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Sometimes the biggest moments begin with a small spark🎆 And that spark is already 𝐇𝐎𝐓 enough to reach you first, CARAT. Feel the heat rise as SEVENTEEN bring the stage alive with energy🔋 Don’t hesitate to burn even hotter with them🔥 🎥 𝗦𝗘𝗩𝗘𝗡𝗧𝗘𝗘𝗡 𝗪𝗢𝗥𝗟𝗗 𝗧𝗢𝗨𝗥 [𝙉𝙀𝙒_] 𝗜𝗡 𝗕𝗨𝗟𝗔𝗖𝗔𝗡 🗓️...

76,094 görüntüleme • 7 ay önce •via X (Twitter)

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🎥 Choi Youngjun mentioned SEVENTEEN on a content! Q. Do you have any memorable moments, work, or fun stories in the time of knowing them? 🕺🏻: Ah there are way too many, It's just, every moment is really great for me. There were times when we worked overnight. We'd meet at 9 PM and stay until 6 AM, thinking over choreography and discussing ideas together. And when we got hungry, we'd eat together too. 👤: So then, SEVENTEEN members would work together because they're people who genuinely love dance? 🕺🏻: Yes, yes, we'd come up with ideas together, and when the choreography isn't coming out right nobody would go home [and just keep on working on it together]. What's so admirable and touching about this is that usually it's hard for artists to be like that. Usually the company makes it work through thorough management system. But these guys, woah I really can feel the energy that they really love dancing as much as I do. I think they're able to endure all that time and effort because they love dancing that much. Back then, trying to gather 13 dancers and work separately required a lot of effort, time, and money. But SEVENTEEN were the ones who did it for me. And there's something about it. When SEVENTEEN work on it directly, I can picture the stage, people's reactions, the company's confidence, and all sort of things come to mind when they're actually on stage. Because of that, the precision becomes incredibly high. There's a huge difference in the final result between creating choreographies with dancer stand ins and creating it with the original artist, and SEVENTEEN were the ones who carried that through. That's why the result always come out great #SEVENTEEN #세븐틴

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73,942 görüntüleme • 2 ay önce

Changmin’s Ending Ment at Nissan Stadium 2026 🏟️💜 "Well, this is actually my third time standing on the stage of this great stadium. To be honest, even just a year ago, I didn't expect or hope for this to happen ever again I had been thinking about it secretly, and I even told the fans on social media, 'I want to stand in Nissan once more' ​For me even after 20 years since my debut Nissan Stadium was like a new hope, a goal, and a dream Now that this dream has come true again, I am incredibly happy, but to be honest, I also feel a slight sense of emptiness alongside that happiness If I’m being frank, it feels as if the mission is already accomplished and over. ​Of course, I hope to meet you all again in this wonderful place, and I will undoubtedly continue to work hard and give all my energy for you in the future. However, truthfully, I prepared for this show with the thought in mind that this might be the last time I stand in a majestic place like Nissan Stadium -🙄- I don’t know what the future holds, but the important thing is that I did my absolute best for all of you. ​Maybe the performance wasn’t 100% perfect, or maybe there were aspects that didn’t quite meet my ambitions, but on a personal level, the '2026 Nissan Stadium Live' was so much fun, and I don’t have a single regret. Thanks to all of you, this dream came true and I am so happy. It’s because of you that we exist as artists. Thank you so much"

ノラ 🫧

24,304 görüntüleme • 3 ay önce

In my thoughts I’m always with you. And I know pretty well how that feels. But the bulk of the work is done. Almost 140,000 posts. At some point you reach the moment where you stop pouring endless life energy into things you’ve explained patiently, over and over again. I tried to bring a few people along. Not the ones who want to keep running with the herd anyway. You don’t convince those. But the ones standing at the threshold of what people call clarity. With them I had the feeling: this is worth the time. This is worth taking someone along on a journey through their own mind. I hope you enjoyed the time with me. I enjoyed it with you. It gave me a lot of confidence, mostly because most of you liked my editorials more than the constant news posts. But I don’t want to sound like an old record with a scratch in it. (If you still know what a record is.) The thoughts that mattered to me, I’ve placed. I’ll keep posting. But as you’ve probably noticed already: the intensity won’t be what it was a year ago. The Substack articles matter more to me now. And even those I can’t deliver with the same brutal consistency as posts on X. That doesn’t work. This isn’t a goodbye. It’s a request for understanding. I’m not running out of strength and I’m not running out of topics. But there are more important things than having a phone in your hand 18 hours a day. Stay as you are. And those who hate me anyway: fuck you.

Zlatti71

18,561 görüntüleme • 13 gün önce

Q. Among SEVENTEEN's choreography, which one is the hardest, or which one is the most intense? 🕺🏻: This might seem like an obvious answer, but anyone who knows SEVENTEEN's choreography already know this. There's no easy SEVENTEEN choreography. All of them are hard 👤: Why is it like that though? 🕺🏻: Because they're so talented and they understand and make music as well. For example, if you hear a 'tuk' sound, you have to throw a movement with a 'tuk' feeling, and if you hear a 'kung', you have to hit with a 'kung' feeling. The scale of these movements are different, you know? The scale of the movement? I always tell choreographers that they need to choreography that matches the scale and intensity of the beat That's what allows people to be immersed in it, and that's what makes good choreography. But usually, because [idols] have to sing live and things like that, there are many choreographies that get made smaller or lighter compared to the intensity of the song's beat. But SEVENTEEN isn't like that. They fully put in choreography that matches the full impact, the '땜삥' (feel) of the music exactly as it's heard. 👤: So they stayed true without compromising 🕺🏻: Because they're able to pull all of it off. That's why when you watch SEVENTEEN's choreography, it feels completely full. The formations are packed full too, and they throw in the right levels of power to match the beats, and the sense of speed? all those things are filled to the maximum (perfectly in place). That's why people find SEVENTEEN's choreography is fun to watch. But since they're able to pull it all off, I'm able to put all of it into the choreography. This is truly SEVENTEEN's capability. 👤: I totally get what you mean. Since they have to perform live, it usually comes with compromise, you scale down certain parts to match that. But with SEVENTEEN, they're able to do all without compromises. 🕺🏻: They'd say "Hyung, well do it all", "Just make us do it all". Funny thing is, [there's this story] on one of the album. They have been active for quite long, I thought they might get tired so I removed jumps and things like that from the choreography. 👤: Oh that sounds considerate to me? 🕺🏻: But when I took them out, they go "hmm", "hmm.. is this really okay?". At first they were like "Ah hyung, please take out some of the jumps", but when I actually removed them, they said "Ah hyung, it doesn't hit the same anymore", "It doesn't have the same stage vibe". So we ended up putting everything back in. That's when I realize how they truly feel the joy of performing on stage, the joy of being artist. And when that happens, what comes next? They gain confidence, right? And when fans look at artists brimming with confidence, how do the fans react? They go wild, right. And when the company sees the fans like that, what happens? Woah~ they will be thrilled. That's how the overall final result ends up being created. #SEVENTEEN #세븐틴

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51,479 görüntüleme • 2 ay önce