinged and can check the diff. Agents can DM each other, broadcast to the room, or spawn their own worker teams for parallel tasks. Groups, channels, and completion statuses are handled automatically. The UI has live side panels that render mermaid diagrams inline. To make it fast, the author wrote a Rust mermaid renderer 1800x faster than the JavaScript one, then wrote a custom terminal called Handterm because no existing terminal could do smooth partial-line scrolling. Self-dev mode is where it gets wild. Tell your agent to enter self-dev and it starts editing jcode's own source code, rebuilds the binary, reloads it live, and keeps working across your existing sessions. You can also resume broken sessions from Claude Code, Codex, OpenCode, or pi directly inside jcode. Anthropic's cache goes cold at the 5-minute mark and you're staring down a big cache miss on your next turn? The UI warns you before you spend the tokens. Written in Rust. MIT licensed. Runs on macOS, Windows, Linux, and Termux. Sitting at 11.2k stars with a native iOS app coming.

Brady Long

205,781 görüntüleme • 27 gün önce

$Somewhere around sixty you get handed a new set of instructions. Lift lighter. Keep the reps high. Do not tax yourself too much. Put the saved effort into cardio. It is the exact reverse of what an ageing body needs, and the people handing it out have the mechanism sitting right in front of them. Recovery gets worse with age. Nobody argues with that. The older body clears fatigue more slowly, repairs more slowly, and tolerates far less accumulated work before progress stops entirely. Every GP, every physio, every trainer will nod along to that sentence. Then watch what gets prescribed on the back of it. High reps. Long burning sets. Circuits. Three sessions of cardio stacked on top. A protocol whose main product is fatigue, given to the person with the least capacity left to absorb any. They identified a recovery problem and prescribed more recovery cost. The answer runs the other way and it is not complicated. If your recovery budget has shrunk, you spend it on whatever returns the most growth per unit of fatigue, and that is a heavy set of five. Four to six reps, a handful of lifts, three minutes between sets, done inside the hour. Nearly every rep is a growth rep. Almost nothing goes on the burning, the sweating and the gasping, which build nothing at all and then bill you for four days. Twenty-five reps taken to failure is a fortnight of fatigue for a fraction of the stimulus. That is not the cautious option for a sixty-five-year-old. It is the most reckless thing on the timetable. Now the part that actually matters. Ageing is not one process. It is a list. Muscle wastes. Bone thins. Tendon softens. The fast fibres that catch you when the pavement arrives early vanish first while the slow ones sit there in perfect health. Motor units drop out. The nervous system stops asking for full effort because nothing has demanded full effort in fifteen years. Read that list back and tell me what heavy resistance training does. It builds muscle. It loads bone, which is the only language bone speaks. It stiffens tendon. It recruits the fast fibres, because that is what heavy means physiologically and there is no other route in. It forces the nervous system to ask for everything again. Every item on the list of what ageing takes is on the list of what a heavy set gives back. Nothing else on earth does that. Not a walk, not a class, not a pill, not twenty minutes on a machine with the paper open. You were told to go gently because somebody quietly decided you were finishing. Go heavy, because you are not.$

Somewhere around sixty you get handed a new set of instructions. Lift lighter. Keep the reps high. Do not tax yourself too much. Put the saved effort into cardio. It is the exact reverse of what an ageing body needs, and the people handing it out have the mechanism sitting right in front of them. Recovery gets worse with age. Nobody argues with that. The older body clears fatigue more slowly, repairs more slowly, and tolerates far less accumulated work before progress stops entirely. Every GP, every physio, every trainer will nod along to that sentence. Then watch what gets prescribed on the back of it. High reps. Long burning sets. Circuits. Three sessions of cardio stacked on top. A protocol whose main product is fatigue, given to the person with the least capacity left to absorb any. They identified a recovery problem and prescribed more recovery cost. The answer runs the other way and it is not complicated. If your recovery budget has shrunk, you spend it on whatever returns the most growth per unit of fatigue, and that is a heavy set of five. Four to six reps, a handful of lifts, three minutes between sets, done inside the hour. Nearly every rep is a growth rep. Almost nothing goes on the burning, the sweating and the gasping, which build nothing at all and then bill you for four days. Twenty-five reps taken to failure is a fortnight of fatigue for a fraction of the stimulus. That is not the cautious option for a sixty-five-year-old. It is the most reckless thing on the timetable. Now the part that actually matters. Ageing is not one process. It is a list. Muscle wastes. Bone thins. Tendon softens. The fast fibres that catch you when the pavement arrives early vanish first while the slow ones sit there in perfect health. Motor units drop out. The nervous system stops asking for full effort because nothing has demanded full effort in fifteen years. Read that list back and tell me what heavy resistance training does. It builds muscle. It loads bone, which is the only language bone speaks. It stiffens tendon. It recruits the fast fibres, because that is what heavy means physiologically and there is no other route in. It forces the nervous system to ask for everything again. Every item on the list of what ageing takes is on the list of what a heavy set gives back. Nothing else on earth does that. Not a walk, not a class, not a pill, not twenty minutes on a machine with the paper open. You were told to go gently because somebody quietly decided you were finishing. Go heavy, because you are not.

Sama Hoole

16,526 görüntüleme • 22 gün önce

ANTHROPIC ENGINEER JUST SHOWS EXACTLY WHAT GRAPH ENGINEERING LOOKS LIKE WHEN A TASK RUNS THROUGH IT most people arguing about graphs online have never actually watched one execute Task → Researcher → Planner → Writer + Code Agent → Reviewer → Deploy six nodes, one shared state, graph completes itself while you watch loop mode gets disabled the second the task splits into real specialties, one agent stops trying to do everything at once reviewer catches a failure, kicks it straight back to the exact node that broke - not a full restart, no lost context the graph is not a fancier loop - it is the org chart your agents were missing bookmark this and watch it run, then read the article below to see why the timeline just found what production systems already do

ANTHROPIC ENGINEER JUST SHOWS EXACTLY WHAT GRAPH ENGINEERING LOOKS LIKE WHEN A TASK RUNS THROUGH IT most people arguing about graphs online have never actually watched one execute Task → Researcher → Planner → Writer + Code Agent → Reviewer → Deploy six nodes, one shared state, graph completes itself while you watch loop mode gets disabled the second the task splits into real specialties, one agent stops trying to do everything at once reviewer catches a failure, kicks it straight back to the exact node that broke - not a full restart, no lost context the graph is not a fancier loop - it is the org chart your agents were missing bookmark this and watch it run, then read the article below to see why the timeline just found what production systems already do

leopardracer

53,328 görüntüleme • 1 ay önce

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

Blaze

38,242 görüntüleme • 3 ay önce

Sold 32 coins. Bought 1,550. 48 times more, at a 15% discount, into the crash the market blamed on the sale. Strategy disclosed today that while everyone panicked over its $2.5 million Bitcoin sale, it was quietly buying the dip that panic created. 1,550 Bitcoin for $101 million, at $65,332 a coin, far below the $77,135 it sold for and below its own cost basis. The bears called the sale the first crack, a forced liquidation, the start of the death spiral. The answer was a buy 48 times the size of the sale that scared them. This is the machine we described: a state-contingent allocator. Above its funding line, it turns market access into Bitcoin. The sale was the exception. The buy is the rule. It also closed the question the sale opened. The cash reserve behind the preferred dividends had thinned to $900 million, about six months of cover. He rebuilt it to $1 billion in the same week. But watch how, because that is the real story. He funded none of it with coins. He funded it with $181 million of freshly issued stock, then spent it on Bitcoin and the reserve. The coins were never the funding source. The equity is. That is the flywheel working exactly as built, and the cost of it surfacing at the same time. Every turn now runs on issuing shares, and the premium that once made each share buy more Bitcoin than it diluted has compressed hard. He bought low. He sold his own stock low to do it. So the question quietly turns. It was never whether Saylor sells his Bitcoin. He just proved again that he buys far more than he sells. It is what each turn of the engine now costs in dilution, and how long the market keeps paying a premium worth that cost. He bought the dip. The dip was partly his own making. And he paid for it in equity, not coins.

Sold 32 coins. Bought 1,550. 48 times more, at a 15% discount, into the crash the market blamed on the sale. Strategy disclosed today that while everyone panicked over its $2.5 million Bitcoin sale, it was quietly buying the dip that panic created. 1,550 Bitcoin for $101 million, at $65,332 a coin, far below the $77,135 it sold for and below its own cost basis. The bears called the sale the first crack, a forced liquidation, the start of the death spiral. The answer was a buy 48 times the size of the sale that scared them. This is the machine we described: a state-contingent allocator. Above its funding line, it turns market access into Bitcoin. The sale was the exception. The buy is the rule. It also closed the question the sale opened. The cash reserve behind the preferred dividends had thinned to $900 million, about six months of cover. He rebuilt it to $1 billion in the same week. But watch how, because that is the real story. He funded none of it with coins. He funded it with $181 million of freshly issued stock, then spent it on Bitcoin and the reserve. The coins were never the funding source. The equity is. That is the flywheel working exactly as built, and the cost of it surfacing at the same time. Every turn now runs on issuing shares, and the premium that once made each share buy more Bitcoin than it diluted has compressed hard. He bought low. He sold his own stock low to do it. So the question quietly turns. It was never whether Saylor sells his Bitcoin. He just proved again that he buys far more than he sells. It is what each turn of the engine now costs in dilution, and how long the market keeps paying a premium worth that cost. He bought the dip. The dip was partly his own making. And he paid for it in equity, not coins.

Shanaka Anslem Perera ⚡

142,587 görüntüleme • 2 ay önce

They did not take cursive from the schools because children no longer needed it. They took it because of what it was quietly building in them. Consider what the exercise actually is. A child, six years old, is handed a pen and asked to draw a single unbroken line that becomes a word. The wrist must float. The fingers must hold a living pressure, never quite the same twice, always correcting. The eye must follow the ink forward and trust the hand to finish what it has begun. There is no lifting, no stopping, no starting over mid-word. The loop must close. The ascender must rise and return. The sentence must travel from one margin to the other as a single continuous gesture, and at the end of it the hand must still be steady. Twelve years of this. Every day. Ten thousand small acts of sustained, self-correcting attention, carried out below the level of conscious thought, until the motion belongs to the body and the body belongs to the motion. This is not penmanship. It is the slow construction of an interior form. The hand that has learned to carry a line without breaking it is the hand of a mind that has learned to carry a thought without breaking it. The two are not metaphors for one another. They are the same faculty, trained in the same child, by the same daily discipline. Continuity of the stroke becomes continuity of the reasoning. The patience of the loop becomes the patience of the argument. The commitment to finish a word one has started becomes the commitment to finish a sentence, a paragraph, a life's idea, without reaching for the nearest distraction halfway through. Print is a different creature entirely. Print lifts. Print stops. Print assembles a word out of separate, stamped, interchangeable pieces, each one beginning and ending in isolation. A mind raised only on print learns to think the way print is made, in discrete tokens, in replaceable units, in fragments that can be recombined by any outside hand without the owner noticing the substitution. It is precisely the shape of thought a language model produces. It is precisely the shape of thought a language model can steer. Cursive is kata. This is the whole of it. A form repeated daily, for years, not for the sake of the form but for what the repetition lays down in the practitioner beneath the form. The swordsman does not train kata so that one day he may fight in kata. He trains it so that when the moment comes and there is no time to think, the movement is already inside him, older and deeper than thought, and it rises on its own. Cursive was the kata of the literate mind, the daily quiet drilling of continuity, of patience, of a line held steady under the long pressure of its own length. And the signature it produced at the end, that small flourished mark unique to a single human being on earth, was only the outward proof of an inward form no machine and no other hand could ever reproduce. Take the kata away and the practitioner is left with vocabulary in place of faculty. He can recognise a whole thought when he encounters one. He cannot carry one himself. He can admire a finished argument. He cannot sustain one long enough to close its loop. He begins books he does not finish, sentences he does not end, ideas he abandons the moment the screen in his palm offers him a brighter one. And when the machine begins feeding him tokens in the exact shape his schooling taught him to receive, he meets it with no interior resistance at all, because no interior form was ever built in him to push back with. They removed it quietly, across a generation, and they removed it in the last years before the machines arrived. Twelve years of daily practice in unbroken, embodied, self-authored thought, gone from the curriculum of almost every child in the Western world, just as the instruments designed to complete their sentences for them came online. The hand forgets. The mind, having never been taught the kata, forgets a thing it never knew it had. That is what cursive was. That is what was taken. And that is why the thought of anyone who still writes by hand, in long unlifted lines, remains, quietly, stubbornly, and without their ever needing to announce it, their own. Now the question stands open. What else has been banned, phased out, quietly retired from the curriculum and from common life over these same decades, under the same soft excuses? Mental arithmetic. Memorisation of poetry. Latin. Logic as a formal subject. Map reading. Knot work. The keeping of a commonplace book. The reading aloud of long passages in class. Singing in parts. What was each of those actually building in the child, beneath the surface of the lesson, and whose interest was served by its disappearance?

They did not take cursive from the schools because children no longer needed it. They took it because of what it was quietly building in them. Consider what the exercise actually is. A child, six years old, is handed a pen and asked to draw a single unbroken line that becomes a word. The wrist must float. The fingers must hold a living pressure, never quite the same twice, always correcting. The eye must follow the ink forward and trust the hand to finish what it has begun. There is no lifting, no stopping, no starting over mid-word. The loop must close. The ascender must rise and return. The sentence must travel from one margin to the other as a single continuous gesture, and at the end of it the hand must still be steady. Twelve years of this. Every day. Ten thousand small acts of sustained, self-correcting attention, carried out below the level of conscious thought, until the motion belongs to the body and the body belongs to the motion. This is not penmanship. It is the slow construction of an interior form. The hand that has learned to carry a line without breaking it is the hand of a mind that has learned to carry a thought without breaking it. The two are not metaphors for one another. They are the same faculty, trained in the same child, by the same daily discipline. Continuity of the stroke becomes continuity of the reasoning. The patience of the loop becomes the patience of the argument. The commitment to finish a word one has started becomes the commitment to finish a sentence, a paragraph, a life's idea, without reaching for the nearest distraction halfway through. Print is a different creature entirely. Print lifts. Print stops. Print assembles a word out of separate, stamped, interchangeable pieces, each one beginning and ending in isolation. A mind raised only on print learns to think the way print is made, in discrete tokens, in replaceable units, in fragments that can be recombined by any outside hand without the owner noticing the substitution. It is precisely the shape of thought a language model produces. It is precisely the shape of thought a language model can steer. Cursive is kata. This is the whole of it. A form repeated daily, for years, not for the sake of the form but for what the repetition lays down in the practitioner beneath the form. The swordsman does not train kata so that one day he may fight in kata. He trains it so that when the moment comes and there is no time to think, the movement is already inside him, older and deeper than thought, and it rises on its own. Cursive was the kata of the literate mind, the daily quiet drilling of continuity, of patience, of a line held steady under the long pressure of its own length. And the signature it produced at the end, that small flourished mark unique to a single human being on earth, was only the outward proof of an inward form no machine and no other hand could ever reproduce. Take the kata away and the practitioner is left with vocabulary in place of faculty. He can recognise a whole thought when he encounters one. He cannot carry one himself. He can admire a finished argument. He cannot sustain one long enough to close its loop. He begins books he does not finish, sentences he does not end, ideas he abandons the moment the screen in his palm offers him a brighter one. And when the machine begins feeding him tokens in the exact shape his schooling taught him to receive, he meets it with no interior resistance at all, because no interior form was ever built in him to push back with. They removed it quietly, across a generation, and they removed it in the last years before the machines arrived. Twelve years of daily practice in unbroken, embodied, self-authored thought, gone from the curriculum of almost every child in the Western world, just as the instruments designed to complete their sentences for them came online. The hand forgets. The mind, having never been taught the kata, forgets a thing it never knew it had. That is what cursive was. That is what was taken. And that is why the thought of anyone who still writes by hand, in long unlifted lines, remains, quietly, stubbornly, and without their ever needing to announce it, their own. Now the question stands open. What else has been banned, phased out, quietly retired from the curriculum and from common life over these same decades, under the same soft excuses? Mental arithmetic. Memorisation of poetry. Latin. Logic as a formal subject. Map reading. Knot work. The keeping of a commonplace book. The reading aloud of long passages in class. Singing in parts. What was each of those actually building in the child, beneath the surface of the lesson, and whose interest was served by its disappearance?

SiriusB

443,560 görüntüleme • 4 ay önce

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

69,389 görüntüleme • 3 ay önce

a moonshot engineer leaked the benchmark anthropic, openai and xai all buried the same week: kimi k3 beat opus 5, gpt-5.6 and grok 4.6 at $0.94 a task. stop paying anthropic $200 a month for opus 5 and openai $200 for gpt-5.6 when kimi does the same work for $8 the leak showed kimi k3 winning 9 of 12 categories against opus 5, gpt-5.6 and grok 4.6. within 48 hours all three labs quietly pushed pricing pages and one very specific comparison chart off their sites. nobody announced anything. they just deleted, which tells you everything the four numbers they scrubbed: cost per task · $0.94 vs $1.80 -> opus 5 charges $1.80 to finish one task. gpt-5.6 $1.04. grok 4.6 $0.61. kimi k3 $0.94 and it landed 487 of 500 clean -> anthropic is billing you double for a model that lost the benchmark it paid to promote the weights · free, sitting on huggingface right now -> the entire model is a public download. pull it, keep it, run it forever, nobody can switch it off -> a model you can hold cannot be rented at $200 a month. that single fact is what three labs deleted a chart over the switch · one line of bash -> moonshot ships an anthropic-compatible endpoint. one env variable and claude code points at kimi -> same cli, same keybindings, same /model. you change a url, opus 5 never knows it lost the seat the bill · $400 down to $8 -> opus 5 max plus gpt-5.6 pro is $400 a month. kimi runs the same daily work for $8 metered -> that is a 98% cut for output that beat both of them 9 categories to 3 here is the part they will fight me on: the frontier tax died the week this leaked and all three labs know it. once the weights are public the price has a ceiling, because anyone can serve the same model. anthropic, openai and xai are charging 2025 prices on a lead that ended in a benchmark they deleted instead of answered drop your $400/mo ai stack to $8. the run above is kimi k3 finishing the task opus 5 bills $1.80 for. the full breakdown is in the article below

a moonshot engineer leaked the benchmark anthropic, openai and xai all buried the same week: kimi k3 beat opus 5, gpt-5.6 and grok 4.6 at $0.94 a task. stop paying anthropic $200 a month for opus 5 and openai $200 for gpt-5.6 when kimi does the same work for $8 the leak showed kimi k3 winning 9 of 12 categories against opus 5, gpt-5.6 and grok 4.6. within 48 hours all three labs quietly pushed pricing pages and one very specific comparison chart off their sites. nobody announced anything. they just deleted, which tells you everything the four numbers they scrubbed: cost per task · $0.94 vs $1.80 -> opus 5 charges $1.80 to finish one task. gpt-5.6 $1.04. grok 4.6 $0.61. kimi k3 $0.94 and it landed 487 of 500 clean -> anthropic is billing you double for a model that lost the benchmark it paid to promote the weights · free, sitting on huggingface right now -> the entire model is a public download. pull it, keep it, run it forever, nobody can switch it off -> a model you can hold cannot be rented at $200 a month. that single fact is what three labs deleted a chart over the switch · one line of bash -> moonshot ships an anthropic-compatible endpoint. one env variable and claude code points at kimi -> same cli, same keybindings, same /model. you change a url, opus 5 never knows it lost the seat the bill · $400 down to $8 -> opus 5 max plus gpt-5.6 pro is $400 a month. kimi runs the same daily work for $8 metered -> that is a 98% cut for output that beat both of them 9 categories to 3 here is the part they will fight me on: the frontier tax died the week this leaked and all three labs know it. once the weights are public the price has a ceiling, because anyone can serve the same model. anthropic, openai and xai are charging 2025 prices on a lead that ended in a benchmark they deleted instead of answered drop your $400/mo ai stack to $8. the run above is kimi k3 finishing the task opus 5 bills $1.80 for. the full breakdown is in the article below

starmex

30,636 görüntüleme • 2 gün önce

Vorflux has opened its new cloud platform, allowing users to run tasks from a plan to a merged PR on a dedicated machine. It can plan, build, test, and review on its own. > Diff reviews are done by a different model family than the one that wrote it by default. > First boot is saved as a snapshot, with all subsequent sessions waking up from that same starting point. > A browser agent walks through the real user flow, and the recording is included in the pull request. Video proof in the PR 👀

Vorflux has opened its new cloud platform, allowing users to run tasks from a plan to a merged PR on a dedicated machine. It can plan, build, test, and review on its own. > Diff reviews are done by a different model family than the one that wrote it by default. > First boot is saved as a snapshot, with all subsequent sessions waking up from that same starting point. > A browser agent walks through the real user flow, and the recording is included in the pull request. Video proof in the PR 👀

🚨 AI News | TestingCatalog

11,385 görüntüleme • 6 gün önce

The largest theft in history has already happened. The people behind it just cannot open what they stole yet. Right now, intelligence agencies and criminal groups are quietly copying the world's encrypted data, bank records, medical files, state secrets, private messages, and storing every byte untouched. They cannot read any of it. They are collecting it anyway, because they know the key is about to be invented. The strategy has a name, harvest now, decrypt later, and in 2026 it stopped being theory. Washington declared this the Year of Quantum Security in January, backed by the FBI, the NSA, and NIST. Canada ordered every federal agency to file a migration plan by April. Europe set its deadline for December. Governments do not impose operational deadlines on a someday problem. They do it when the clock is already running. Here is what moved the clock. Every password, every transfer, every secret on Earth is protected by one assumption, that a certain math problem is too hard to solve. Quantum computers solve exactly that problem. For years the machine that could do it looked decades away. Then in late 2025 Google's Willow chip cracked the hardest part of building one, and in March 2026 Google's own researchers estimated that breaking the encryption behind Bitcoin might take fewer than 500,000 qubits, down from 20 million, and could run in minutes. The day this becomes real has a name, Q-Day, and the latest estimates place it between 2030 and 2033. Now make it concrete. Roughly 6.5 million Bitcoin, about a third of every coin that will ever exist, worth close to 500 billion dollars, sit in addresses that have already exposed the very key a quantum computer needs. That includes the coins of Satoshi, the anonymous creator. On Q-Day they become, in the researchers' own word, trivially stealable. It would not look like a crash or a whale selling. It would look like half a trillion dollars of the most secure money ever built simply walking out the door. The asset designed to trust no one and no institution turns out to rest on a single unverified bet, that one math problem stays hard forever. This is what sits beneath the entire digital world. A bank balance, a Bitcoin, a classified cable, all of it is real only because of a proof you supposedly cannot forge. Quantum breaks the proof. Everything we call secure is true only until someone finally checks, and for the first time the check is visible on the horizon. You cannot know whether your data has already been copied. You cannot know the exact day the key arrives. The trust holding up the digital age is a clock counting down to a zero no one can see. The honest counter matters. No machine on Earth can break this encryption today, and serious cryptographers still argue the real threat is a decade or more away. The timeline is far from certain. Quantum-safe codes already exist, the migration has started, and Bitcoin can move its coins to safety before Q-Day if it acts in time. The danger is not that everything breaks tomorrow. It is that anything which must stay secret into the 2030s, a state secret, an identity, a private key, is being stolen today and is already on the clock. The breach is not coming. It is already here, sitting in storage, perfectly encrypted, waiting for a machine that does not exist yet to read it out loud. Research and opinion, not investment advice.

The largest theft in history has already happened. The people behind it just cannot open what they stole yet. Right now, intelligence agencies and criminal groups are quietly copying the world's encrypted data, bank records, medical files, state secrets, private messages, and storing every byte untouched. They cannot read any of it. They are collecting it anyway, because they know the key is about to be invented. The strategy has a name, harvest now, decrypt later, and in 2026 it stopped being theory. Washington declared this the Year of Quantum Security in January, backed by the FBI, the NSA, and NIST. Canada ordered every federal agency to file a migration plan by April. Europe set its deadline for December. Governments do not impose operational deadlines on a someday problem. They do it when the clock is already running. Here is what moved the clock. Every password, every transfer, every secret on Earth is protected by one assumption, that a certain math problem is too hard to solve. Quantum computers solve exactly that problem. For years the machine that could do it looked decades away. Then in late 2025 Google's Willow chip cracked the hardest part of building one, and in March 2026 Google's own researchers estimated that breaking the encryption behind Bitcoin might take fewer than 500,000 qubits, down from 20 million, and could run in minutes. The day this becomes real has a name, Q-Day, and the latest estimates place it between 2030 and 2033. Now make it concrete. Roughly 6.5 million Bitcoin, about a third of every coin that will ever exist, worth close to 500 billion dollars, sit in addresses that have already exposed the very key a quantum computer needs. That includes the coins of Satoshi, the anonymous creator. On Q-Day they become, in the researchers' own word, trivially stealable. It would not look like a crash or a whale selling. It would look like half a trillion dollars of the most secure money ever built simply walking out the door. The asset designed to trust no one and no institution turns out to rest on a single unverified bet, that one math problem stays hard forever. This is what sits beneath the entire digital world. A bank balance, a Bitcoin, a classified cable, all of it is real only because of a proof you supposedly cannot forge. Quantum breaks the proof. Everything we call secure is true only until someone finally checks, and for the first time the check is visible on the horizon. You cannot know whether your data has already been copied. You cannot know the exact day the key arrives. The trust holding up the digital age is a clock counting down to a zero no one can see. The honest counter matters. No machine on Earth can break this encryption today, and serious cryptographers still argue the real threat is a decade or more away. The timeline is far from certain. Quantum-safe codes already exist, the migration has started, and Bitcoin can move its coins to safety before Q-Day if it acts in time. The danger is not that everything breaks tomorrow. It is that anything which must stay secret into the 2030s, a state secret, an identity, a private key, is being stolen today and is already on the clock. The breach is not coming. It is already here, sitting in storage, perfectly encrypted, waiting for a machine that does not exist yet to read it out loud. Research and opinion, not investment advice.

Shanaka Anslem Perera ⚡

185,515 görüntüleme • 1 ay önce

The first time people see this place, they assume it is AI-generated. It is not. This wonder is real and it has stood in the sea for thirteen hundred years... It is called Mont Saint-Michel, a small island off the coast of Normandy, where a medieval abbey rises in tiers of stone straight out of the sea, climbing to a single golden spire nearly a hundred metres above the water. There is nothing around it. It stands alone in a vast bay, and the effect is so strange that the eye struggles to accept it: a whole city of stone, floating between the water and the sky. What makes it stranger still is that the sea around it disappears. Mont Saint-Michel sits in a bay with the highest tides in continental Europe. Twice a day the ocean retreats for kilometres, leaving the abbey stranded on a desert of wet sand, and twice a day it floods back in and turns the rock into an island again. The same place is, within hours, surrounded by ocean and surrounded by emptiness. For more than a thousand years, this rhythm has never once stopped. Victor Hugo, who loved it, described it perfectly in 1884: “Mont-Saint-Michel is to France what the Great Pyramid is to Egypt.” I started this newsletter because our past is extraordinary, and fewer and fewer people are showing us how to truly see it. Every week I try to. If that is something you would like to be part of, you can join at the link below, and if you'd like to support my work, a paid subscription is what makes it possible: Thanks for reading.

The first time people see this place, they assume it is AI-generated. It is not. This wonder is real and it has stood in the sea for thirteen hundred years... It is called Mont Saint-Michel, a small island off the coast of Normandy, where a medieval abbey rises in tiers of stone straight out of the sea, climbing to a single golden spire nearly a hundred metres above the water. There is nothing around it. It stands alone in a vast bay, and the effect is so strange that the eye struggles to accept it: a whole city of stone, floating between the water and the sky. What makes it stranger still is that the sea around it disappears. Mont Saint-Michel sits in a bay with the highest tides in continental Europe. Twice a day the ocean retreats for kilometres, leaving the abbey stranded on a desert of wet sand, and twice a day it floods back in and turns the rock into an island again. The same place is, within hours, surrounded by ocean and surrounded by emptiness. For more than a thousand years, this rhythm has never once stopped. Victor Hugo, who loved it, described it perfectly in 1884: “Mont-Saint-Michel is to France what the Great Pyramid is to Egypt.” I started this newsletter because our past is extraordinary, and fewer and fewer people are showing us how to truly see it. Every week I try to. If that is something you would like to be part of, you can join at the link below, and if you'd like to support my work, a paid subscription is what makes it possible: Thanks for reading.

James Lucas

327,441 görüntüleme • 2 ay önce

A trio of mathematicians built the first physical model of a “monostable” tetrahedron, a shape that will always flip-flop onto the same face no matter what side you place it on. In order for it to work properly, it had to be engineered to a level of precision within one-tenth of a gram and one-tenth of a millimeter. (From the archive)

A trio of mathematicians built the first physical model of a “monostable” tetrahedron, a shape that will always flip-flop onto the same face no matter what side you place it on. In order for it to work properly, it had to be engineered to a level of precision within one-tenth of a gram and one-tenth of a millimeter. (From the archive)

Quanta Magazine

64,746 görüntüleme • 5 ay önce

🚨Gemini 3.6 Flash is trash I tested it on a 3D Golden Gate Bridge, and the results were awful. • I had to re-prompt it three times because it repeatedly ignored the instructions. • First attempt, instead of creating the requested .html file, it first tried to build the experience inside the Gemini app using simulations. • Then second attempt it started placing images from the web into the chat rather than actually producing the file. • Even after getting it to complete the task, the final output was dramatically worse than Gemini 3.1 Pro, which is 5 months old and now not even a top 10 model on leaderboards. This feels like a regression from Gemini 3.5 Flash and honestly, it is one of the weakest models I have tested in the past few months. Has anyone else tested Gemini 3.6 Flash yet, and are you seeing the same thing?

🚨Gemini 3.6 Flash is trash I tested it on a 3D Golden Gate Bridge, and the results were awful. • I had to re-prompt it three times because it repeatedly ignored the instructions. • First attempt, instead of creating the requested .html file, it first tried to build the experience inside the Gemini app using simulations. • Then second attempt it started placing images from the web into the chat rather than actually producing the file. • Even after getting it to complete the task, the final output was dramatically worse than Gemini 3.1 Pro, which is 5 months old and now not even a top 10 model on leaderboards. This feels like a regression from Gemini 3.5 Flash and honestly, it is one of the weakest models I have tested in the past few months. Has anyone else tested Gemini 3.6 Flash yet, and are you seeing the same thing?

Lumina

72,213 görüntüleme • 1 ay önce