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Take My Breath Away was written by Giorgio Moroder and Tom Whitlock especially for the romantic scene of Top Gun (1986). The band Berlin almost refused the song, as it had not been composed by any of the members and did not match the new wave style they advocated... at the time. There was strong internal tension in the group, and some members saw the track as something external. Even so, Moroder insisted and convinced the film's producers to include it. The result was historic: the song reached #1 in several countries, including the United States, and became the biggest hit of Berlin's career. In 1987, "Take My Breath Away" won the Academy Award for Best Original Song and turned the band into a world-renowned name, something that ironically accelerated the breakup. The pressure and internal divergences increased so much that the group dissolved soon after. Tom Whitlock, the lyricist, was a mechanic and met Moroder by repairing his Ferrari. During the service, he offered to write lyrics, and ended up creating both "Take My Breath Away" and "Danger Zone". Giorgio Moroder even tested other singers before nominating Berlin, but the producers rejected them all.show more

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🩵🩵"Hold Me Now" is a 1983 song by the British band Thompson Twins. Written by the band members, the song was produced by Alex Sadkin and features the group's lead vocals by Tom Bailey. The song is a mid-tempo new wave track using a variety of instruments, including keyboards, a xylophone, a piano, and Latin percussion. It was released in November 1983 as the first single from their fourth studio album.

🩵🩵"Hold Me Now" is a 1983 song by the British band Thompson Twins. Written by the band members, the song was produced by Alex Sadkin and features the group's lead vocals by Tom Bailey. The song is a mid-tempo new wave track using a variety of instruments, including keyboards, a xylophone, a piano, and Latin percussion. It was released in November 1983 as the first single from their fourth studio album.

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"Song 2" got its name because it was literally the second song Blur recorded for the album Blur (1997). Damon Albarn improvised the "WOO-HOO!" during a take, as a joke to mock the heavy and aggressive sound of American grunge. The label wanted to release something more "commercial" as a single, but the band insisted on releasing this short, noisy and chaotic track, and eventually became the biggest international hit of Blur's career.

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This song was inspired by the lead singer’s late mother's passing, and became a massive hit in 2001. It won Best Rock Song in 2002 and was also nominated for Record of the Year. Can you name the band or the song?

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Kiss from a Rose was written by Seal in 1987, but was only a worldwide hit almost a decade later. Released in 1994 on the album Seal II, the song went almost unnoticed on release. Everything changed when director Joel Schumacher heard the track and decided to include it in the end credits of Batman Forever (1995). He even tried to use it in a romantic scene between Val Kilmer and Nicole Kidman, but it didn't fit in, yet he insisted on putting it in the film. Schumacher also directed an official music video using footage from the production. The result was overwhelming: the song reached #1 in the US, became one of the biggest hits of the 90s and won three Grammys in 1996 (Record of the Year, Song of the Year and Best Male Pop Vocal Performance). The track had appeared before in the film The NeverEnding Story III (1994), but without being so successful.

Kiss from a Rose was written by Seal in 1987, but was only a worldwide hit almost a decade later. Released in 1994 on the album Seal II, the song went almost unnoticed on release. Everything changed when director Joel Schumacher heard the track and decided to include it in the end credits of Batman Forever (1995). He even tried to use it in a romantic scene between Val Kilmer and Nicole Kidman, but it didn't fit in, yet he insisted on putting it in the film. Schumacher also directed an official music video using footage from the production. The result was overwhelming: the song reached #1 in the US, became one of the biggest hits of the 90s and won three Grammys in 1996 (Record of the Year, Song of the Year and Best Male Pop Vocal Performance). The track had appeared before in the film The NeverEnding Story III (1994), but without being so successful.

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Voyage Voyage is the biggest hit by French singer Desireless (stage name of Claudie Fritsch-Mentrop), released in 1986. The song was successful in Europe, reaching #1 in several countries, including France, Germany and Spain, and became one of the great synth-pop classics of the 80s. Desireless was a relatively unknown artist before "Voyage Voyage" and after this hit failed to repeat the success. Despite the huge success in several European countries, the track did not chart in the United States or the United Kingdom.

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“Streets of Philadelphia” was written by Bruce Springsteen for Philadelphia (1993), after director Jonathan Demme asked for a song that would capture the loneliness, pain and quiet resilience of Tom Hanks’s character as he wanders through the city. Released as a single in 1994, it became one of the biggest hits of Springsteen’s career, reaching #9 on the Billboard Hot 100, his 12th(!) and most recent U.S. Top 10 hit as well as #2 on the UK Singles Chart, his highest chart position there. It also topped the charts in countries including Germany, France, Austria, Ireland and Italy. The song went on to win the Academy Award for Best Original Song and four Grammy Awards, including Song of the Year.

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A test audience, who saw "Top Gun" (1986) before it was released were annoyed that there was no love scene in the movie. Five months after the production had wrapped, the producers summoned Tom Cruise and Kelly McGillis to Chicago to film the infamous elevator scene and the s€x scene. During their time away from the set, McGillis had lost approximately sixteen pounds, and Cruise was filming "The Color of Money" (1986), so his hair was much longer in those two scenes. McGillis' hair was also much darker. That's why she hid it underneath a cap in the elevator scene & in the lovemaking scene, it was all silhouette because of the colour of her hair.

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Oh apparently the translation did not do justice here. When Geummyeong was at the hospital, after Aesun met YB and CS entered the scene, she narrated that at that time she did not know whether her first love would become the song ‘You in My Arms’ (a love song) or ‘My Love By My Side’ (a breakup song). The TV then shows that the song was equal… then the camera pan to YB and CS as GM said “I dont know back then.” This was in December 1991. After this, GM and YB wales home together every night for 2years straight. In December 1993, after that 🎄 ‘confession’, My Love By My Said played… and it was even written in the snow.. She had her answer, the breakup song won. So this episode was about saying goodbye to her first love…

Oh apparently the translation did not do justice here. When Geummyeong was at the hospital, after Aesun met YB and CS entered the scene, she narrated that at that time she did not know whether her first love would become the song ‘You in My Arms’ (a love song) or ‘My Love By My Side’ (a breakup song). The TV then shows that the song was equal… then the camera pan to YB and CS as GM said “I dont know back then.” This was in December 1991. After this, GM and YB wales home together every night for 2years straight. In December 1993, after that 🎄 ‘confession’, My Love By My Said played… and it was even written in the snow.. She had her answer, the breakup song won. So this episode was about saying goodbye to her first love…

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"Eye of the Tiger" was written specifically for the 1982 film Rocky III after Queen declined to let the producers use "Another One Bites the Dust." The motivational rock anthem spent six weeks at #1 on the US Billboard Hot 100, reached #1 on the UK Singles Chart, and became Survivor's biggest hit. The song was composed in just a few days after Sylvester Stallone showed the band an early cut of the film. Stallone was so impressed by the demo that he used it in Rocky III before the final studio version had even been recorded.

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Anamanaguchi, the composer for the game Scott Pilgrim EX, dedicated the song "United By Fate" to Toby Fox. Anamanaguchi is also the band that inspired the song Hopes and Dreams, and the band even did a cover of it in 2022.

Anamanaguchi, the composer for the game Scott Pilgrim EX, dedicated the song "United By Fate" to Toby Fox. Anamanaguchi is also the band that inspired the song Hopes and Dreams, and the band even did a cover of it in 2022.

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"Broken Wings" was written at the home of vocalist Richard Page. The title and main inspiration came from the book The Broken Wings by the Lebanese writer Kahlil Gibran. The RCA label did not want to release this track as the first single (preferred something more agitated), but the band insisted. The track reached #1 on the Billboard Hot 100 in December 1985, stayed there for two weeks and became the biggest hit of their career.

"Broken Wings" was written at the home of vocalist Richard Page. The title and main inspiration came from the book The Broken Wings by the Lebanese writer Kahlil Gibran. The RCA label did not want to release this track as the first single (preferred something more agitated), but the band insisted. The track reached #1 on the Billboard Hot 100 in December 1985, stayed there for two weeks and became the biggest hit of their career.

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"Broken Wings" was written at the home of vocalist Richard Page. The title and main inspiration came from the book The Broken Wings by the Lebanese writer Kahlil Gibran. The RCA label did not want to release this track as the first single (preferred something more agitated), but the band insisted. The track reached #1 on the Billboard Hot 100 in December 1985, stayed there for two weeks and became the biggest hit of their career.

"Broken Wings" was written at the home of vocalist Richard Page. The title and main inspiration came from the book The Broken Wings by the Lebanese writer Kahlil Gibran. The RCA label did not want to release this track as the first single (preferred something more agitated), but the band insisted. The track reached #1 on the Billboard Hot 100 in December 1985, stayed there for two weeks and became the biggest hit of their career.

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"Kiss From a Rose" was written by Seal around 1987, but was only very successful in 1995 thanks to the film Batman Forever. Released in 1994 on the album Seal II, the song almost went unnoticed. Director Joel Schumacher loved the track and insisted on putting it in the end credits of the film. After that, the track reached #1 in the US and won three Grammys in 1996 (Record of the Year, Song of the Year and Best Male Pop Vocal Performance).

"Kiss From a Rose" was written by Seal around 1987, but was only very successful in 1995 thanks to the film Batman Forever. Released in 1994 on the album Seal II, the song almost went unnoticed. Director Joel Schumacher loved the track and insisted on putting it in the end credits of the film. After that, the track reached #1 in the US and won three Grammys in 1996 (Record of the Year, Song of the Year and Best Male Pop Vocal Performance).

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Maneater was written by Daryl Hall, John Oates and Sara Allen (Daryl's girlfriend at the time) and is on the album H2O (1982). Released as a single, it reached #1 on the Billboard Hot 100 for four weeks and became one of the biggest commercial successes of Hall & Oates' career. The lyrics were inspired by a real woman that Daryl and John knew in the musical environment, an extremely manipulative and predatory person in relationships. Daryl Hall even said in interviews that the song was composed very quickly, almost as a "wake-up call" about this kind of behavior.

Maneater was written by Daryl Hall, John Oates and Sara Allen (Daryl's girlfriend at the time) and is on the album H2O (1982). Released as a single, it reached #1 on the Billboard Hot 100 for four weeks and became one of the biggest commercial successes of Hall & Oates' career. The lyrics were inspired by a real woman that Daryl and John knew in the musical environment, an extremely manipulative and predatory person in relationships. Daryl Hall even said in interviews that the song was composed very quickly, almost as a "wake-up call" about this kind of behavior.

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"You Get What You Give" was basically a solo project disguised as a band. Gregg Alexander (singer, songwriter and producer) recorded almost the entire album Maybe You've Been Brainwashed Too (1998) alone, playing most of the instruments and doing all the lead vocals. The track became the only major hit for the New Radicals. Released as a single in 1998, the song reached #36 on the Billboard Hot 100 and was very successful on alternative radio and in several countries. The iconic ending of the song ("Beck, Hanson, Courtney Love and Marilyn Manson You're all fakes") It generated a lot of controversy at the time. Several artists cited were angry, but Gregg Alexander explained that it was not a personal attack, it was a criticism of the materialism and superficiality of the music industry. Gregg Alexander dissolved the New Radicals soon after success and completely disappeared from the spotlight. He never released anything again as a solo artist or in a band. After disappearing from the stage, he became a high-level behind-the-scenes composer and producer. His works include tracks for Ronan Keating ("Life Is a Rollercoaster"), Santana with Michelle Branch ("The Game of Love"), Enrique Iglesias and even The Script.

"You Get What You Give" was basically a solo project disguised as a band. Gregg Alexander (singer, songwriter and producer) recorded almost the entire album Maybe You've Been Brainwashed Too (1998) alone, playing most of the instruments and doing all the lead vocals. The track became the only major hit for the New Radicals. Released as a single in 1998, the song reached #36 on the Billboard Hot 100 and was very successful on alternative radio and in several countries. The iconic ending of the song ("Beck, Hanson, Courtney Love and Marilyn Manson You're all fakes") It generated a lot of controversy at the time. Several artists cited were angry, but Gregg Alexander explained that it was not a personal attack, it was a criticism of the materialism and superficiality of the music industry. Gregg Alexander dissolved the New Radicals soon after success and completely disappeared from the spotlight. He never released anything again as a solo artist or in a band. After disappearing from the stage, he became a high-level behind-the-scenes composer and producer. His works include tracks for Ronan Keating ("Life Is a Rollercoaster"), Santana with Michelle Branch ("The Game of Love"), Enrique Iglesias and even The Script.

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Tarzan Boy was the biggest hit of the Italian band Baltimora, a studio project created by producer Maurizio Bassi in 1985. The face of the band was the charismatic Irish dancer Jimmy McShane, who did all the mime and choreography at the shows (he also sang the tracks in the studio). The song became one of the biggest one-hit wonders of the 80s, reached the top 10 in several countries and helped popularize the italo-disco style outside Italy. Jimmy McShane never hid his homosexuality and, unfortunately, died in 1995 of complications related to AIDS.

Tarzan Boy was the biggest hit of the Italian band Baltimora, a studio project created by producer Maurizio Bassi in 1985. The face of the band was the charismatic Irish dancer Jimmy McShane, who did all the mime and choreography at the shows (he also sang the tracks in the studio). The song became one of the biggest one-hit wonders of the 80s, reached the top 10 in several countries and helped popularize the italo-disco style outside Italy. Jimmy McShane never hid his homosexuality and, unfortunately, died in 1995 of complications related to AIDS.

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A little fact that some folks may not know about the song American Woman. It was originally sung by the band The Guess Who and was covered in 1999 by Lenny Kravitz. Many may not be aware that writers for the song and original performers of it happened to be Canadian. The single was released in March of 1970, making it 66 years old! Another fun fact about the song - it was actually written on the fly, on stage, and could have been lost forever had it not been for a teenager in the audience who was taping the live show bootlegging the show.

A little fact that some folks may not know about the song American Woman. It was originally sung by the band The Guess Who and was covered in 1999 by Lenny Kravitz. Many may not be aware that writers for the song and original performers of it happened to be Canadian. The single was released in March of 1970, making it 66 years old! Another fun fact about the song - it was actually written on the fly, on stage, and could have been lost forever had it not been for a teenager in the audience who was taping the live show bootlegging the show.

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You Spin Me Round (Like a Record) is the biggest hit of Dead or Alive's career, featured on the album Youthquake (1985). Written by Pete Burns, Steve Coy, Tim Lever and Mike Percy, the song was produced by the trio Stock Aitken Waterman (SAW), who transformed the band's sound into a hi-NRG. Pete Burns wanted something darker and more experimental, but the producers of SAW insisted on making it more commercial and danceable, and hit it right. The chorus was eventually sampled years later by Flo Rida in "Right Round" (2009), which became a worldwide hit. Released as a single in 1985, the track reached #1 in the UK for two weeks and became a worldwide phenomenon, helping to popularize the look and sound of Dead or Alive.

You Spin Me Round (Like a Record) is the biggest hit of Dead or Alive's career, featured on the album Youthquake (1985). Written by Pete Burns, Steve Coy, Tim Lever and Mike Percy, the song was produced by the trio Stock Aitken Waterman (SAW), who transformed the band's sound into a hi-NRG. Pete Burns wanted something darker and more experimental, but the producers of SAW insisted on making it more commercial and danceable, and hit it right. The chorus was eventually sampled years later by Flo Rida in "Right Round" (2009), which became a worldwide hit. Released as a single in 1985, the track reached #1 in the UK for two weeks and became a worldwide phenomenon, helping to popularize the look and sound of Dead or Alive.

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