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STANLEY KUBRICK'S PRODUCTION DESIGN | This week in our countdown to THE COMPLETE KUBRICK—a monumental 4K + Blu-ray collector’s set bringing together the auteur's entire directorial output for the first time—we’re spotlighting the sets that bring to life the narrative worlds of the visionary director, lingering on the work...

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RESTORING KUBRICK'S ORIGINAL MIXES This week in our countdown to THE COMPLETE KUBRICK — a monumental 4K + Blu-ray collector’s set bringing together the auteur's entire directorial output for the first time — Ryan Hullings, audio supervisor at the Criterion Collection, shares his experience unearthing and restoring the original monaural mixes that Kubrick intended for the theatrical release of many of his films, but which have not been readily available to the public–until now.
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RESTORING KUBRICK'S ORIGINAL MIXES This week in our countdown to THE COMPLETE KUBRICK — a monumental 4K + Blu-ray collector’s set bringing together the auteur's entire directorial output for the first time — Ryan Hullings, audio supervisor at the Criterion Collection, shares his experience unearthing and restoring the original monaural mixes that Kubrick intended for the theatrical release of many of his films, but which have not been readily available to the public–until now.

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THE COMPLETE KUBRICK: Colors and Fonts with Visual Artist Drusilla Adeline ❤️ 🎞️ The designer of THE COMPLETE KUBRICK—a monumental 4K UHD + Blu-ray collector's set bringing together Stanley Kubrick's entire directorial output for the first time—discusses honoring the filmmaker's meticulous, hands-on approach and bold visual aesthetic in the design of the box.
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THE COMPLETE KUBRICK: Colors and Fonts with Visual Artist Drusilla Adeline ❤️ 🎞️ The designer of THE COMPLETE KUBRICK—a monumental 4K UHD + Blu-ray collector's set bringing together Stanley Kubrick's entire directorial output for the first time—discusses honoring the filmmaker's meticulous, hands-on approach and bold visual aesthetic in the design of the box.

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176,627 просмотров • 2 месяцев назад

Designing the Box: THE COMPLETE KUBRICK Michael Chaiken, the Criterion producer of THE COMPLETE KUBRICK—a monumental 4K UHD + Blu-ray collector’s set bringing together Stanley Kubrick’s entire directorial output for the first time—offers a glimpse inside the process of designing a box that could house the legendary filmmaker’s complete works, sharing how the acclaimed graphic designer Drusilla Adeline (aka Sister Hyde) found inspiration in Kubrick’s personal archives.
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Designing the Box: THE COMPLETE KUBRICK Michael Chaiken, the Criterion producer of THE COMPLETE KUBRICK—a monumental 4K UHD + Blu-ray collector’s set bringing together Stanley Kubrick’s entire directorial output for the first time—offers a glimpse inside the process of designing a box that could house the legendary filmmaker’s complete works, sharing how the acclaimed graphic designer Drusilla Adeline (aka Sister Hyde) found inspiration in Kubrick’s personal archives.

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THE COMPLETE KUBRICK: Over 25 Hours of Special Features 🎞️ 📕 Our unprecedented 4K UHD + Blu-ray box set bringing together Kubrick’s entire directorial output for the first time is coming to Criterion in October! Pairing Kubrick's complete filmography with in-depth interviews, test footage, extensive documentaries, and invaluable behind-the-scenes materials, Criterion’s 30-disc box set offers a film school’s worth of special features on the vision, practice, and career of the legendary filmmaker.
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249,128 просмотров • 3 месяцев назад

Spartacus is Stanley Kubrick’s fifth feature film & one of his best. As the years have gone by, I feel like this film isn’t mentioned enough as a top-tier Kubrick film, it just feels a little forgotten relative to films like Eyes Wide Shut (which has transformed into a cult classic over the last few decades), 2001: A Space Odyssey, or even Barry Lyndon. This movie also reunited Kubrick with Kirk Douglas just a few years after Paths of Glory. I think I prefer Spartacus to Paths of Glory by the slightest of margins.
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Spartacus is Stanley Kubrick’s fifth feature film & one of his best. As the years have gone by, I feel like this film isn’t mentioned enough as a top-tier Kubrick film, it just feels a little forgotten relative to films like Eyes Wide Shut (which has transformed into a cult classic over the last few decades), 2001: A Space Odyssey, or even Barry Lyndon. This movie also reunited Kubrick with Kirk Douglas just a few years after Paths of Glory. I think I prefer Spartacus to Paths of Glory by the slightest of margins.

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THE COMPLETE KUBRICK 📕 Thirteen films, one singular collection. Introducing THE COMPLETE KUBRICK: an unprecedented box set bringing together Stanley Kubrick’s entire directorial output for the first time. A titan of cinema whose influence extends across visual art, philosophy, politics, technology, fashion, and beyond, Kubrick created an unparalleled string of masterpieces. Over the years, his body of work has been collected on home video only in partial form, never as a whole—until now.
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861,273 просмотров • 3 месяцев назад

Stanley Kubrick's Eyes Wide Shut had a lot of secret truths hidden in it. Eyes Wide Shut was not the movie Kubrick intended audiences to see. The studio cut 24 minutes from the film, and just a few days later, the legendary filmmaker was dead... What was in those 24 minutes? And what happens at the real masked parties? The director was found dead on March 7th, 1999, at his home in Harpenden, Hertfordshire, just six days after screening the final cut of Eyes Wide Shut to Warner Brothers executives. As a result, he was unable to control the release of what was to be his final film... Considering the theme of Eyes Wide Shut, the fact Stanley Kubrick had first thought of casting actor Woody Allen as the lead actor in the movie only hyperbolizes the so-called conspiracy theories about the film. The director also considered Dustin Hoffman, Warren Beatty, Alan Alda, Alec Baldwin, Albert Brooks, Bill Murray, Sam Shepherd, and Tom Hanks for the leading role. What was Stanley Kubrick trying to tell us in this movie from 1999?
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Stanley Kubrick's Eyes Wide Shut had a lot of secret truths hidden in it. Eyes Wide Shut was not the movie Kubrick intended audiences to see. The studio cut 24 minutes from the film, and just a few days later, the legendary filmmaker was dead... What was in those 24 minutes? And what happens at the real masked parties? The director was found dead on March 7th, 1999, at his home in Harpenden, Hertfordshire, just six days after screening the final cut of Eyes Wide Shut to Warner Brothers executives. As a result, he was unable to control the release of what was to be his final film... Considering the theme of Eyes Wide Shut, the fact Stanley Kubrick had first thought of casting actor Woody Allen as the lead actor in the movie only hyperbolizes the so-called conspiracy theories about the film. The director also considered Dustin Hoffman, Warren Beatty, Alan Alda, Alec Baldwin, Albert Brooks, Bill Murray, Sam Shepherd, and Tom Hanks for the leading role. What was Stanley Kubrick trying to tell us in this movie from 1999?

illuminatibot

48,483 просмотров • 4 месяцев назад

In 1965 filmmaker Stanley Kubrick was in mid-production on 2001: A Space Odyssey with Arthur C. Clarke. At the time, he feared the Mariner 4 Probe mission might discover intelligent alien life, instantly spoiling his film’s premise of humanity’s first cosmic encounter. Kubrick contacted Lloyd’s of London to secure an insurance policy covering plot-ruining extraterrestrial proof before the release of his film. Lloyd’s quoted a premium Clarke called “slightly astronomical”… prompting Kubrick to abandon the idea - and gamble on the universe.
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In 1965 filmmaker Stanley Kubrick was in mid-production on 2001: A Space Odyssey with Arthur C. Clarke. At the time, he feared the Mariner 4 Probe mission might discover intelligent alien life, instantly spoiling his film’s premise of humanity’s first cosmic encounter. Kubrick contacted Lloyd’s of London to secure an insurance policy covering plot-ruining extraterrestrial proof before the release of his film. Lloyd’s quoted a premium Clarke called “slightly astronomical”… prompting Kubrick to abandon the idea - and gamble on the universe.

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72,115 просмотров • 7 месяцев назад

This is a great trailer for the 4K release of FULL METAL JACKET. It premiered 39 years ago #OnThisDay in Beverly Hills, CA. It was the longest production I’ve ever been involved with. While working with Kubrick in London, we found out my wife was pregnant, my son was born, and he turned 1 — all before the film was complete. If you’d like to support the Full Metal Jacket Diary project and exhibition, you can bid on a signed set of Kubrick movies here:
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This is a great trailer for the 4K release of FULL METAL JACKET. It premiered 39 years ago #OnThisDay in Beverly Hills, CA. It was the longest production I’ve ever been involved with. While working with Kubrick in London, we found out my wife was pregnant, my son was born, and he turned 1 — all before the film was complete. If you’d like to support the Full Metal Jacket Diary project and exhibition, you can bid on a signed set of Kubrick movies here:

Matthew Modine

120,650 просмотров • 3 месяцев назад

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WATCH: Stanley Kubrick's Eyes Wide Shut had a lot of secret truths hidden in it. Eyes Wide Shut was not the movie Kubrick intended audiences to see. The studio cut 24 minutes from the film, and just a few days later, the legendary filmmaker was dead... What was in those 24 minutes? And what happens at the real masked parties? The director was found dead on March 7th, 1999, at his home in Harpenden, Hertfordshire, just six days after screening the final cut of Eyes Wide Shut to Warner Brothers executives. As a result, he was unable to control the release of what was to be his final film... Considering the theme of Eyes Wide Shut, the fact Stanley Kubrick had first thought of casting actor Woody Allen as the lead actor in the movie only hyperbolizes the so-called conspiracy theories about the film. The director also considered Dustin Hoffman, Warren Beatty, Alan Alda, Alec Baldwin, Albert Brooks, Bill Murray, Sam Shepherd, and Tom Hanks for the leading role. What was Stanley Kubrick trying to tell us in this movie from 1999?

redpillbot

25,009 просмотров • 6 месяцев назад

WATCH: Stanley Kubrick's Eyes Wide Shut had a lot of secret truths hidden in it. Eyes Wide Shut was not the movie Kubrick intended audiences to see. The studio cut 24 minutes from the film, and just a few days later, the legendary filmmaker was dead... What was in those 24 minutes? And what happens at the real masked parties? The director was found dead on March 7th, 1999, at his home in Harpenden, Hertfordshire, just six days after screening the final cut of Eyes Wide Shut to Warner Brothers executives. As a result, he was unable to control the release of what was to be his final film... Considering the theme of Eyes Wide Shut, the fact Stanley Kubrick had first thought of casting actor Woody Allen as the lead actor in the movie only hyperbolizes the so-called conspiracy theories about the film. The director also considered Dustin Hoffman, Warren Beatty, Alan Alda, Alec Baldwin, Albert Brooks, Bill Murray, Sam Shepherd, and Tom Hanks for the leading role. What was Stanley Kubrick trying to tell us in this movie from 1999?
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WATCH: Stanley Kubrick's Eyes Wide Shut had a lot of secret truths hidden in it. Eyes Wide Shut was not the movie Kubrick intended audiences to see. The studio cut 24 minutes from the film, and just a few days later, the legendary filmmaker was dead... What was in those 24 minutes? And what happens at the real masked parties? The director was found dead on March 7th, 1999, at his home in Harpenden, Hertfordshire, just six days after screening the final cut of Eyes Wide Shut to Warner Brothers executives. As a result, he was unable to control the release of what was to be his final film... Considering the theme of Eyes Wide Shut, the fact Stanley Kubrick had first thought of casting actor Woody Allen as the lead actor in the movie only hyperbolizes the so-called conspiracy theories about the film. The director also considered Dustin Hoffman, Warren Beatty, Alan Alda, Alec Baldwin, Albert Brooks, Bill Murray, Sam Shepherd, and Tom Hanks for the leading role. What was Stanley Kubrick trying to tell us in this movie from 1999?

illuminatibot

243,853 просмотров • 10 месяцев назад

WATCH: Stanley Kubrick's Eyes Wide Shut had a lot of secret truths hidden in it. Eyes Wide Shut was not the movie Kubrick intended audiences to see. The studio cut 24 minutes from the film, and just a few days later, the legendary filmmaker was dead... What was in those 24 minutes? And what happens at the real masked parties? The director was found dead on March 7th, 1999, at his home in Harpenden, Hertfordshire, just six days after screening the final cut of Eyes Wide Shut to Warner Brothers executives. As a result, he was unable to control the release of what was to be his final film... Considering the theme of Eyes Wide Shut, the fact Stanley Kubrick had first thought of casting actor Woody Allen as the lead actor in the movie only hyperbolizes the so-called conspiracy theories about the film. The director also considered Dustin Hoffman, Warren Beatty, Alan Alda, Alec Baldwin, Albert Brooks, Bill Murray, Sam Shepherd, and Tom Hanks for the leading role. What was Stanley Kubrick trying to tell us in this movie from 1999?
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WATCH: Stanley Kubrick's Eyes Wide Shut had a lot of secret truths hidden in it. Eyes Wide Shut was not the movie Kubrick intended audiences to see. The studio cut 24 minutes from the film, and just a few days later, the legendary filmmaker was dead... What was in those 24 minutes? And what happens at the real masked parties? The director was found dead on March 7th, 1999, at his home in Harpenden, Hertfordshire, just six days after screening the final cut of Eyes Wide Shut to Warner Brothers executives. As a result, he was unable to control the release of what was to be his final film... Considering the theme of Eyes Wide Shut, the fact Stanley Kubrick had first thought of casting actor Woody Allen as the lead actor in the movie only hyperbolizes the so-called conspiracy theories about the film. The director also considered Dustin Hoffman, Warren Beatty, Alan Alda, Alec Baldwin, Albert Brooks, Bill Murray, Sam Shepherd, and Tom Hanks for the leading role. What was Stanley Kubrick trying to tell us in this movie from 1999?

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132,954 просмотров • 9 месяцев назад

According to Kirk Douglas, during the filming of "Paths of Glory" (1957), Stanley Kubrick made the veteran actor Adolphe Menjou do the same scene 17 times. After a few takes, Menjou said to Kubrick, "That was my best reading. I think we can break for lunch now." It was well past the usual lunch time but Kubrick said he wanted another take. Menjou went into an absolute fury. In front of Kirk Douglas & the entire crew he blasted off on what he claimed was Kubrick's dubious parentage, and made several other unprintable references to Kubrick's relative greenness in the art of directing actors. Stanley Kubrick merely listened calmly, and, after Menjou had spluttered to an uncomplimentary conclusion, said quietly: "All right, let's try the scene once more." With utter docility, Menjou went back to work. Douglas said, "Stanley instinctively knew what to do." Douglas felt that Kubrick's air of Knowledge can infuriate an actor at first, but then, "You settle down and admire him." ("'2001': Offbeat Director In Outer Space", Hollis Alpert, The NY Times, 1966) P.S: Remembering the Legendary Filmmaker Stanley Kubrick on his 98th birthday!
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According to Kirk Douglas, during the filming of "Paths of Glory" (1957), Stanley Kubrick made the veteran actor Adolphe Menjou do the same scene 17 times. After a few takes, Menjou said to Kubrick, "That was my best reading. I think we can break for lunch now." It was well past the usual lunch time but Kubrick said he wanted another take. Menjou went into an absolute fury. In front of Kirk Douglas & the entire crew he blasted off on what he claimed was Kubrick's dubious parentage, and made several other unprintable references to Kubrick's relative greenness in the art of directing actors. Stanley Kubrick merely listened calmly, and, after Menjou had spluttered to an uncomplimentary conclusion, said quietly: "All right, let's try the scene once more." With utter docility, Menjou went back to work. Douglas said, "Stanley instinctively knew what to do." Douglas felt that Kubrick's air of Knowledge can infuriate an actor at first, but then, "You settle down and admire him." ("'2001': Offbeat Director In Outer Space", Hollis Alpert, The NY Times, 1966) P.S: Remembering the Legendary Filmmaker Stanley Kubrick on his 98th birthday!

DepressedBergman

223,915 просмотров • 2 месяцев назад

WATCH: Stanley Kubrick's Eyes Wide Shut had a lot of secret truths hidden in it. Eyes Wide Shut was not the movie Kubrick intended audiences to see. The studio cut 24 minutes from the film, and just a few days later, the legendary filmmaker was dead... What was in those 24 minutes? And what happens at the real masked parties? The director was found dead on March 7th, 1999, at his home in Harpenden, Hertfordshire, just six days after screening the final cut of Eyes Wide Shut to Warner Brothers executives. As a result, he was unable to control the release of what was to be his final film... Considering the theme of Eyes Wide Shut, the fact Stanley Kubrick had first thought of casting actor Woody Allen as the lead actor in the movie only hyperbolizes the so-called conspiracy theories about the film. The director also considered Dustin Hoffman, Warren Beatty, Alan Alda, Alec Baldwin, Albert Brooks, Bill Murray, Sam Shepherd, and Tom Hanks for the leading role. What was Stanley Kubrick trying to tell us in this movie from 1999? #LolitaExpress #JeffreyEpstein #GhislaineMaxwell #Adrenochrome #EpsteinClientList #EpsteinFlightLogs #EpsteinIsland #SexTrafficking #HumanTrafficking #ChildTrafficking #Hollywood #Disney #pedophile #pedowood #pizzagate #pedogate #sexslave #CrimesAgainstHumanity #mkultra #TunnelJews #SATANIC #Rothschild #illuminati Alex Jones Illuminati Coin $NATI 👁️ #IlluminatiCoin 🦉 👁️ 🕵️‍♂️ Join us:
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WATCH: Stanley Kubrick's Eyes Wide Shut had a lot of secret truths hidden in it. Eyes Wide Shut was not the movie Kubrick intended audiences to see. The studio cut 24 minutes from the film, and just a few days later, the legendary filmmaker was dead... What was in those 24 minutes? And what happens at the real masked parties? The director was found dead on March 7th, 1999, at his home in Harpenden, Hertfordshire, just six days after screening the final cut of Eyes Wide Shut to Warner Brothers executives. As a result, he was unable to control the release of what was to be his final film... Considering the theme of Eyes Wide Shut, the fact Stanley Kubrick had first thought of casting actor Woody Allen as the lead actor in the movie only hyperbolizes the so-called conspiracy theories about the film. The director also considered Dustin Hoffman, Warren Beatty, Alan Alda, Alec Baldwin, Albert Brooks, Bill Murray, Sam Shepherd, and Tom Hanks for the leading role. What was Stanley Kubrick trying to tell us in this movie from 1999? #LolitaExpress #JeffreyEpstein #GhislaineMaxwell #Adrenochrome #EpsteinClientList #EpsteinFlightLogs #EpsteinIsland #SexTrafficking #HumanTrafficking #ChildTrafficking #Hollywood #Disney #pedophile #pedowood #pizzagate #pedogate #sexslave #CrimesAgainstHumanity #mkultra #TunnelJews #SATANIC #Rothschild #illuminati Alex Jones Illuminati Coin $NATI 👁️ #IlluminatiCoin 🦉 👁️ 🕵️‍♂️ Join us:

Illuminati Coin

475,581 просмотров • 2 лет назад

Andrei Tarkovsky on the problems he had with Sci-fi movies— especially Stanley Kubrick's '2001: A Space Odyssey' (1968) & how he intended to make 'Solaris' (1972): "Interviewer: The majority of directors of science-fiction movies think it necessary to impress the viewer's imagination with the concrete details of everyday life on other worlds or the details of a spacecraft's construction, which often crowd out the central idea of the film. I think Kubrick's '2001: A Space Odyssey' (1968) is guilty of that. Tarkovsky: For some reason, in all the Science-fiction films I've seen, the filmmakers force the viewer to examine the details of the material structure of the future. More than that, sometimes, like Kubrick, they call their own films premonitions. It's unbelievable! Let alone that '2001: A Space Odyssey' (1968) is phony on many points even for specialists. For a true work of art, the fake must be eliminated. I would like to shoot 'Solaris' in a way that the viewer would be unaware of any exoticism. Of course, I'm referring to the exoticism of technology. For example, if one shoots a scene of passengers boarding a trolley, which, let's say, we'd never seen before or known anything about, then we'd get something like Kubrick's moon-landing scene. On the other hand, if one were to shoot a moon landing like a common trolley stop in a modern film, then everything would be as it should. That means to create psychologically, not an exotic but a real, everyday environment that would be conveyed to the viewer through the perception of the film's characters. That's why a detailed "examination" of the techno logical processes of the future transforms the emotional foundation of a film, as a work of art, into a lifeless schema with only pretensions to truth. Design is design. Painting is painting. And a film is a film. One should "separate the firmament from the waters" and not engage in making comic books. When cinema moves out from under the power of money, namely, the costs of production, when there will be a method for the author of a work of art to record reality as with a pen and paper, paints and canvas, chisel and marble, "X" and the filmmaker, then we'll see. Then cinema will be the foremost art and its muse the queen of all the others." (Andrei Tarkovsky's interview with Naum Abramov, 1970) [P.S: On this day, 54 years ago, 'Solaris' (1972) premiered in Moscow, Soviet Union.]
2:00

Andrei Tarkovsky on the problems he had with Sci-fi movies— especially Stanley Kubrick's '2001: A Space Odyssey' (1968) & how he intended to make 'Solaris' (1972): "Interviewer: The majority of directors of science-fiction movies think it necessary to impress the viewer's imagination with the concrete details of everyday life on other worlds or the details of a spacecraft's construction, which often crowd out the central idea of the film. I think Kubrick's '2001: A Space Odyssey' (1968) is guilty of that. Tarkovsky: For some reason, in all the Science-fiction films I've seen, the filmmakers force the viewer to examine the details of the material structure of the future. More than that, sometimes, like Kubrick, they call their own films premonitions. It's unbelievable! Let alone that '2001: A Space Odyssey' (1968) is phony on many points even for specialists. For a true work of art, the fake must be eliminated. I would like to shoot 'Solaris' in a way that the viewer would be unaware of any exoticism. Of course, I'm referring to the exoticism of technology. For example, if one shoots a scene of passengers boarding a trolley, which, let's say, we'd never seen before or known anything about, then we'd get something like Kubrick's moon-landing scene. On the other hand, if one were to shoot a moon landing like a common trolley stop in a modern film, then everything would be as it should. That means to create psychologically, not an exotic but a real, everyday environment that would be conveyed to the viewer through the perception of the film's characters. That's why a detailed "examination" of the techno logical processes of the future transforms the emotional foundation of a film, as a work of art, into a lifeless schema with only pretensions to truth. Design is design. Painting is painting. And a film is a film. One should "separate the firmament from the waters" and not engage in making comic books. When cinema moves out from under the power of money, namely, the costs of production, when there will be a method for the author of a work of art to record reality as with a pen and paper, paints and canvas, chisel and marble, "X" and the filmmaker, then we'll see. Then cinema will be the foremost art and its muse the queen of all the others." (Andrei Tarkovsky's interview with Naum Abramov, 1970) [P.S: On this day, 54 years ago, 'Solaris' (1972) premiered in Moscow, Soviet Union.]

DepressedBergman

82,821 просмотров • 8 месяцев назад

On this day in 1975, Stanley Kubrick’s 'Barry Lyndon' premiered in London. 50 years later, the film remains a monumental experience, one of cinema’s most meticulously crafted achievements, a work of beauty and precision. Adapted from William Makepeace Thackeray’s novel, ‘Barry Lyndon’ follows the rise and fall of Redmond Barry, an ambitious outsider who maneuvers his way into aristocratic society. The candlelit scenes were filmed almost entirely by candlelight, made possible by ultra-fast Zeiss lenses developed for NASA. For the rest of the film, Kubrick combined natural light, hidden reflectors, and carefully controlled lighting to craft interiors and landscapes that look as if they were pulled straight from 18th-century paintings. The film’s obsessive attention to period detail (from costumes stitched using historical techniques to locations lit as they would have been in 1770), reached a level of authenticity that’s still incredible today. After months of shooting across remote estates in Ireland, and a production so demanding that cast and crew joked they aged in “Kubrick years,” the result was a vision so controlled and immersive it feels like stepping into a living museum.
1:01

On this day in 1975, Stanley Kubrick’s 'Barry Lyndon' premiered in London. 50 years later, the film remains a monumental experience, one of cinema’s most meticulously crafted achievements, a work of beauty and precision. Adapted from William Makepeace Thackeray’s novel, ‘Barry Lyndon’ follows the rise and fall of Redmond Barry, an ambitious outsider who maneuvers his way into aristocratic society. The candlelit scenes were filmed almost entirely by candlelight, made possible by ultra-fast Zeiss lenses developed for NASA. For the rest of the film, Kubrick combined natural light, hidden reflectors, and carefully controlled lighting to craft interiors and landscapes that look as if they were pulled straight from 18th-century paintings. The film’s obsessive attention to period detail (from costumes stitched using historical techniques to locations lit as they would have been in 1770), reached a level of authenticity that’s still incredible today. After months of shooting across remote estates in Ireland, and a production so demanding that cast and crew joked they aged in “Kubrick years,” the result was a vision so controlled and immersive it feels like stepping into a living museum.

Lost In Film

101,899 просмотров • 9 месяцев назад

Stanley Kubrick explains why critics were hostile & insulting to his movies at first and why he trusts the audience more than critics: "The first reviews of '2001: A Space Odyssey' (1968) were insulting, let alone bad. An important Los Angeles critic faulted 'Paths of Glory' (1957) because the actors didn’t speak with French accents. When 'Dr. Strangelove' (1964) came out, a New York paper ran a review under the head MOSCOW COULD NOT BUY MORE HARM TO AMERICA. Something like that. But critical opinion on my films has always been salvaged by what I would call subsequent critical opinion. Which is why I think audiences are more reliable than critics, at least initially. Audiences tend not to bring all that critical baggage with them to each film. And I really think that a few critics come to my films expecting to see the last film. They’re waiting to see something that never happens. I imagine it must be something like standing in the batter’s box waiting for a fast ball, and the pitcher throws a change-up. The batter swings and misses. He thinks, “Shit, he threw me the wrong pitch.” I think this accounts for some of the initial hostility." (Stanley Kubrick's interview with Tim Cahill, 1987) P.S: On this day, 58 years ago, "2001: A Space Odyssey" (1968) premiered in Washington, D.C, USA)
1:51

Stanley Kubrick explains why critics were hostile & insulting to his movies at first and why he trusts the audience more than critics: "The first reviews of '2001: A Space Odyssey' (1968) were insulting, let alone bad. An important Los Angeles critic faulted 'Paths of Glory' (1957) because the actors didn’t speak with French accents. When 'Dr. Strangelove' (1964) came out, a New York paper ran a review under the head MOSCOW COULD NOT BUY MORE HARM TO AMERICA. Something like that. But critical opinion on my films has always been salvaged by what I would call subsequent critical opinion. Which is why I think audiences are more reliable than critics, at least initially. Audiences tend not to bring all that critical baggage with them to each film. And I really think that a few critics come to my films expecting to see the last film. They’re waiting to see something that never happens. I imagine it must be something like standing in the batter’s box waiting for a fast ball, and the pitcher throws a change-up. The batter swings and misses. He thinks, “Shit, he threw me the wrong pitch.” I think this accounts for some of the initial hostility." (Stanley Kubrick's interview with Tim Cahill, 1987) P.S: On this day, 58 years ago, "2001: A Space Odyssey" (1968) premiered in Washington, D.C, USA)

DepressedBergman

68,076 просмотров • 6 месяцев назад

Whether it’s the live game production or the pre-produced pieces that many have a hand in bringing to life, I’m obviously a big advocate of the work and talents of our MavsTV crew. We ran this tease about Cooper Flagg on Friday to start the broadcast, thanks to a former Rookie of the Year Jason Kidd for the excellent voiceover work here too! We may see this again later this week with some new highlights from recent performances 😀
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Whether it’s the live game production or the pre-produced pieces that many have a hand in bringing to life, I’m obviously a big advocate of the work and talents of our MavsTV crew. We ran this tease about Cooper Flagg on Friday to start the broadcast, thanks to a former Rookie of the Year Jason Kidd for the excellent voiceover work here too! We may see this again later this week with some new highlights from recent performances 😀

Mark Followill

11,962 просмотров • 6 месяцев назад