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Sometimes an animator gotta do a bit of pec bouncing too... 😅😅 I had fun animating this swoll Marmalade in Bad Guys2. 💪🐹 #badguys2 #animation #3danimation #animatedmovies #dreamworks #badguys #anime #2d #2danimation

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I’m posting this, why? I really don’t know why. Other than some idiot told me my leg was f***ed up, looked horrible, that I should wear long pants and should be embarrassed to wear shorts. I turned and quietly walked away. Still, it struck a nerve, it pissed me off. Years ago I took a boat propeller through that knee. I had bilateral tib/fib fractures. Had 13 fractures between the two legs. I had the whole death experience thing. It was a miracle I lived. I was not supposed to keep the leg. They were doubtful I would ever walk again. I spent 4 months in a hospital bed. Did time in a wheelchair. Spent over a year on crutches. Had a cane for a while. There were numerous surgeries. I worked my tail off trying to recover and return to normal. It took many years to get rid of the limp. I now walk without a limp. I run. I bicycle. I snow ski. And some idiot is going to have issue with how my leg looks? Well, that is just too darn bad. Go get a life. I’ll probably delete this in a day or two, but right now I am a bit pissed. Okay, and admittedly a bit bothered by it. It is amazing that it bothered as much as it did. Guess maybe deep inside I was remembering how it used to make me feel when people made fun of me back when I had a limp, and worse yet, how people (yes, strangers) would make fun of me in public when I just starting to walk and had trouble controlling my legs. So, really just venting, shouting into the void. That is all. I am sure I will be okay in the morning.

Steve Mullaney

113,882 次观看 • 1 个月前

🦕💬 • 260611 [01:03 AM KST] 41 voice notes transcripted/translated in order: hi how did you like made by riize? you’re asking if i ate dinner? i didn’t eat. i ate lunch kind of late, but i ate a hearty lunch. i also wanted to do a live as i finished work, but while wondering if i should do a live or not, something new to do popped up. and while i was doing it, it got too late. so i'll do a live later. go knicks! lately, the NBA's a hot topic lately. knicks. crazy. i don't know, you know... basketball that well, but i remember growing up they were sort of *the team* that people, yk cheered on. but i don't remember anyone saying that they were doing great, or anything. but apparently they're in the finals rn and they're doing rly well, so also can't forget the world cup. world cup season rn, so... just sports season.. sports season, crazy, yeah? [singing dyd] how is it? riize's challenge. easy, right? do it lots, please~ these days, a lot of short-form [videos] are coming up, as you've probably seen. I thought it might be fun if everyone did that together... what do you think? live... there's a way to turn it on, but even if i turned it on, i'm not sure if i could do it well. i don't have confidence rn so i'm talking like this wa, but there's only 4 days left for our comeback.. only 4 days left... how is it? are you guys looking forward to it? are u guys excited? we're going to ulsan the 15th, and wonbin hyung, said he's buying us lunch... not really. but it's our first time going to ulsan all together. we'll have our comeback there. i think it'll be fun. also, the 15th we're doing a comeback live.. we've been doing it every comeback... and at the live stream we'll be high school students.. but it could honestly be university students too.. or really just do it without a concept, but i think it'll be fun... just... it'll be fun... so, while doing that we'll talk about the comeback whatever happens i want us all to just create fun memories together, and since it’s summer, how about you all enjoy summer together with riize... how does that feel? how's this pfp? i like it ㅎㅎ engddongi, eng, engddon ah, right. also with taro hyung, we'll appear at salon drip... i also think that will be fun when it comes out. the recording was also fun, with doyeon nuna.. please watch it ah... you guys can hear the dryer? i won't tell you who's clothes it's drying, it's a secret~ since you could look at this as something im trying out instead of doing a live stream i won't be able to do it super often or every single day, but I think it wouldn't be bad to use this feature again sometime what do you think? ah, but languages are difficult it's not easy to unify into just one language now, but on the other hand, it's really fun. somehow, this chat room..? is that right? realizing that this place is totally global and international is in a way pretty cool. haha anyway, after a long time i rode a bike again.. there was a lot of sunlight... sunlight.. did lots of photosynthesis but what was a real mistake was first of all the bicycle didnt have a basket, and I didnt wear a comfortable backpack. i came out carrying a somewhat awkward/uncomfortable bag, so i really messed up on top of that the bicycle was incredibly heavy, but then the battery completely died... so I almost cried. without even realizing it I had gone so far away so I suffered a bit. that’s the story i also have the feeling i bruised my butt a bit... ㅎㅎ but that will also become a funny memory, right? how's riizing summer vacation? i think there were really a lot of funny moments... sungchan hyung was so funny... sungchan hyung said somewhere he hasn't eaten ramyeon in a year ㅎㅎ and sungchan hyung honestly isn't the type to eat ramen alone, he's on the not eating it side... but he's always like 'one bite, one bite'... so if we put all that together, wouldn't it be a plate of ramen?ㅎㅎ for me, at the beginning of our debut, it was a bit... you know how while filming content, i ended up grilling meat and all? but now, grilling meat... well, i don't think it's that bad also, back when we went to japan to shoot our album jacket photos and the trailer, we visited a lot of vinyl (LP) shops... and that was actually the first time in my life buying an LP with my own money when i was young i went to la to play, and then there was this famous 'amoeba music' store. i looked around and everything, but honestly back then i really wasn't that much interested in LPs. so i bought things like a lot of stickers and used them to decorate my laptop. somehow, after that time, [it was like] I truly spent time in a vinyl shop? but visiting now that I'm a bit older, it was so much fun there are so many songs I don’t know, and tons of songs that aren't even famous so back then in japan, duran duran is a really famous band, but I bought duran duran's Notorious LP and then I also bought Barry Finnertys,, barrynims NY City LP. what was so surprising was that as soon as I listened to the LP, the sound and quality were so good that I was like, 'wow, what is this?' but when I looked it up on the internet, it only had like 3,000 views on YouTube? I think it was 3,000, so because it was so good, I bought it. and after that yesterday too while wandering around here and there, i happened to walk into a cafe and they had LPs there too so yesterday, I bought one or two ㅎㅎ lp's no mater how you look it they have a vibe... its true that nowadays you can just look up and listen to everything on your phone, but another good thing about it (lps) is that I think it’s really great for finding songs you don't know so when going to the lp shop you get to learn a lot of new songs that you didn't know before. even if you don't go with the sole purpose of buying an LP, it's just... really great for discovering things... should I say? a riize lp would also be good... back then, during boom boom bass, we even went there and did all that stuff with our LP too... how was the video editing? back then when i went to school when doing things like presentations, together with other students we would edit videos.. i did lowkey find that kind of stuff pretty fun though because it was pretty much my first time [doing that] since back during those days... but really i think it was fun like... yeah.. i want to try to do it again when i was young i did draw. i drew for fun but it had been such a long time since i last properly sat down and tried to draw something properly with a pencil.. i think it's been such a long time i'm probably the worst at drawing in my family? ㅎㅎ my dad's good, my mom's also good.. my grandpa also draws reaññu well. but it was fun drawing again, so i also want to try that again... why is there so many things i want to do? really why is it? and above all, i want to work really hard on music so that someday i can show you even more. now, like from the trailer to the full version that was uploaded to our site... those kinds of things are a bit different from just being a song, though.. now everyone, let's try meditating together with me sorry.. anyways.. i have to leave in a couple hours actually, so.. time to hit the hay, yeehaw i can't fall asleep right away ㅎㅎ this.. seems like it might be a bit difficult to interpret/translate.. (yes anton, it is,,,) next time it might be better to just turn on a live stream instead ㅎㅎ sorry wow... sleep is really not coming... [1 video] [1 picture] ok jinja gn

🧼

37,315 次观看 • 2 个月前

I learned this the hard way: do NOT use SwiftUI if you want your app to look and feel amazing. At least when coding with AI. (sorry, Apple colleagues reading this 😅) I'm sharing my process vibe coding this calorie tracker. I get a lot of questions about the fluid transition in the video. Here's the whole story. Initially, Claude built the grid with SwiftUI. It was quick and easy, and looked good! But the transition to the day view was a boring navigation push/pop. No fun. I wanted something custom. I asked Claude to make it a fluid transition that remaps the food tiles from their source to destination positions. All hell broke loose. Claude tried a bunch of horrible things. Initially it used matched geometry effects, which worked OK but didn't lend themselves well to gesture-driven animations. So it resorted to SwiftUI preference keys + geometry readers to figure out the source and destination positions and calculate the interpolated position based on gesture progress, coordinating across grid and day views. But this meant it had to write a custom layout because it couldn't reposition tiles inside the native SwiftUI grid. And it had to do an awkward handoff between views, which always created ugly pops or jumps. And don't get me started on trying to put it on a bouncy spring, that only made the math 10x buggier. Fortunately, Claude Fable was smart enough to see that this was becoming a disaster (and discover most of the issues itself, in the simulator), so it pivoted away from SwiftUI. Opus might not be so wise, so you'll have to pay attention and intervene. Ultimately, it rewrote it in plain UIKit and everything turned out great. After that, we moved from 2D images to 3D assets, which introduced a new set of performance challenges and yet another rewrite to a single Metal layer, which is what you see below. I can write more about the 2D-to-3D saga if anyone's interested. If I were to do it again, I'd just say "Don't use SwiftUI" from the very first prompt, and save a few hours of headaches. SwiftUI can be amazing for a human iterating directly in code. But agents don't benefit from any of its advantages. Plus, agents have seen decades of UIKit training data, so they're great at writing it, and it's far more flexible. Here's hoping we see more agent-friendly iterations of SwiftUI in the future. Till then, I'm probably going to avoid it.

Anshu

115,013 次观看 • 2 个月前

Everyone's sleeping on image-to-3D AI models. They can make your app look incredibly unique, with just a little effort. Here's how. This is my calorie tracker, built in a week with nothing but prompting. Just Claude Code + a couple APIs. The visuals are all AI-generated. I'll be sharing the full workflow + all the crazy technical stuff Claude and I did to make this work, so nobody has to struggle through it like me. Deep dive coming soon! Till then, this is the high-level idea: 1. Get a clean image of the food (or whatever your asset is) - In my app, the user describes foods via text, or attaches images (or both) - If text, an LLM extracts the food description and formats it into a specific prompt I tuned for this design, and we generate an image using Z-Image Turbo through fal - If image, we do the same thing but with FLUX.2 [dev] to edit the user image into our reference design - Originally, both used Google Nano Banana, but switching to open models cut costs and latency a ton 2. Gaussian splatting (2D image → 3D model) - I tried various 2D-to-3D options on fal and ended up with TripoSplat as my preferred balance of speed, cost, latency; this turns an image into a 3D model that looks super high quality (link below) - The app displays the 2D image while our backend generates the 3D splat - We "groom" the splat to reduce size and load time by culling low-opacity/scale points 3. Render efficiently on device Originally, it looked great but ran at 10 FPS. Getting to 120 FPS was a crazy journey. TL;DR: - SwiftUI had to go; it forced us to render each asset in independent MTKViews, which wasn't workable - Instead, we composite every dish into one full-bleed CAMetalLayer using MetalSplatter (link below) - We had to make some optimizations within MetalSplatter's code too, to reduce the overhead of sorting points per render Then I added some finishing touches like the subtle rotation and parallax as they move around. I think it turned out pretty cool :) Overall, this took some effort, but we still got it done in less than a day. Hopefully your agent can follow in the footsteps of mine and do it much faster. Keep an eye out for the bigger writeup, which'll give your agent everything it needs. If you have any questions, drop em below!

Anshu

19,931 次观看 • 2 个月前

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.

björk

1,407,960 次观看 • 3 个月前

Americans have terrible cultural constructs around aging. For instance, I notice a trend amongst my friends entering their 30s & 40s where I'll invite them to do a fun, adventurous thing, and some will say things like, "Sounds amazing, but I feel too old for that kind of thing now." Huh? In Spain and Berlin, I saw mothers bringing their babies to bars and concerts to hang out with their adult friends. Meanwhile, the people I party the most with these days are a crew of dancers mostly over 50. "They must be societal dropouts or something" you might be thinking. But the opposite is true. One is CEO of a perfume company. Another is a doctor and professor at NYU. Another is a travel show host who just came with me to a 7am rave yesterday. The list continues: advertising executives, restaurant owners, etc. And most have kids. These people are still doing adulthood. They just haven't given up their vital spark. Things seem especially bad for older American women. There's this idea that you age out of being beautiful, that beauty is only for the young. This is bs. The older dancer women I'm talking about are still smokin', and I see them get hit on. Granted, there may be certain *kinds* of beauty that are for the young. But we generally under-appreciate how magnetic an older woman can be...if she's able to internally defy the American idea that older women are unattractive. In France, it seems like a lot of praise focuses on allure, charme, elegance, and idioms like "avoir du chien" – roughly, having a spark. None of those are indexed to youth the way "cute" or "hot" are in our culture. I gather that an aging French woman can move into a different type of attractiveness rather than just giving up on the erotic and romantic aspects of life altogether. I wonder what's wrong with us. Why do we believe that becoming older also means becoming boring and unattractive?

Tyler is finishing a book, slow to reply

344,708 次观看 • 7 天前

Viewers Discretion Advice ..... Ever since my parents died, there has been one question that has haunted me every single day. It is a burden I have carried in silence for years. Sometimes, I wonder if I was somehow responsible for my brother's death. I have replayed those events in my mind countless times, asking myself if there was another path I could have taken. This is the story. It began long before he died. When my mother became seriously ill, she was rushed to Alimosho General Hospital in Igando, where she spent almost two months receiving treatment. While the rest of us were praying, hoping, and doing everything we could to keep her alive, my brother behaved in a way none of us could understand. He would leave all three gates of our compound wide open. He bought alcohol and soft drinks for people as though he was celebrating. It felt as if he had already accepted, or even welcomed, the thought of losing our mother. My father noticed it too. He was already 78 years old, and the fear in his eyes is something I can never forget. When my mother was eventually discharged from the hospital, you would have expected things to return to normal. Instead, it was as though a dark cloud had settled over my brother. Then my mother passed away. After her death, my father repeatedly told us he believed Wale would one day kill him. That fear didn't come from nowhere. They had fought before, and my father genuinely believed his life was in danger. Then, a few months later, everything changed again. Wale suddenly became very ill. But before anyone knew he was sick, his behaviour had become even more disturbing. Almost every night, he would walk around carrying an axe. One night, I asked him, "Do you want to kill all of us too?" He didn't answer. He simply laughed. A loud, chilling laugh that still echoes in my mind. This continued during the COVID-19 lockdown. Night after night, he would leave the three entrance gates wide open. We had children living in the house. I am a woman, and this was a period when stories of kidnappings, rape, and violent crimes filled the news every day. I begged him to stop. I warned him. I even told him that if he opened those gates again, I would deal with him myself. Nothing changed. He continued threatening everyone while carrying that axe. Eventually, I reached my breaking point. I reported the matter, and the police arrested him. He spent four days in detention. When I saw the condition he was in, my heart broke. Despite everything that had happened, I pleaded with the police to release him because he looked so weak. They eventually let him go. Not long after that... He died. That was when everything turned against me. Neighbours. Friends. Even some members of my own family. Many believed I was responsible because I was the one who reported him. But something one of the police officers said has stayed with me ever since. He looked at me and asked, "What if he had killed you first?" "What if he had attacked those innocent children who were only eight and five years old?" Those words have echoed in my heart ever since. I have lived with guilt for years. I still question myself. Could I have handled it differently? Should I have taken another approach? Or did I simply do what anyone would have done to protect innocent lives? That is why I am sharing this story today. Please be honest with me. If you were in my shoes, what would you have done?💔

I am Oluwademilade 🇵🇹♥️💙

114,287 次观看 • 1 个月前