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something strange is happening... i don't think we've fully processed it yet. over the last few weeks, i've watched entire functions of a company collapse into software. desktop automation → heyclicky by Farza 🇵🇰🇺🇸 app dev → superapp ai Vitalik Kotik content → arcads by Romain Torres workflows →...

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Kritarth Mittal | Soshals

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32,875 görüntüleme • 1 ay önce •via X (Twitter)

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"You know, I don't, I have not changed. I really make the movies for myself. I really, really do." Q: "For no one else, or just sort of like what you ultimately want to see in them?" "Yeah, I think so." Q: "As a fan yourself, too? "What I want to see, yeah, like as a, like, you only have the benchmark of yourself. Like, if you ever try and make a movie for someone other than yourself... I feel like you're going to blow it. "Because you can't, you don't know how anyone else is going to feel. So like, you know, you go, 'okay, do I find that emotionally real? Do I find that interesting? Is that the Krypton I want to go to? Is that the Superman I want to see fight?' "You know, those are the questions you ask yourself constantly. And I think once you, if you're constantly answering yes to that, then you'll end up the more, the film will end up being more interesting to you. "And ultimately, the film being interesting to you allows you to make the movie better because you're interested. "If you make it for someone else over a two-year period, you're just going to not give a sh*t at some point because you're just like, 'I don't care. This is not my movie. I don't care about this movie because I made it for someone else.'" Q: "I imagine that's a very hard thing to do in Hollywood, though, is to keep your vision clear with so much collaboration, with so much going on, with so many other people in the mix." "It really depends on the project. For instance, it was hard on Guardians, you know, where I feel like what ended up happening on that movie was people, we did end up, they did end up asking me like, 'this is for kids, right?' "And I got to honestly say that I knew it was for kids, but I didn't want to make it for kids. You know what I mean? And I think that's what happened to that movie. It did get like second guessed at the end and turned more into a movie for kids. "My point of view is I can think like a child if I want. I have that enthusiasm for movies and what I think is cool. You, the collective you, don't need to try and second guess me and go, 'this is what we think a kid would like.' "And then it's like, 'oh, a song' or whatever. Then you're just like, 'okay, whatever.'"
2:14

"You know, I don't, I have not changed. I really make the movies for myself. I really, really do." Q: "For no one else, or just sort of like what you ultimately want to see in them?" "Yeah, I think so." Q: "As a fan yourself, too? "What I want to see, yeah, like as a, like, you only have the benchmark of yourself. Like, if you ever try and make a movie for someone other than yourself... I feel like you're going to blow it. "Because you can't, you don't know how anyone else is going to feel. So like, you know, you go, 'okay, do I find that emotionally real? Do I find that interesting? Is that the Krypton I want to go to? Is that the Superman I want to see fight?' "You know, those are the questions you ask yourself constantly. And I think once you, if you're constantly answering yes to that, then you'll end up the more, the film will end up being more interesting to you. "And ultimately, the film being interesting to you allows you to make the movie better because you're interested. "If you make it for someone else over a two-year period, you're just going to not give a sh*t at some point because you're just like, 'I don't care. This is not my movie. I don't care about this movie because I made it for someone else.'" Q: "I imagine that's a very hard thing to do in Hollywood, though, is to keep your vision clear with so much collaboration, with so much going on, with so many other people in the mix." "It really depends on the project. For instance, it was hard on Guardians, you know, where I feel like what ended up happening on that movie was people, we did end up, they did end up asking me like, 'this is for kids, right?' "And I got to honestly say that I knew it was for kids, but I didn't want to make it for kids. You know what I mean? And I think that's what happened to that movie. It did get like second guessed at the end and turned more into a movie for kids. "My point of view is I can think like a child if I want. I have that enthusiasm for movies and what I think is cool. You, the collective you, don't need to try and second guess me and go, 'this is what we think a kid would like.' "And then it's like, 'oh, a song' or whatever. Then you're just like, 'okay, whatever.'"

Zack Snyder Film

334,960 görüntüleme • 7 ay önce

This is insane... No really.. I just randomly tried superapp to build an mvp - a Duolingo style app for AI upskilling and it was ready in 20 minutes Then I played with Seedance 2.0 inside arcads for a while and built an n8n agent that fetches all these ai ugc videos promoting the app and posts on IG and TikTok You know what's crazy? 800+ people signed up to get access. And the app DOESN'T even exist yet. It is just a static MVP, but still did a good enough job to attract real users (who may eventually become paying customers) This is the future Sell before you build. Move fast with AI, build a distribution engine, and scale to $1m ARR with a single-person team For now, my stack is simple > Claude + Arcads + Superapp I have tried a lot of AI tools... when I say a lot, it really is ridiculously lot of them. I almost have a new dm from a founder every other day. But I use the above stack because Claude → absolute beast with automations Superapp → outputs actual SwiftUI Arcads → most realistic AI ugc + API access And there are so many other tools you can plug into your ecosystem to literally automate and test 10 different app ideas with 50 TikTok accounts. Affiliate deals, AI powered slideshows, n8n automations, custom funnels for every app. It just continues to blow my mind what's possible today. I compiled everything I learned into a single comprehensive Notion guide that explains: → How to find viral-worthy app ideas → How to build production-ready iOS apps → How to distribute your app across channels → and a bunch of free resources Like + comment "AGENT" and I'll send it 📨
0:36

This is insane... No really.. I just randomly tried superapp to build an mvp - a Duolingo style app for AI upskilling and it was ready in 20 minutes Then I played with Seedance 2.0 inside arcads for a while and built an n8n agent that fetches all these ai ugc videos promoting the app and posts on IG and TikTok You know what's crazy? 800+ people signed up to get access. And the app DOESN'T even exist yet. It is just a static MVP, but still did a good enough job to attract real users (who may eventually become paying customers) This is the future Sell before you build. Move fast with AI, build a distribution engine, and scale to $1m ARR with a single-person team For now, my stack is simple > Claude + Arcads + Superapp I have tried a lot of AI tools... when I say a lot, it really is ridiculously lot of them. I almost have a new dm from a founder every other day. But I use the above stack because Claude → absolute beast with automations Superapp → outputs actual SwiftUI Arcads → most realistic AI ugc + API access And there are so many other tools you can plug into your ecosystem to literally automate and test 10 different app ideas with 50 TikTok accounts. Affiliate deals, AI powered slideshows, n8n automations, custom funnels for every app. It just continues to blow my mind what's possible today. I compiled everything I learned into a single comprehensive Notion guide that explains: → How to find viral-worthy app ideas → How to build production-ready iOS apps → How to distribute your app across channels → and a bunch of free resources Like + comment "AGENT" and I'll send it 📨

Kritarth Mittal | Soshals

68,573 görüntüleme • 3 ay önce

Two years ago today, Elon Musk introduced xAI with these words: “The overarching goal of xAI is to build a good AGI with the purpose of trying to understand the universe. I think the safest AI, the safest way to build an AI is actually make one that is maximally curious and truth seeking. So you go for try to aspire to the truth with acknowledged error. Does one ever actually get fully to the truth? It's not clear, but one should always aspire to that and try to minimize the error between what you think is true and what is actually true. My theory behind the maximally curious, maximally truthful as being probably the safest approach is that I think to a superintelligence, humanity is much more interesting than not humanity. One can look at the various planets in our solar system, the moons and the asteroids, and really probably all of them combined are not as interesting as humanity. As people know, I'm a huge fan of Mars, but Mars is just much less interesting than Earth with humans on it. And so I think that that kind of approach to growing an AI, and I think that is the right word for it, growing an AI is to grow it with that ambition. I've spent many years thinking about AI safety and worrying about AI safety. And I've been one of the strongest voices calling for AI regulation or oversight just to have some kind of oversight, some kind of referee, so that it's not just up to companies to decide what they want to do. I think there's also a lot to be done with AI safety, with industry cooperation. I kind of like Motion Pictures association, so I think there's value to that as well. But I do think there's got to be some like in any kind of situation that is, even if it's a game, they have referees. So I think it is important for there to be regulation. Like I said, my view on safety is like try to make it maximally curious, maximally truth seeking. And I think this is, this is important that you to avoid the inverse morality problem. Like if you try to program a certain morality, you can have the, you, you can basically invert it and get the opposite, what is sometimes called the Waluigi problem. If you make Luigi, you risk creating Waluigi at the same time. So I think that's a metaphor that a lot of people can appreciate.”
3:14

Two years ago today, Elon Musk introduced xAI with these words: “The overarching goal of xAI is to build a good AGI with the purpose of trying to understand the universe. I think the safest AI, the safest way to build an AI is actually make one that is maximally curious and truth seeking. So you go for try to aspire to the truth with acknowledged error. Does one ever actually get fully to the truth? It's not clear, but one should always aspire to that and try to minimize the error between what you think is true and what is actually true. My theory behind the maximally curious, maximally truthful as being probably the safest approach is that I think to a superintelligence, humanity is much more interesting than not humanity. One can look at the various planets in our solar system, the moons and the asteroids, and really probably all of them combined are not as interesting as humanity. As people know, I'm a huge fan of Mars, but Mars is just much less interesting than Earth with humans on it. And so I think that that kind of approach to growing an AI, and I think that is the right word for it, growing an AI is to grow it with that ambition. I've spent many years thinking about AI safety and worrying about AI safety. And I've been one of the strongest voices calling for AI regulation or oversight just to have some kind of oversight, some kind of referee, so that it's not just up to companies to decide what they want to do. I think there's also a lot to be done with AI safety, with industry cooperation. I kind of like Motion Pictures association, so I think there's value to that as well. But I do think there's got to be some like in any kind of situation that is, even if it's a game, they have referees. So I think it is important for there to be regulation. Like I said, my view on safety is like try to make it maximally curious, maximally truth seeking. And I think this is, this is important that you to avoid the inverse morality problem. Like if you try to program a certain morality, you can have the, you, you can basically invert it and get the opposite, what is sometimes called the Waluigi problem. If you make Luigi, you risk creating Waluigi at the same time. So I think that's a metaphor that a lot of people can appreciate.”

ELON CLIPS

21,519 görüntüleme • 1 yıl önce

my sweetest lee know 🥹🫳 🐰: initially, it started from the pure joy of the craft. i can only stick with something if it's fun, so for me, enjoying it is the most important part. during our debut days, i always felt rushed and unprepared, like no matter how much i practiced, it wasn't enough. i constantly felt overwhelmed with anxiety. 🐰: i thought i'd get shy in front of a big crowd, but surprisingly, the bigger the crowd, the more confident i felt. 🐰: this is our biggest concert since debut, and i'm so happy for the opportunity to see all the stay around the world. every country has its own vibe and energy, and that uniqueness is what makes it all so exciting. 🐰: sometimes i wonder, what is it that makes people like us so much? it still feels surreal. honestly, being famous is just a label. when i walk around in korea, no one recognizes me. so i don't really feel the fame. i still feel like the same old me. 🐰: i don't think people are moved just by the sound of my voice, but rather by the message of the song i'm singing. so i always try to voice the meaning of the song and hope the message really connects with the fans. is that too "T" (mbti) of an answer? 🐰: i really admire my members, no matter how busy we are, they're still writing songs and creating. so much respect for them. we've built up so much trust over the years that our hearts connect, we can understand each other without saying a word. 🐰: whenever things get tough, i just remind myself why i started all this and what has kept me going. if future k-pop artists ever say, "i wanted to become an idol because of stray kids," i think that would mean the world to me. just like how i became one after looking up to the idols i admired.
3:03

my sweetest lee know 🥹🫳 🐰: initially, it started from the pure joy of the craft. i can only stick with something if it's fun, so for me, enjoying it is the most important part. during our debut days, i always felt rushed and unprepared, like no matter how much i practiced, it wasn't enough. i constantly felt overwhelmed with anxiety. 🐰: i thought i'd get shy in front of a big crowd, but surprisingly, the bigger the crowd, the more confident i felt. 🐰: this is our biggest concert since debut, and i'm so happy for the opportunity to see all the stay around the world. every country has its own vibe and energy, and that uniqueness is what makes it all so exciting. 🐰: sometimes i wonder, what is it that makes people like us so much? it still feels surreal. honestly, being famous is just a label. when i walk around in korea, no one recognizes me. so i don't really feel the fame. i still feel like the same old me. 🐰: i don't think people are moved just by the sound of my voice, but rather by the message of the song i'm singing. so i always try to voice the meaning of the song and hope the message really connects with the fans. is that too "T" (mbti) of an answer? 🐰: i really admire my members, no matter how busy we are, they're still writing songs and creating. so much respect for them. we've built up so much trust over the years that our hearts connect, we can understand each other without saying a word. 🐰: whenever things get tough, i just remind myself why i started all this and what has kept me going. if future k-pop artists ever say, "i wanted to become an idol because of stray kids," i think that would mean the world to me. just like how i became one after looking up to the idols i admired.

lena ✰

18,914 görüntüleme • 4 ay önce

.signüll says we're still in the stone age of AI tools: "I don't think most people are utilizing them anything beyond the basics." "We're in the stone ages of how people view and perceive and use these things, even though there's a billion people utilizing them, but they're not utilizing them to the full capabilities." "The number one challenge... is how do we make this stuff, the power of the models more easily accessible and useful in terms of what they can do." "I think this is happening with agents. It's happening today, but it still seems very primitive and very inaccessible to a lot of individuals... we need to make this stuff much more easily accessible and useful for individuals."
1:26

.signüll says we're still in the stone age of AI tools: "I don't think most people are utilizing them anything beyond the basics." "We're in the stone ages of how people view and perceive and use these things, even though there's a billion people utilizing them, but they're not utilizing them to the full capabilities." "The number one challenge... is how do we make this stuff, the power of the models more easily accessible and useful in terms of what they can do." "I think this is happening with agents. It's happening today, but it still seems very primitive and very inaccessible to a lot of individuals... we need to make this stuff much more easily accessible and useful for individuals."

a16z

186,093 görüntüleme • 3 ay önce

This might be the best "AI Engineer" I've tried so far. ​ I'm an old school developer who started 30 years ago. I feel very uncomfortable letting AI take control of my code, but for the sake of science, I spent two hours building an application that took me weeks to build a couple of years ago. ​ I used Pythagora, a brand new tool backed by Y Combinator. They just released to the public. ​ Keep in mind that I use AI every day to write code, but Pythagora is something different: it's a tool that leads, and uses you—the human—as the copilot. ​ I go into more details in the video, but here is the TLDR; ​ 1. Holy molly! We've made a ton of progress on this front! This is way better than Devin when I tested it a few months back. ​ 2. Love the approach of generating a plan with sub-tasks before writing any code. ​ 3. The tools never tries to do too much: it tackles every small task one at a time, and gives you instructions so you test everything. ​ 4. It does exactly what you'd do when it gets stuck: writes a bunch of logs and uses those to correct itself. Pretty neat! ​ 5. It's fast. It runs locally. It's an extension to Visual Studio Code. ​ I'm impressed, but I don't think this tool is for me. ​ I'm not the type of developer who's ready to relinquish control. I felt I had no connection with the code because I didn't write it. It was not my code. ​ I know many people who don't care about this. I know many people who will get tremendous value out of Pythagora. I hope they keep pushing the limits, providing feedback, and helping this get to a point where old folks like me feel more comfortable using it. ​ Don't take my word for it. The best thing you can do is to give it a try and see how you feel using it. ​ Thanks to the team who built this, for all of the explanations and support, and especially, for sitting and listening to my dumb questions for 2 hours while I tested this.
8:37

This might be the best "AI Engineer" I've tried so far. ​ I'm an old school developer who started 30 years ago. I feel very uncomfortable letting AI take control of my code, but for the sake of science, I spent two hours building an application that took me weeks to build a couple of years ago. ​ I used Pythagora, a brand new tool backed by Y Combinator. They just released to the public. ​ Keep in mind that I use AI every day to write code, but Pythagora is something different: it's a tool that leads, and uses you—the human—as the copilot. ​ I go into more details in the video, but here is the TLDR; ​ 1. Holy molly! We've made a ton of progress on this front! This is way better than Devin when I tested it a few months back. ​ 2. Love the approach of generating a plan with sub-tasks before writing any code. ​ 3. The tools never tries to do too much: it tackles every small task one at a time, and gives you instructions so you test everything. ​ 4. It does exactly what you'd do when it gets stuck: writes a bunch of logs and uses those to correct itself. Pretty neat! ​ 5. It's fast. It runs locally. It's an extension to Visual Studio Code. ​ I'm impressed, but I don't think this tool is for me. ​ I'm not the type of developer who's ready to relinquish control. I felt I had no connection with the code because I didn't write it. It was not my code. ​ I know many people who don't care about this. I know many people who will get tremendous value out of Pythagora. I hope they keep pushing the limits, providing feedback, and helping this get to a point where old folks like me feel more comfortable using it. ​ Don't take my word for it. The best thing you can do is to give it a try and see how you feel using it. ​ Thanks to the team who built this, for all of the explanations and support, and especially, for sitting and listening to my dumb questions for 2 hours while I tested this.

Santiago

211,993 görüntüleme • 1 yıl önce

Interview from 5 months ago with “RA” the new UFO whistleblower Randy Anderson by Gerb Here he describes the sphere encounter and the possible consciousness connection and how his memories of the incident are strangely fuzzy Link to full interview in comments H/T wow RA - “Both the items they had under there, they said somehow interacted with consciousness and, and the way he said it, this is why it's so fuzzy, he said, I wouldn't quote these things 'cause I'm gonna try to just remember the, the, the context. And I, and I can again, like when I meditate and I think about this, I can usually get more back. But just, just like sitting here talking to you and remembering it, it's difficult sometimes. But I remember him saying, we don't understand quite how to operate the systems or how they, but they do interact with consciousness so certain and some people they interact with and some people they don't. So certain people will go up to the object and it will respond. And some people go up to the object and it does nothing. So certain types of, I don't know if that's related to DNA or to consciousness or what, whatever, but it's different. People will have a different response and they, they had us kind of walked closer to the, the window and nothing happened. So we didn't, I mean, I don't know if we got closer or something would've happened, but they, I don't know if they were even looking for that, but maybe, you know, that they, that's one thing he said that like certain people will go near the object and will react. And he didn't describe how it would react. He instead it would react,” RA - “There's a really weird component to this, and I don't know what this means, but when I think back to this particular memory and, and this never happens to me in any other thing, I, I get real fuzzy. It gets real fuzzy, like, like almost like something was purposely done to to, to make it that way. Because I have a very photographic memory and things I've done in the military. Like I can tell you the color of the buttons on a shirt of a guy that I sniped from, you know, 800 feet, 800 meters away. So I mean, I, there's for me to not remember this is really bothers me, but there's, there's some cloudiness when I try to access this part of my brain, you know, I can definitely, maybe it's, it could definitely be the, the objects itself that had, and it felt this, this is why it's difficult because it obviously, it felt weird being down there. Okay. There's, there's something like, there was just, it is an unnatural feeling we're doing. It felt like we were doing something that wasn't normal. I mean, the fact that we were so deep underground, me and the dude were kind of freaked out and, and, but we didn't display that outwardly because we're trained to not do that, you know? But internally, yeah, I was like, what the hell is going on? And when they talk about optimal stuff, they didn't say it like, by the way, aliens are real like you or anything like of that sort. It was just, oh yeah, this is the off world technology division, this is Chuck, this is whatever. And just started talking like everything was normal and we just went along with it because we acted like it was normal, but the first time I'd ever been exposed to it and it, it was a lot to take in. So that could be part of it too.”
4:48

Interview from 5 months ago with “RA” the new UFO whistleblower Randy Anderson by Gerb Here he describes the sphere encounter and the possible consciousness connection and how his memories of the incident are strangely fuzzy Link to full interview in comments H/T wow RA - “Both the items they had under there, they said somehow interacted with consciousness and, and the way he said it, this is why it's so fuzzy, he said, I wouldn't quote these things 'cause I'm gonna try to just remember the, the, the context. And I, and I can again, like when I meditate and I think about this, I can usually get more back. But just, just like sitting here talking to you and remembering it, it's difficult sometimes. But I remember him saying, we don't understand quite how to operate the systems or how they, but they do interact with consciousness so certain and some people they interact with and some people they don't. So certain people will go up to the object and it will respond. And some people go up to the object and it does nothing. So certain types of, I don't know if that's related to DNA or to consciousness or what, whatever, but it's different. People will have a different response and they, they had us kind of walked closer to the, the window and nothing happened. So we didn't, I mean, I don't know if we got closer or something would've happened, but they, I don't know if they were even looking for that, but maybe, you know, that they, that's one thing he said that like certain people will go near the object and will react. And he didn't describe how it would react. He instead it would react,” RA - “There's a really weird component to this, and I don't know what this means, but when I think back to this particular memory and, and this never happens to me in any other thing, I, I get real fuzzy. It gets real fuzzy, like, like almost like something was purposely done to to, to make it that way. Because I have a very photographic memory and things I've done in the military. Like I can tell you the color of the buttons on a shirt of a guy that I sniped from, you know, 800 feet, 800 meters away. So I mean, I, there's for me to not remember this is really bothers me, but there's, there's some cloudiness when I try to access this part of my brain, you know, I can definitely, maybe it's, it could definitely be the, the objects itself that had, and it felt this, this is why it's difficult because it obviously, it felt weird being down there. Okay. There's, there's something like, there was just, it is an unnatural feeling we're doing. It felt like we were doing something that wasn't normal. I mean, the fact that we were so deep underground, me and the dude were kind of freaked out and, and, but we didn't display that outwardly because we're trained to not do that, you know? But internally, yeah, I was like, what the hell is going on? And when they talk about optimal stuff, they didn't say it like, by the way, aliens are real like you or anything like of that sort. It was just, oh yeah, this is the off world technology division, this is Chuck, this is whatever. And just started talking like everything was normal and we just went along with it because we acted like it was normal, but the first time I'd ever been exposed to it and it, it was a lot to take in. So that could be part of it too.”

neandrewthal

41,422 görüntüleme • 1 yıl önce

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare
0:27

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

Chikai

21,488 görüntüleme • 2 yıl önce

🐹: When I first started working on #RUNSEOKJIN_EP.TOUR, I actually had a lot of worries. But as I took on more and more challenges, I got less nervous. And I got to think that this concert is helping me grow even further. I wanted to show you how much I've grown, ARMY. So | challenged myself with this encore, which wasn't planned. 🐹: Did I do okay until the end, ARMY? Today is really the last day. But, you know I didn't know this encore would even happen. And we never know what will happen. And there are upcoming shows from the whole team, probably. And I don't know when [Run Jin] can come back. 🐹: I don't know when we can come back with #RUNSEOKJIN_EP.TOUR. Do you want more? Since there are so many people waiting, so l will prepare my best. Of course, there's nothing that's prepared just yet. But I will still prepare and work hard to run toward ARMY!
1:23

🐹: When I first started working on #RUNSEOKJIN_EP.TOUR, I actually had a lot of worries. But as I took on more and more challenges, I got less nervous. And I got to think that this concert is helping me grow even further. I wanted to show you how much I've grown, ARMY. So | challenged myself with this encore, which wasn't planned. 🐹: Did I do okay until the end, ARMY? Today is really the last day. But, you know I didn't know this encore would even happen. And we never know what will happen. And there are upcoming shows from the whole team, probably. And I don't know when [Run Jin] can come back. 🐹: I don't know when we can come back with #RUNSEOKJIN_EP.TOUR. Do you want more? Since there are so many people waiting, so l will prepare my best. Of course, there's nothing that's prepared just yet. But I will still prepare and work hard to run toward ARMY!

memo⁷

64,792 görüntüleme • 8 ay önce

True happiness comes from helping others: “By far my favorite thing in the world is championing other people. That's just what I enjoy doing. If I look back on my life, the sort of wins that I've had, the things that if you were to write a Wikipedia article about me would be like the accolades or the accomplishments…. I don't care about those things. I don't think about them. When they happened, they didn't do anything for me emotionally or otherwise. For whatever reason that's just not what I enjoy. But when your success happens or when many other people that I and my team have championed, have a win —I feel that deep in my soul and heart and gut in a way that is just more gratifying to me than anything else in the world. And this extends to my kids, my wife, my friends, the CEOs of companies that we've invested in, people that we have on our show, that we tell the world about. That's the repeated thing that I love.”
0:55

True happiness comes from helping others: “By far my favorite thing in the world is championing other people. That's just what I enjoy doing. If I look back on my life, the sort of wins that I've had, the things that if you were to write a Wikipedia article about me would be like the accolades or the accomplishments…. I don't care about those things. I don't think about them. When they happened, they didn't do anything for me emotionally or otherwise. For whatever reason that's just not what I enjoy. But when your success happens or when many other people that I and my team have championed, have a win —I feel that deep in my soul and heart and gut in a way that is just more gratifying to me than anything else in the world. And this extends to my kids, my wife, my friends, the CEOs of companies that we've invested in, people that we have on our show, that we tell the world about. That's the repeated thing that I love.”

David Senra

20,205 görüntüleme • 6 ay önce

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q
1:15

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q

HSNews

179,234 görüntüleme • 4 ay önce

Q: It must be complicated, when I listen to you, to have a private life, somebody to understand your passion and to share this moment. Lewis: "It really is, especially I would say more so today than ever before, which is the way the world is, you know. I look at the other drivers and I wonder how they're doing it. You know, some are having kids and some married, some, you know, most of them girlfriends. I did that when I was in my 20s, but I took a decision to really to maximize my time that I have here because it's not as long as you think and it's limited, you know. And I don't want to look back and be like, ah, if I just gave a little bit more here, I didn't sacrifice my time because I was committed elsewhere." "So I really focused in these last, you know, particularly these last 10 years, like get everything I can out of my performance. Then when I retire, then I can do whatever I want. You know, I can dedicate my time to whatever else it is and not have to worry." "But in this competition time, focus on health, well-being, my mental health, my driving technique, being as good an engineer as I can be, and also being the best teammate that I can potentially be for the guys that I get to work with. That's my sole focus. You know, I want to win." "I've been fortunate enough to win with great teams in the past. Particularly, obviously, with Mercedes and with McLaren, which was incredible. And my dream is to win a championship with Ferrari." "And that's something that hasn't been done for a while. But they have absolutely every ingredient that's needed to win. It's just like getting all the pieces of the puzzle in the right place. And that's what I'm trying to work on in the background with Fred and the whole team." [📹 VIGNERON GAETAN]
2:02

Q: It must be complicated, when I listen to you, to have a private life, somebody to understand your passion and to share this moment. Lewis: "It really is, especially I would say more so today than ever before, which is the way the world is, you know. I look at the other drivers and I wonder how they're doing it. You know, some are having kids and some married, some, you know, most of them girlfriends. I did that when I was in my 20s, but I took a decision to really to maximize my time that I have here because it's not as long as you think and it's limited, you know. And I don't want to look back and be like, ah, if I just gave a little bit more here, I didn't sacrifice my time because I was committed elsewhere." "So I really focused in these last, you know, particularly these last 10 years, like get everything I can out of my performance. Then when I retire, then I can do whatever I want. You know, I can dedicate my time to whatever else it is and not have to worry." "But in this competition time, focus on health, well-being, my mental health, my driving technique, being as good an engineer as I can be, and also being the best teammate that I can potentially be for the guys that I get to work with. That's my sole focus. You know, I want to win." "I've been fortunate enough to win with great teams in the past. Particularly, obviously, with Mercedes and with McLaren, which was incredible. And my dream is to win a championship with Ferrari." "And that's something that hasn't been done for a while. But they have absolutely every ingredient that's needed to win. It's just like getting all the pieces of the puzzle in the right place. And that's what I'm trying to work on in the background with Fred and the whole team." [📹 VIGNERON GAETAN]

sim

86,907 görüntüleme • 11 ay önce

“what do you guys like and admire about each other, whether that's as drivers or as human beings?” lando: “i think what i like about him, just his general attitude of how he approaches everything. i said i think a few weeks ago, but just always pretty calm, pretty relaxed in every situation, stays cool. that's something i admire, and i think it's something that at times i wish i was a little bit more like, but everyone does their own thing. you always try and find what works best for you. but it's all things from every driver, even when i was growing up, that you admire from him, admire from him, and don't like in him, don't like in him, whatever it may be. but i think also the most important thing is just how you get on personally. i've always got on well with my teammates. it's easy not to, it takes one decision to make everything not be the way it is. i think that's something we've done well. it obviously makes our life hard as a team, because we have two drivers fighting for a championship instead of one, and that also has its complications at times, and its difficulties allows for other parties to enter the chat more often. yeah we're still happy that we're both up there, and i think how we've worked together, how we just treat each other, whether it's on the track, off the track, whatever it may be, is just a good way of approaching everything. not everyone would agree with it, which is completely acceptable and understandable, but i think we both have a similar approach in terms of just wanting to go on track, prove who's better, try and drive the quickest, but also come off and enjoy our life when the helmet's off, when it's just us as people, us as personalities, and i think that's something that i have a lot of respect for and i enjoy, i think, and i'll look back on in 10 years' time and say the same thing” oscar: “yeah i mean his car collection, i'm trying to catch up (?) 😄 but no, i mean i think honestly, similar things. i think it's nice that we are able to leave what happens on track, on the track, and be friendly off the track. i think it's, like lando said, it's very easy for it to not be that way, and that definitely takes cooperation from both parties. so yeah, i think for me that's probably what i mean, admire sounds a bit strong in teammates, but i think that is a very good strength of lando’s”
3:11

“what do you guys like and admire about each other, whether that's as drivers or as human beings?” lando: “i think what i like about him, just his general attitude of how he approaches everything. i said i think a few weeks ago, but just always pretty calm, pretty relaxed in every situation, stays cool. that's something i admire, and i think it's something that at times i wish i was a little bit more like, but everyone does their own thing. you always try and find what works best for you. but it's all things from every driver, even when i was growing up, that you admire from him, admire from him, and don't like in him, don't like in him, whatever it may be. but i think also the most important thing is just how you get on personally. i've always got on well with my teammates. it's easy not to, it takes one decision to make everything not be the way it is. i think that's something we've done well. it obviously makes our life hard as a team, because we have two drivers fighting for a championship instead of one, and that also has its complications at times, and its difficulties allows for other parties to enter the chat more often. yeah we're still happy that we're both up there, and i think how we've worked together, how we just treat each other, whether it's on the track, off the track, whatever it may be, is just a good way of approaching everything. not everyone would agree with it, which is completely acceptable and understandable, but i think we both have a similar approach in terms of just wanting to go on track, prove who's better, try and drive the quickest, but also come off and enjoy our life when the helmet's off, when it's just us as people, us as personalities, and i think that's something that i have a lot of respect for and i enjoy, i think, and i'll look back on in 10 years' time and say the same thing” oscar: “yeah i mean his car collection, i'm trying to catch up (?) 😄 but no, i mean i think honestly, similar things. i think it's nice that we are able to leave what happens on track, on the track, and be friendly off the track. i think it's, like lando said, it's very easy for it to not be that way, and that definitely takes cooperation from both parties. so yeah, i think for me that's probably what i mean, admire sounds a bit strong in teammates, but i think that is a very good strength of lando’s”

ray

102,070 görüntüleme • 7 ay önce

lando asked whether his relationship with oscar changed: “it's still the same. and i think we both are happy that that's how it is. it's because we both have a lot of respect for one another and we both understand the position that we're in. and we both treat the world of driving versus just personally what we're like away from the track, quite differently. that's how i've always been. i feel like i've always gone on well with my teammates since go-karting. i've always wanted to because it just makes my life more fun, more enjoyable and that's also why i'm here. it's because i love what i do, so the more i can do that, the better. but we still just very much understand that we're here, we work for mclaren, we want the best for the team. we work very hard and as drivers always do, you try and maximize your own performance more than anything. but then when we step out of the car, we can still have a joke. we still have laughs in our debriefs, and we still enjoy everything away from the track. so, no i think it's still better than ever in many ways. i think we're still very different people. he's very just calm down to earth, very relaxed, always looks just cool, and that's something i also admire quite a bit, is how just plain sailing he is with a lot of things. it's a good attribute to have. always hard to read what mood he's in, but i think probably for me, you see more visually kind of the moods i'm in. but otherwise, it's not like we go play golf together and do things like i have done with carlos, daniel i didn't play golf with. but we're still different people, but in terms of relationship, we get along well. we still work together well and i think it's still better than it's ever been”
1:59

lando asked whether his relationship with oscar changed: “it's still the same. and i think we both are happy that that's how it is. it's because we both have a lot of respect for one another and we both understand the position that we're in. and we both treat the world of driving versus just personally what we're like away from the track, quite differently. that's how i've always been. i feel like i've always gone on well with my teammates since go-karting. i've always wanted to because it just makes my life more fun, more enjoyable and that's also why i'm here. it's because i love what i do, so the more i can do that, the better. but we still just very much understand that we're here, we work for mclaren, we want the best for the team. we work very hard and as drivers always do, you try and maximize your own performance more than anything. but then when we step out of the car, we can still have a joke. we still have laughs in our debriefs, and we still enjoy everything away from the track. so, no i think it's still better than ever in many ways. i think we're still very different people. he's very just calm down to earth, very relaxed, always looks just cool, and that's something i also admire quite a bit, is how just plain sailing he is with a lot of things. it's a good attribute to have. always hard to read what mood he's in, but i think probably for me, you see more visually kind of the moods i'm in. but otherwise, it's not like we go play golf together and do things like i have done with carlos, daniel i didn't play golf with. but we're still different people, but in terms of relationship, we get along well. we still work together well and i think it's still better than it's ever been”

ray

129,217 görüntüleme • 7 ay önce

Tucker Carlson: "The whole point is to humiliate and degrade the indigenous population of the British Isles, the white population. I mean, that's the whole point. And are they really going to do something about it? What would that be exactly? You'd really have to force a lot of people to go back to their countries of origin, millions of people, and you need to do it really soon." "And are they actually willing to do that? I don't know. But these are existential questions that we have been browbeat into ignoring for decades." "But the question is like, is Ireland Ireland? If it's majority non-Irish, oh, shut up. They're Irish. No, they're actually not Irish. Same with the UK, same with England, Scotland, Wales." "Like, it's all changing so fast. Nothing like this has ever happened in all of history, except when, say, the Mongols swept across the steppe and raped everybody. Like, that was true demographic change on this scale." "But even that wasn't as profound as what we're seeing in every white country around the world. I would say the West, but Australia and New Zealand also. So like, what is that? Now, my brain is not big enough to understand what that is. I think, I mean, I have a lot of theories about it, but I don't know if they're true. All I know is what the numbers are. And that's real." "And no one feels that he can say it. Everyone's like, oh, well, if that were happening in China or India or Malaysia or Senegal, it doesn't matter. You'd be like, what the hell is that? Like, the population is totally different." "Look at graduation. Pick, I don't know, King's College Law School and look at the graduation picture for the last 30 years. Who's in it? Just like, let your eyes tell you the truth for once." "Like, this is a total change in population. Is it better? Is it worse? Can't have that conversation. Who's pushing this? Does the population want it? The population clearly doesn't want it." "There's no polling that's meaningful on the subject. I mean, there's no referendum on it. You don't get to decide. You've got no voice in it other than you get to go to jail if you complain loudly enough about it. What is this? I think it's the biggest and darkest thing that has happened in the last thousand years, for sure. And I think it's leading somewhere really, really bad." "It's not happening by accident. That's obvious because it's only happening in white countries. I mean, I think. Oh, shut up, white supremacist. In fact, I'm not a white supremacist. I'm just noticing what the hell's going on."
2:08

Tucker Carlson: "The whole point is to humiliate and degrade the indigenous population of the British Isles, the white population. I mean, that's the whole point. And are they really going to do something about it? What would that be exactly? You'd really have to force a lot of people to go back to their countries of origin, millions of people, and you need to do it really soon." "And are they actually willing to do that? I don't know. But these are existential questions that we have been browbeat into ignoring for decades." "But the question is like, is Ireland Ireland? If it's majority non-Irish, oh, shut up. They're Irish. No, they're actually not Irish. Same with the UK, same with England, Scotland, Wales." "Like, it's all changing so fast. Nothing like this has ever happened in all of history, except when, say, the Mongols swept across the steppe and raped everybody. Like, that was true demographic change on this scale." "But even that wasn't as profound as what we're seeing in every white country around the world. I would say the West, but Australia and New Zealand also. So like, what is that? Now, my brain is not big enough to understand what that is. I think, I mean, I have a lot of theories about it, but I don't know if they're true. All I know is what the numbers are. And that's real." "And no one feels that he can say it. Everyone's like, oh, well, if that were happening in China or India or Malaysia or Senegal, it doesn't matter. You'd be like, what the hell is that? Like, the population is totally different." "Look at graduation. Pick, I don't know, King's College Law School and look at the graduation picture for the last 30 years. Who's in it? Just like, let your eyes tell you the truth for once." "Like, this is a total change in population. Is it better? Is it worse? Can't have that conversation. Who's pushing this? Does the population want it? The population clearly doesn't want it." "There's no polling that's meaningful on the subject. I mean, there's no referendum on it. You don't get to decide. You've got no voice in it other than you get to go to jail if you complain loudly enough about it. What is this? I think it's the biggest and darkest thing that has happened in the last thousand years, for sure. And I think it's leading somewhere really, really bad." "It's not happening by accident. That's obvious because it's only happening in white countries. I mean, I think. Oh, shut up, white supremacist. In fact, I'm not a white supremacist. I'm just noticing what the hell's going on."

Camus

875,757 görüntüleme • 10 ay önce

Jay, the artist that you are 🥹 🐈‍⬛: Well, I'm the type of person who tends to overthink things. It's not just as simple as "oh, there's no water". My perspective has shifted a bit. Of course, being a good singer, dancer, and being good-looking are all very important aspects of being an artist...that's the core of the job. But I've come to feel that, even before being a singer, it's a profession that affects a lot of people, not just bringing joy, but also a wide range of emotions. Especially in places like fan sign events, where I get to have sincere conversations with fans, I realized early after debut that what we give isn't just joy or quick dopamine hits. That's really only a small part of it. Over time, I started to feel more deeply about how my actions, the way I think, and the influence I have might affect others. It made me reflect a lot. The idea of what's "right"...the definition of that is something no one can set in stone. Everyone has their own standard of what's right. But even so, I want to do my best to be someone who lives by what I believe is right and try to pass that on to others as much as I can. So I often find myself hitting a wall, constantly questioning what "right" even is. Even if I think one way, someone else might think differently. That makes me more cautious about the things I say. Because of that, I've had more and more fans come to me for advice, sharing their worries, even asking for guidance about their future when we talk in person. And every time that happens, I really feel the weight of my words.
2:20

Jay, the artist that you are 🥹 🐈‍⬛: Well, I'm the type of person who tends to overthink things. It's not just as simple as "oh, there's no water". My perspective has shifted a bit. Of course, being a good singer, dancer, and being good-looking are all very important aspects of being an artist...that's the core of the job. But I've come to feel that, even before being a singer, it's a profession that affects a lot of people, not just bringing joy, but also a wide range of emotions. Especially in places like fan sign events, where I get to have sincere conversations with fans, I realized early after debut that what we give isn't just joy or quick dopamine hits. That's really only a small part of it. Over time, I started to feel more deeply about how my actions, the way I think, and the influence I have might affect others. It made me reflect a lot. The idea of what's "right"...the definition of that is something no one can set in stone. Everyone has their own standard of what's right. But even so, I want to do my best to be someone who lives by what I believe is right and try to pass that on to others as much as I can. So I often find myself hitting a wall, constantly questioning what "right" even is. Even if I think one way, someone else might think differently. That makes me more cautious about the things I say. Because of that, I've had more and more fans come to me for advice, sharing their worries, even asking for guidance about their future when we talk in person. And every time that happens, I really feel the weight of my words.

• SHANTI • 🎧

78,388 görüntüleme • 1 yıl önce

AI Mocap tools are evolving at breakneck speed... and I could find more than 10 all compiled and compared in a list you can get by subscribing to the XR AI Spotlight newsletter (link on top of my profile). This is Cartwheel and the stepping on that box was one of the most solid I saw. There is a bit of floatiness in the feet and they are not perfectly grounded, but since I tested the tool, the team has pushed massive improvement. What AI mocap tool do you use in your workflow? Let me know in the comments
0:24

AI Mocap tools are evolving at breakneck speed... and I could find more than 10 all compiled and compared in a list you can get by subscribing to the XR AI Spotlight newsletter (link on top of my profile). This is Cartwheel and the stepping on that box was one of the most solid I saw. There is a bit of floatiness in the feet and they are not perfectly grounded, but since I tested the tool, the team has pushed massive improvement. What AI mocap tool do you use in your workflow? Let me know in the comments

Gabriele Romagnoli

34,907 görüntüleme • 8 ay önce

Here's what 🇺🇸 Sydney McLaughlin-Levrone had to say about the possibility of a 400m-400m hurdles double at a meet, when asked by Eddie Pells. "'Is it possible?' is one thing. 'Do I want to do it?' is another. I think it's something that I even have to consider. I don't know if that's what I want to do. I think anything is possible. I think it's just a matter of: What are my goals? What am I setting out to do? I want to put myself in the best position possible to be the best that I can be. Those are two really hard events with really great fields. You can not discredit any of those women. That's a big undertaking. I just take it one race at a time." #WorldAthleticsChamps
0:40

Here's what 🇺🇸 Sydney McLaughlin-Levrone had to say about the possibility of a 400m-400m hurdles double at a meet, when asked by Eddie Pells. "'Is it possible?' is one thing. 'Do I want to do it?' is another. I think it's something that I even have to consider. I don't know if that's what I want to do. I think anything is possible. I think it's just a matter of: What are my goals? What am I setting out to do? I want to put myself in the best position possible to be the best that I can be. Those are two really hard events with really great fields. You can not discredit any of those women. That's a big undertaking. I just take it one race at a time." #WorldAthleticsChamps

Chris Chavez

169,590 görüntüleme • 10 ay önce

Like many of you, I was troubled by my last guest. I’ve followed Jason Ladayne for over a year, and I’ve seen him do things with a deck of cards that left me flabbergasted, amused, bemused, amazed, and occasionally, gob smacked. Most of it, however, can be explained by raw skill. Jason is one of the best card mechanics to ever live, and when the cards are in his control, he can conjure up anything. But what he does in this clip takes things to another level. Watch it and tell me what you think. I cut the deck several times when his back is turned. There’s no way he can see what I’m doing. After the final cut, which is left entirely up to me, I take three cards off the top, and put them into my shirt pocket. Jason tells me to remove one. Any one. I doesn’t matter which. And somehow, he knows what it is. Likewise, the other two. How? On the other hand, do I really want to know? I think I do. But the world is more interesting with a bit of mystery, right?
5:45

Like many of you, I was troubled by my last guest. I’ve followed Jason Ladayne for over a year, and I’ve seen him do things with a deck of cards that left me flabbergasted, amused, bemused, amazed, and occasionally, gob smacked. Most of it, however, can be explained by raw skill. Jason is one of the best card mechanics to ever live, and when the cards are in his control, he can conjure up anything. But what he does in this clip takes things to another level. Watch it and tell me what you think. I cut the deck several times when his back is turned. There’s no way he can see what I’m doing. After the final cut, which is left entirely up to me, I take three cards off the top, and put them into my shirt pocket. Jason tells me to remove one. Any one. I doesn’t matter which. And somehow, he knows what it is. Likewise, the other two. How? On the other hand, do I really want to know? I think I do. But the world is more interesting with a bit of mystery, right?

The Real Mike Rowe

178,032 görüntüleme • 1 ay önce