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stitching artifact as an #echofirst tool These demarcations appear at interface of subvolumes that are incorrectly juxtaposed but can id exact location of 2D cross-sectional cuts in 3D image since they always occur parallel to TEE 2D multiplane rotation

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Ritu Thamman MD

32,106 subscribers

17,461 просмотров • 1 год назад •via X (Twitter)

#echofirst
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Фото профиля Prasannasimha🇮🇳
Prasannasimha🇮🇳1 год назад

@ASE360 @JournalASEcho @rajdoc2005 @NMerke @echo_stepbystep @bwoody58 @CASivaram1 @DrRajeshG1 @purviparwani @NadeenFaza Nice - using an"error" or an "artifact" to ones advantage

Фото профиля Brian Wood
Brian Wood1 год назад

@ASE360 @JournalASEcho @rajdoc2005 @NMerke @echo_stepbystep @CASivaram1 @DrRajeshG1 @purviparwani @NadeenFaza 🙏 cool makes sense but had never thought about that

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The microcontroller looks like an ordinary IC when we view it as a 2D X-ray image, but when we look at a 3D CT scan and adjust the visualization parameters, we can see another detail emerge: a second set of wire bonds, connected to a second die that’s stacked on top of the main processor. This hidden die could be an enormous security risk–and it’s completely hidden in an ordinary 2D X-ray image.
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The microcontroller looks like an ordinary IC when we view it as a 2D X-ray image, but when we look at a 3D CT scan and adjust the visualization parameters, we can see another detail emerge: a second set of wire bonds, connected to a second die that’s stacked on top of the main processor. This hidden die could be an enormous security risk–and it’s completely hidden in an ordinary 2D X-ray image.

Jon Bruner

134,955 просмотров • 1 год назад

Midjourney-to-3D is now available! (Indeed, you can convert any 2D image to 3D) Please note that, for now, you'll need to manually set a depth map for your image in order to view its correct 3D version. (You can use to generate the depth map) But... stay tuned! We'll soon be offering instant 3D conversion for any image. *This is just an experimental version, and any feedback or videos of your results would be really interesting to see!
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Midjourney-to-3D is now available! (Indeed, you can convert any 2D image to 3D) Please note that, for now, you'll need to manually set a depth map for your image in order to view its correct 3D version. (You can use to generate the depth map) But... stay tuned! We'll soon be offering instant 3D conversion for any image. *This is just an experimental version, and any feedback or videos of your results would be really interesting to see!

Cristian Peñas ░░░░░░░░

445,374 просмотров • 3 лет назад

Newsom: What more evidence do we need of how weak Trump is that he would send these folks to the exact same location at the exact same time to intimidate, in a sign of weakness masquerading as strength, people who not only showed up but those that are speaking up to defend our democracy.
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Newsom: What more evidence do we need of how weak Trump is that he would send these folks to the exact same location at the exact same time to intimidate, in a sign of weakness masquerading as strength, people who not only showed up but those that are speaking up to defend our democracy.

Acyn

207,049 просмотров • 1 год назад

🚨 NEW: Fox’s Brit Hume on the rise of Democrat socialists: “We need to keep in mind that as numerous as these socialists are in gaining ground in the Democratic party, they are in districts which do not resemble the country as a whole.” “That doesn’t mean it’s not significant that some of these Democratic candidates are embracing an idea that a great deal of Americans thought had gone by the boards for repeated failure years ago but they are out there.” “I don’t think these people can get elected state wide in very many places, if any, but they can give an outward appearance of a colorization to the Democratic party wherever they are.”
2:55

🚨 NEW: Fox’s Brit Hume on the rise of Democrat socialists: “We need to keep in mind that as numerous as these socialists are in gaining ground in the Democratic party, they are in districts which do not resemble the country as a whole.” “That doesn’t mean it’s not significant that some of these Democratic candidates are embracing an idea that a great deal of Americans thought had gone by the boards for repeated failure years ago but they are out there.” “I don’t think these people can get elected state wide in very many places, if any, but they can give an outward appearance of a colorization to the Democratic party wherever they are.”

TV News Now

65,112 просмотров • 1 месяц назад

There are many ways of making generative art, but my go-to has always been the feedback loop. Just do one thing over and over on the last output and watch unexpected artifacts emerge. With gpt-image, you can write that whole program in a prompt. For example: "Make an exact copy of this image, except replace any detail with an object that looks out of place."
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There are many ways of making generative art, but my go-to has always been the feedback loop. Just do one thing over and over on the last output and watch unexpected artifacts emerge. With gpt-image, you can write that whole program in a prompt. For example: "Make an exact copy of this image, except replace any detail with an object that looks out of place."

Gene Kogan

81,643 просмотров • 1 год назад

3D-LLM: Injecting the 3D World into Large Language Models paper page: Large language models (LLMs) and Vision-Language Models (VLMs) have been proven to excel at multiple tasks, such as commonsense reasoning. Powerful as these models can be, they are not grounded in the 3D physical world, which involves richer concepts such as spatial relationships, affordances, physics, layout, and so on. In this work, we propose to inject the 3D world into large language models and introduce a whole new family of 3D-LLMs. Specifically, 3D-LLMs can take 3D point clouds and their features as input and perform a diverse set of 3D-related tasks, including captioning, dense captioning, 3D question answering, task decomposition, 3D grounding, 3D-assisted dialog, navigation, and so on. Using three types of prompting mechanisms that we design, we are able to collect over 300k 3D-language data covering these tasks. To efficiently train 3D-LLMs, we first utilize a 3D feature extractor that obtains 3D features from rendered multi- view images. Then, we use 2D VLMs as our backbones to train our 3D-LLMs. By introducing a 3D localization mechanism, 3D-LLMs can better capture 3D spatial information. Experiments on ScanQA show that our model outperforms state-of-the-art baselines by a large margin (e.g., the BLEU-1 score surpasses state-of-the-art score by 9%). Furthermore, experiments on our held-in datasets for 3D captioning, task composition, and 3D-assisted dialogue show that our model outperforms 2D VLMs. Qualitative examples also show that our model could perform more tasks beyond the scope of existing LLMs and VLMs.
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3D-LLM: Injecting the 3D World into Large Language Models paper page: Large language models (LLMs) and Vision-Language Models (VLMs) have been proven to excel at multiple tasks, such as commonsense reasoning. Powerful as these models can be, they are not grounded in the 3D physical world, which involves richer concepts such as spatial relationships, affordances, physics, layout, and so on. In this work, we propose to inject the 3D world into large language models and introduce a whole new family of 3D-LLMs. Specifically, 3D-LLMs can take 3D point clouds and their features as input and perform a diverse set of 3D-related tasks, including captioning, dense captioning, 3D question answering, task decomposition, 3D grounding, 3D-assisted dialog, navigation, and so on. Using three types of prompting mechanisms that we design, we are able to collect over 300k 3D-language data covering these tasks. To efficiently train 3D-LLMs, we first utilize a 3D feature extractor that obtains 3D features from rendered multi- view images. Then, we use 2D VLMs as our backbones to train our 3D-LLMs. By introducing a 3D localization mechanism, 3D-LLMs can better capture 3D spatial information. Experiments on ScanQA show that our model outperforms state-of-the-art baselines by a large margin (e.g., the BLEU-1 score surpasses state-of-the-art score by 9%). Furthermore, experiments on our held-in datasets for 3D captioning, task composition, and 3D-assisted dialogue show that our model outperforms 2D VLMs. Qualitative examples also show that our model could perform more tasks beyond the scope of existing LLMs and VLMs.

AK

249,798 просмотров • 3 лет назад

Helicopters carrying human cargo fly straight at a mountain in Mexico and pass right through it! The rock pixelates from 3D to 2D to nothing, then seals back into solid stone behind them. What's left in the desert is a body count that shouldn't exist, and a question the general is afraid to ask out loud. "It dissolves from 3D to 2D to nothing as the helicopters slip through and vanish from one world into another." "To the outside world, it looks like they vanished. But inside, they've just arrived home." "An elite American operator executed in the desert by unknown forces using U.S. authentication codes." "A weapon system that can surgically blast drones and F-18s with an electromagnetic pulse." "A holographic mountain in Mexico that isn't a mountain, but a door." "The enemy isn't foreign, it's domestic, but it's not under normal chains of command."
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Helicopters carrying human cargo fly straight at a mountain in Mexico and pass right through it! The rock pixelates from 3D to 2D to nothing, then seals back into solid stone behind them. What's left in the desert is a body count that shouldn't exist, and a question the general is afraid to ask out loud. "It dissolves from 3D to 2D to nothing as the helicopters slip through and vanish from one world into another." "To the outside world, it looks like they vanished. But inside, they've just arrived home." "An elite American operator executed in the desert by unknown forces using U.S. authentication codes." "A weapon system that can surgically blast drones and F-18s with an electromagnetic pulse." "A holographic mountain in Mexico that isn't a mountain, but a door." "The enemy isn't foreign, it's domestic, but it's not under normal chains of command."

American Alchemy

228,869 просмотров • 2 месяцев назад

Elon Musk Elon Musk about tunnels: “I'm actually quite a big fan of tunnels. Tunnels are so under-appreciated. The fundamental problem with cities is that we build cities in 3D. You've got these tall buildings with lots of people on each floor. But then, you've got roads which are 2D, so that obviously just doesn't work. You're guaranteed to have gridlock. But you can go 3D if you have tunnels. And you can have many tunnels crisscrossing each other with maybe a few meters vertical distance between them and completely get rid of traffic problems.”
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Elon Musk Elon Musk about tunnels: “I'm actually quite a big fan of tunnels. Tunnels are so under-appreciated. The fundamental problem with cities is that we build cities in 3D. You've got these tall buildings with lots of people on each floor. But then, you've got roads which are 2D, so that obviously just doesn't work. You're guaranteed to have gridlock. But you can go 3D if you have tunnels. And you can have many tunnels crisscrossing each other with maybe a few meters vertical distance between them and completely get rid of traffic problems.”

Beanie👾

957,161 просмотров • 10 месяцев назад

MidJourney just announced... a full body ultrasound! Yup... read on because it's as crazy as it sounds. "As powerful as MRI and as casual as a trip to the spa" They are calling it "the Midjourney scanner" Insane details: - First, the scale. The device uses 8,960 individual transducers arranged in a ring around your body - The precision is the most jaw-dropping part: it resolves motion at the picometer range. It can image internal tissues finer than the width of an atom. We are talking sub-atomic level diagnostic capability - The compute requirement is massive. The system processes 17 gigabytes of data per second. It takes 40GB of raw data to reconstruct just one cross-sectional slice. And they are planning to scan 100 slices? - Midjourney claims that fewer than 12 of these machines could perform more full-body scans than every MRI machine on Earth combined. Welcome to the future of healthcare! Not only these scanners are announced, they will exist in a "Midjourney SPA" - with hot tubs, saunas, cold plunges, and 9-10 whole body scanners.
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MidJourney just announced... a full body ultrasound! Yup... read on because it's as crazy as it sounds. "As powerful as MRI and as casual as a trip to the spa" They are calling it "the Midjourney scanner" Insane details: - First, the scale. The device uses 8,960 individual transducers arranged in a ring around your body - The precision is the most jaw-dropping part: it resolves motion at the picometer range. It can image internal tissues finer than the width of an atom. We are talking sub-atomic level diagnostic capability - The compute requirement is massive. The system processes 17 gigabytes of data per second. It takes 40GB of raw data to reconstruct just one cross-sectional slice. And they are planning to scan 100 slices? - Midjourney claims that fewer than 12 of these machines could perform more full-body scans than every MRI machine on Earth combined. Welcome to the future of healthcare! Not only these scanners are announced, they will exist in a "Midjourney SPA" - with hot tubs, saunas, cold plunges, and 9-10 whole body scanners.

Alex Volkov

615,269 просмотров • 1 месяц назад

Sora animates with this wonderful wonky, sketchy dreamlike quality that perfectly captures the nostalgic atmosphere of a hazy 90's suburban summer afternoon. While Seedance is just as sophisticated and in some aspects superior, I will miss the quality of Sora. Sora feels like 35mm film, with the nuanced way it captures lighting, color, and perspective, while Seedance feels digital - a bit too clean. I am confident that I can replicate this sketchy quality in Seedance by tweaking my prompts, but Sora has a unique way of animating that really should be preserved. There are many more bugs and mistakes with Sora, but when it gets it right, it REALLY hits a level of artful magic that sets it above all other models. I am shocked that I still appear to be the only person who is creating AI-Generated 2D animation with original characters while developing a unique Western style. Practically no one is doing 2D AI-animation at all, and when they do, it is usually an attempt to mimic an Anime style. 2D really should be attempted more by AI Filmmakers!! Especially with a Western model like Sora, before it is terminated in the fall. Really, everyone should be taking advantage of the way this model so skillfully animates, with the heart and soul of a seasoned professional. I personally feel AI-generated animation is superior to 3D/realistic AI filmmaking. While AI-generated realism is an attempt to mimic real life through a lens, 2D animation IS what it is - not a replica of anything, just a cartoon. I love all my AI filmmaker bros and all of the cutting edge work going on, but I urge all of you to give 2D animation a chance. : ) I'm still not giving up hope that we can save Sora somehow. Now that I see that Seedance is able to animate 2D brilliantly and beautifully, I know that it's not some hidden secret, and we can replicate the weights and maths of Sora. If we can't preserve Sora, we can make a comparable model. It's not just in the interest of AI-Animators like me to preserve this model, but in the interest of the entire American AI community if they want Western AI to be superior. If not, Chinese video models will dominate. And while I am perfectly happy to use a Chinese model and I am just eternally grateful that this technology exists at all, I would love to see American audiovisual models continue to be developed! #AIAnimation #AIFilmmaking #AIArt #SaveSora #SummerofSora #WillStancilShow Elon Musk Marc Andreessen 🇺🇸 Sora Bill Peebles NVIDIA Sam Altman
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Sora animates with this wonderful wonky, sketchy dreamlike quality that perfectly captures the nostalgic atmosphere of a hazy 90's suburban summer afternoon. While Seedance is just as sophisticated and in some aspects superior, I will miss the quality of Sora. Sora feels like 35mm film, with the nuanced way it captures lighting, color, and perspective, while Seedance feels digital - a bit too clean. I am confident that I can replicate this sketchy quality in Seedance by tweaking my prompts, but Sora has a unique way of animating that really should be preserved. There are many more bugs and mistakes with Sora, but when it gets it right, it REALLY hits a level of artful magic that sets it above all other models. I am shocked that I still appear to be the only person who is creating AI-Generated 2D animation with original characters while developing a unique Western style. Practically no one is doing 2D AI-animation at all, and when they do, it is usually an attempt to mimic an Anime style. 2D really should be attempted more by AI Filmmakers!! Especially with a Western model like Sora, before it is terminated in the fall. Really, everyone should be taking advantage of the way this model so skillfully animates, with the heart and soul of a seasoned professional. I personally feel AI-generated animation is superior to 3D/realistic AI filmmaking. While AI-generated realism is an attempt to mimic real life through a lens, 2D animation IS what it is - not a replica of anything, just a cartoon. I love all my AI filmmaker bros and all of the cutting edge work going on, but I urge all of you to give 2D animation a chance. : ) I'm still not giving up hope that we can save Sora somehow. Now that I see that Seedance is able to animate 2D brilliantly and beautifully, I know that it's not some hidden secret, and we can replicate the weights and maths of Sora. If we can't preserve Sora, we can make a comparable model. It's not just in the interest of AI-Animators like me to preserve this model, but in the interest of the entire American AI community if they want Western AI to be superior. If not, Chinese video models will dominate. And while I am perfectly happy to use a Chinese model and I am just eternally grateful that this technology exists at all, I would love to see American audiovisual models continue to be developed! #AIAnimation #AIFilmmaking #AIArt #SaveSora #SummerofSora #WillStancilShow Elon Musk Marc Andreessen 🇺🇸 Sora Bill Peebles NVIDIA Sam Altman

Emily Youcis

18,940 просмотров • 2 месяцев назад

This is only the beginning. 🔊 Sound On What does it mean to explore a house built from memory — one that feels familiar, yet shifts each time you return? That question is at the heart of Memory House, a project that unfolds through space, silence, and surreal interruption. Grateful to the World Labs team for making this experiment possible — their latest tool Marble opens up a new way of building. With Gaussian splatting, a single 2D image becomes a 3D space you can step inside. From there, entire environments can grow by stitching rooms together, layering ambience, proximity, and subtle triggers for immersion. The teaser captures just the start of an exploration in narrative: waking up in bed, following the quiet sounds of home, and stepping into a kitchen where reality begins to fracture. But that’s only one fragment of a project now expanding into 30+ connected rooms. With Worldlabs, alongside tools like Veo3 and ElevenLabs, Memory House is evolving into a new form of storytelling — where memory isn’t told on a page, but experienced through space.
1:18

This is only the beginning. 🔊 Sound On What does it mean to explore a house built from memory — one that feels familiar, yet shifts each time you return? That question is at the heart of Memory House, a project that unfolds through space, silence, and surreal interruption. Grateful to the World Labs team for making this experiment possible — their latest tool Marble opens up a new way of building. With Gaussian splatting, a single 2D image becomes a 3D space you can step inside. From there, entire environments can grow by stitching rooms together, layering ambience, proximity, and subtle triggers for immersion. The teaser captures just the start of an exploration in narrative: waking up in bed, following the quiet sounds of home, and stepping into a kitchen where reality begins to fracture. But that’s only one fragment of a project now expanding into 30+ connected rooms. With Worldlabs, alongside tools like Veo3 and ElevenLabs, Memory House is evolving into a new form of storytelling — where memory isn’t told on a page, but experienced through space.

The Artist's Journey

19,085 просмотров • 11 месяцев назад

Is the Universe Actually a Hologram? “Is everything we see in 3D space, 4D spacetime, actually projected from a 2D surface like a hologram? I would say, in some sense, yeah, by definition. But how physical is it? If you can describe things the same way, you might as well use whatever definition is useful. I don’t always take it too literally in the sense of, like, we are in the celestial sphere. It’s more like, can I convert everything to variables on that celestial sphere, and does that help me organize scattering computations?”
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Is the Universe Actually a Hologram? “Is everything we see in 3D space, 4D spacetime, actually projected from a 2D surface like a hologram? I would say, in some sense, yeah, by definition. But how physical is it? If you can describe things the same way, you might as well use whatever definition is useful. I don’t always take it too literally in the sense of, like, we are in the celestial sphere. It’s more like, can I convert everything to variables on that celestial sphere, and does that help me organize scattering computations?”

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Alibaba presents MIMO Controllable Character Video Synthesis with Spatial Decomposed Modeling Character video synthesis aims to produce realistic videos of animatable characters within lifelike scenes. As a fundamental problem in the computer vision and graphics community, 3D works typically require multi-view captures for per-case training, which severely limits their applicability of modeling arbitrary characters in a short time. Recent 2D methods break this limitation via pre-trained diffusion models, but they struggle for pose generality and scene interaction. To this end, we propose MIMO, a novel framework which can not only synthesize character videos with controllable attributes (i.e., character, motion and scene) provided by simple user inputs, but also simultaneously achieve advanced scalability to arbitrary characters, generality to novel 3D motions, and applicability to interactive real-world scenes in a unified framework. The core idea is to encode the 2D video to compact spatial codes, considering the inherent 3D nature of video occurrence. Concretely, we lift the 2D frame pixels into 3D using monocular depth estimators, and decompose the video clip to three spatial components (i.e., main human, underlying scene, and floating occlusion) in hierarchical layers based on the 3D depth. These components are further encoded to canonical identity code, structured motion code and full scene code, which are utilized as control signals of synthesis process. The design of spatial decomposed modeling enables flexible user control, complex motion expression, as well as 3D-aware synthesis for scene interactions. Experimental results demonstrate effectiveness and robustness of the proposed method.
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Alibaba presents MIMO Controllable Character Video Synthesis with Spatial Decomposed Modeling Character video synthesis aims to produce realistic videos of animatable characters within lifelike scenes. As a fundamental problem in the computer vision and graphics community, 3D works typically require multi-view captures for per-case training, which severely limits their applicability of modeling arbitrary characters in a short time. Recent 2D methods break this limitation via pre-trained diffusion models, but they struggle for pose generality and scene interaction. To this end, we propose MIMO, a novel framework which can not only synthesize character videos with controllable attributes (i.e., character, motion and scene) provided by simple user inputs, but also simultaneously achieve advanced scalability to arbitrary characters, generality to novel 3D motions, and applicability to interactive real-world scenes in a unified framework. The core idea is to encode the 2D video to compact spatial codes, considering the inherent 3D nature of video occurrence. Concretely, we lift the 2D frame pixels into 3D using monocular depth estimators, and decompose the video clip to three spatial components (i.e., main human, underlying scene, and floating occlusion) in hierarchical layers based on the 3D depth. These components are further encoded to canonical identity code, structured motion code and full scene code, which are utilized as control signals of synthesis process. The design of spatial decomposed modeling enables flexible user control, complex motion expression, as well as 3D-aware synthesis for scene interactions. Experimental results demonstrate effectiveness and robustness of the proposed method.

AK

149,079 просмотров • 1 год назад

HOW TO TRACK PEOPLE WITH THEIR IMAGES Many photos taken with modern smartphones contain hidden information called GPS metadata. This data is stored in the image file using a format known as EXIF (Exchangeable Image File Format). Along with camera settings like time, date, and device model, EXIF data can also include the exact GPS coordinates of where the picture was taken. When someone takes a photo with location services enabled, the phone uses the Global Positioning System to record the latitude and longitude. These coordinates are automatically embedded into the image file’s metadata. If the image is shared without removing this metadata, anyone with basic tools or online metadata viewers can extract the GPS coordinates from the file. By entering those coordinates into a map service such as Google Maps, they can see the exact location where the photo was taken. Because of this, an image can unintentionally reveal where a person lives, works, or frequently visits. For privacy and safety, many people remove metadata or disable location tagging before sharing photos online.
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HOW TO TRACK PEOPLE WITH THEIR IMAGES Many photos taken with modern smartphones contain hidden information called GPS metadata. This data is stored in the image file using a format known as EXIF (Exchangeable Image File Format). Along with camera settings like time, date, and device model, EXIF data can also include the exact GPS coordinates of where the picture was taken. When someone takes a photo with location services enabled, the phone uses the Global Positioning System to record the latitude and longitude. These coordinates are automatically embedded into the image file’s metadata. If the image is shared without removing this metadata, anyone with basic tools or online metadata viewers can extract the GPS coordinates from the file. By entering those coordinates into a map service such as Google Maps, they can see the exact location where the photo was taken. Because of this, an image can unintentionally reveal where a person lives, works, or frequently visits. For privacy and safety, many people remove metadata or disable location tagging before sharing photos online.

H4RUK1 KIRA🇯🇵

200,938 просмотров • 5 месяцев назад

Senator Senator Shehu Sani speaks about the protest by ADC Coalition leaders. ADC Is an assembly of people that destroyed Nigeria, they are out of power and now they are mobilizing people in order to seize power for themselves. These people protesting calling themselves as ADC, do you sincerely and objectively believe and to the best of your conscience, look at their faces and say these people are the messiah that can drive Nigeria.
5:34

Senator Senator Shehu Sani speaks about the protest by ADC Coalition leaders. ADC Is an assembly of people that destroyed Nigeria, they are out of power and now they are mobilizing people in order to seize power for themselves. These people protesting calling themselves as ADC, do you sincerely and objectively believe and to the best of your conscience, look at their faces and say these people are the messiah that can drive Nigeria.

Comrade Shehu Sani Media Centre

12,352 просмотров • 4 месяцев назад

"As an American, I feel anger but I also feel a kind of cold sense of clarity. The interests of these folks are aligned with the interests of Donald Trump. They were working very hard to obscure that before, but it's useful for everyone to see what it is...I don't think that image of those guys standing there in line at the inauguration is going to age very well." – Chris Hayes on Mark Zuckerberg, Jeff Bezos, Tim Cook and other tech leaders being front and center at yesterday's inauguration. WATCH:
3:02

"As an American, I feel anger but I also feel a kind of cold sense of clarity. The interests of these folks are aligned with the interests of Donald Trump. They were working very hard to obscure that before, but it's useful for everyone to see what it is...I don't think that image of those guys standing there in line at the inauguration is going to age very well." – Chris Hayes on Mark Zuckerberg, Jeff Bezos, Tim Cook and other tech leaders being front and center at yesterday's inauguration. WATCH:

The Dan Le Batard Show

123,491 просмотров • 1 год назад

Apparently, Indigo has gone strict with its policies with regard to posting online content in uniform and all these crew influencers had to delete all such videos. Good! Airplane crews are using airline jobs and hotel stays as launching pad to their influenzaa bizness & content of mimicking a celeb lifestyle. In turn, these small employees put everyone at security risk. They are highly vulnerable to external risk, money, & other factors. Putting out their flight schedule & locations, they can be a part of a conspiracy knowingly or unknowingly. Crew is lightly checked at airports and enter from specific staff gates with tons of luggage. It can compromise things. They don’t appear but they are as important as some fighter pilot in security apparatus. A small but famous employee is as big as the risk. So, good move whatever Indigo did with their policies.
1:20

Apparently, Indigo has gone strict with its policies with regard to posting online content in uniform and all these crew influencers had to delete all such videos. Good! Airplane crews are using airline jobs and hotel stays as launching pad to their influenzaa bizness & content of mimicking a celeb lifestyle. In turn, these small employees put everyone at security risk. They are highly vulnerable to external risk, money, & other factors. Putting out their flight schedule & locations, they can be a part of a conspiracy knowingly or unknowingly. Crew is lightly checked at airports and enter from specific staff gates with tons of luggage. It can compromise things. They don’t appear but they are as important as some fighter pilot in security apparatus. A small but famous employee is as big as the risk. So, good move whatever Indigo did with their policies.

Siddharth's Echelon

416,890 просмотров • 3 месяцев назад

👽👁 Brazilian Indigenous Elders Have a Fascinating Reaction to an Image of a Gray Alien Brazil has long stood out in UFO subject, and this clip is a perfect example why. In the full interview, indigenous participants are shown an image associated with the classic Gray and appear to recognize it not as some random modern sci-fi figure, but as something that already exists within their own worldview. That alone is deeply compelling. What makes this especially interesting is that they reportedly describe the being in spiritual terms and connect it to a strange luminous presence, including a reference translated as appearing in the “divine light of nishipan.” I am not fully certain of the exact meaning of that phrase, but it immediately stands out because so many close encounters across the UFO phenomenon also involve unusual light, radiance, and threshold-like states of perception. This clip has been a favorite of mine for a while now. #ufox #ufotwitter
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👽👁 Brazilian Indigenous Elders Have a Fascinating Reaction to an Image of a Gray Alien Brazil has long stood out in UFO subject, and this clip is a perfect example why. In the full interview, indigenous participants are shown an image associated with the classic Gray and appear to recognize it not as some random modern sci-fi figure, but as something that already exists within their own worldview. That alone is deeply compelling. What makes this especially interesting is that they reportedly describe the being in spiritual terms and connect it to a strange luminous presence, including a reference translated as appearing in the “divine light of nishipan.” I am not fully certain of the exact meaning of that phrase, but it immediately stands out because so many close encounters across the UFO phenomenon also involve unusual light, radiance, and threshold-like states of perception. This clip has been a favorite of mine for a while now. #ufox #ufotwitter

Tom Thompson🛸 (ＣＯＲＴＥＸ ＺＥＲＯ)

23,191 просмотров • 3 месяцев назад