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🚨Spoiler Alert‼️ This is Aang’s very first action sequence that opens the film. While it was crucial to deliver the high-level action quality expected of an opening, it was even more important for this sequence to ground his emotional start to the story and define who he is as...

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Steve 인창 Ahn

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27,595 просмотров • 1 месяц назад •via X (Twitter)

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This is a portion of one of my sequences on the Avatar Aang movie. The sequence was ultimately cut but I'm grateful to have gotten to board an actual bending fight. A huge thanks to Lauren Montgomery and Steve 인창 Ahn for allowing me to participate and for being very kind advocates.
1:15

This is a portion of one of my sequences on the Avatar Aang movie. The sequence was ultimately cut but I'm grateful to have gotten to board an actual bending fight. A huge thanks to Lauren Montgomery and Steve 인창 Ahn for allowing me to participate and for being very kind advocates.

DannyAraya

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Yohei Koike, a cinematic animator for the forthcoming Virtua Fighter Crossroads, discussed a complex action sequence that mixes 2D and 3D animation. Koike noted it was “extremely complex and challenging” due to the hybrid approach, requiring precise pre-planned timing for the action to sync seamlessly. A large team contributed to make it work:
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Yohei Koike, a cinematic animator for the forthcoming Virtua Fighter Crossroads, discussed a complex action sequence that mixes 2D and 3D animation. Koike noted it was “extremely complex and challenging” due to the hybrid approach, requiring precise pre-planned timing for the action to sync seamlessly. A large team contributed to make it work:

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heres the official trailer for my student thesis film TIGHTROPE!! coming to a festival near you!! the team and i worked our butts off to bring this to life and im glad to say it was very much worth it, im so excited for the world to be able to see it!!
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heres the official trailer for my student thesis film TIGHTROPE!! coming to a festival near you!! the team and i worked our butts off to bring this to life and im glad to say it was very much worth it, im so excited for the world to be able to see it!!

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𝙎𝙪𝙣𝙜𝙢𝙖𝙣𝙞𝙩𝙪: The Wilderness Dog. Behind the Helmet From the translation, to the design, to the voices that helped bring it to life, this is a story of culture and pride. #GoYotes
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𝙎𝙪𝙣𝙜𝙢𝙖𝙣𝙞𝙩𝙪: The Wilderness Dog. Behind the Helmet From the translation, to the design, to the voices that helped bring it to life, this is a story of culture and pride. #GoYotes

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it would only make sense that the person who defined the action for this series would do its last ever odm sequence, and Arifumi Imai came back to deliver his craziest work in the series
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it would only make sense that the person who defined the action for this series would do its last ever odm sequence, and Arifumi Imai came back to deliver his craziest work in the series

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and finally, the final fight! (1/2) definitely the biggest undertaking I've ever had, but i'm happy with what I was able to accomplish. and shoutout to the rest of the team for taking the insanity that is this sequence and making it so genuinely beautiful in 3D! #MurderDrones
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and finally, the final fight! (1/2) definitely the biggest undertaking I've ever had, but i'm happy with what I was able to accomplish. and shoutout to the rest of the team for taking the insanity that is this sequence and making it so genuinely beautiful in 3D! #MurderDrones

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ollie was asked who of the veterans on the grid would be a good mentor to rookies and the host suggested carlos ollie: “i rate him very, very highly. i mean, when i was a reserve driver with ferrari and i was listening in on all the debriefs and the detail and the way he's able to describe what he feels in the car is incredible. because it's one thing feeling it and often i was finding, okay, i'm feeling the same thing as this guy or esteban, for example, but carlos was able to describe it to the engineers in a way that they could improve the car. i think that's such an important quality to have.”
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ollie was asked who of the veterans on the grid would be a good mentor to rookies and the host suggested carlos ollie: “i rate him very, very highly. i mean, when i was a reserve driver with ferrari and i was listening in on all the debriefs and the detail and the way he's able to describe what he feels in the car is incredible. because it's one thing feeling it and often i was finding, okay, i'm feeling the same thing as this guy or esteban, for example, but carlos was able to describe it to the engineers in a way that they could improve the car. i think that's such an important quality to have.”

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" We took out a 20-minute gliding sequence for Mani’s character; we shot it beautifully, but it was removed due to duration issues. There was also a song taken out; it is an action episode, the hand-gliding sequence where he goes up in the air and makes the rain come—that was the idea of the sequence, the major action set piece in the movie. I hope the production re-releases the movie and gives it another theatrical chance" - Dir. Vikram K Kumar #24TheMovie Hope the team will re-release the UNCUT version in theatre 🤞 Suriya Sivakumar Rajsekar Pandian 2D Entertainment | #Karuppu

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It was expected that the police would detain Sonam Wangchuk; there is nothing new about it. When I went to meet Sonam Wangchuk, I had warned him and his team that the police would detain and imprison them for announcing the 20th July march. This kind of action is nothing new. When the government is afraid, it resorts to such actions.
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It was expected that the police would detain Sonam Wangchuk; there is nothing new about it. When I went to meet Sonam Wangchuk, I had warned him and his team that the police would detain and imprison them for announcing the 20th July march. This kind of action is nothing new. When the government is afraid, it resorts to such actions.

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It takes 2 to tango. But it takes a giant team to make it look this good. Thank you Daniella Karagach for the choreo, the coaching, the calm, and the compassion. Thank you Pasha Pashkov for the guidance. Thanks to Ray Chew and his amazing band for bringing that Taylor Swift banger to life. Thanks to the Dancing with the Stars #DWTS creative design team for the graphics and pyro. Thanks to Stevie, Eric, Art, Howard and Garo for the fabulous fit. Thanks to the hair and make-up team! And mad props to all the pro dancers and competitors for the camaraderie and encouragement. We give each other the love it takes to make it this far. And I’m so grateful to be on the receiving end of all of it. I already feel like a winner. But we still have a ways to go… I won’t give up. 😉
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It takes 2 to tango. But it takes a giant team to make it look this good. Thank you Daniella Karagach for the choreo, the coaching, the calm, and the compassion. Thank you Pasha Pashkov for the guidance. Thanks to Ray Chew and his amazing band for bringing that Taylor Swift banger to life. Thanks to the Dancing with the Stars #DWTS creative design team for the graphics and pyro. Thanks to Stevie, Eric, Art, Howard and Garo for the fabulous fit. Thanks to the hair and make-up team! And mad props to all the pro dancers and competitors for the camaraderie and encouragement. We give each other the love it takes to make it this far. And I’m so grateful to be on the receiving end of all of it. I already feel like a winner. But we still have a ways to go… I won’t give up. 😉

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Wuxi fine embroidery, a national intangible cultural heritage, boasts a history of over 2,000 years. Through this craft, artists are able to depicts figures, scenes, and texts within small spaces. Click the video to learn more about the art and the artisans who bring it to life.

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It took me a bit, but I was able to dub and edit the first chapter of this comic dub! I honestly love the story and the artwork is just stellar! Thanks to ⛧ 𝙹𝚎𝚗 ( Comms- CLOSED ) for the go ahead! Special thanks to Katabelle Ansari | Kansas City 🏙️ and Ronald S. for their assistance with this dub!

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Mark Pope on "the story" before the Louisville game. "I'm a big Taylor Swift fan and I just love to leave out these things that keep everybody wondering and guessing.... It really is nothing; it's just something about the emotional level of our team. I want to tease it and let it play for a few more days. It was just the way we felt as a team and how we responded."

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Director Larry: “we’re currently in full swing with preparations for the sequel to The Shadow’s Edge, we hope to start filming this year at the best possible time as planned and bring it to audiences as soon as possible, for the sequel, we’re thinking about how to take the action to the next level, cuz part of what audiences love abt TSE is its action elements, so many of the actors are also looking forward to seeing what even more exciting action scenes I can bring to the screen”
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Director Larry: “we’re currently in full swing with preparations for the sequel to The Shadow’s Edge, we hope to start filming this year at the best possible time as planned and bring it to audiences as soon as possible, for the sequel, we’re thinking about how to take the action to the next level, cuz part of what audiences love abt TSE is its action elements, so many of the actors are also looking forward to seeing what even more exciting action scenes I can bring to the screen”

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We met once more with some of the survivors of the Andes tragedy and the family members of the deceased in the mountain right after they saw Society of the Snow. I’d dare to say the meeting took place thanks to the movie. This moving video —what transpires from this encounter— has an immeasurable value for us. To be a firsthand witness to how they hugged and to feel —almost touch— the love they shared among them was the best possible reward I got from shooting this story. In some cases, this was a reconciliation 51 years in the making. The fact that a movie has been able to bring a tiny bit of peace, maybe even has helped to bring down a wall of silence or even has been of assistance in mitigating some of the enduring pain from all these years, made it quite clear how necessary and important was to make it and how relevant it is the task we are dedicated to. Stories are important. Using fiction to be able to get into other people’s skin is such a powerful tool to feel empathy, to understand we are all in this together. We are all one. I would like to thank all the survivors for telling the stories of those who lived. And I would also like to thank those who didn’t come back for allowing them to do so. #SocietyOfTheSnow #LaSociedadDeLaNieve
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BUZZ 🐝 A short sequence created using Nano Banana Pro and Grok imagine. I wanted to test Groks capabilities for action in motion. With Buzz leading the way, Tiny Timmy is having the absolute time of his life exploring the wondrous Flower Kingdom🌼 Tools for creation: - Nano Banana Pro was used to generate the base image and the additional camera angles. I wanted to personally see if I could just use 3 images so no 2x2 grid extraction technique for this but I did want to include each frame used so you can see how the sequence was combined. Grok Imagine was used for every sequence to bring it to life using image to video. - I did some post work in Capcut by adding some subtle bloom, radial motion blur and film grain as well. - I added additional sound effects by generating them using Elevenlabs and layering them (bee buzzing, flapping wings, wind and leaves rustling etc). The kids laughter was generated using Grok. The soundtrack was sourced from Artlist. It was fun testing this and putting it together just to see what Grok is capable of generating.

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