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Still perfect. What amazing writing!! Love it!❤️❤️ 🎤 𝐓𝐡𝐞 𝐌𝐚𝐦𝐚𝐬 & 𝐓𝐡𝐞 𝐏𝐚𝐩𝐚𝐬 — 𝐂𝐚𝐥𝐢𝐟𝐨𝐫𝐧𝐢𝐚 𝐃𝐫𝐞𝐚𝐦𝐢𝐧’ The song channels a timeless sense of longing—cold streets, grey skies, and that soft ache for someplace warmer, both emotionally and physically. Its real magic lies in the harmonies: layered, human, and effortlessly... show more

🌸🎵 Beautiful Melody 🎶💖

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13,427 просмотров • 6 месяцев назад •via X (Twitter)

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41 years later and this song still sounds timeless. It instantly takes you back to the magic of the '80s, bringing with it memories, emotions, and a sense of nostalgia that's impossible to explain. A true classic that never fades ❤️🎶✨

41 years later and this song still sounds timeless. It instantly takes you back to the magic of the '80s, bringing with it memories, emotions, and a sense of nostalgia that's impossible to explain. A true classic that never fades ❤️🎶✨

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This is American music. Not the polished kind. The kind that came out of porches, church halls, and back rooms — banjo, mandolin, guitar, and bass chasing each other around a melody. “Fox on the Run” has been passed around for decades, but this version still sounds like it belongs to the dirt and the wood. Tight picking. Real harmony. No studio gloss getting in the way. Bluegrass doesn’t need a big stage to work. It just needs players who mean it. What’s your favorite American roots song that still hits like this? BackWoods Bluegrass has so many great songs

This is American music. Not the polished kind. The kind that came out of porches, church halls, and back rooms — banjo, mandolin, guitar, and bass chasing each other around a melody. “Fox on the Run” has been passed around for decades, but this version still sounds like it belongs to the dirt and the wood. Tight picking. Real harmony. No studio gloss getting in the way. Bluegrass doesn’t need a big stage to work. It just needs players who mean it. What’s your favorite American roots song that still hits like this? BackWoods Bluegrass has so many great songs

Roy Rogers Happy Trails Music Shop

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It’s the ultimate Hollywood paradox: One of the greatest on-screen romances of all time was fueled by two people who—at the time—could barely stand to be in the same room. The tension between Patrick Swayze and Jennifer Grey wasn't just acting; it was genuine friction from their time on Red Dawn that carried over into the Kellerman’s rehearsals. But somehow, that irritation translated into a raw, electric chemistry that a "friendly" set could never replicate. From the frustration in the "arm tickling" scene (which was actually real) to the legendary lift in the lake, they gave us a masterpiece of longing and passion. 40 years later and: ✅ The soundtrack still carries. ✅ The "lift" is still the GOAT. ✅ "Nobody puts Baby in a corner" still gives chills. It’s proof that sometimes, the best magic happens when things aren’t perfect. A favorite forever. ❤️🎞️

It’s the ultimate Hollywood paradox: One of the greatest on-screen romances of all time was fueled by two people who—at the time—could barely stand to be in the same room. The tension between Patrick Swayze and Jennifer Grey wasn't just acting; it was genuine friction from their time on Red Dawn that carried over into the Kellerman’s rehearsals. But somehow, that irritation translated into a raw, electric chemistry that a "friendly" set could never replicate. From the frustration in the "arm tickling" scene (which was actually real) to the legendary lift in the lake, they gave us a masterpiece of longing and passion. 40 years later and: ✅ The soundtrack still carries. ✅ The "lift" is still the GOAT. ✅ "Nobody puts Baby in a corner" still gives chills. It’s proof that sometimes, the best magic happens when things aren’t perfect. A favorite forever. ❤️🎞️

✨️Serenitee♡Sam✨️

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California by Joni Mitchell, released in 1971, found new life when Amanda Seyfried performed it on The Tonight Show with Jimmy Fallon. Sitting with a dulcimer in her hands, she delivered the song with a gentle confidence that immediately caught the room off guard. Her voice was soft but assured, carrying the melody with ease as she played, and you could see Fallon’s genuine surprise as the performance unfolded. What felt like a casual late-night moment quietly turned into something special. Originally written during Joni Mitchell’s travels through Europe and released on the album Blue, California is a song about homesickness, reflection, and the pull of belonging. Its conversational lyrics and vivid imagery capture the tension between freedom and the desire to return home. Hearing it reinterpreted decades later, with the same honesty and simplicity, reminded everyone why the song remains so emotionally resonant. That’s why this performance still feels so memorable.

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Released in 1961, “Can’t Help Falling in Love” became one of Elvis Presley’s most timeless and beloved songs. Decades later, its gentle melody and heartfelt lyrics still resonate with generations around the world. It captures the feeling of a love so natural and sincere that, no matter how hard you try, your heart simply can’t help but fall. ❤️🎶 In 1973, an estimated 1.5 billion people watched Elvis perform in the legendary “Aloha from Hawaii” concert, at a time when the internet didn’t even exist. Elvis had no idea just how iconic he already was. 👑❤️

Released in 1961, “Can’t Help Falling in Love” became one of Elvis Presley’s most timeless and beloved songs. Decades later, its gentle melody and heartfelt lyrics still resonate with generations around the world. It captures the feeling of a love so natural and sincere that, no matter how hard you try, your heart simply can’t help but fall. ❤️🎶 In 1973, an estimated 1.5 billion people watched Elvis perform in the legendary “Aloha from Hawaii” concert, at a time when the internet didn’t even exist. Elvis had no idea just how iconic he already was. 👑❤️

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47 years passed since its first appearance but its impact is still the same as it was in the first place. It was May the 16th, 1978, just before 3 days from the release of Dire Straits' epic single 'Sultans of Swing' which is in their self-titled album. The band took the stage live at The Old Grey Whistle Test and performed that legendary, invaluable, and amazing song, Sultans of Swing. This footage is one of the earliest footage of the band and it is beyond perfection since there was no release back in that time from Dire Straits. The band's sound, playing, and whole live performance is just obviously amazing and it also sounds as great as the album version. What an incredible live performance!

47 years passed since its first appearance but its impact is still the same as it was in the first place. It was May the 16th, 1978, just before 3 days from the release of Dire Straits' epic single 'Sultans of Swing' which is in their self-titled album. The band took the stage live at The Old Grey Whistle Test and performed that legendary, invaluable, and amazing song, Sultans of Swing. This footage is one of the earliest footage of the band and it is beyond perfection since there was no release back in that time from Dire Straits. The band's sound, playing, and whole live performance is just obviously amazing and it also sounds as great as the album version. What an incredible live performance!

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🎶 The Song Still Hasn’t Surrendered. The late afternoon light was soft, the crowd stretched all the way to the horizon, and she simply held the microphone and sang. No dancing. No elaborate production. Just that quiet, clear voice and eyes fixed somewhere beyond the front rows. That video still circulates today. More than twenty years have passed. Musical trends have come and gone. Entire generations have grown up with completely different sounds. And yet every time “White Flag” plays from that Live 8 performance, people still stop, go quiet, and sometimes… feel their eyes sting. Why? The song begins with a stark admission. “I know you think that I shouldn’t still love you / Or tell you that.” She knows the other person doesn’t want to hear it anymore. She knows she caused enough damage. She even understands the logic of “it’s over, so let it go.” Then the chorus rises: “I will go down with this ship And I won’t put my hands up and surrender There will be no white flag above my door I’m in love and always will be.” A white flag is the universal symbol of surrender. Dido flips it. She refuses to surrender her own feelings. Not because she still hopes for a reunion. Not because she’s clinging. Simply because the feeling is still there, and she can’t — and won’t — pretend it has disappeared. Some people once heard this as a song about unhealthy attachment. Listen more carefully and it becomes something simpler and more honest: a refusal to erase what is still true. Dido wrote it after the end of her engagement. Years later she admitted that hearing the song still brings the old emotion back. The track doesn’t try to explain or heal anything. It just records a very real state of being: still in love, even when there’s no way back. That’s what has kept “White Flag” alive. It doesn’t belong to one generation. A twenty-year-old hears it and recognizes a feeling they just lived through. Someone in their forties or fifties hears it and remembers the times they faced the same choice. Feeling has no age. It only has moments when it’s still present and moments when it has faded. Dido’s voice makes that even clearer. She never needed big vocal fireworks. Soft breath, slow melody, every line delivered like a private conversation. Even standing in front of hundreds of thousands of people at Live 8, the song still felt intimate. In the middle of a global event about poverty and justice, she brought something small and personal onto the stage. That contrast made the emotion cut sharper. There’s a detail most people don’t know. Right after she walked off the Hyde Park stage, Dido got into a helicopter. She flew straight to the Eden Project in Cornwall to perform again at the Africa Calling show, then flew on to Paris for a third performance — all in the same day. Three stages, three cities, a few short hours. She wanted to do what Phil Collins had done at Live Aid in 1985, only more ambitious. While the world watched a historic concert, Dido was still moving between flights, carrying the same song about refusing to let go. Today that Live 8 video still gets millions of views. Some people say they listen to it alone in the car. Others connect it to someone they lost. Many simply write: “I don’t know why, but it still gets me every time.” No further explanation needed. The song speaks for itself. Looking back at that moment in 2005, Dido wasn’t trying to move the audience. She just stood there and sang exactly what she felt. No exaggeration, no polish. That honesty is what carried the song further than any trend. More than twenty years later, “White Flag” is still here. Not because it’s perfect. But because it’s true. Do you still carry any “white flag” of your own?

🎶 The Song Still Hasn’t Surrendered. The late afternoon light was soft, the crowd stretched all the way to the horizon, and she simply held the microphone and sang. No dancing. No elaborate production. Just that quiet, clear voice and eyes fixed somewhere beyond the front rows. That video still circulates today. More than twenty years have passed. Musical trends have come and gone. Entire generations have grown up with completely different sounds. And yet every time “White Flag” plays from that Live 8 performance, people still stop, go quiet, and sometimes… feel their eyes sting. Why? The song begins with a stark admission. “I know you think that I shouldn’t still love you / Or tell you that.” She knows the other person doesn’t want to hear it anymore. She knows she caused enough damage. She even understands the logic of “it’s over, so let it go.” Then the chorus rises: “I will go down with this ship And I won’t put my hands up and surrender There will be no white flag above my door I’m in love and always will be.” A white flag is the universal symbol of surrender. Dido flips it. She refuses to surrender her own feelings. Not because she still hopes for a reunion. Not because she’s clinging. Simply because the feeling is still there, and she can’t — and won’t — pretend it has disappeared. Some people once heard this as a song about unhealthy attachment. Listen more carefully and it becomes something simpler and more honest: a refusal to erase what is still true. Dido wrote it after the end of her engagement. Years later she admitted that hearing the song still brings the old emotion back. The track doesn’t try to explain or heal anything. It just records a very real state of being: still in love, even when there’s no way back. That’s what has kept “White Flag” alive. It doesn’t belong to one generation. A twenty-year-old hears it and recognizes a feeling they just lived through. Someone in their forties or fifties hears it and remembers the times they faced the same choice. Feeling has no age. It only has moments when it’s still present and moments when it has faded. Dido’s voice makes that even clearer. She never needed big vocal fireworks. Soft breath, slow melody, every line delivered like a private conversation. Even standing in front of hundreds of thousands of people at Live 8, the song still felt intimate. In the middle of a global event about poverty and justice, she brought something small and personal onto the stage. That contrast made the emotion cut sharper. There’s a detail most people don’t know. Right after she walked off the Hyde Park stage, Dido got into a helicopter. She flew straight to the Eden Project in Cornwall to perform again at the Africa Calling show, then flew on to Paris for a third performance — all in the same day. Three stages, three cities, a few short hours. She wanted to do what Phil Collins had done at Live Aid in 1985, only more ambitious. While the world watched a historic concert, Dido was still moving between flights, carrying the same song about refusing to let go. Today that Live 8 video still gets millions of views. Some people say they listen to it alone in the car. Others connect it to someone they lost. Many simply write: “I don’t know why, but it still gets me every time.” No further explanation needed. The song speaks for itself. Looking back at that moment in 2005, Dido wasn’t trying to move the audience. She just stood there and sang exactly what she felt. No exaggeration, no polish. That honesty is what carried the song further than any trend. More than twenty years later, “White Flag” is still here. Not because it’s perfect. But because it’s true. Do you still carry any “white flag” of your own?

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Kimi K3 dropped 3 days ago and i already used it to build my own PUBG the model that just took the number one coding spot on earth and it runs on a free tier no team no engine i just fed it free open models and assets that are already public and told it what i wanted it built the entire game itself the shooting the recoil the hit detection all of it came straight out of the model i barely wrote a line what youre watching here is the deathmatch mode and its already live battle royale is next im deep in it and the graphics get reworked right after i know it looks raw right now i wont pretend otherwise but the endgame is a build that runs perfect on phones and the moment its on mobile you drop ads in and it earns on its own the part that still gets me is my whole cost for this was a single subscription

Kimi K3 dropped 3 days ago and i already used it to build my own PUBG the model that just took the number one coding spot on earth and it runs on a free tier no team no engine i just fed it free open models and assets that are already public and told it what i wanted it built the entire game itself the shooting the recoil the hit detection all of it came straight out of the model i barely wrote a line what youre watching here is the deathmatch mode and its already live battle royale is next im deep in it and the graphics get reworked right after i know it looks raw right now i wont pretend otherwise but the endgame is a build that runs perfect on phones and the moment its on mobile you drop ads in and it earns on its own the part that still gets me is my whole cost for this was a single subscription

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A timeless masterpiece returning to earth. The iconic silhouette of the Lockheed Constellation as it glides in for a perfect landing. Decades later, that triple-tail and dolphin-shaped fuselage still turns every head at the airfield. If you could bring back one classic airliner to regular commercial service today, what would it be? Mine would be the Jumbo obvs. 🙄 Drop your favourite below. 👇

A timeless masterpiece returning to earth. The iconic silhouette of the Lockheed Constellation as it glides in for a perfect landing. Decades later, that triple-tail and dolphin-shaped fuselage still turns every head at the airfield. If you could bring back one classic airliner to regular commercial service today, what would it be? Mine would be the Jumbo obvs. 🙄 Drop your favourite below. 👇

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The X68000 was one of the best home computers for enjoying classic Konami and Capcom arcade games. Its hardware was so powerful that, aside from the Neo Geo, it was virtually the only system capable of delivering near-perfect arcade conversions at the time. Unfortunately, it was extremely expensive and sold exclusively in Japan, so very few people ever had the chance to experience it. Even today, decades after its release, the quality of its games is still incredibly impressive. Ghouls ’n Ghosts is a perfect example. Compared to the Mega Drive and PC Engine versions, the X68000 port is on an entirely different level in terms of accuracy and overall quality. It’s still amazing to think that a game this good could fit on just two floppy disks.

The X68000 was one of the best home computers for enjoying classic Konami and Capcom arcade games. Its hardware was so powerful that, aside from the Neo Geo, it was virtually the only system capable of delivering near-perfect arcade conversions at the time. Unfortunately, it was extremely expensive and sold exclusively in Japan, so very few people ever had the chance to experience it. Even today, decades after its release, the quality of its games is still incredibly impressive. Ghouls ’n Ghosts is a perfect example. Compared to the Mega Drive and PC Engine versions, the X68000 port is on an entirely different level in terms of accuracy and overall quality. It’s still amazing to think that a game this good could fit on just two floppy disks.

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“Firestarter” began as a finished instrumental, with Liam Howlett planning to leave it that way. After hearing the track in the studio, Keith Flint asked if he could try writing and recording a vocal for it. His snarling performance transformed both the song and his place within The Prodigy, turning the group’s on-stage dancer into its most recognisable frontman. Later included on The Fat of the Land, the track pushed electronic music into the mainstream without softening its aggression. At Pinkpop in 1996, that transformation is already complete.

“Firestarter” began as a finished instrumental, with Liam Howlett planning to leave it that way. After hearing the track in the studio, Keith Flint asked if he could try writing and recording a vocal for it. His snarling performance transformed both the song and his place within The Prodigy, turning the group’s on-stage dancer into its most recognisable frontman. Later included on The Fat of the Land, the track pushed electronic music into the mainstream without softening its aggression. At Pinkpop in 1996, that transformation is already complete.

Batfox Pictures

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Why This Performance Still Feels Like a Masterpiece Forty-four years have passed. There is no Auto-Tune, no pre-recorded tracks, no digital polish. What remains is a raw live performance powered by pure talent, tight musicianship, and unfiltered energy. Yet it continues to stop people in their tracks and earn the title of masterpiece. The reasons run deeper than nostalgia. Steve Perry’s voice is the first and most powerful element. He possessed one of the clearest, strongest, and most emotionally charged rock voices of his era. His high notes soared with power while still carrying sweetness and precise control. In an age when many singers lean heavily on studio correction, hearing a completely unprocessed voice deliver such precision creates a sense of awe. Listeners do not merely admire technique. They feel the soul behind every phrase. Equally important is the honesty of the live moment. The band plays with seamless chemistry. Every note travels directly from the stage to the audience without layers of post-production. Any tiny imperfections only make the performance feel more alive and human. Modern listeners, accustomed to heavily processed sound, suddenly rediscover the strength of music in its original form. The absence of technological safety nets makes the achievement more impressive, not less. The energy and connection complete the picture. Perry did not simply sing the songs. He performed with his entire body, his eyes, and his emotion. The crowd in the footage responds with pure electricity, and that same electricity still travels through the screen decades later. A true masterpiece is not defined only by melody or lyrics. It is defined by its power to create a shared experience that makes thousands of people feel the same surge at the same time. What ultimately keeps this performance timeless is its emotional reach. Journey’s music speaks to hope, longing, and the quiet determination to keep going. Those themes never age. As technology continues to reshape how music is made and consumed, looking back at a night of pure talent only highlights the lasting value of authenticity. The song may be familiar, the staging may look dated by today’s standards, yet the feeling remains immediate. This is why the performance still stands as a masterpiece. It brings together an extraordinary voice, unfiltered honesty, and the rare ability to move people across generations. In a time when digital tools often smooth away the human edges, moments like this feel rarer and more precious than ever. What live performance from the past still gives you chills every time you watch it?

Why This Performance Still Feels Like a Masterpiece Forty-four years have passed. There is no Auto-Tune, no pre-recorded tracks, no digital polish. What remains is a raw live performance powered by pure talent, tight musicianship, and unfiltered energy. Yet it continues to stop people in their tracks and earn the title of masterpiece. The reasons run deeper than nostalgia. Steve Perry’s voice is the first and most powerful element. He possessed one of the clearest, strongest, and most emotionally charged rock voices of his era. His high notes soared with power while still carrying sweetness and precise control. In an age when many singers lean heavily on studio correction, hearing a completely unprocessed voice deliver such precision creates a sense of awe. Listeners do not merely admire technique. They feel the soul behind every phrase. Equally important is the honesty of the live moment. The band plays with seamless chemistry. Every note travels directly from the stage to the audience without layers of post-production. Any tiny imperfections only make the performance feel more alive and human. Modern listeners, accustomed to heavily processed sound, suddenly rediscover the strength of music in its original form. The absence of technological safety nets makes the achievement more impressive, not less. The energy and connection complete the picture. Perry did not simply sing the songs. He performed with his entire body, his eyes, and his emotion. The crowd in the footage responds with pure electricity, and that same electricity still travels through the screen decades later. A true masterpiece is not defined only by melody or lyrics. It is defined by its power to create a shared experience that makes thousands of people feel the same surge at the same time. What ultimately keeps this performance timeless is its emotional reach. Journey’s music speaks to hope, longing, and the quiet determination to keep going. Those themes never age. As technology continues to reshape how music is made and consumed, looking back at a night of pure talent only highlights the lasting value of authenticity. The song may be familiar, the staging may look dated by today’s standards, yet the feeling remains immediate. This is why the performance still stands as a masterpiece. It brings together an extraordinary voice, unfiltered honesty, and the rare ability to move people across generations. In a time when digital tools often smooth away the human edges, moments like this feel rarer and more precious than ever. What live performance from the past still gives you chills every time you watch it?

Emotion & Music

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It was raining. I was 3 hours into an assignment I hated, and honestly, I just wanted music that matched the mood. So I tried I typed one sentence: “A lo-fi track about studying late at night in a quiet apartment while it rains outside. Soft female vocals, warm and nostalgic, a little tired but comforting.” And it turned that prompt into a full song lyrics, vocals, music, and even a matching music video. The surprising part? It actually captured the feeling I was going for. Then I changed the mood completely and generated something different. I could also pull a clean instrumental version when I just wanted background music. No plugins. No studio setup. No DAW experience required. Just describe what you want → get a song. Different genres. Different moods. Different languages. Plus tools for lyrics, vocal removal, mastering, and more. If you’ve ever had a song idea but couldn’t actually make it, this is worth trying. #openmusicai #openmusic #AImusicgenerator

It was raining. I was 3 hours into an assignment I hated, and honestly, I just wanted music that matched the mood. So I tried I typed one sentence: “A lo-fi track about studying late at night in a quiet apartment while it rains outside. Soft female vocals, warm and nostalgic, a little tired but comforting.” And it turned that prompt into a full song lyrics, vocals, music, and even a matching music video. The surprising part? It actually captured the feeling I was going for. Then I changed the mood completely and generated something different. I could also pull a clean instrumental version when I just wanted background music. No plugins. No studio setup. No DAW experience required. Just describe what you want → get a song. Different genres. Different moods. Different languages. Plus tools for lyrics, vocal removal, mastering, and more. If you’ve ever had a song idea but couldn’t actually make it, this is worth trying. #openmusicai #openmusic #AImusicgenerator

Marry Evan

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CHEKKARA EKKADA and VASTA NEE VENUKA are perfect examples of why Rahmans compositions operate on a different level of sophistication….vasta nee venuka is actually a reinterpretation of track THOTTAL POO MALARUM by MSV and TKR…yet Rahman reshaped it with an electronic pulse that still sounds futuristic even two decades later….NANI soundtrack hasnt aged..but it evolved ahead of its time. And credit to S J Suryah for extracting those gems at the right moment… A.R.Rahman Mahesh Babu #22yearsforNani

CHEKKARA EKKADA and VASTA NEE VENUKA are perfect examples of why Rahmans compositions operate on a different level of sophistication….vasta nee venuka is actually a reinterpretation of track THOTTAL POO MALARUM by MSV and TKR…yet Rahman reshaped it with an electronic pulse that still sounds futuristic even two decades later….NANI soundtrack hasnt aged..but it evolved ahead of its time. And credit to S J Suryah for extracting those gems at the right moment… A.R.Rahman Mahesh Babu #22yearsforNani

Ashwith Harshavardhan

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Matt Damon says “The Town” made a fortune and was later relicensed for $35 million, but Ben Affleck still didn’t make $1 million despite writing, directing and starring in the film because he was on a flat salary Q: “Do you know what Good Will Hunting has grossed in its time?” Matt Damon: “When it came out, I think it was like 220-something in the theater.” “Actually, with our studio, that’s one of the things we really fight for… reversion rights.” “Ben called me a couple years ago and he goes, ‘You know, The Town just got relicensed for 35 million bucks.’” “Which just means that he made a great movie and people are still watching it.” “At the time, that movie made a fortune. It did all this stuff.” “But he was on a flat salary.” “I don’t even think he made a million bucks for that movie.” “And he wrote it, directed it, starred in it.” “It was one of those things.” “Our view was, look, if you do something like that as one of the real contributors to it, then if there’s money kind of in perpetuity, then you should be a part of that.”

Matt Damon says “The Town” made a fortune and was later relicensed for $35 million, but Ben Affleck still didn’t make $1 million despite writing, directing and starring in the film because he was on a flat salary Q: “Do you know what Good Will Hunting has grossed in its time?” Matt Damon: “When it came out, I think it was like 220-something in the theater.” “Actually, with our studio, that’s one of the things we really fight for… reversion rights.” “Ben called me a couple years ago and he goes, ‘You know, The Town just got relicensed for 35 million bucks.’” “Which just means that he made a great movie and people are still watching it.” “At the time, that movie made a fortune. It did all this stuff.” “But he was on a flat salary.” “I don’t even think he made a million bucks for that movie.” “And he wrote it, directed it, starred in it.” “It was one of those things.” “Our view was, look, if you do something like that as one of the real contributors to it, then if there’s money kind of in perpetuity, then you should be a part of that.”

agim𓍯

549,436 просмотров • 25 дней назад

Westwood was such an amazing game studio. One of their timeless classics is Eye of the Beholder 2, which was released in 1991. The intro alone gave me nerd chills - anyone who ever played Dungeons & Dragons would remember Khelben Blackstaff, and if he considers you his friend, what an honour! The game itself is your typical dungeon crawler. I don't mean that in a disrespectful way but appreciating it for what it was and is, a great game of its genre. Excellent graphics (I am such a sucker for that 90s pixel style), good sound effects and music, and an easy to use interface, making the real-time fights fast paced but manageable. Among the greats of Bard's Tale, Might and Magic, Ultima, and Wizardry, the likes of Eye of the Beholder or Lands of Lore were probably a tier below, but I always loved coming back to them. To me, this game is emblematic of the early 90s, and for that I love it.

Westwood was such an amazing game studio. One of their timeless classics is Eye of the Beholder 2, which was released in 1991. The intro alone gave me nerd chills - anyone who ever played Dungeons & Dragons would remember Khelben Blackstaff, and if he considers you his friend, what an honour! The game itself is your typical dungeon crawler. I don't mean that in a disrespectful way but appreciating it for what it was and is, a great game of its genre. Excellent graphics (I am such a sucker for that 90s pixel style), good sound effects and music, and an easy to use interface, making the real-time fights fast paced but manageable. Among the greats of Bard's Tale, Might and Magic, Ultima, and Wizardry, the likes of Eye of the Beholder or Lands of Lore were probably a tier below, but I always loved coming back to them. To me, this game is emblematic of the early 90s, and for that I love it.

exQUIZitely 🕹️

43,294 просмотров • 7 месяцев назад

There’s a village in the Netherlands that never needed roads. Giethoorn was built on swampy peatland, where carts sank, paths disappeared, and water made more sense than asphalt. So instead of forcing the land to become something else, people adapted to it. They dug canals. Then they built homes on small islands and connected them with wooden bridges. And over time, what began as survival became one of the most peaceful villages in Europe. That’s what makes Giethoorn so fascinating. It wasn’t designed to be pretty for tourists. Giethoorn became beautiful because people lived slowly, worked hard, and built around the landscape instead of fighting it. Before the boats arrive, the village still has that feeling. Water sitting still. Ducks drifting past houses. Bicycles crossing small bridges. Nothing pushing you forward, except the slow pull of the water. Just a village waking up at its own pace. Giethoorn is easy to admire from a distance, but the real story is in the people who shaped it: peat cutters, boatmen, families living in thatched cottages, and residents now trying to protect a quiet village the world keeps showing up to see. That tension is what makes it worth writing about. The sobering reality is that Giethoorn isn’t perfect. It’s crowded in summer. Tourism has changed it. Quiet mornings are harder to find than they used to be. And yet, it still holds onto something rare. A way of life built around patience. I wrote about why Giethoorn never built roads, how it became famous, what it feels like to visit, when to go, and why this little Dutch village still matters. Check it out here:

There’s a village in the Netherlands that never needed roads. Giethoorn was built on swampy peatland, where carts sank, paths disappeared, and water made more sense than asphalt. So instead of forcing the land to become something else, people adapted to it. They dug canals. Then they built homes on small islands and connected them with wooden bridges. And over time, what began as survival became one of the most peaceful villages in Europe. That’s what makes Giethoorn so fascinating. It wasn’t designed to be pretty for tourists. Giethoorn became beautiful because people lived slowly, worked hard, and built around the landscape instead of fighting it. Before the boats arrive, the village still has that feeling. Water sitting still. Ducks drifting past houses. Bicycles crossing small bridges. Nothing pushing you forward, except the slow pull of the water. Just a village waking up at its own pace. Giethoorn is easy to admire from a distance, but the real story is in the people who shaped it: peat cutters, boatmen, families living in thatched cottages, and residents now trying to protect a quiet village the world keeps showing up to see. That tension is what makes it worth writing about. The sobering reality is that Giethoorn isn’t perfect. It’s crowded in summer. Tourism has changed it. Quiet mornings are harder to find than they used to be. And yet, it still holds onto something rare. A way of life built around patience. I wrote about why Giethoorn never built roads, how it became famous, what it feels like to visit, when to go, and why this little Dutch village still matters. Check it out here:

The Timeless Traveler 🇺🇸

98,320 просмотров • 2 месяцев назад