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Sometimes dancer …

Mr Drew

167,500 subscribers

232,251 次观看 • 6 个月前 •via X (Twitter)

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Jack of all trades IRON BOY 😆 Sometimes a backup dancer 🕺🔥 #TV3GH

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#TV3GH

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I used to be a professional dancer. Sometimes it feels good to just move. #fitnessmotivation #fitguys #mensphysique #shredded #absonpoint #muscleup #noshirtnoproblem #maledancer

I used to be a professional dancer. Sometimes it feels good to just move. #fitnessmotivation #fitguys #mensphysique #shredded #absonpoint #muscleup #noshirtnoproblem #maledancer

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We sometimes forget that Alfonso Ribeiro is an amazing dancer. When he was younger, he starred in The Tap Dance Kid on Broadway.

We sometimes forget that Alfonso Ribeiro is an amazing dancer. When he was younger, he starred in The Tap Dance Kid on Broadway.

𝗧𝗶𝗺𝗲𝗹𝗲𝘀𝘀 𝗠𝘂𝘀𝗶𝗰 ✨🎵

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Atom, our main is a very good dancer, but she gets very shy sometimes. Please encourage her more 🤭 Faye Malisorn อะตวม #FayePeraya #AtomPariya

Atom, our main is a very good dancer, but she gets very shy sometimes. Please encourage her more 🤭 Faye Malisorn อะตวม #FayePeraya #AtomPariya

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He was expecting a decent girl as his life partner. But she turned out to be a bar dancer. He said “No” and cancelled the wedding. Sometimes walking away is better than spending a lifetime regretting a bad decision.

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The Forgotten ‘Man’ 👨‍⚖️

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🚨Lisa Quama, a dancer from DWP, has responded to those who criticize her for wearing “manly” outfits, asking people to respect her personal style and choices. but you too sometimes you for dey slay small cos tom boy life no doorso🤣

🚨Lisa Quama, a dancer from DWP, has responded to those who criticize her for wearing “manly” outfits, asking people to respect her personal style and choices. but you too sometimes you for dey slay small cos tom boy life no doorso🤣

khendrick🇬🇧🇬🇭!

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🐹🐱: Yuto hyung is such a great dancer, since I love dancing too, I secretly watch hyung reels & think "He dances really well" 💭:sometimes Yuto did choreograph &invites people,why don't you invite Hanbin? Yuto said hanbin is busy..hanbin said if yuto calls of course he will go

🐹🐱: Yuto hyung is such a great dancer, since I love dancing too, I secretly watch hyung reels & think "He dances really well" 💭:sometimes Yuto did choreograph &invites people,why don't you invite Hanbin? Yuto said hanbin is busy..hanbin said if yuto calls of course he will go

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🚨 PED0PHlLE HOLLYWOOD WAS NEVER HIDING❗️ Can we talk about this music video by Sia wherein a girl in a “naked” bodysuit fights a “naked” man in a CAGE? It was also well-known that Sia GR00MED this dancer Maddie Ziegler out of “Dance Moms” and even slept in the same bed as her sometimes.

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🚨 PED0PHlLE HOLLYWOOD WAS NEVER HIDING❗️ Can we talk about this music video by Sia wherein a girl in a “naked” bodysuit fights a “naked” man in a CAGE? It was also well-known that Sia GR00MED this dancer Maddie Ziegler out of “Dance Moms” and even slept in the same bed as her sometimes.

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Beautiful to see Afro Dominicans honoring their African roots. This is Palo. Rooted in the African diaspora on the island of Hispaniola, Palo is a syncretic tradition that combines dance, music, and sometimes linked to death rituals where the spirit is believed to possess a dancer. While often associated with the Dominican Republic, similar Afro-Caribbean dances, such as Palo de Mayo, exist in Nicaragua, Panama, and Honduras.

Beautiful to see Afro Dominicans honoring their African roots. This is Palo. Rooted in the African diaspora on the island of Hispaniola, Palo is a syncretic tradition that combines dance, music, and sometimes linked to death rituals where the spirit is believed to possess a dancer. While often associated with the Dominican Republic, similar Afro-Caribbean dances, such as Palo de Mayo, exist in Nicaragua, Panama, and Honduras.

The Cake Lady

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Why MLee Would Choose Lisa? (MLee - French/Vietnamese singer, rapper, actress, and dancer) “…. for a conversation not because of the fame, but because of the courage it took to leave home young, move to Korea, and chase a dream with no guarantees. It Was a great reminder to me that courage isn't always something huge; sometimes its ?simply showing up and continuing when you don't know how things will turn out….” LLOUD #LISA

Why MLee Would Choose Lisa? (MLee - French/Vietnamese singer, rapper, actress, and dancer) “…. for a conversation not because of the fame, but because of the courage it took to leave home young, move to Korea, and chase a dream with no guarantees. It Was a great reminder to me that courage isn't always something huge; sometimes its ?simply showing up and continuing when you don't know how things will turn out….” LLOUD #LISA

LALICE UPDATES

94,122 次观看 • 19 天前

This is so poweful! In Santería (Lukumi) tradition, dancers are not just performing but often representing the Orisha "inhabiting" their body. This is an ode to Yemaya. The Orisha of the sea and motherhood. The movements, which include undulating the torso and lifting the skirt, symbolize the nurturing, deep, and sometimes violent nature of the ocean. In many of these dances, the skirt acts as an extension of the body, regardless of gender, allowing the dancer to express joy, spirituality, and the complex rhythms of Yoruba deities. This is culture 🇨🇺

This is so poweful! In Santería (Lukumi) tradition, dancers are not just performing but often representing the Orisha "inhabiting" their body. This is an ode to Yemaya. The Orisha of the sea and motherhood. The movements, which include undulating the torso and lifting the skirt, symbolize the nurturing, deep, and sometimes violent nature of the ocean. In many of these dances, the skirt acts as an extension of the body, regardless of gender, allowing the dancer to express joy, spirituality, and the complex rhythms of Yoruba deities. This is culture 🇨🇺

The Cake Lady

44,765 次观看 • 8 个月前

Q: If you were in a girl group, what position do you think you’d be? BBFF2026 PRESS TOUR D2 #BBFanFest2026 💚: i’ll go with main dancer. Even i sometimes dance ahead of the beat or off-beat, i still choose dance cuz it feels like a life challenge. I have to memorize all the blocking too. 🎤: What dance style are you best at? 💚: Sexy, but i’m kinda stiff tho. Anyway, the inner energy comes first. 🎤: What about N’Love? What position would you be? Or would you be P’Milk’s main (bias)? 💖: 🤨 Main dancer then. At first i was going to pick visual, but i’m not that confident in dancing… so let’s say dance + visual. 🎤: What dance style are you good at? 💖: i can do any style… hip-hop, like yo yo yo~ 💚: I wanna see you dance hip-hop now. And Mim does beatbox😂

Q: If you were in a girl group, what position do you think you’d be? BBFF2026 PRESS TOUR D2 #BBFanFest2026 💚: i’ll go with main dancer. Even i sometimes dance ahead of the beat or off-beat, i still choose dance cuz it feels like a life challenge. I have to memorize all the blocking too. 🎤: What dance style are you best at? 💚: Sexy, but i’m kinda stiff tho. Anyway, the inner energy comes first. 🎤: What about N’Love? What position would you be? Or would you be P’Milk’s main (bias)? 💖: 🤨 Main dancer then. At first i was going to pick visual, but i’m not that confident in dancing… so let’s say dance + visual. 🎤: What dance style are you good at? 💖: i can do any style… hip-hop, like yo yo yo~ 💚: I wanna see you dance hip-hop now. And Mim does beatbox😂

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John Woo on how he feels while making an action movie: "When I’m making an action movie, I don’t see it as an action movie. It’s like a painting or a poem, sometimes even like a musical. I’m aiming for that kind of feel, because I’m a dreamer. I think that’s my style because I always have some kind of beautiful dream in my mind. I was a pretty good dancer when I was young. When it comes to the action in a movie, it’s all about the beauty of the body movement and the fighting skill." (John Woo's interview with Peter Debruge, Variety, 2025) Clip from: Hard Boiled (1992) Director: John Woo

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The Great Train Robbery (1978). It's not often you see Dino Di Laurentiis and Michael Chrichton on the same billing, but this Victorian heist movie was adapted from Crichton's book of the same name and optioned by the Italian producer in 1975. Sean Connery did most of his own stunts in this, though apparently the train was going much faster than he had been told. Donald Sutherland is appropriately eccentric, Lesley-Anne Down adds a touch of glamour and dancer Wayne Sleep even makes an appearance as "Clean Willy" Williams. It's sort of based on an actual heist and many characters are inspired by real life Victorian cracksmen and cat burglars. The dialogue is plodding sometimes, but it's a fun romp once it gets going and the period details mainly seem to be in order.

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Remembering the great Ella Fitzgerald who was born on this day in 1917. Sometimes referred to as the “First Lady of Song” and “Queen of Jazz”, she was known for her purity of tone, impeccable diction, phrasing, timing, intonation and a “horn-like” improvisational ability, particularly in her scat singing. As a child, Fitzgerald wanted to be a dancer, but when she panicked at an amateur contest in 1934 at New York City’s Apollo Theatre and sang in a style influenced by the jazz vocalist Connee Boswell instead, she won first prize. During her long career Fitzgerald recorded more than 100 albums of several kinds of music. In addition to winning many Grammy awards for her recordings, Fitzgerald was honored with lifetime achievement awards by the National Academy of Recording Arts and Sciences and the Kennedy Center for the Performing Arts. Here, she is performing “Them There Eyes” with Tommy Flanagan on piano and Roy Eldridge on trumpet live in France, 1964.

The Jazz Estate

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Remembering the great Ella Fitzgerald who was born on this day in 1917. Sometimes referred to as the “First Lady of Song” and “Queen of Jazz”, she was known for her purity of tone, impeccable diction, phrasing, timing, intonation and a “horn-like” improvisational ability, particularly in her scat singing. As a child, Fitzgerald wanted to be a dancer, but when she panicked at an amateur contest in 1934 at New York City’s Apollo Theatre and sang in a style influenced by the jazz vocalist Connee Boswell instead, she won first prize. During her long career Fitzgerald recorded more than 100 albums of several kinds of music. In addition to winning many Grammy awards for her recordings, Fitzgerald was honored with lifetime achievement awards by the National Academy of Recording Arts and Sciences and the Kennedy Center for the Performing Arts. Here, she is performing performing "Satin Doll" live at the Antibes Juan-les-Pins Jazz Festival in 1966.

Remembering the great Ella Fitzgerald who was born on this day in 1917. Sometimes referred to as the “First Lady of Song” and “Queen of Jazz”, she was known for her purity of tone, impeccable diction, phrasing, timing, intonation and a “horn-like” improvisational ability, particularly in her scat singing. As a child, Fitzgerald wanted to be a dancer, but when she panicked at an amateur contest in 1934 at New York City’s Apollo Theatre and sang in a style influenced by the jazz vocalist Connee Boswell instead, she won first prize. During her long career Fitzgerald recorded more than 100 albums of several kinds of music. In addition to winning many Grammy awards for her recordings, Fitzgerald was honored with lifetime achievement awards by the National Academy of Recording Arts and Sciences and the Kennedy Center for the Performing Arts. Here, she is performing performing "Satin Doll" live at the Antibes Juan-les-Pins Jazz Festival in 1966.

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Tchaikovsky – Swan Lake: Dance of the Little Swans When Four Bodies Become a Single Living Being There is something quietly extraordinary about Dance of the Little Swans (Danse des petits cygnes). The little swans are at their most beautiful precisely when they can no longer fly in their own way. In ballet, the arms are often a symbol of freedom. They shape the body's lines, express emotion, and reveal each dancer's individuality. Yet in this brief dance, Lev Ivanov begins by doing the exact opposite. Four dancers link their arms together. They willingly bind themselves. They are no longer completely free to move as four separate individuals. And from that loss of freedom, something remarkable emerges: Four bodies begin to function as one. This is the defining essence of Dance of the Little Swans: It is a dance in which the disappearance of individual identity gives rise to a single artistic body. One Locked Pair of Arms Changed Everything At first glance, the four dancers' interlocked arms seem to be nothing more than a charming image of young swans staying close together. In reality, however, this is the very point from which the entire choreography grows. In ballet, the arms do far more than create beautiful shapes. They help maintain balance. They support movement. They allow each dancer to express a unique personality. Once the arms are linked together, all four dancers lose part of their ability to move independently. No one can fully decide their own movement. The smallest change from one dancer immediately affects the others. And here lies the paradox. What appears to take away individual freedom creates a beauty that no individual could ever achieve alone. From that moment onward, the goal is no longer: "A dancer performing beautifully." Instead, it becomes: "A single body moving beautifully." As Individuality Fades, the Feet Become One Voice Once the arms surrender their freedom, the rest of the body must take on a greater responsibility. The entire life of the dance shifts into the feet. Tiny continuous steps. Gentle little hops. Quick but remarkably precise movements. At first, they seem almost simple. There are no spectacular leaps to astonish the audience. No moment allows one dancer to rise above the others. Yet this very simplicity becomes the source of the dance's power. Each step no longer belongs to a single dancer. It belongs to the entire system. One dancer steps. The other three must step with them. One dancer changes the rhythm. The whole structure changes. The beauty of Dance of the Little Swans does not lie in what each dancer can accomplish individually. It lies in their willingness to let go of individuality in order to create a movement greater than themselves. Synchronization Is Not the Goal—It Is the Result Many ensemble dances demand precision. But in Dance of the Little Swans, synchronization carries a deeper meaning. The four dancers do not merely perform the same choreography. They exist within the same structure. Their heads turn together. Their feet land together. The space between them remains almost perfectly constant. Yet the most important point is not that they look alike. It is that they cannot be separated. If they remained four independent individuals, synchronization would simply be a technical skill. But once they become a single shared body, synchronization becomes the very nature of the movement itself. That is why audiences do not see four separate dancers. They see a flock of swans. Tchaikovsky Creates the Breath of a Single Living Creature Remarkably, Tchaikovsky's music follows the very same principle. He does not compose a melody designed for one individual character to shine. Instead, he builds a continuous flow from short, clear, recurring rhythmic figures. The light, crisp, and steady sounds evoke the tiny footsteps of swans gliding across the water. One pulse follows another. One movement grows naturally into the next. The music never divides the four dancers into four separate voices. Instead, it creates a single shared pulse through which they all exist. Just as Ivanov's choreography does, many small elements acquire meaning only when they belong to the same order. The Beauty of No Longer Standing Alone What has made Dance of the Little Swans an enduring image is not technical brilliance. It is a profound artistic idea. An individual can create beauty. But sometimes an even greater beauty appears when the individual becomes part of something larger. The four dancers willingly surrender part of their personal freedom. In return, they gain something that no one could ever create alone. One shared movement. One shared breath. One shared image. More than a century later, audiences do not remember Dance of the Little Swans simply because four dancers performed together. They remember it because, for one fleeting moment, four human beings seem to disappear, making way for a new artistic creature to emerge on stage. And that is the secret behind the unmistakable beauty of this timeless dance.

Tchaikovsky – Swan Lake: Dance of the Little Swans When Four Bodies Become a Single Living Being There is something quietly extraordinary about Dance of the Little Swans (Danse des petits cygnes). The little swans are at their most beautiful precisely when they can no longer fly in their own way. In ballet, the arms are often a symbol of freedom. They shape the body's lines, express emotion, and reveal each dancer's individuality. Yet in this brief dance, Lev Ivanov begins by doing the exact opposite. Four dancers link their arms together. They willingly bind themselves. They are no longer completely free to move as four separate individuals. And from that loss of freedom, something remarkable emerges: Four bodies begin to function as one. This is the defining essence of Dance of the Little Swans: It is a dance in which the disappearance of individual identity gives rise to a single artistic body. One Locked Pair of Arms Changed Everything At first glance, the four dancers' interlocked arms seem to be nothing more than a charming image of young swans staying close together. In reality, however, this is the very point from which the entire choreography grows. In ballet, the arms do far more than create beautiful shapes. They help maintain balance. They support movement. They allow each dancer to express a unique personality. Once the arms are linked together, all four dancers lose part of their ability to move independently. No one can fully decide their own movement. The smallest change from one dancer immediately affects the others. And here lies the paradox. What appears to take away individual freedom creates a beauty that no individual could ever achieve alone. From that moment onward, the goal is no longer: "A dancer performing beautifully." Instead, it becomes: "A single body moving beautifully." As Individuality Fades, the Feet Become One Voice Once the arms surrender their freedom, the rest of the body must take on a greater responsibility. The entire life of the dance shifts into the feet. Tiny continuous steps. Gentle little hops. Quick but remarkably precise movements. At first, they seem almost simple. There are no spectacular leaps to astonish the audience. No moment allows one dancer to rise above the others. Yet this very simplicity becomes the source of the dance's power. Each step no longer belongs to a single dancer. It belongs to the entire system. One dancer steps. The other three must step with them. One dancer changes the rhythm. The whole structure changes. The beauty of Dance of the Little Swans does not lie in what each dancer can accomplish individually. It lies in their willingness to let go of individuality in order to create a movement greater than themselves. Synchronization Is Not the Goal—It Is the Result Many ensemble dances demand precision. But in Dance of the Little Swans, synchronization carries a deeper meaning. The four dancers do not merely perform the same choreography. They exist within the same structure. Their heads turn together. Their feet land together. The space between them remains almost perfectly constant. Yet the most important point is not that they look alike. It is that they cannot be separated. If they remained four independent individuals, synchronization would simply be a technical skill. But once they become a single shared body, synchronization becomes the very nature of the movement itself. That is why audiences do not see four separate dancers. They see a flock of swans. Tchaikovsky Creates the Breath of a Single Living Creature Remarkably, Tchaikovsky's music follows the very same principle. He does not compose a melody designed for one individual character to shine. Instead, he builds a continuous flow from short, clear, recurring rhythmic figures. The light, crisp, and steady sounds evoke the tiny footsteps of swans gliding across the water. One pulse follows another. One movement grows naturally into the next. The music never divides the four dancers into four separate voices. Instead, it creates a single shared pulse through which they all exist. Just as Ivanov's choreography does, many small elements acquire meaning only when they belong to the same order. The Beauty of No Longer Standing Alone What has made Dance of the Little Swans an enduring image is not technical brilliance. It is a profound artistic idea. An individual can create beauty. But sometimes an even greater beauty appears when the individual becomes part of something larger. The four dancers willingly surrender part of their personal freedom. In return, they gain something that no one could ever create alone. One shared movement. One shared breath. One shared image. More than a century later, audiences do not remember Dance of the Little Swans simply because four dancers performed together. They remember it because, for one fleeting moment, four human beings seem to disappear, making way for a new artistic creature to emerge on stage. And that is the secret behind the unmistakable beauty of this timeless dance.

🎼🌺Music Love♥️

16,538 次观看 • 2 个月前

I love the incremental improvement because it shows that she’s actually putting in the work to become better, rather than pretending she has nothing left to learn. One thing that stood out to me from LISA’s Always LALISA documentary was her explanation that she wasn’t really given the opportunity to train as a singer in the beginning. She was positioned primarily as a rapper and dancer, and in order to survive at YG and avoid being eliminated, she leaned into that persona. Going solo gave her something she hadn’t really had before: the freedom to explore her voice. And you can hear that exploration across her music. Her vocal development may not be about suddenly becoming a powerhouse vocalist, it’s about becoming more comfortable, more controlled, more expressive, and more versatile with the voice she has. That’s what makes her growth interesting to watch. She’s learning as she goes: singing, songwriting, performing, acting, fashion, creative direction, and everything else she wants to conquer. She doesn’t have to already be perfect at everything. The willingness to keep learning is part of the journey. And honestly, the incremental changes are sometimes more rewarding to watch because you can hear and see the work she’s putting in.

I love the incremental improvement because it shows that she’s actually putting in the work to become better, rather than pretending she has nothing left to learn. One thing that stood out to me from LISA’s Always LALISA documentary was her explanation that she wasn’t really given the opportunity to train as a singer in the beginning. She was positioned primarily as a rapper and dancer, and in order to survive at YG and avoid being eliminated, she leaned into that persona. Going solo gave her something she hadn’t really had before: the freedom to explore her voice. And you can hear that exploration across her music. Her vocal development may not be about suddenly becoming a powerhouse vocalist, it’s about becoming more comfortable, more controlled, more expressive, and more versatile with the voice she has. That’s what makes her growth interesting to watch. She’s learning as she goes: singing, songwriting, performing, acting, fashion, creative direction, and everything else she wants to conquer. She doesn’t have to already be perfect at everything. The willingness to keep learning is part of the journey. And honestly, the incremental changes are sometimes more rewarding to watch because you can hear and see the work she’s putting in.

Alpine

47,052 次观看 • 19 天前