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"Take My Breath Away" was written by Giorgio Moroder and Tom Whitlock especially for the romantic scene of Top Gun (1986). The band Berlin was almost breaking up and almost turned down the music because it wasn't composed by them and didn't match their style. The producers insisted, and... show more

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"Woman In Love" was written by Barry and Robin Gibb (Bee Gees) especially for Barbra Streisand. Barry produced the entire album Guilty (1980) and played guitar on the track. The track became her biggest solo hit of the 80s: #1 for 3 weeks on the Billboard Hot 100, #1 in several countries and one of the biggest romantic classics of the decade.

"Woman In Love" was written by Barry and Robin Gibb (Bee Gees) especially for Barbra Streisand. Barry produced the entire album Guilty (1980) and played guitar on the track. The track became her biggest solo hit of the 80s: #1 for 3 weeks on the Billboard Hot 100, #1 in several countries and one of the biggest romantic classics of the decade.

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Kiss from a Rose was written by Seal in 1987, but was only a worldwide hit almost a decade later. Released in 1994 on the album Seal II, the song went almost unnoticed on release. Everything changed when director Joel Schumacher heard the track and decided to include it in the end credits of Batman Forever (1995). He even tried to use it in a romantic scene between Val Kilmer and Nicole Kidman, but it didn't fit in, yet he insisted on putting it in the film. Schumacher also directed an official music video using footage from the production. The result was overwhelming: the song reached #1 in the US, became one of the biggest hits of the 90s and won three Grammys in 1996 (Record of the Year, Song of the Year and Best Male Pop Vocal Performance). The track had appeared before in the film The NeverEnding Story III (1994), but without being so successful.

Kiss from a Rose was written by Seal in 1987, but was only a worldwide hit almost a decade later. Released in 1994 on the album Seal II, the song went almost unnoticed on release. Everything changed when director Joel Schumacher heard the track and decided to include it in the end credits of Batman Forever (1995). He even tried to use it in a romantic scene between Val Kilmer and Nicole Kidman, but it didn't fit in, yet he insisted on putting it in the film. Schumacher also directed an official music video using footage from the production. The result was overwhelming: the song reached #1 in the US, became one of the biggest hits of the 90s and won three Grammys in 1996 (Record of the Year, Song of the Year and Best Male Pop Vocal Performance). The track had appeared before in the film The NeverEnding Story III (1994), but without being so successful.

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"You Can Do Magic" was written and produced by British songwriter Russ Ballard (ex-Argent, who also wrote hits for Rainbow, Ace Frehley and Frida). America (which was already only the duo Gerry Beckley and Dewey Bunnell after the departure of Dan Peek) had been without a blockbuster track since 1976. Russ composed the track especially for them, played almost all the instruments (except the drums) and created that "do do" of the chorus thinking about the perfect vocal harmonies of the two. It became the band's biggest hit of the 80s, #8 on the Billboard Hot 100 and marked their comeback.

"You Can Do Magic" was written and produced by British songwriter Russ Ballard (ex-Argent, who also wrote hits for Rainbow, Ace Frehley and Frida). America (which was already only the duo Gerry Beckley and Dewey Bunnell after the departure of Dan Peek) had been without a blockbuster track since 1976. Russ composed the track especially for them, played almost all the instruments (except the drums) and created that "do do" of the chorus thinking about the perfect vocal harmonies of the two. It became the band's biggest hit of the 80s, #8 on the Billboard Hot 100 and marked their comeback.

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"Kiss From a Rose" was written by Seal around 1987, but was only very successful in 1995 thanks to the film Batman Forever. Released in 1994 on the album Seal II, the song almost went unnoticed. Director Joel Schumacher loved the track and insisted on putting it in the end credits of the film. After that, the track reached #1 in the US and won three Grammys in 1996 (Record of the Year, Song of the Year and Best Male Pop Vocal Performance).

"Kiss From a Rose" was written by Seal around 1987, but was only very successful in 1995 thanks to the film Batman Forever. Released in 1994 on the album Seal II, the song almost went unnoticed. Director Joel Schumacher loved the track and insisted on putting it in the end credits of the film. After that, the track reached #1 in the US and won three Grammys in 1996 (Record of the Year, Song of the Year and Best Male Pop Vocal Performance).

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This song was inspired by the lead singer’s late mother's passing, and became a massive hit in 2001. It won Best Rock Song in 2002 and was also nominated for Record of the Year. Can you name the band or the song?

This song was inspired by the lead singer’s late mother's passing, and became a massive hit in 2001. It won Best Rock Song in 2002 and was also nominated for Record of the Year. Can you name the band or the song?

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"Total Eclipse of the Heart" was written by Jim Steinman (the same as Meat Loaf's Bat Out of Hell) especially for Bonnie Tyler. Bonnie recorded with that characteristic hoarse voice (the result of vocal cord surgery years earlier) and the result was the biggest hit of her career: #1 in the US, the UK and several countries in 1983. The epic video, shot in a castle in Wales with candles, dancers and gothic atmosphere, became one of the most iconic and expensive videos of the 80s.

"Total Eclipse of the Heart" was written by Jim Steinman (the same as Meat Loaf's Bat Out of Hell) especially for Bonnie Tyler. Bonnie recorded with that characteristic hoarse voice (the result of vocal cord surgery years earlier) and the result was the biggest hit of her career: #1 in the US, the UK and several countries in 1983. The epic video, shot in a castle in Wales with candles, dancers and gothic atmosphere, became one of the most iconic and expensive videos of the 80s.

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Voyage Voyage is the biggest hit by French singer Desireless (stage name of Claudie Fritsch-Mentrop), released in 1986. The song was successful in Europe, reaching #1 in several countries, including France, Germany and Spain, and became one of the great synth-pop classics of the 80s. Desireless was a relatively unknown artist before "Voyage Voyage" and after this hit failed to repeat the success. Despite the huge success in several European countries, the track did not chart in the United States or the United Kingdom.

Voyage Voyage is the biggest hit by French singer Desireless (stage name of Claudie Fritsch-Mentrop), released in 1986. The song was successful in Europe, reaching #1 in several countries, including France, Germany and Spain, and became one of the great synth-pop classics of the 80s. Desireless was a relatively unknown artist before "Voyage Voyage" and after this hit failed to repeat the success. Despite the huge success in several European countries, the track did not chart in the United States or the United Kingdom.

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A test audience, who saw "Top Gun" (1986) before it was released were annoyed that there was no love scene in the movie. Five months after the production had wrapped, the producers summoned Tom Cruise and Kelly McGillis to Chicago to film the infamous elevator scene and the s€x scene. During their time away from the set, McGillis had lost approximately sixteen pounds, and Cruise was filming "The Color of Money" (1986), so his hair was much longer in those two scenes. McGillis' hair was also much darker. That's why she hid it underneath a cap in the elevator scene & in the lovemaking scene, it was all silhouette because of the colour of her hair.

A test audience, who saw "Top Gun" (1986) before it was released were annoyed that there was no love scene in the movie. Five months after the production had wrapped, the producers summoned Tom Cruise and Kelly McGillis to Chicago to film the infamous elevator scene and the s€x scene. During their time away from the set, McGillis had lost approximately sixteen pounds, and Cruise was filming "The Color of Money" (1986), so his hair was much longer in those two scenes. McGillis' hair was also much darker. That's why she hid it underneath a cap in the elevator scene & in the lovemaking scene, it was all silhouette because of the colour of her hair.

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"Rolling in the Deep" was written by Adele and Paul Epworth the day after a painful and traumatic breakup. Adele arrived at the studio hurt and furious. The track was the first recorded from the album 21 and became the biggest hit of her career, being her first #1 in the US (in addition to #1 in more than 20 countries).

"Rolling in the Deep" was written by Adele and Paul Epworth the day after a painful and traumatic breakup. Adele arrived at the studio hurt and furious. The track was the first recorded from the album 21 and became the biggest hit of her career, being her first #1 in the US (in addition to #1 in more than 20 countries).

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"Hey Ya!" was written, produced and recorded almost entirely by André 3000. He played acoustic guitar, keyboards, programmed the drums and did all the vocals (the only thing he didn't record was the bass, played by Aaron Mills). The track, featured on the album Speakerboxxx/The Love Below (2003), became one of the biggest hits of his career. The video was directly inspired by the Beatles' historic performance on the Ed Sullivan Show in 1964. The success was so great that "Hey Ya!" spent 9 weeks at the top of the Billboard Hot 100 and won the Grammy for Best Urban/Alternative Performance.

"Hey Ya!" was written, produced and recorded almost entirely by André 3000. He played acoustic guitar, keyboards, programmed the drums and did all the vocals (the only thing he didn't record was the bass, played by Aaron Mills). The track, featured on the album Speakerboxxx/The Love Below (2003), became one of the biggest hits of his career. The video was directly inspired by the Beatles' historic performance on the Ed Sullivan Show in 1964. The success was so great that "Hey Ya!" spent 9 weeks at the top of the Billboard Hot 100 and won the Grammy for Best Urban/Alternative Performance.

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The legendary video for 'Sabotage' was directed by Spike Jonze and shot in Los Angeles on a very low budget in guerrilla style. The Beastie Boys dressed up as tough cops of the '70s, parodying shows like Starsky & Hutch and Baretta. The car chase was almost entirely improvised, with the band doing their own stunt driving. Released in 1994 on the album Ill Communication, the song and video became one of the biggest icons of the 90s: It was nominated for 5 VMAs and is still considered one of the best and most influential in MTV history.

The legendary video for 'Sabotage' was directed by Spike Jonze and shot in Los Angeles on a very low budget in guerrilla style. The Beastie Boys dressed up as tough cops of the '70s, parodying shows like Starsky & Hutch and Baretta. The car chase was almost entirely improvised, with the band doing their own stunt driving. Released in 1994 on the album Ill Communication, the song and video became one of the biggest icons of the 90s: It was nominated for 5 VMAs and is still considered one of the best and most influential in MTV history.

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“Kiss from a Rose” was written by Seal around 1987 but only became a worldwide phenomenon after its inclusion in the 1995 film Batman Forever. Originally released on his 1994 album Seal II, the song attracted only modest attention before director Joel Schumacher insisted on featuring it during the film's end credits and in its promotional campaign. The renewed exposure propelled the song to #1 on the Billboard Hot 100, while it also reached the Top 10 in the UK and several other countries. At the 1996 Grammy Awards, it won Record of the Year, Song of the Year and Best Male Pop Vocal Performance.

“Kiss from a Rose” was written by Seal around 1987 but only became a worldwide phenomenon after its inclusion in the 1995 film Batman Forever. Originally released on his 1994 album Seal II, the song attracted only modest attention before director Joel Schumacher insisted on featuring it during the film's end credits and in its promotional campaign. The renewed exposure propelled the song to #1 on the Billboard Hot 100, while it also reached the Top 10 in the UK and several other countries. At the 1996 Grammy Awards, it won Record of the Year, Song of the Year and Best Male Pop Vocal Performance.

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Raindrops Keep Fallin' On My Head was written by Burt Bacharach and Hal David especially for the film Butch Cassidy and the Sundance Kid (1969), with Paul Newman e Katharine Ross. The scene was a romantic bike ride, and director George Roy Hill wanted something light and optimistic. Bob Dylan was the first guest to record but declined, Ray Stevens also declined. B. J. Thomas accepted and recorded the track while recovering from laryngitis, the hoarse, tired voice that came out was exactly what Bacharach loved (he made Thomas repeat until the seventh take). There is a specific film version (with a vaudeville instrumental break to accompany Newman's stunts) and another recorded weeks later for the single. Released in late 1969, it became the first Billboard Hot 100 of the 1970s (four weeks at the top in January), won the Academy Award for Best Original Song and became the biggest hit of B. J. Thomas's career.

Raindrops Keep Fallin' On My Head was written by Burt Bacharach and Hal David especially for the film Butch Cassidy and the Sundance Kid (1969), with Paul Newman e Katharine Ross. The scene was a romantic bike ride, and director George Roy Hill wanted something light and optimistic. Bob Dylan was the first guest to record but declined, Ray Stevens also declined. B. J. Thomas accepted and recorded the track while recovering from laryngitis, the hoarse, tired voice that came out was exactly what Bacharach loved (he made Thomas repeat until the seventh take). There is a specific film version (with a vaudeville instrumental break to accompany Newman's stunts) and another recorded weeks later for the single. Released in late 1969, it became the first Billboard Hot 100 of the 1970s (four weeks at the top in January), won the Academy Award for Best Original Song and became the biggest hit of B. J. Thomas's career.

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Maneater was written by Daryl Hall, John Oates and Sara Allen (Daryl's girlfriend at the time) and is on the album H2O (1982). Released as a single, it reached #1 on the Billboard Hot 100 for four weeks and became one of the biggest commercial successes of Hall & Oates' career. The lyrics were inspired by a real woman that Daryl and John knew in the musical environment, an extremely manipulative and predatory person in relationships. Daryl Hall even said in interviews that the song was composed very quickly, almost as a "wake-up call" about this kind of behavior.

Maneater was written by Daryl Hall, John Oates and Sara Allen (Daryl's girlfriend at the time) and is on the album H2O (1982). Released as a single, it reached #1 on the Billboard Hot 100 for four weeks and became one of the biggest commercial successes of Hall & Oates' career. The lyrics were inspired by a real woman that Daryl and John knew in the musical environment, an extremely manipulative and predatory person in relationships. Daryl Hall even said in interviews that the song was composed very quickly, almost as a "wake-up call" about this kind of behavior.

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This song was named after the lead singer's wife "at the time" and was a hit in 1986. Grace Slick provided backing vocals. It was a big hit for this band after "We Built This City" in 1985. Do you remember this one and the name of the band?

This song was named after the lead singer's wife "at the time" and was a hit in 1986. Grace Slick provided backing vocals. It was a big hit for this band after "We Built This City" in 1985. Do you remember this one and the name of the band?

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#Today on October 22 2002 .Madonna's "Die Another Day" was released commercially as a single by Maverick Records. It was nominated for a Golden Globe Award for Best Original Song and two Grammy Awards for Best Dance Recording and Best Short Form Music Video. The song was a commercial success, peaking at number eight on the US Billboard Hot 100 and was the top selling dance song in the US for both 2002 and 2003. "Die Another Day" topped the charts in Canada, Italy, Panama, Portugal, Romania, Spain and Uruguay; and reached the top-ten in a number of countries worldwide.

#Today on October 22 2002 .Madonna's "Die Another Day" was released commercially as a single by Maverick Records. It was nominated for a Golden Globe Award for Best Original Song and two Grammy Awards for Best Dance Recording and Best Short Form Music Video. The song was a commercial success, peaking at number eight on the US Billboard Hot 100 and was the top selling dance song in the US for both 2002 and 2003. "Die Another Day" topped the charts in Canada, Italy, Panama, Portugal, Romania, Spain and Uruguay; and reached the top-ten in a number of countries worldwide.

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"Eye of the Tiger" was written specifically for the 1982 film Rocky III after Queen declined to let the producers use "Another One Bites the Dust." The motivational rock anthem spent six weeks at #1 on the US Billboard Hot 100, reached #1 on the UK Singles Chart, and became Survivor's biggest hit. The song was composed in just a few days after Sylvester Stallone showed the band an early cut of the film. Stallone was so impressed by the demo that he used it in Rocky III before the final studio version had even been recorded.

"Eye of the Tiger" was written specifically for the 1982 film Rocky III after Queen declined to let the producers use "Another One Bites the Dust." The motivational rock anthem spent six weeks at #1 on the US Billboard Hot 100, reached #1 on the UK Singles Chart, and became Survivor's biggest hit. The song was composed in just a few days after Sylvester Stallone showed the band an early cut of the film. Stallone was so impressed by the demo that he used it in Rocky III before the final studio version had even been recorded.

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"You're the Inspiration" was originally written for Kenny Rogers! David Foster was in the studio with Kenny and asked Peter Cetera to create a song. Cetera made the basis of chords, traveled to Italy, finished the lyrics inspired by the baroque rooms and works of Michelangelo ("Michelangelo, you should know..." became "You're the inspiration"), but Kenny ended up not recording. Peter and David took the track back, re-recorded it for Chicago 17 (1984) and made it one of the band's biggest hits of the 80s (#3 on the Billboard Hot 100). It was one of the last big hits with Peter Cetera before he left the band in 1985.

"You're the Inspiration" was originally written for Kenny Rogers! David Foster was in the studio with Kenny and asked Peter Cetera to create a song. Cetera made the basis of chords, traveled to Italy, finished the lyrics inspired by the baroque rooms and works of Michelangelo ("Michelangelo, you should know..." became "You're the inspiration"), but Kenny ended up not recording. Peter and David took the track back, re-recorded it for Chicago 17 (1984) and made it one of the band's biggest hits of the 80s (#3 on the Billboard Hot 100). It was one of the last big hits with Peter Cetera before he left the band in 1985.

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