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Spent a bit of time optimizing it! Some stats: Now uses LOD+Actors so only 5000 verts a frame to update (4ms on my crusty 3.5ghz pc) 60fps flipbook for the materials costs ~10MB of textures Normal.Y->lerp color per vertex gives that glowy green tropical water effect #RobloxDev

Peter McNeill🔜RDC26

6,358 subscribers

35,280 görüntüleme • 1 yıl önce •via X (Twitter)

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Pwnage profil fotoğrafı

Pwnage2 yıl önce

Our newest gaming mouse in collab with Team BLG Valorant StormBreaker Max CF X Whzy Edition 🔷Carbon Fiber Composite only 43g 🔷5% larger in size 🔷Pwnage XERO Sensor - Custom PixArt 3950 🔷8kHz polling rate, Wireless & Wired 🔷and much more! Order now:

asimo3089 profil fotoğrafı

asimo30891 yıl önce

I am melting over this.

daireb profil fotoğrafı

daireb1 yıl önce

I was playing with a similar trick recently and got awful results on mobile (textures flashing in and out etc.) - how does yours look?

Peter McNeill profil fotoğrafı

Peter McNeill1 yıl önce

You get some flashes of specular but its still pretty acceptable.

WreckDough profil fotoğrafı

WreckDough1 yıl önce

I got 0.7ms on mine

Peter McNeill profil fotoğrafı

Peter McNeill1 yıl önce

My gosh that looks excellent! I’m guessing bones? How many you moving?

DJ Monopoli profil fotoğrafı

DJ Monopoli1 yıl önce

woah

Wing profil fotoğrafı

Wing1 yıl önce

how does it render on lower graphics? i think at a low enough level the normals are completely ignored right?

Peter McNeill profil fotoğrafı

Peter McNeill1 yıl önce

Yeah pretty much.

MineJulRBX profil fotoğrafı

MineJulRBX1 yıl önce

Looks so good and smooth! But the tiny waves are a bit too unnaturally consistent

Peter McNeill profil fotoğrafı

Peter McNeill1 yıl önce

Agreed! I actually have a whole pipeline for generating those now, time to experiment...

Benzer Videolar

I am getting a lot of hate on this tweet, but what I am trying to build the case for is that Colorado had a bad year of snowpack, but we are not in a water crisis. We are in a management of water crisis. And the Globalists at the WEF that Jared Polis really work for have made this a 2026 priority to exploit for political gain. Mariana Mazzucato an insane college Professor that now works for the WEF explains the strategy. “Water is something that people understand. Climate change is a bit abstract. Some people understand it really well; some understand it a bit; some just don’t understand it. Water… every kid knows how important it is to have water. When you’re playing football and you’re thirsty, you need water.” So they move their climate change grift to water and then exploit the situation in Colorado. We need more reservoirs and less Colorado water shipped to Arizona and California and Colorado could be as green as Ireland! #colorado #water

I am getting a lot of hate on this tweet, but what I am trying to build the case for is that Colorado had a bad year of snowpack, but we are not in a water crisis. We are in a management of water crisis. And the Globalists at the WEF that Jared Polis really work for have made this a 2026 priority to exploit for political gain. Mariana Mazzucato an insane college Professor that now works for the WEF explains the strategy. “Water is something that people understand. Climate change is a bit abstract. Some people understand it really well; some understand it a bit; some just don’t understand it. Water… every kid knows how important it is to have water. When you’re playing football and you’re thirsty, you need water.” So they move their climate change grift to water and then exploit the situation in Colorado. We need more reservoirs and less Colorado water shipped to Arizona and California and Colorado could be as green as Ireland! #colorado #water

Denver Fail

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The Seahawks ran for only 50 yards and 2.3 per carry Sunday. Mike Macdonald said "it's a little bit of everything" in terms of the issues with their run game. "It's a little bit late in the year right now to be saying that. So I think we've got to pick it up ... on all fronts."

The Seahawks ran for only 50 yards and 2.3 per carry Sunday. Mike Macdonald said "it's a little bit of everything" in terms of the issues with their run game. "It's a little bit late in the year right now to be saying that. So I think we've got to pick it up ... on all fronts."

Brady Henderson

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Robert Pattinson says he fought the Twilight studio over making Edward too “emo” until his agents warned him he’d be fired that day “I was 21 and kind of wanted to make it as arty as possible... the studio was kind of a little bit scared to make things a little bit too emo, and I thought that was the only way to play it” “I spent so much time just infuriated... I can’t believe the way I was acting half the time when I think back on it” “My agent and my manager came up as a surprise visit... ‘Whatever you’re doing right now, after lunch just do the opposite, or you’ll be fired by the end of the day’” “That was the only thing that got me to sort of smile a little bit”

Robert Pattinson says he fought the Twilight studio over making Edward too “emo” until his agents warned him he’d be fired that day “I was 21 and kind of wanted to make it as arty as possible... the studio was kind of a little bit scared to make things a little bit too emo, and I thought that was the only way to play it” “I spent so much time just infuriated... I can’t believe the way I was acting half the time when I think back on it” “My agent and my manager came up as a surprise visit... ‘Whatever you’re doing right now, after lunch just do the opposite, or you’ll be fired by the end of the day’” “That was the only thing that got me to sort of smile a little bit”

Yonan

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Improved the "Montage editor" skill I made last week. I spent a bit of time getting it to sync better and more knowledge of effects. It's effects library it knows to use is very limited for now, but that is an easy fix compared to getting syncing down, which still needs work. The edit style is meant to be a bit better than a drag and drop, but will improve over time. This was over 2 iterations, one to sync the clips, and another to add effects/transitions with some minor syncing fixes. Total time was an hour from start to finish, but only 2 minutes of my own time.

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Exalt HKMZ

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PEOPLE ARE WATCHING THE ODYSSEY IN CHAIRS THAT SHAKE AND SPRAY WATER A viral video from a 4DX screening of The Odyssey shows seats shaking so hard during a storm scene that the caption warned people to avoid it. People are now booking tickets because of that warning. - 4DX seats tilt, shake, and vibrate in sync with the movie - Wind, water, and fog blast the audience during the biggest scenes - Only 41 theaters worldwide show the film exactly as Nolan shot it - Over 700 4DX theaters exist worldwide, doing the complete opposite Nolan spent three years fighting to protect a single frame of film. Somewhere, a theater chain is spraying water on it instead.

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BuBBliK

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Fun fact: It would take the average PC roughly 138,069,000 hours or about 15,761 years to render Avatar: The Way of Water. Here’s how I worked it out: The average PC in 2024 has 6 cores. The average blade on WetaFXs renderfarm has between 16-64 cores. There is roughly 414,000 frames in the finished film, accounting for half of the film being 48fps and half being 24fps at the final runtime of 192 minutes. Each frame took an average of 20-80 hours to render on WetaFXs blades depending on shot complexity and accounting for the 4K delivery resolution. With that info, we can work out the average: We say that the average Weta blade has 40 cores (average between the 16-64 count). That gives a Weta to PC core ratio of 6.67 We also say that the average render time per frame is 50 hours (average of 20-80) Total render time for Weta: 50 hours x 414,000 frames = 20,700,000 hours To work out how long this would be on the average home PC we must multiply by the core ratio from earlier: 50 hours x 6.67 = 333.5 hours per frame Total render time on a home PC: 333.5 hours x 414,000 frames = 138,069,000 hours, which converted to years is 15,761 DISCLAIMER: This is all an educated guess done for fun based on publicly available technical information about the film and Wetas renderfarm. It does not account for any production optimizations, storage limits etc. The real number could be drastically higher. CREDITS: Video is from WetaFXs YouTube channel:

Rassoul Edji

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The Liberal government spent $18M on a CRA chatbot that was accurate only 34% of the time. Now they want to water down record-retention rules, making it harder for Canadians to see where their money goes. The ArriveCan scandal showed exactly why we need more transparency, not less. Transparency isn’t optional. It’s accountability.

The Liberal government spent $18M on a CRA chatbot that was accurate only 34% of the time. Now they want to water down record-retention rules, making it harder for Canadians to see where their money goes. The ArriveCan scandal showed exactly why we need more transparency, not less. Transparency isn’t optional. It’s accountability.

Michael Barrett

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@levelsio

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AI models pushing the frontier are a growing challenge for cybersecurity. A few weeks ago, I asked Demis what's underhyped in AI right now and on his mind: "I'm very excited about this new agentic era and you can see us leaning into that" "But of course we've also gotta think about the security side of that, too" "You're seeing it a little bit with the cyber worries about some of the models, and I think that's just the beginning of some of the issues that we need to make sure we guard against" "So I think that's playing a little bit on my mind. Maybe this is the time now to try and push some standards and maybe international cooperation"

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Rowan Cheung

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$I am having a lot of fun with this ThreeJS game. Will probably be spending more time on this cosy flyer game for #vibejam And btw, shaders are awesome! I highly recommend anyone building a 3D game to add some shaders to make your game look good. Here's a quick primer on the different types of shaders you can tell your AI to level up your game's graphics: - Noise-based shader for water refractions or shimmer - Fresnel shader for a nice rim lighting effect on your 3D game objects - Post-processing shader to change your game's color scheme dynamically - Post-processing shaders like the VHS effect that @levelsio use for the Drone flyer game - Shader effect to make the trees sway or objects wobble - and many more uses Shaders are incredibly versatile and useful. I would recommend you to go YT to check out some shader basics videos and come up with more creative uses for them!$

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Danny Limanseta

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Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 görüntüleme • 1 yıl önce

Steve Wozniak tells the founding story of Apple and how he invented color on the computer Today Apple is valued at almost $3 trillion. But as Woz recounts, they got started selling $40 PC kits to hobbyists: “I had this computer, and I was giving away all the designs for free. Steve Jobs said ‘Wow, we should sell these PC boards. Build them for $20, sell it for $40.’” To fund the company, both Steves had to come up with a couple hundred bucks each, and Woz sold the most valuable thing he owned: his HP 65 calculator. The first PC boards were impressive—they could actually run software and programs. So impressive that the owner of a local electronics store placed an order for the first batch of Apple Is. But their second product—the Apple II—was their real breakout product, and one of the killer features was color. At the time, color only existed on TVs that cost thousands of dollars. But Woz figured out a way to get color on the Apple II with only a $1 chip. The idea for it came to a sleep-deprived Woz who was working on an arcade game for Atari that Jobs convinced him they could build in 4 days even though building an arcade game normally took six months: “I was in a dreamy state. You know when you lose sleep how you get a little creative thinking?… While my head was sort of half awake and half asleep, I saw this thing on the factory floor of Atari. All the games were black and white TVs, but this one game was going back and forth, changing color… I remember how the frequencies go from high school electronics. And then I came up with this method of taking a little chip and putting ones and zeros in it, and cycling around… I could make it look like color TV.” After building the first Apple II prototype, Woz recounts typing something in memory and a blue dot popping up on the screen: “I called Steve Jobs over and that was a Eureka moment. We were shaking. This was so big. All the colored games are now going to be on computers… That was probably my best patent… That’s why we chose a six color logo for our first logo for Apple. We were the ones that brought color because nobody would’ve ever expected color on an affordable computer… That was so far ahead of its time.”

Startup Archive

129,187 görüntüleme • 8 ay önce

"Now I have that thing behind my head, for the first time in 19 years, I need to keep my card! I was lucky enough that all my wins (9) were in a period of three years, most of them. Obviously I won in my first year, then three years later. So I never felt like I had to try and keep my card. So now I know what some of these guys are feeling week in week out. This is only because of my results." Pablo Larrazabal opens up on a change of mindset whilst in the commentary box today. #MKO2026

"Now I have that thing behind my head, for the first time in 19 years, I need to keep my card! I was lucky enough that all my wins (9) were in a period of three years, most of them. Obviously I won in my first year, then three years later. So I never felt like I had to try and keep my card. So now I know what some of these guys are feeling week in week out. This is only because of my results." Pablo Larrazabal opens up on a change of mindset whilst in the commentary box today. #MKO2026

DP World Tour

39,272 görüntüleme • 7 ay önce

Hello, players! We're happy to reveal that the V1.3.5 bug fix update for Risk of Rain 2 is out now on PC, Xbox, and PlayStation (coming soon on Switch). This fixes many of the bugs that were in the most recent build of the game. Not only that, we have a new Dev Diary that explains our broader plans for the Seekers of the Storm expansion. Watch it here or view it in written form via the link below. We can't thank all of you enough for providing so much productive and constructive feedback. With your help, we aim to make Seekers of the Storm the best it can be. Read:

Hello, players! We're happy to reveal that the V1.3.5 bug fix update for Risk of Rain 2 is out now on PC, Xbox, and PlayStation (coming soon on Switch). This fixes many of the bugs that were in the most recent build of the game. Not only that, we have a new Dev Diary that explains our broader plans for the Seekers of the Storm expansion. Watch it here or view it in written form via the link below. We can't thank all of you enough for providing so much productive and constructive feedback. With your help, we aim to make Seekers of the Storm the best it can be. Read:

Risk of Rain

200,009 görüntüleme • 1 yıl önce

It is almost unbelievable that the government is on the brink of allowing the water companies to scam the British people *once again* by letting them get away with serious criminal offences without any actual plan & commitments for fixing illegal outfalls. I will use one of the most polluting outfalls on the Roding to illustrate why this is a terrible idea. The aptly named ‘Cascades’ combined sewer overflow (CSO) discharges almost every time it rains (even lightly) for more than a few hours. It discharges more than 400 hours per year, the majority of which hours of spilling are completely illegal. Worst of all, my testing of the outfall over the past year has shown that the volume (over 80 litres a second) and concentration (up to 50ppm ammonia) means this CSO is highly damaging, effectively turning the whole river into a sewer for over half a mile downstream. What will be the effect of letting Thames Water off fines for this illegal outfall? 🧵

It is almost unbelievable that the government is on the brink of allowing the water companies to scam the British people once again by letting them get away with serious criminal offences without any actual plan & commitments for fixing illegal outfalls. I will use one of the most polluting outfalls on the Roding to illustrate why this is a terrible idea. The aptly named ‘Cascades’ combined sewer overflow (CSO) discharges almost every time it rains (even lightly) for more than a few hours. It discharges more than 400 hours per year, the majority of which hours of spilling are completely illegal. Worst of all, my testing of the outfall over the past year has shown that the volume (over 80 litres a second) and concentration (up to 50ppm ammonia) means this CSO is highly damaging, effectively turning the whole river into a sewer for over half a mile downstream. What will be the effect of letting Thames Water off fines for this illegal outfall? 🧵

Paul Powlesland

30,215 görüntüleme • 5 ay önce