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Songs perfected. Charts topped. Stadiums packed. Box Office smashed. Versions Taylor’d. Records broken. Announcing Apple Music’s 2023 #ArtistOfTheYear: the one and only Taylor Swift

Zane Lowe

602,972 subscribers

106,828 次观看 • 2 年前 •via X (Twitter)

#ArtistOfTheYear

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taylor swift is allowed to be strategic. if your fav gets topped on the charts because she released a ROUGH DRAFT of one of her songs from an album that came out 106 days ago that most of us didn’t even buy ourselves, that’s not taylor’s problem, it’s just not. get over it.

taylor swift is allowed to be strategic. if your fav gets topped on the charts because she released a ROUGH DRAFT of one of her songs from an album that came out 106 days ago that most of us didn’t even buy ourselves, that’s not taylor’s problem, it’s just not. get over it.

kira ♡

962,138 次观看 • 2 年前

After 46 previews, 374 performances, 53 broken box office records, over 610,000 audience members, countless "whatdayatalks," tossed books, cymbal crashes and a lot of Trouble, Meredith Willson's The Music Man has concluded its record-breaking, much-loved run on January 15, 2023.

After 46 previews, 374 performances, 53 broken box office records, over 610,000 audience members, countless "whatdayatalks," tossed books, cymbal crashes and a lot of Trouble, Meredith Willson's The Music Man has concluded its record-breaking, much-loved run on January 15, 2023.

The Music Man on Broadway

56,071 次观看 • 3 年前

Did you know? #BEAST (#HIGHLIGHT) was the first Kpop boy group to have a pre-release track outperform their title track on the charts? ‘On Rainy Days’ (2011) topped charts before ‘Fiction’ even dropped — and won on music shows with zero promotions. On top of that, it became one of the first digital-only songs to win without a physical album. Now that’s legendary🔥

Did you know? #BEAST (#HIGHLIGHT) was the first Kpop boy group to have a pre-release track outperform their title track on the charts? ‘On Rainy Days’ (2011) topped charts before ‘Fiction’ even dropped — and won on music shows with zero promotions. On top of that, it became one of the first digital-only songs to win without a physical album. Now that’s legendary🔥

ash (rest)

27,489 次观看 • 1 年前

Wow! Taylor Swift really is a liar and a snake! After this one can only laugh at all the dumb swifties trying to defend her without even reading. Basically why she’s got so rich ripping off this dumb fanbase (20 versions of the same song anyone?) #taylorswift #BlakeLively

Wow! Taylor Swift really is a liar and a snake! After this one can only laugh at all the dumb swifties trying to defend her without even reading. Basically why she’s got so rich ripping off this dumb fanbase (20 versions of the same song anyone?) #taylorswift #BlakeLively

important clips

39,969 次观看 • 8 个月前

Maybe! Your fav actor will break Indian box office records in future, But no one will ever 2% match SRK's global legacy. His stardom and popularity is the only thing that rules every corner of the world! #ShahRukhKhan𓀠 Shah Rukh Khan

Maybe! Your fav actor will break Indian box office records in future, But no one will ever 2% match SRK's global legacy. His stardom and popularity is the only thing that rules every corner of the world! #ShahRukhKhan𓀠 Shah Rukh Khan

Kevin ᡧ 🚩🏴‍☠️

304,931 次观看 • 1 年前

Zeena Koda and Frankie Yaptinchay talking about Asian Representation in Music. It's fascinating to watch people talk endlessly about "Asian representation" while refusing to acknowledge the artists who fundamentally changed how the global music industry viewed Asian acts. You cannot have an honest conversation about the globalization of Asian music market without mentioning BTS. Whether you like them or not, they broke barriers that many in the industry once insisted couldn't be broken. They topped charts, sold out stadiums, reshaped the industry's perception of non-English music, made stadiums all around the globe sing their songs word for word, bar for bar and made institutions to take Asian artists seriously. So when people celebrate this new era of "representation" while conveniently leaving out one of the most influential acts in that story, it doesn't feel like representation. It feels like selective history. (Zeena Koda used to work for Atlantic Records)

Zeena Koda and Frankie Yaptinchay talking about Asian Representation in Music. It's fascinating to watch people talk endlessly about "Asian representation" while refusing to acknowledge the artists who fundamentally changed how the global music industry viewed Asian acts. You cannot have an honest conversation about the globalization of Asian music market without mentioning BTS. Whether you like them or not, they broke barriers that many in the industry once insisted couldn't be broken. They topped charts, sold out stadiums, reshaped the industry's perception of non-English music, made stadiums all around the globe sing their songs word for word, bar for bar and made institutions to take Asian artists seriously. So when people celebrate this new era of "representation" while conveniently leaving out one of the most influential acts in that story, it doesn't feel like representation. It feels like selective history. (Zeena Koda used to work for Atlantic Records)

♡

427,864 次观看 • 2 个月前

And we a-GO with #Swift season 2023! 🥳 They've been whizzing around for a couple of days but only now has the first one truly come home: the male of box 1. He has been with us since 2016 and is at least 9 years old. These birds blow my mind. Where has he been these past months?

And we a-GO with #Swift season 2023! 🥳 They've been whizzing around for a couple of days but only now has the first one truly come home: the male of box 1. He has been with us since 2016 and is at least 9 years old. These birds blow my mind. Where has he been these past months?

James O'Neill

155,618 次观看 • 3 年前

#Guangdong | 🎬China's latest animated blockbuster, #NeZha2, is not only breaking box office records but also driving a surge in toy production in #Dongguan, the country's Toy Capital. With a global box office exceeding $1.9 billion, the film has sparked huge demand for collectibles like blind boxes and figurines. Dongguan's #toy factories are flooded with orders, with one factory getting a $14M order right after the release—more than its entire 2024 revenue! 💰 How is Ne Zha 2 fueling China's Toy Capital? This episode of News Xplained will find out. 🎥👇 #news #NewsUpdate

#Guangdong | 🎬China's latest animated blockbuster, #NeZha2, is not only breaking box office records but also driving a surge in toy production in #Dongguan, the country's Toy Capital. With a global box office exceeding $1.9 billion, the film has sparked huge demand for collectibles like blind boxes and figurines. Dongguan's #toy factories are flooded with orders, with one factory getting a $14M order right after the release—more than its entire 2024 revenue! 💰 How is Ne Zha 2 fueling China's Toy Capital? This episode of News Xplained will find out. 🎥👇 #news #NewsUpdate

Hi,GBA

104,489 次观看 • 1 年前

"Boogie Oogie Oogie" is a song performed by the American band A Taste of Honey. It was released as the band's debut single on May 19, 1978, through Capitol Records. Released as their debut single in the summer of 1978, the song became a massive disco hit. It topped the US pop, soul, and disco charts in September 1978 and became the first platinum single in Capitol Records history, selling over two million copies. It also became one of the most recognizable songs of the disco era. The lyrics invite listeners to "boogie oogie oogie till you can't anymore" and feature lead vocals by Janice-Marie Johnson, who simultaneously performs her iconic bass lines. Hear these greatest hits on Radio Home Classic, the station everyone tunes into that plays the best throwbacks on the planet!

"Boogie Oogie Oogie" is a song performed by the American band A Taste of Honey. It was released as the band's debut single on May 19, 1978, through Capitol Records. Released as their debut single in the summer of 1978, the song became a massive disco hit. It topped the US pop, soul, and disco charts in September 1978 and became the first platinum single in Capitol Records history, selling over two million copies. It also became one of the most recognizable songs of the disco era. The lyrics invite listeners to "boogie oogie oogie till you can't anymore" and feature lead vocals by Janice-Marie Johnson, who simultaneously performs her iconic bass lines. Hear these greatest hits on Radio Home Classic, the station everyone tunes into that plays the best throwbacks on the planet!

🎵💖Loves classical music🎻🎹

18,335 次观看 • 8 个月前

Me and Mary were THUNDERSTRUCK Friday night ⚡️ along with 53,000 other cross-generation fans who packed Raymond James football stadium for the SOLD OUT AC/DC show. 🏟️ The energy was insane. HIGH VOLTAGE!! Angus Young and Brian Johnson are rock and roll legends who shook us all night long.🤘🤟 We LOVED seeing Angus still shredding. 🎸 Hard to believe he and his brother formed this band in 1973 when they were just teenagers and now he’s 70 and still going strong!! Talk about LIFE FORCE!! They’ve sold over 200 million records, and their songs have BILLIONS of views on YouTube. 🤯 This show in Tampa was sold out months ago, and is just one of their North American/European mega tour stops. Hats off to anyone in the music business whose energy is still selling out stadiums all around the world, and more importantly, still having fun absolutely SHREDDING IT in their 70s. 👏

Me and Mary were THUNDERSTRUCK Friday night ⚡️ along with 53,000 other cross-generation fans who packed Raymond James football stadium for the SOLD OUT AC/DC show. 🏟️ The energy was insane. HIGH VOLTAGE!! Angus Young and Brian Johnson are rock and roll legends who shook us all night long.🤘🤟 We LOVED seeing Angus still shredding. 🎸 Hard to believe he and his brother formed this band in 1973 when they were just teenagers and now he’s 70 and still going strong!! Talk about LIFE FORCE!! They’ve sold over 200 million records, and their songs have BILLIONS of views on YouTube. 🤯 This show in Tampa was sold out months ago, and is just one of their North American/European mega tour stops. Hats off to anyone in the music business whose energy is still selling out stadiums all around the world, and more importantly, still having fun absolutely SHREDDING IT in their 70s. 👏

Tony Robbins

28,828 次观看 • 1 年前

Fun Fact: Tere Naam (2003) It’s a remake of a Tamil film. Before it ever reached Salman, two actors had already passed on the role, Sanjay Kapoor walked away and Ajay Devgn was considered. Salman only landed it because director Satish Kaushik refused to cast anyone else. Ameesha Patel was offered the female lead first and turned it down, a decision she still calls one of her lingering regrets, before Bhumika Chawla stepped in for her Hindi debut. The middle-parted mane set off a nationwide barbershop craze. The music outran the movie itself, Himesh Reshammiya handed Salman four or five songs on the spot after just hearing the plot, and he couldn’t reject a single one. The film was only a moderate box-office success, but its soundtrack became a phenomenon, handing Salman his first major hit since Hum Saath Saath Hain after a run of flops from 2000 to 2002.✨ #JustAchaanak

Fun Fact: Tere Naam (2003) It’s a remake of a Tamil film. Before it ever reached Salman, two actors had already passed on the role, Sanjay Kapoor walked away and Ajay Devgn was considered. Salman only landed it because director Satish Kaushik refused to cast anyone else. Ameesha Patel was offered the female lead first and turned it down, a decision she still calls one of her lingering regrets, before Bhumika Chawla stepped in for her Hindi debut. The middle-parted mane set off a nationwide barbershop craze. The music outran the movie itself, Himesh Reshammiya handed Salman four or five songs on the spot after just hearing the plot, and he couldn’t reject a single one. The film was only a moderate box-office success, but its soundtrack became a phenomenon, handing Salman his first major hit since Hum Saath Saath Hain after a run of flops from 2000 to 2002.✨ #JustAchaanak

Siim⚓️

107,245 次观看 • 1 个月前

I just got scammed on Flipkart — not once, but TWICE. So I ordered a ₹2.6 lakh MacBook Pro and got a used, old model inside a sealed Apple box. We filmed the entire open box delivery, you can see that in first attached video. I immediately requested a replacement, and this time I unboxed the product at the EKart office under CCTV, and again the MacBook had smudges and marks so basically not new (second unboxing video attached below). 2 times. 2 wrong deliveries. After a discussion with customer care they started a return and then after 2 days they called me and offered me a compensation of 13K which I rejected, then 18K I rejected again and finally they offered me 10% which I rejected again. And after all this negotiation they rejected the return. So I called them again and I asked for 10% compensation as it was a lot of hassle by talking to them. And moreover, I was able to clean the marks but the laptop was not new in the first place. So why am I posting about it, here’s the disturbing part: it’s not just me. This seller called "Treasure Haul Online" has been scamming people for years. Users on LinkedIn, Reddit, YouTube, and X have posted about the same seller since 2023. For more information I have made a video and link to that is given below this tweet. I genuinely have 3 questions to ask: 1. How are fake products getting packed in sealed Apple boxes? 2. How is this seller still active despite public complaints from 2023? 3. How is this “Assured” if even Flipkart can’t verify what’s inside? FlipkartSupport, this isn't a mistake, it's negligence. You are enabling fraud through your platform. This requires investigation, I am requesting action against the seller and Flipkart. Consumer Affairs CCI Ministry of Electronics & IT Consumer Rights Agency Consumer Forum India Apple

I just got scammed on Flipkart — not once, but TWICE. So I ordered a ₹2.6 lakh MacBook Pro and got a used, old model inside a sealed Apple box. We filmed the entire open box delivery, you can see that in first attached video. I immediately requested a replacement, and this time I unboxed the product at the EKart office under CCTV, and again the MacBook had smudges and marks so basically not new (second unboxing video attached below). 2 times. 2 wrong deliveries. After a discussion with customer care they started a return and then after 2 days they called me and offered me a compensation of 13K which I rejected, then 18K I rejected again and finally they offered me 10% which I rejected again. And after all this negotiation they rejected the return. So I called them again and I asked for 10% compensation as it was a lot of hassle by talking to them. And moreover, I was able to clean the marks but the laptop was not new in the first place. So why am I posting about it, here’s the disturbing part: it’s not just me. This seller called "Treasure Haul Online" has been scamming people for years. Users on LinkedIn, Reddit, YouTube, and X have posted about the same seller since 2023. For more information I have made a video and link to that is given below this tweet. I genuinely have 3 questions to ask: 1. How are fake products getting packed in sealed Apple boxes? 2. How is this seller still active despite public complaints from 2023? 3. How is this “Assured” if even Flipkart can’t verify what’s inside? FlipkartSupport, this isn't a mistake, it's negligence. You are enabling fraud through your platform. This requires investigation, I am requesting action against the seller and Flipkart. Consumer Affairs CCI Ministry of Electronics & IT Consumer Rights Agency Consumer Forum India Apple

Devanshu Dhandhal

647,998 次观看 • 1 年前

Celebrating 6 Legendary Years of #AgustD’s "Daechwita", a song that rewrote records, inspired countless artistic creations, and became a cultural phenomenon with an everlasting impact ⚔️🔥 A look back at the records and milestones that made history: — Became #1 Most Liked Korean Solo MV in 24 hours (4.7M likes) — Most Viewed & Most Liked MV by a Korean soloist in 2020 — MV surpassed 23.9M views in 24 hours — Agust D became the FIRST and ONLY Male Rapper/Hip-Hop Artist to achieve 15M likes on YouTube this DECADE — First Song by a Korean Artist to debut at #1 on Rap Digital Song Sales Chart — First song by a Korean Soloist to debut inside Top 80 on Billboard Hot 100 since PSY — Sold 500,000 units in the US — First song by a Korean Soloist to debut inside Top 70 on UK Official Singles since PSY — Spent 10 days at #1 on South Korean YouTube MV Chart under Music Category — Spent 22 weeks on South Korean YouTube MV Chart — Ranked in Spotify’s Top K-Pop Tracks of 2020 — Featured by Buzzfeed as one of Best K-Pop Songs of 2020 — Ranked #2 in Top Hip Hop Songs in Genius Year End Korea Chart in 2020 — Topped the Worldwide iTunes Song Chart — Charted for over a week on South Korean Apple Music Top Song Chart — Daechwita became the First song by a Korean Soloist to debut inside Top 80 on Billboard Hot 100 since PSY — Daechwita became the first song by a Korean Soloist to debut inside Top 70 on UK Official Singles since PSY — Agust D became the first Korean Soloist in history to chart in both Album and Singles Chart on the UK, Irish, Scottish and Canadian Charts with D-2 & Daechwita — Agust D became the First Korean Soloist to debut 4 songs on New Zealand's Hot 40 Singles Chart (including Daechwita) — First Korean Soloist to debut 6 songs on Singapore RIAS Regional Chart (including Daechwita) — Agust D was the First Korean Soloist after PSY to debut on Spain Digital Song Sales Chart — Agust D became the First Korean Soloist to debut 3 songs on Lithuania Singles Chart (including Daechwita) AGUST D DYNASTY HAPPY ANNIVERSARY D-2 6 YEARS LEGENDARY DAECHWITA #6YearsWithD2 #TheKingTheBoss #SUGA #AgustD #방탄소년단슈가 #슈가

Celebrating 6 Legendary Years of #AgustD’s "Daechwita", a song that rewrote records, inspired countless artistic creations, and became a cultural phenomenon with an everlasting impact ⚔️🔥 A look back at the records and milestones that made history: — Became #1 Most Liked Korean Solo MV in 24 hours (4.7M likes) — Most Viewed & Most Liked MV by a Korean soloist in 2020 — MV surpassed 23.9M views in 24 hours — Agust D became the FIRST and ONLY Male Rapper/Hip-Hop Artist to achieve 15M likes on YouTube this DECADE — First Song by a Korean Artist to debut at #1 on Rap Digital Song Sales Chart — First song by a Korean Soloist to debut inside Top 80 on Billboard Hot 100 since PSY — Sold 500,000 units in the US — First song by a Korean Soloist to debut inside Top 70 on UK Official Singles since PSY — Spent 10 days at #1 on South Korean YouTube MV Chart under Music Category — Spent 22 weeks on South Korean YouTube MV Chart — Ranked in Spotify’s Top K-Pop Tracks of 2020 — Featured by Buzzfeed as one of Best K-Pop Songs of 2020 — Ranked #2 in Top Hip Hop Songs in Genius Year End Korea Chart in 2020 — Topped the Worldwide iTunes Song Chart — Charted for over a week on South Korean Apple Music Top Song Chart — Daechwita became the First song by a Korean Soloist to debut inside Top 80 on Billboard Hot 100 since PSY — Daechwita became the first song by a Korean Soloist to debut inside Top 70 on UK Official Singles since PSY — Agust D became the first Korean Soloist in history to chart in both Album and Singles Chart on the UK, Irish, Scottish and Canadian Charts with D-2 & Daechwita — Agust D became the First Korean Soloist to debut 4 songs on New Zealand's Hot 40 Singles Chart (including Daechwita) — First Korean Soloist to debut 6 songs on Singapore RIAS Regional Chart (including Daechwita) — Agust D was the First Korean Soloist after PSY to debut on Spain Digital Song Sales Chart — Agust D became the First Korean Soloist to debut 3 songs on Lithuania Singles Chart (including Daechwita) AGUST D DYNASTY HAPPY ANNIVERSARY D-2 6 YEARS LEGENDARY DAECHWITA #6YearsWithD2 #TheKingTheBoss #SUGA #AgustD #방탄소년단슈가 #슈가

AGUST D CHARTS

11,949 次观看 • 4 个月前

"The artist who has reached number one on the Melon chart in the 2000s, 2010s & 2020s" 🙌👑 Having a comeback after 8 yrs & won 3 Daesang, 7 trophy at MMA 2025: #GDRAGON #지드래곤 How MMA described GD 💛 1.) TOP 10 "A name that encompasses K-pop’s past, present, and future: G-Dragon." 2.) BEST SOLO - MALE "K-pop king G-Dragon, who made a comeback after an 8-year hiatus." 3.) BEST SONG WRITER "G-Dragon, who caused a revolution in K-pop scene with his genius songwriting and composing skills, proved his class once again with his comeback album after 8 years." 4.) MILLIONS TOP 10 "G-Dragon, who, after the album release, proved his unparalleled presence as all the songs topped the charts." 5.) ALBUM OF THE YEAR "Kakao Bank's Album of the Year is G-Dragon's , returning after eight years. Every track on the album remained at the top of the Melon charts, satisfying fans’ musical expectations. is this year’s best album, perfectly combining G-Dragon’s artistic philosophy with the completeness of his music." 6.) ARTIST OF THE YEAR "GD is back. G-Dragon, who, upon his comeback, broke various records and shook up the music industry. He is the Artist of the Year awardee, whose impact could be felt across popular culture beyond just music." 7.) SONG OF THE YEAR "The Best Song of the Year at the 2025 Melon Music Awards is , which held the number one spot on the Melon chart for 76 days. With this, G-Dragon has set a grand record as the solo artist with the longest-running number one on the Melon chart, as well as being the artist who has reached number one on the Melon chart in the 2000s, 2010s, and 2020s."

"The artist who has reached number one on the Melon chart in the 2000s, 2010s & 2020s" 🙌👑 Having a comeback after 8 yrs & won 3 Daesang, 7 trophy at MMA 2025: #GDRAGON #지드래곤 How MMA described GD 💛 1.) TOP 10 "A name that encompasses K-pop’s past, present, and future: G-Dragon." 2.) BEST SOLO - MALE "K-pop king G-Dragon, who made a comeback after an 8-year hiatus." 3.) BEST SONG WRITER "G-Dragon, who caused a revolution in K-pop scene with his genius songwriting and composing skills, proved his class once again with his comeback album after 8 years." 4.) MILLIONS TOP 10 "G-Dragon, who, after the album release, proved his unparalleled presence as all the songs topped the charts." 5.) ALBUM OF THE YEAR "Kakao Bank's Album of the Year is G-Dragon's , returning after eight years. Every track on the album remained at the top of the Melon charts, satisfying fans’ musical expectations. is this year’s best album, perfectly combining G-Dragon’s artistic philosophy with the completeness of his music." 6.) ARTIST OF THE YEAR "GD is back. G-Dragon, who, upon his comeback, broke various records and shook up the music industry. He is the Artist of the Year awardee, whose impact could be felt across popular culture beyond just music." 7.) SONG OF THE YEAR "The Best Song of the Year at the 2025 Melon Music Awards is , which held the number one spot on the Melon chart for 76 days. With this, G-Dragon has set a grand record as the solo artist with the longest-running number one on the Melon chart, as well as being the artist who has reached number one on the Melon chart in the 2000s, 2010s, and 2020s."

🆔 𝐭𝐭𝐭𝐨𝐩𝟏𝟑𝟏 🌕

15,090 次观看 • 9 个月前

Everybody has a theory about why André 3000 stopped making rap records. Nobody has a theory about this one, because as far as I can tell nobody reported it. Recordation V9991D471, recorded 15 July 2021. First party, verbatim: Andre Lauren Benjamin, professionally known as Andre 3000, individually and dba Gnat Booty Music, and Wedontplayevenwhenwebeplayin LLC. Second party: Primary Wave Music IP Fund 3. Roughly 570 compositions. It is publishing rather than masters, and the document is 33 pages for 570 titles, which means it is a short form sitting on top of a long form nobody recorded. The share he actually assigned is not stated anywhere I can see. Now search the other man. Antwan Patton returns 511 hits and 150 recordations, and he is a party to none of them. Every hit is his name appearing as a writer inside somebody else's paperwork. Recording a transfer is optional and plenty of deals never get filed, so the only sentence I can support is that no recorded transfer names him. One of them shows up in the register as a seller. The other shows up only as a name inside other people's documents. Which raises the obvious question: André sold publishing, so why not the records. Because the records were never his to sell. SR0000340520, registered 6 October 2003. Claimant: "© ℗ Arista Records, Inc. (employer for hire)." Two solo albums, two number one singles, one registration. There is no separate registration for The Love Below anywhere. I looked. A sound recording registration follows the claimant's unit of commerce. Arista sold one product, so Arista registered one work. What makes it worth showing you is that the register was perfectly willing to give this catalog two numbers when it wanted to. Stankonia has two registrations. Aquemini has two. Go look at what separates each pair, and it is a profanity. Watch the claimant line move across the catalog. ATLiens 1997, LaFace. Aquemini 1999, Arista, with LaFace named as employer for hire inside the authorship line. Stankonia 2001, back to La Face. The double album 2003, Arista Records Incorporated. The singles in 2004, BMG Music. Idlewild 2006, LaFace Records LLC. Six filings, five versions of the same corporate family, and one thing that never changes. Employer for hire is on every single one. Across every sound recording OutKast ever released, Antwan Patton and André Benjamin appear as claimant exactly zero times. One filing is not like the others. Southernplayalisticadillacmuzik came out in April 1994. It was not registered as a sound recording until 2 February 2018. Twenty four years. And the claimant on that 2018 filing is Arista Records Incorporated, which is strange, because Arista had assigned the whole thing to Sony 9 years earlier. The address on the form is 25 Madison Avenue, 22nd floor, New York, which is Sony's building. Here is how it got to Sony. Recordations V3582D733 and 734, filed 3 September 2009. First party Arista Records LLC, second party Sony Music Entertainment, executed as of 27 December 2008. 734 pages, 1,702 titles. Speakerboxxx/The Love Below is one row in that schedule. The next day, a second document, LaFace Records LLC to Sony, 67 titles, carrying ATLiens. Both executed as of the same December day, because that is a corporate closing date rather than anything to do with music. Last thing, and it is live right now. Section 203 lets an author terminate a grant 35 years on and take the work back. It is how Victor Willis got the Village People songs. Termination notices filed under OutKast, André Benjamin, Antwan Patton: zero. Before you decide that means nothing, I checked whether the system would show me one if it existed. Victor Willis returns 10. LaFace Records returns 3. One of those 3 is Usher. He served his notice on 23 June 2025, on Sony, as successor to LaFace. Same label. Same era. Same successor company. He filed. They have not. Southernplayalisticadillacmuzik turns 35 in 2029. Every document above is free and public.

Everybody has a theory about why André 3000 stopped making rap records. Nobody has a theory about this one, because as far as I can tell nobody reported it. Recordation V9991D471, recorded 15 July 2021. First party, verbatim: Andre Lauren Benjamin, professionally known as Andre 3000, individually and dba Gnat Booty Music, and Wedontplayevenwhenwebeplayin LLC. Second party: Primary Wave Music IP Fund 3. Roughly 570 compositions. It is publishing rather than masters, and the document is 33 pages for 570 titles, which means it is a short form sitting on top of a long form nobody recorded. The share he actually assigned is not stated anywhere I can see. Now search the other man. Antwan Patton returns 511 hits and 150 recordations, and he is a party to none of them. Every hit is his name appearing as a writer inside somebody else's paperwork. Recording a transfer is optional and plenty of deals never get filed, so the only sentence I can support is that no recorded transfer names him. One of them shows up in the register as a seller. The other shows up only as a name inside other people's documents. Which raises the obvious question: André sold publishing, so why not the records. Because the records were never his to sell. SR0000340520, registered 6 October 2003. Claimant: "© ℗ Arista Records, Inc. (employer for hire)." Two solo albums, two number one singles, one registration. There is no separate registration for The Love Below anywhere. I looked. A sound recording registration follows the claimant's unit of commerce. Arista sold one product, so Arista registered one work. What makes it worth showing you is that the register was perfectly willing to give this catalog two numbers when it wanted to. Stankonia has two registrations. Aquemini has two. Go look at what separates each pair, and it is a profanity. Watch the claimant line move across the catalog. ATLiens 1997, LaFace. Aquemini 1999, Arista, with LaFace named as employer for hire inside the authorship line. Stankonia 2001, back to La Face. The double album 2003, Arista Records Incorporated. The singles in 2004, BMG Music. Idlewild 2006, LaFace Records LLC. Six filings, five versions of the same corporate family, and one thing that never changes. Employer for hire is on every single one. Across every sound recording OutKast ever released, Antwan Patton and André Benjamin appear as claimant exactly zero times. One filing is not like the others. Southernplayalisticadillacmuzik came out in April 1994. It was not registered as a sound recording until 2 February 2018. Twenty four years. And the claimant on that 2018 filing is Arista Records Incorporated, which is strange, because Arista had assigned the whole thing to Sony 9 years earlier. The address on the form is 25 Madison Avenue, 22nd floor, New York, which is Sony's building. Here is how it got to Sony. Recordations V3582D733 and 734, filed 3 September 2009. First party Arista Records LLC, second party Sony Music Entertainment, executed as of 27 December 2008. 734 pages, 1,702 titles. Speakerboxxx/The Love Below is one row in that schedule. The next day, a second document, LaFace Records LLC to Sony, 67 titles, carrying ATLiens. Both executed as of the same December day, because that is a corporate closing date rather than anything to do with music. Last thing, and it is live right now. Section 203 lets an author terminate a grant 35 years on and take the work back. It is how Victor Willis got the Village People songs. Termination notices filed under OutKast, André Benjamin, Antwan Patton: zero. Before you decide that means nothing, I checked whether the system would show me one if it existed. Victor Willis returns 10. LaFace Records returns 3. One of those 3 is Usher. He served his notice on 23 June 2025, on Sony, as successor to LaFace. Same label. Same era. Same successor company. He filed. They have not. Southernplayalisticadillacmuzik turns 35 in 2029. Every document above is free and public.

Eric Jackson

1,217,718 次观看 • 29 天前

Paul Anka wrote “She’s a Lady” on the back of a TWA menu. In 1970, he was on a flight from London to New York after appearing on Tom Jones’s television show. With no paper available, he grabbed the airline menu and scribbled the lyrics right there. Once home, he sat down in his den and finished the melody in about an hour and a half. It remains one of the fastest songs he ever wrote. Thinking of Tom Jones, the image of a confident, swaggering man came to mind, and the words followed that spirit exactly. Tom Jones recorded the song in 1970 and released it in early 1971. The single climbed the charts quickly. It reached No. 2 on the Billboard Hot 100, held off the top spot only by Janis Joplin’s “Me and Bobby McGee,” and hit No. 1 on Cash Box as well as the Canadian charts. It stands as Tom Jones’s highest-charting single in the United States and his final Top 10 hit on the Billboard Hot 100. The B-side was “My Way,” another set of lyrics written by Paul Anka. That pairing only underlined the connection between the two artists. In December 1974, they shared the stage on The Midnight Special. The live performance captures the moment they sang “She’s a Lady” together. Tom Jones still had that familiar powerful presence, while Paul Anka added his voice and easy interplay. They didn’t just stand and sing—they moved, smiled at each other, and created a warm, easy chemistry on stage. The band behind them locked in tight, the lighting and clothes pure 1970s. What I love most are the moments when their voices blend and they glance at each other—it feels like they’re genuinely enjoying the song in real time. Every time I come back to it, whether the studio cut or this live version, the song still carries its own distinct energy. It doesn’t need elaborate production tricks. A strong voice, a clear melody, and real stage presence are enough. Paul Anka has said it’s not his favorite of the songs he’s written, yet the way it fit Tom Jones’s style turned it into a major hit. And when the two of them stood together in 1974, the song seemed to gain a fresh breath of life. When the video ends, the melody stays in my head. Some songs survive not only because of chart numbers but because of honest live moments like this. “She’s a Lady” is one of them—a tune strong enough to keep pulling listeners back, even after all these years.

Paul Anka wrote “She’s a Lady” on the back of a TWA menu. In 1970, he was on a flight from London to New York after appearing on Tom Jones’s television show. With no paper available, he grabbed the airline menu and scribbled the lyrics right there. Once home, he sat down in his den and finished the melody in about an hour and a half. It remains one of the fastest songs he ever wrote. Thinking of Tom Jones, the image of a confident, swaggering man came to mind, and the words followed that spirit exactly. Tom Jones recorded the song in 1970 and released it in early 1971. The single climbed the charts quickly. It reached No. 2 on the Billboard Hot 100, held off the top spot only by Janis Joplin’s “Me and Bobby McGee,” and hit No. 1 on Cash Box as well as the Canadian charts. It stands as Tom Jones’s highest-charting single in the United States and his final Top 10 hit on the Billboard Hot 100. The B-side was “My Way,” another set of lyrics written by Paul Anka. That pairing only underlined the connection between the two artists. In December 1974, they shared the stage on The Midnight Special. The live performance captures the moment they sang “She’s a Lady” together. Tom Jones still had that familiar powerful presence, while Paul Anka added his voice and easy interplay. They didn’t just stand and sing—they moved, smiled at each other, and created a warm, easy chemistry on stage. The band behind them locked in tight, the lighting and clothes pure 1970s. What I love most are the moments when their voices blend and they glance at each other—it feels like they’re genuinely enjoying the song in real time. Every time I come back to it, whether the studio cut or this live version, the song still carries its own distinct energy. It doesn’t need elaborate production tricks. A strong voice, a clear melody, and real stage presence are enough. Paul Anka has said it’s not his favorite of the songs he’s written, yet the way it fit Tom Jones’s style turned it into a major hit. And when the two of them stood together in 1974, the song seemed to gain a fresh breath of life. When the video ends, the melody stays in my head. Some songs survive not only because of chart numbers but because of honest live moments like this. “She’s a Lady” is one of them—a tune strong enough to keep pulling listeners back, even after all these years.

Music over time🎻

132,511 次观看 • 1 个月前

Reddit co-founder Alexis Ohanian on why sports is the one industry AI can't touch: At the Global Alts Miami conference in March 2026, Alexis argued that while AI is flooding digital content, live sports can't be faked or automated. "Sports is going to be the only thing left standing, y'all." Alexis points to what's already happening across the creative industries: "I don't know if you've seen some of the Chinese video models that are just running over our copyrights, but look at what is now possible in terms of a Hollywood level production of quality now with these models." He doesn't think this kills Hollywood outright, but the economics have to change: "It doesn't mean Hollywood is doomed, but it means that industry will have to reimagine its economics." Music is even further along. As Alexis Ohanian 🗽 explains: "The music industry already has chart topping songs that are entirely AI generated." His take on who survives this shift in music is pointed. The biggest artists will be fine because people will always pay to be in the room with them: "Taylor Swift, Kendrick Lamar, they're going to be fine. They're generational talents. They will fill stadiums." But the middle tier is in trouble: "Think of more like one wonder, very poppy, shallow artists, they're going to have a harder time." Sports, though, operates on entirely different rules. Alexis puts it plainly: "Sport is the last one standing, right? You're never going to pay money to take your kids to go see a bunch of robots hit 18 hole-in-ones or what have you. And so, sport is incredibly durable in the age of AI." And within sports, he sees one category compounding faster than the rest: "I think women's sports is going to keep compounding in value." The throughline of Alexis's argument: AI can fake Hollywood productions and hit songs, but it can't fake real humans competing in real time with real stakes. That's why Alexis is betting on the stadium, the arena, and increasingly, women's sports.

Reddit co-founder Alexis Ohanian on why sports is the one industry AI can't touch: At the Global Alts Miami conference in March 2026, Alexis argued that while AI is flooding digital content, live sports can't be faked or automated. "Sports is going to be the only thing left standing, y'all." Alexis points to what's already happening across the creative industries: "I don't know if you've seen some of the Chinese video models that are just running over our copyrights, but look at what is now possible in terms of a Hollywood level production of quality now with these models." He doesn't think this kills Hollywood outright, but the economics have to change: "It doesn't mean Hollywood is doomed, but it means that industry will have to reimagine its economics." Music is even further along. As Alexis Ohanian 🗽 explains: "The music industry already has chart topping songs that are entirely AI generated." His take on who survives this shift in music is pointed. The biggest artists will be fine because people will always pay to be in the room with them: "Taylor Swift, Kendrick Lamar, they're going to be fine. They're generational talents. They will fill stadiums." But the middle tier is in trouble: "Think of more like one wonder, very poppy, shallow artists, they're going to have a harder time." Sports, though, operates on entirely different rules. Alexis puts it plainly: "Sport is the last one standing, right? You're never going to pay money to take your kids to go see a bunch of robots hit 18 hole-in-ones or what have you. And so, sport is incredibly durable in the age of AI." And within sports, he sees one category compounding faster than the rest: "I think women's sports is going to keep compounding in value." The throughline of Alexis's argument: AI can fake Hollywood productions and hit songs, but it can't fake real humans competing in real time with real stakes. That's why Alexis is betting on the stadium, the arena, and increasingly, women's sports.

Big Brain AI

47,391 次观看 • 5 个月前