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Stephen Curry explains how he used gratitude to process being underpaid on his 4 year $44,000,000 deal while winning MVP's and titles early in his career “It’s all intentionality. It sounds so freaking cheesy and cliché because I’m talking about it right now, but this is exactly how I...

183,363 görüntüleme • 19 gün önce •via X (Twitter)

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Lamar Jackson says he watched friends chase fast money while he was playing the long game and counting how many years it would take him to reach the NFL “I’m seeing my friends who I was growing up with who I was playing football with… Just throw their life away for fast money and stuff like that. They used to tell me ‘Oh, you talk too much’. Because I used to always speak about football and positivity stuff. They didn’t want to hear that.” “Now it’s like… They’d rather hear it now because I’m Lamar Jackson. But I’ve been speaking about it. Everybody just wasn’t listening. I was already seeing what was going on. I wish we could go back in time and y’all could see what I was seeing. Because I always looked at life like, I counted years.” “Like I would think… ‘How many years does it take to get to the league?’ They’re saying… ‘You do three years in college.’ I said… ‘I’m doing three years.’ I’m not doing four. I’m not trying to go fifth year. I’m doing three years because I’m going to make sure my family is good.” “If you’re coming from a place like where I come from, don’t try to be like the guys around you. Don’t look up to the stuff that looks like it’s fun… Because sometimes it gets you in trouble.” “It’s sacrificing. ‘Man, I can’t have fun right now. I’ve got to get my family right. I can’t do this right now. I can’t mess up.’ Forget the fast money. I’ve got to think about longevity.” “You can get locked up and do five years for $1,000. That money gone. It’s gone. You’re like… ‘Man, I just did that for $1,000…’ And I could have waited five years and I would’ve had $10 million.” “That’s why I’m where I’m at right now. That’s how I used to think. My mom working… She’s busting her behind. It’s me, my brother and my two sisters at home. I’m the oldest…” “So I’ve got to make sure everybody right. And it’s like… Man, I can’t wait, but I’ve got to wait. That’s the sacrifice. I’ve got to be patient. People don’t look at it like that. It’s like… ‘Man, I need that money right now.’ But you don’t need that money right now. Just wait.”

Josh Chambers

3,018,908 görüntüleme • 2 gün önce

Cody Rhodes was asked about John Cena saying how the match that you guys did at SummerSlam had to be different, had to deliver, because the WrestleMania match he felt didn’t. How did you put that match together at SummerSlam? “Well, I never was one to get mad or get in my feelings over WrestleMania 41 because it was part of a larger story. That is a hard sell, though, for a WrestleMania, especially when the year before you had the completion of over several decades of a journey, and at a 10-year Mania, you’re involving luminaries and legends. It’s a feeling that’s good, a good feeling, as Shawn Michaels will say, the good stuff. So when you go into 41 and you’re doing 1/4 of your story, and you know your story goes all the way to SummerSlam, I never was not committed, and I never doubted John. I hope he knows that, because I know he talks about this match, so I feel comfortable talking about it, but I never doubted, hey, well, this is what we’re doing now, and this is what we’re going to do, then this is what we’re going to do when we get to SummerSlam. You asked, though, how we put it together. I have a really great photo of how we put it together in the most old-school fashion ever. He wanted to have a cigar where he was staying in New York, and this was the night before. I figured I like cigars, it is one of my favorite things, maybe the most Cuban thing about me. I went there, and I realized after dinner and stuff, maybe an hour in, that we were talking about tomorrow. But we were just talking about it differently than you talk about it at the ringside area. We were talking about it, then we would talk about something else, and then we’d slip back into it, and it was the most I think I’ve ever focused in my mind. Because once we go past something, I don’t want to forget it. Remember that idea, I don’t want to forget it. So I ended up going to my hotel that night, and I had it all. I had everything, and I kept making sure. I think I was telling Brandi, and I was making sure I had it. I had what we had talked about. Because with an old school guy like him, you may actually go out there the next night without seeing each other, which is wild in 2025-26. But with John, that was a possibility. He could have just yelled his whole version of it, or I could have yelled my whole version. But that was a really special moment, because I got a lot of pictures from it, and I didn’t share any except maybe one of us signing at the tables. But I got to be with my friend at the end, and I got to not just be with my friend, but I got to have the responsibility that I think anyone in the business would want. I got the responsibility of being booed in Vegas. I got that responsibility of being the one who can survive. Hey, yeah, you may not be the hot thing right now, but if you’re going to be QB 1, you have to be able to survive, and I got to be able to be in there with the guy who survived more encounters than anybody in our business with split crowds, for him crowds and hostile crowds.” (Chris Van Vliet)

J O H N

34,566 görüntüleme • 5 ay önce

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 görüntüleme • 8 ay önce

JOONGDUNK PRAEW PODCAST #DearMyselfxJoongDunk the first photo : “from the day that kid had to survive on his own” —— 🌞be called the last one i took with my dad before his father passed away. at that time i never expected it would happen. during COVID i was in China to compete in a survival show having decided to leave and sacrifice everything i had in Thailand to go there. but the pandemic hit the show couldn’t be filmed and i was left with only about 50,000B in my account — everything i had. when i returned to Thailand i felt completely lost not knowing what job to do or where to go. acting singing — everything seemed uncertain and nothing could move forward because of COVID. not long after that my dad passed away. it’s been about 6 years since then 🌞the reason i chose this photo is because it truly was a turning point in my life. everything felt like it had exploded — like i was completely cornered with no way out. so i had to struggle, do everything i could just to survive. and it wasn’t only me who had to survive but my whole family too. i still have my mom, three younger sisters and brothers who are in Turkey. that’s why i had to do everything to make sure my people could survive. it felt like every door in my life had completely shut every single one. so i had no choice but to search for new doors. luckily during COVID, many new doors eventually opened for me. honestly, in the days when those doors hadn’t opened yet, did i ever think this might not be the right path? no! not at all. i just felt that this was the path i was good at — and also the one i loved. i had already experienced what it felt like to be here and i truly liked it. i got to do so many things — dancing, acting, going to international fan meetings. it made me feel like… once you keep getting on stage, you start craving it. you crave the stage, the screams from the crowd, singing together with fans. it’s a completely different feeling. hearing their voices—it’s indescribable. back then, what I wanted was simply… i don’t even know exactly what it was but i wanted to see myself on stage, singing, with people singing along with me. And i realized i truly loved that feeling. that’s why i knew this was my path. 🌞because when i was younger, i used to love singing in the bathroom. and. my father… was the only person in the house who would knock on the bathroom door and say “stop singing everyone else in the neighborhood can hear you already” 🌞this was back when i was living at Eason Blue. basically the bathrooms in that house were connected. it was like a family apartment: upstairs was one relative’s place, downstairs was another, and our home was in the middle. so everyone could hear everything. my dad was worried that my voice would disturb the neighbors, so even in the bathroom or in my own room i wasn’t really allowed to sing. instead, i would go sing at school. simply put, my dad didn’t really support me much when it came to singing. he just didn’t see what this kid could become, or where singing could take me. and honestly, back then, i couldn’t see it myself either—i never imagined that one day i’d get to sing this much : nd now that you’re about to have a fan concert, where you can fully perform and sing… your dad must finally get to see it somewhere right? 🌞but in the end he didn’t get to see it. Maybe he’s listening from above

🇻🇳Jaidee’s aunt Bamnie🐣

85,408 görüntüleme • 5 ay önce

The moment that drew my attention to Freen was when you went to Cannes and there was a photo of your in a red dress which got tenth of thousands of likes—I was like, who’s this? I want to ask how you view Cannes before and after you went there. When I found out that I will be there, I felt it was such a grand event. Never imagined… like me? ME? Who am I to get to go there? And when I was there… it was really grand. And the photo time was so long that I thought…. Are we done? Didn’t know what to pose already. Was very nervous inside but had to act confident. Come…. Take photos… but inside, scan around…. How many? How long is the camera wall😅 It’s a good moment in life. Saw Queen Chompoo went so many years and looked so grand every time. I was one who was excited to see what she will wear. So when it was me, I was excited. And when was there, was a bit pressured—what dress and accessories to wear. I had to do a lot of homework. I was a bit surprised with myself. They have dresses for me to choose from. Had to pick what fitted me. But when I liked the red design… but it was red, which I have to wear to a red carpet… I was like… what to do… and decided to go for it. I’ll go with it. Not sure how red on red will be but went with it. MC: for me it was a good choice. I felt. This kid is brave. You could handle it and made it seem effortless/ not stressed. Felt you weren’t stressed out by the red carpet. I thought you handled it well. Thank you so much. It was my first time. I was really scared. The necklace. I’ll tell you about was the first time in my life that I went to choose it all by myself. Had to pick accessories worth many tenth of millions alone. Had to go through 3-4 doors with massive guards and there was one guard with me. They went do you like this, no? Next. No? Next. Was not able to put on the dress and tried… had to imagined it. I think that room had accessories worth tenths of billions. All could do was put it against my neck and imagined it with the dress I picked. Was difficult but I think I got a perfect total look. MC: I’m also interested to know which part you like the most about Cannes aside from the red carpet. There were so many eventful stuff. First I missed my flight! Instead of two stops/transfer I had to take four or five. …. …. Anyway that’s fine. My team was good and professional—the manager, makeup, hair. We had to deal with the situation but got through it while still had good humor about it. MC: what thought about hotel Martinez iconic stairs. Met so many people/celebrities. It was like a check in spot for everyone. After you finished getting ready, had to take photos there. It was another memorable moment. Not everyone can be there. Overall, glad I experienced getting ready there and went to the red carpet.

panpan

25,405 görüntüleme • 5 ay önce

One of the most powerful moments in this episode. At 28, mark pincus finds himself unemployed (fired by John Malone, Bain, and others), with few prospects. He had big dreams, but the world wasn't cooperating. This is how he turned things around. what "I realized I had nowhere else to fall from this because I just felt like I’d made a lot of bad career decisions and I was washed up early and I just sat there in this temple." It was a good place to sit and think because he didn't know anyone and didn't understand anything. "And I just started writing in a notebook about why my life sucked so badly." This book, a journal he's kept every year that he calls the book of life, allows him to take an accurate accounting of his life and change his mindset through reflection. After writing for hours about how bad his life sucked and all the mistakes he'd made, he focused on one small thing. "I just ended on this one thing: that I smoked cigarettes. I didn’t even smoke smoke. I smoked like one or two a day, a pack a night if I was at a bar on weekends, but I hated it ... I didn’t want to do it, but I kept doing it." He felt like his life was out of control, but this was one thing he could control. "I just was like, if I could do one thing to know that I’m making some positive change in my life, I’m going to quit smoking. So on October 19th, 1994, I did a lifetime quit on cigarettes and then every day for that year after that, that I didn’t smoke, it was something I could feel good about. So I was like, okay, I did something for myself today by not smoking." The wins started to stack. I asked him what he was writing about. What was his process? "At that point, I had no structure or process. I was just writing, and there was so much in me." Was it anger? "It was. I did feel angry and frustrated and I was like, I had all these dreams. I wanted to be an entrepreneur from early on and I was an achiever. I thought I was an achiever, but I was not achieving." He's done the same technique every year: "What it’s done for me and I think it could do for a lot of people is just be strategic about your life, like be thoughtful about, I like to say, what would your future self thank you for doing this year and what wouldn’t?" And that question is the one that really matters. What can you do today that your future self will thank you for? What the book of life did was hold him accountable and force him to make tough decisions that his future self would thank him for.

Shane Parrish

23,083 görüntüleme • 2 ay önce

I would only blame myself if someone kept taking food off of my plate and eating it. It’s because I didn’t set clear boundaries at all. To be honest I couldn’t even be mad about this because it would be my fault this even happened. But you know very well I’m going to learn my lesson. She obviously is very comfortable doing this, he doesn’t seem to be firm about not letting her do it, the only one he can be mad at is himself. I think he will think twice about continuing to let her get away with it. Years ago, my brother used to do this to me and when I confronted him he laughed but he never stopped doing it, it got old really quick, I was annoyed because it felt like a bullying tactic. It got to the point one day that i had had enough, I made my plate and I dumped a bunch of salt into it knowing he was going to try to eat my food. After one bite he spit it out and he learned his lesson. He never did it again. But he still got mad I did it. Personally I think he was more mad he got caught if anything. I think a simple solution is to double order, that way if someone eats all my food I still have a back up, that could work right? But a part of me feels like that shouldn’t even be necessary. What would you do if someone kept eating off your plate? Would you put your foot down or just stay silent in hopes they don’t do it again. I think I am going to start just smoking more meat on the grill and keeping that up. I always make so much and if people wanna have some I still have plenty.

SonnyBoy🇺🇸

49,661 görüntüleme • 2 ay önce

⭐️: I honestly spent so much time thinking about it. At first, I kept wondering if it was the right choice. Every time I looked in the mirror, it felt unfamiliar and a little awkward. And I think there are certain shades of blonde that suit me, and others that just don’t feel like me. But I really, really thought about it a lot. On top of that, there were times when I was out and about and had to deal with some not-so-great reactions because of it, so I had a lot of worries. I kept going back and forth in my head. When I wore that outfit for the music show performance, I actually couldn’t sleep at all the night before. I had so many thoughts and worries that I was basically fighting with myself. My mood was really bad that day. But even though my body felt like it weighed a ton, I dragged myself to the music show and did it. And while I was there, I was still battling with myself, thinking, “Is this really right? Am I just too stuck in my own perspective to see it clearly? Maybe I’m the only one who doesn’t get it.” But at the same time, I kept telling myself, “We already filmed the music video like this. This is something I have to commit to.” So I went on stage. I was honestly feeling really down that day. I had almost no confidence in myself. But later on, seeing that so many people understood it and liked it made me realise that maybe it wasn’t completely the wrong choice after all. That said, my favourite hairstyle on myself is still black hair. So today, I got my hair and makeup done, looked in the mirror, and thought, “I need to go live.” So here I am.

Hwanakin

16,119 görüntüleme • 1 ay önce

Tracy McGrady says he leaned on Kobe Bryant to manage his $5,000,000 rookie contract and the NBA lifestyle at 18 years old “I never felt like I had it under control. Ever. I was trying to control it the best way I possibly could because I didn’t have the knowledge.” “I’m young. I didn’t have the knowledge. I’m just maneuvering through this shit by trial and error, just trying to figure it out as I go.” “But having Kobe at the time, I could pick up the phone, call Kobe, because he’s somebody that I leaned on religiously at that time. Very intelligent person. Very grounded. His structure and my structure are totally two different structures.” “I needed to have that conversation and learn from him, who had the structure and had the intelligence to help me maneuver through this shit that I know nothing about.” “I could just pick up the phone and call my man and be like, ‘Yo, I’m struggling with this. What should I do?’ And he was so gracious enough to give me the game. That was through our whole career.” “Everything, bro. We talked about everything. I stayed with him. At his house in L.A. Just to have those conversations, man, it really got me through a lot. I’m not even just talking about basketball. I’m talking about having money and having to deal with family and maneuvering through all of that.” “I didn’t know how to deal with that. Kobe grew up in this. He’s got the blueprint. This shit is all a blank canvas for me. And I’m trying to figure it out.” “Even from a mentality standpoint, how you approach games, how you work out. I don’t have any of this. I ain’t really work out until I got to the pros.”

Josh Chambers

66,076 görüntüleme • 15 gün önce

Kevin Costner recounts the exact moment he knew he’d made it as a Hollywood star. Howard Stern: “How many years were there from when you, let’s say, graduated high school?” Kevin Costner: “Probably six or seven years. I was just knocking around, taking odd jobs, auditioning for things, and constantly getting rejected.” “People always ask, ‘What was your moment? What was your big break?’” “It’s really clear to me. I knew when I got the job in The Big Chill. Not what happened later, not getting cut out of the movie. I’m saying when I got the job. I was driving home on the freeway, and I knew it had happened for me.” Howard Stern: “It’s so funny because The Big Chill is the movie where you’re the guy who got cut out.” Kevin Costner: “But it had already happened for me, right? I was on the freeway, and I didn’t care anymore what happened after that. I knew I was in the right room, with the right guy, with the right people. I knew it was on. Not when the movie came out. I knew it was on the day I left the audition with the part.” Howard Stern: “That was the day you said to yourself, ‘I’m an actor.’” Kevin Costner: “That’s exactly right. Wally Niesita was the casting director, and she had such a force of will. She helped me with Lawrence Kasdan. But people only look at the obvious. If you want to ask when the moment was, it was really two moments. The moment I decided I wasn’t going to worry anymore about what people thought of me, and I wasn’t going to let my parents’ worries define my life. I didn’t care. They were going to catch up with my life. That was the first moment. The second was driving home after getting The Big Chill. Those were the two most important moments of my life.”

𝓢𝓵𝓪𝓶 👁️⃤

162,969 görüntüleme • 1 ay önce