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Tested Claude + Blender today with two real workflows. Sharing what actually happened. First one was a simple demo. Gave it one sentence to build a cyberpunk room. Geometry, lighting, camera, render. It got there, though not everything in the prompt landed perfectly. Good enough to show the concept,... not a stress test. Second one was more interesting. Threw a raw photogrammetry scan at it. Massey Ferguson tractor, 250k faces, grass background everywhere, debris floating all over the place. Asked Claude to clean it up autonomously. It did the work. Removed 106 floating chunks, cut face count by 87%, stripped the grass, flipped the model upright, set up studio lighting and rendered. Technically it worked. But honest answer: the result wasn't clean enough for production. This kind of cleanup still needs the right tools and someone who knows what they're doing. So here's where it actually fits. Not the precise technical stuff. The setup work. The repetitive stuff. The things that take forever if you don't already know Blender. It won't replace your 3D artist. It replaces the boring part before they start.show more

KIRI Engine - 3D Scanner App

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60,887 görüntüleme • 2 ay önce •via X (Twitter)

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✨ Made a new mini feature on Photo AI: [ Grab from 3d model ] So the problem is we're at that stage in time (typical for AI) where image-to-3d models are not good enough but are fun to play with, but we know they'll be good enough in 1-2 years With [ Make 3d model ] you already can turn any Photo AI pic into a 3d model but it still looks hyper clunky and deformed, but it works! One cool idea I had to make that more useful and made now: Let people make a 3d model then change the view of the it with the 3d viewer, then press [ o ] and it grabs a frame of the 3d That image you can then [ Remix ] (img2img), and it becomes a real photo again and that in turn you can then turn into a video again with [ Make video ] So that essentially gives you a fully freeform camera position control to take photos with One thing I need to fix is the background/skybox, I kinda need to take the original photo and remove the person and just get the background for the 3d model viewer, in this case it should be white, but it's a start!

✨ Made a new mini feature on Photo AI: [ Grab from 3d model ] So the problem is we're at that stage in time (typical for AI) where image-to-3d models are not good enough but are fun to play with, but we know they'll be good enough in 1-2 years With [ Make 3d model ] you already can turn any Photo AI pic into a 3d model but it still looks hyper clunky and deformed, but it works! One cool idea I had to make that more useful and made now: Let people make a 3d model then change the view of the it with the 3d viewer, then press [ o ] and it grabs a frame of the 3d That image you can then [ Remix ] (img2img), and it becomes a real photo again and that in turn you can then turn into a video again with [ Make video ] So that essentially gives you a fully freeform camera position control to take photos with One thing I need to fix is the background/skybox, I kinda need to take the original photo and remove the person and just get the background for the 3d model viewer, in this case it should be white, but it's a start!

@levelsio

119,210 görüntüleme • 1 yıl önce

🚨 one person can now do the work of an entire creative team. i just tested it on a real one. a friend needed an ad for his brand, so I opened the new Runway Agent 2.0 to try it out. here's how it went: → it generated the music and the key image first, so I could approve the direction → once I gave the ok, it built the full video around it → and when something was off, i changed just that one piece, without redoing the rest one prompt, and I had the ad we needed, work that used to take weeks. this is what it made 👇 if you want to try it → · 30% off 3 months with code RUNWAYAGENT — made with Runway · #MadeWithRunway · #ad

brenz.

28,652 görüntüleme • 13 gün önce

I watched Robot on the Road and honestly I did not really know what to expect going in At the beginning it just feels like a pretty normal little road trip setup with this robot hitchhiking around Japan and it almost gives off a chill slice of life vibe But it does not stay like that for long The more it goes on the more you realize the robot is doing some really questionable stuff and the way it focuses on women without their consent makes the whole thing feel really uncomfortable By the end I was not really sure if I was supposed to find it funny or just feel weird about it Overall it feels like one of those shorts that tries to mix dark humor with awkward situations but it mostly just ends up being unsettling

I watched Robot on the Road and honestly I did not really know what to expect going in At the beginning it just feels like a pretty normal little road trip setup with this robot hitchhiking around Japan and it almost gives off a chill slice of life vibe But it does not stay like that for long The more it goes on the more you realize the robot is doing some really questionable stuff and the way it focuses on women without their consent makes the whole thing feel really uncomfortable By the end I was not really sure if I was supposed to find it funny or just feel weird about it Overall it feels like one of those shorts that tries to mix dark humor with awkward situations but it mostly just ends up being unsettling

Anime Posts

6,551,985 görüntüleme • 26 gün önce

THIS GUY GOT SICK OF UK TRAIN STATIONS HIDING THE PLATFORM NUMBER UNTIL THE LAST SECOND, SO HE VIBE CODED AN APP THAT PREDICTS IT BEFORE THEY REVEAL IT if youve ever stood in a crowded station like london euston, you know the pain the platform stays hidden until 15 minutes before boarding, then it flashes up and hundreds of people sprint for the same gate so he built something that fixes this: > a clean departures and arrivals app pulling live data straight from the network rail apis > live train tracking so you can watch where your train actually is on the route and whether its running on time > the main feature is a predictive engine that guesses your platform before the station reveals it, and its right about 75% of the time heres how it predicts: every time a train finishes its journey, it logs which platform it actually pulled into and compares that to the platform network rail originally advertised it saves every one of those comparisons, and over time it builds up enough history to predict the platform with a real confidence score he built the whole thing with claude, mostly opus with some fable

THIS GUY GOT SICK OF UK TRAIN STATIONS HIDING THE PLATFORM NUMBER UNTIL THE LAST SECOND, SO HE VIBE CODED AN APP THAT PREDICTS IT BEFORE THEY REVEAL IT if youve ever stood in a crowded station like london euston, you know the pain the platform stays hidden until 15 minutes before boarding, then it flashes up and hundreds of people sprint for the same gate so he built something that fixes this: > a clean departures and arrivals app pulling live data straight from the network rail apis > live train tracking so you can watch where your train actually is on the route and whether its running on time > the main feature is a predictive engine that guesses your platform before the station reveals it, and its right about 75% of the time heres how it predicts: every time a train finishes its journey, it logs which platform it actually pulled into and compares that to the platform network rail originally advertised it saves every one of those comparisons, and over time it builds up enough history to predict the platform with a real confidence score he built the whole thing with claude, mostly opus with some fable

Om Patel

175,501 görüntüleme • 8 gün önce

Figure 03 just finished an 8-hour work livestream, imperfect, but already good enough to replace a lot of repetitive warehouse labor. 🤖 Brett Adcock put a team of F.03 robots on a factory-style package sorting task for a full shift. The job was simple and brutal: detect the barcode, pick the package, flip it label-side down, place it on the conveyor, repeat. Soft poly bags, rigid boxes, moving belts, messy orientations. That is exactly the kind of boring physical work factories pay humans to do all day. Early in the stream, the system handled 230 packages in 10 minutes. That is roughly 2.6 seconds per item — already in human-speed territory for this narrow workflow. The more important part: it was not one robot pretending to work all day. It was a team of Figure 03 robots keeping the line running. When one robot ran low on battery, it left the station and another robot stepped in. That is the real factory signal: not just autonomy, but shift continuity. F.03 is rated for about 5 hours of runtime, so the 8-hour result depends on fleet orchestration, charging, and handoff. That matters more than a single clean demo. The stream was not perfect. There were pauses, hesitations, missed orientations, and small recovery moments. Good. A perfect short clip hides failure. An 8-hour livestream exposes the parts that actually matter: endurance, recovery, throughput, and whether the robot can stay useful after the novelty wears off. Figure says this was fully autonomous on Helix-02, with zero human intervention. For logistics and manufacturing, that is the threshold worth watching. Not “can it do one impressive task?” Can it keep doing the boring task for an entire shift? Figure is not showing a general human replacement yet. But for structured, repetitive factory work, the gap just got much smaller. The timing is also interesting: Figure says BotQ has already delivered 350+ F.03 units and reached a 1 robot/hour production cadence. And F.04 is now in full design lock, with parts starting to ship. The next test is obvious. 8 hours was the proof of endurance. 24/7 is the proof of labor economics.

Figure 03 just finished an 8-hour work livestream, imperfect, but already good enough to replace a lot of repetitive warehouse labor. 🤖 Brett Adcock put a team of F.03 robots on a factory-style package sorting task for a full shift. The job was simple and brutal: detect the barcode, pick the package, flip it label-side down, place it on the conveyor, repeat. Soft poly bags, rigid boxes, moving belts, messy orientations. That is exactly the kind of boring physical work factories pay humans to do all day. Early in the stream, the system handled 230 packages in 10 minutes. That is roughly 2.6 seconds per item — already in human-speed territory for this narrow workflow. The more important part: it was not one robot pretending to work all day. It was a team of Figure 03 robots keeping the line running. When one robot ran low on battery, it left the station and another robot stepped in. That is the real factory signal: not just autonomy, but shift continuity. F.03 is rated for about 5 hours of runtime, so the 8-hour result depends on fleet orchestration, charging, and handoff. That matters more than a single clean demo. The stream was not perfect. There were pauses, hesitations, missed orientations, and small recovery moments. Good. A perfect short clip hides failure. An 8-hour livestream exposes the parts that actually matter: endurance, recovery, throughput, and whether the robot can stay useful after the novelty wears off. Figure says this was fully autonomous on Helix-02, with zero human intervention. For logistics and manufacturing, that is the threshold worth watching. Not “can it do one impressive task?” Can it keep doing the boring task for an entire shift? Figure is not showing a general human replacement yet. But for structured, repetitive factory work, the gap just got much smaller. The timing is also interesting: Figure says BotQ has already delivered 350+ F.03 units and reached a 1 robot/hour production cadence. And F.04 is now in full design lock, with parts starting to ship. The next test is obvious. 8 hours was the proof of endurance. 24/7 is the proof of labor economics.

RoboHub🤖

16,818 görüntüleme • 2 ay önce

Today I had my first demo drive in a Tesla. It was also my first time ever sitting in one. This was the first car I’ve ever sat in the driver’s seat of where I didn’t touch the steering wheel for over 20 miles. Before I even got to the car, the people who had demoed it before me were an older married couple who were absolutely euphoric. They thought it was so cool that the car could drive itself. The Tesla employee told me this happens all the time. People come back from demo drives and tell the next test driver that they’re about to have an amazing experience. Little did I know, I’d end up carrying on the torch to the next couple demoing it after me. There was a ton of construction where I demoed the car, and FSD handled the entire drive extremely well. And yes, it can go through a drive-thru and stop at each window. The only thing I had to do was tap the pedal because it wouldn’t leave on its own, but it was still wild seeing the AI stop perfectly at the second window and wait. There are a million things I could write about why a Tesla feels like a better car and how much more it offers compared to a regular car. But for now, I’ll stick to FSD. There were only two moments that made me a little uneasy. The first was pretty minor. The car slightly hesitated going up a driveway, but quickly made up its mind. The second was more noticeable. I didn’t realize the car was nagging me. Once I touched the steering wheel, nothing happened, so I pulled it right a little harder, then let go. After that, the car turned left and crossed a double yellow on a backroad. (and yes I know you can sue the volume knob) I’m not totally sure if it was trying to pull over or what it was doing. I wanted to see how it would handle the situation, but there were cars coming, so I took over and corrected it. One of the coolest moments was when I thought FSD was glitching because it came to a complete stop in the middle of a busy road. Then I looked around and realized why. On the right side, there was a bicyclist waiting at a yellow crosswalk. The cars behind me didn’t honk, and the Tesla stopping actually incentivized another car in the right lane to stop and let him pass. The car is almost too nice to pedestrians, because 99.999% of humans would’ve blown through that, especially with no flashing light. For 99.9% of the drive, the car navigated confidently and smoothly. It was a real “feel the AGI” moment. Please do not let the media, the general public, or anyone else convince you that this technology is just some kind of auto assist or glorified cruise control. This is undoubtedly getting extremely close to feeling superhuman. You still have to pay attention to the road, but after experiencing it myself, I’d be shocked if HW4 Teslas aren’t unsupervised within the next couple years. The car was extremely smooth. There was no harsh braking, and it even avoided something in the road that I didn’t see. Driving with FSD made me realize I probably wasn’t driving as well as I could be. Hopefully, eventually, everyone’s car can be as mindful as a Tesla. I’ve never seen a brand so far removed from the public’s sentiment. I’m so happy I ordered one.

Chris

18,657 görüntüleme • 10 gün önce

Karpathy method + Claude Code reading your whole Obsidian vault is the smartest second brain on earth. The method is simple and brutal. If you can’t build a thing from scratch, you don’t know it. Tutorials are fake learning and your brain deletes them in 3 days. Most people ignore this. They build a second brain that just sits there, folders of notes nobody reopens, dead text. Point Claude Code at the vault and it wakes up. 5,000 notes, one mind. It reads all of it and answers in your own words and your own proofs, not a model’s guess. Then the loop closes. Want to understand neural nets? Skip the 3-hour video and ask Claude Code to build a tiny one. 200 lines from scratch. Watch it train, break a layer, watch it fail, fix it. It clicks in 20 minutes instead of 3 weeks. The second it lands the note gets written. One idea per file, linked to 10 others, dropped into the vault while the memory is still hot. Now it compounds. Month 1: is 60 notes. Month 6 is 900. Every new note pulls in old ones, so you ask anything and the answer comes from your brain, not the internet. Before: 40 tabs, 6 half read PDF, 0 retained. After: build it once, own it for life. Setup takes 4 minutes. Plain text, no lock-in. A second brain nobody reads is a graveyard. Yours just started thinking.

Karpathy method + Claude Code reading your whole Obsidian vault is the smartest second brain on earth. The method is simple and brutal. If you can’t build a thing from scratch, you don’t know it. Tutorials are fake learning and your brain deletes them in 3 days. Most people ignore this. They build a second brain that just sits there, folders of notes nobody reopens, dead text. Point Claude Code at the vault and it wakes up. 5,000 notes, one mind. It reads all of it and answers in your own words and your own proofs, not a model’s guess. Then the loop closes. Want to understand neural nets? Skip the 3-hour video and ask Claude Code to build a tiny one. 200 lines from scratch. Watch it train, break a layer, watch it fail, fix it. It clicks in 20 minutes instead of 3 weeks. The second it lands the note gets written. One idea per file, linked to 10 others, dropped into the vault while the memory is still hot. Now it compounds. Month 1: is 60 notes. Month 6 is 900. Every new note pulls in old ones, so you ask anything and the answer comes from your brain, not the internet. Before: 40 tabs, 6 half read PDF, 0 retained. After: build it once, own it for life. Setup takes 4 minutes. Plain text, no lock-in. A second brain nobody reads is a graveyard. Yours just started thinking.

West Lord

584,370 görüntüleme • 15 gün önce

Beauty ads just changed forever. Free Claude Opus 4.8 + GPT Image 2 + Seedance 2.0 workflow to spin up 100s of video ads. No studio, no model, no macro lens, no shoot day. Here's what nobody in beauty marketing wants to say out loud. That glossy lip shot. The droplet hitting the surface in slow motion. The whip-pan into the next scene. The crystalline product splash. All the stuff that used to need a real set, a real camera op, and a full shoot day. You can generate every frame of it from a text prompt now, and stitch it into a finished ad before your coffee goes cold. The workflow is almost stupidly simple: → Tell Claude Opus 4.8 the beauty shot you want (dewy skin macro, gloss-on-lips contact, ripple transition, the works) → Claude turns it into a shot-by-shot storyboard plus a prompt for every frame → GPT Image 2 generates the photoreal stills, frame by frame → Seedance 2.0 animates each one into a clip with that buttery slow-mo glide → You drop the clips into HeyOz and assemble the full ad in one place The real unlock is volume. This isn't one hero video. Once the workflow is dialed, you spin up hundreds of variations. Different shades, different models, different hooks, different transitions. The exact creative volume Meta rewards, minus the production cost that used to make it impossible. Old way: one shoot, one look, $10k+, weeks of waiting. New way: a hundred angles, any look, a few dollars each, same afternoon. I wrote up the entire workflow. The Claude storyboard prompt, the GPT Image 2 frame prompts, the Seedance motion settings, the full assembly flow. Completely free, no email gate. Want it? Comment "GLOSS" and I'll send it straight over. (make sure you're following so it can actually reach you)

Beauty ads just changed forever. Free Claude Opus 4.8 + GPT Image 2 + Seedance 2.0 workflow to spin up 100s of video ads. No studio, no model, no macro lens, no shoot day. Here's what nobody in beauty marketing wants to say out loud. That glossy lip shot. The droplet hitting the surface in slow motion. The whip-pan into the next scene. The crystalline product splash. All the stuff that used to need a real set, a real camera op, and a full shoot day. You can generate every frame of it from a text prompt now, and stitch it into a finished ad before your coffee goes cold. The workflow is almost stupidly simple: → Tell Claude Opus 4.8 the beauty shot you want (dewy skin macro, gloss-on-lips contact, ripple transition, the works) → Claude turns it into a shot-by-shot storyboard plus a prompt for every frame → GPT Image 2 generates the photoreal stills, frame by frame → Seedance 2.0 animates each one into a clip with that buttery slow-mo glide → You drop the clips into HeyOz and assemble the full ad in one place The real unlock is volume. This isn't one hero video. Once the workflow is dialed, you spin up hundreds of variations. Different shades, different models, different hooks, different transitions. The exact creative volume Meta rewards, minus the production cost that used to make it impossible. Old way: one shoot, one look, $10k+, weeks of waiting. New way: a hundred angles, any look, a few dollars each, same afternoon. I wrote up the entire workflow. The Claude storyboard prompt, the GPT Image 2 frame prompts, the Seedance motion settings, the full assembly flow. Completely free, no email gate. Want it? Comment "GLOSS" and I'll send it straight over. (make sure you're following so it can actually reach you)

Ahad Shams

10,957 görüntüleme • 1 ay önce

I just built a Meta Ads diagnostic in Claude Code that tells you WHY your account broke, not just what changed 🤯 It spins up a team of agents that each investigate a different reason performance dropped, then argue against each other to kill the wrong answer before it ever reaches you. All inside Claude Code. Perfect for DTC brands and agencies who panic-kill creative the second CPA spikes. If you've watched ROAS fall off a cliff and opened Ads Manager with ten tabs going, you already know what happens next. Your gut says "creative fatigue." You kill your best-performing ad. A week later performance is still broken, because that was never the problem. Guessing wrong is the most expensive move in paid social. This workflow ends the guessing: → One agent investigates each competing theory — creative fatigue, budget and delivery changes, traffic quality, offer and seasonality → Each one is blind to the others, reasoning only from its own slice of the data so they can't bias each other → A refuter agent then attacks every surviving theory and tries to kill it → A theory only stands if the data can't disprove it → You get a ranked diagnosis: the real cause, the evidence for and against it, and the one move to make this week No anchoring on the first obvious answer. No killing winning creative on a hunch. No "here's what happened" reports that never tell you why. What you get: → Every theory tested in parallel instead of one biased guess → An adversarial pass that kills the wrong answer before you act on it → A ranked diagnosis with confidence levels and evidence both ways → A reusable workflow you drop next month's export into and re-run Built 100% in Claude Code with the new dynamic workflows. The first account I ran it on looked like textbook creative fatigue. The workflow disagreed, and traced the real cause to a budget change that had doubled spend and flooded delivery with junk traffic. I put together a full playbook with the exact workflow, the prompt, and how to run it on your own account. Want it for free? > Like this post > Comment "META" And I'll send it over (must be following so I can DM)

I just built a Meta Ads diagnostic in Claude Code that tells you WHY your account broke, not just what changed 🤯 It spins up a team of agents that each investigate a different reason performance dropped, then argue against each other to kill the wrong answer before it ever reaches you. All inside Claude Code. Perfect for DTC brands and agencies who panic-kill creative the second CPA spikes. If you've watched ROAS fall off a cliff and opened Ads Manager with ten tabs going, you already know what happens next. Your gut says "creative fatigue." You kill your best-performing ad. A week later performance is still broken, because that was never the problem. Guessing wrong is the most expensive move in paid social. This workflow ends the guessing: → One agent investigates each competing theory — creative fatigue, budget and delivery changes, traffic quality, offer and seasonality → Each one is blind to the others, reasoning only from its own slice of the data so they can't bias each other → A refuter agent then attacks every surviving theory and tries to kill it → A theory only stands if the data can't disprove it → You get a ranked diagnosis: the real cause, the evidence for and against it, and the one move to make this week No anchoring on the first obvious answer. No killing winning creative on a hunch. No "here's what happened" reports that never tell you why. What you get: → Every theory tested in parallel instead of one biased guess → An adversarial pass that kills the wrong answer before you act on it → A ranked diagnosis with confidence levels and evidence both ways → A reusable workflow you drop next month's export into and re-run Built 100% in Claude Code with the new dynamic workflows. The first account I ran it on looked like textbook creative fatigue. The workflow disagreed, and traced the real cause to a budget change that had doubled spend and flooded delivery with junk traffic. I put together a full playbook with the exact workflow, the prompt, and how to run it on your own account. Want it for free? > Like this post > Comment "META" And I'll send it over (must be following so I can DM)

Mike Futia

12,646 görüntüleme • 1 ay önce

If you ever get the chance to go to Normandy, take it. Don't just visit it-take your time and let it sink in, because it is one of the most humbling experiences I've ever had. Standing there, looking out across those beaches, you can almost feel the weight of what happened there. It's hard to fully understand what those soldiers went through until you're standing in that place, realizing the courage it took just to run toward that shore. The beauty of Normandy is quiet and powerful, but so is the sacrifice it represents. The rows of white crosses, the history in the ground, the silence in the air-it all reminds you that freedom came at a tremendous cost. It's the kind of place that stays with you long after you leave. It makes you grateful, reflective, and a little more aware of how much was given for the life we live today. Normandy is more than a battlefield. It is a lesson in sacrifice, bravery, and remembrance. 🙏🇺🇸🙏

If you ever get the chance to go to Normandy, take it. Don't just visit it-take your time and let it sink in, because it is one of the most humbling experiences I've ever had. Standing there, looking out across those beaches, you can almost feel the weight of what happened there. It's hard to fully understand what those soldiers went through until you're standing in that place, realizing the courage it took just to run toward that shore. The beauty of Normandy is quiet and powerful, but so is the sacrifice it represents. The rows of white crosses, the history in the ground, the silence in the air-it all reminds you that freedom came at a tremendous cost. It's the kind of place that stays with you long after you leave. It makes you grateful, reflective, and a little more aware of how much was given for the life we live today. Normandy is more than a battlefield. It is a lesson in sacrifice, bravery, and remembrance. 🙏🇺🇸🙏

G-PA

178,708 görüntüleme • 1 ay önce

I genuinely don't understand why everyone isn't using this yet Andrej Karpathy, a co-founder of OpenAI, posted a simple idea that hit 16 million views: stop using AI to write code, use it to build a second brain. You point Claude Code at a folder, drop in any source, an article, a transcript, a PDF, and Claude reads it, links it, and files it into a living wiki of everything you know. It compounds like interest, the more you feed it, the smarter it gets. Here's the whole thing: > Install Obsidian, create a vault, open it in Claude Code > Paste Karpathy's wiki idea file and tell Claude to build it > Claude makes three folders: raw for sources, wiki for its pages, a CLAUDE.md that runs it > Drop any source into raw and say "ingest this" > Ask questions across everything, forever Five minutes to set up, and you never start from a blank chat again. Full step-by-step guide with Claude and Obsidian, link below. Bookmark this

I genuinely don't understand why everyone isn't using this yet Andrej Karpathy, a co-founder of OpenAI, posted a simple idea that hit 16 million views: stop using AI to write code, use it to build a second brain. You point Claude Code at a folder, drop in any source, an article, a transcript, a PDF, and Claude reads it, links it, and files it into a living wiki of everything you know. It compounds like interest, the more you feed it, the smarter it gets. Here's the whole thing: > Install Obsidian, create a vault, open it in Claude Code > Paste Karpathy's wiki idea file and tell Claude to build it > Claude makes three folders: raw for sources, wiki for its pages, a CLAUDE.md that runs it > Drop any source into raw and say "ingest this" > Ask questions across everything, forever Five minutes to set up, and you never start from a blank chat again. Full step-by-step guide with Claude and Obsidian, link below. Bookmark this

Ridark

6,806,487 görüntüleme • 22 gün önce

Back where it all started 🧡 16 years ago as a freshman at FLORIDA, I walked into the @ESPNGainesville studios and asked if there were any jobs on the radio. Steve Russell (in the first pic) was kind enough to give me a shot. Today I got to sit next to him again to do what we did so many times while I was in college: talk ball. Years full of hard work, failure, a little success, smiles, tears and lots of lessons learned have gone by but one thing remains the same: I’m extremely grateful for the people who formed the foundation of my career and the place (FLORIDAJSchool) where it happened. What a joy it was to spend time with the future of our business today. You are all stars and I’m proud to call you fellow gators. Your eagerness, dedication and curiosity is a reminder of how lucky we are to talk about sports for a living. It was an honor to spend some time on the campus that built me.

Back where it all started 🧡 16 years ago as a freshman at FLORIDA, I walked into the @ESPNGainesville studios and asked if there were any jobs on the radio. Steve Russell (in the first pic) was kind enough to give me a shot. Today I got to sit next to him again to do what we did so many times while I was in college: talk ball. Years full of hard work, failure, a little success, smiles, tears and lots of lessons learned have gone by but one thing remains the same: I’m extremely grateful for the people who formed the foundation of my career and the place (FLORIDAJSchool) where it happened. What a joy it was to spend time with the future of our business today. You are all stars and I’m proud to call you fellow gators. Your eagerness, dedication and curiosity is a reminder of how lucky we are to talk about sports for a living. It was an honor to spend some time on the campus that built me.

Laura Rutledge

413,167 görüntüleme • 2 yıl önce

As much as I wanted a 10, my Ancient Mew getting a 9 is a perfect example of why I'm 100% in favor of TAG becoming the standard in card grading. Here's why: I was very hopeful that this card would get a 10 (if not a pristine score) after I sent it in shortly after cracking the promo seal. It looked pretty perfect. If this had come back a PSA 9, I would've honestly been really frustrated and would've cracked it and re-submitted. Since TAG has an incredibly transparent "DIG Report" though, I can actually see why it got a 9. There is a very faint "ink defect" that is really hard to see with the naked eye. The DIG Report shows exactly where it is on the card, so now I can go back to the video I took of the raw card before sending it, and sure enough if you look hard enough you can actually see the print lines when the light hits it right. I don't know about you, but I'm all for this kind of transparency and accuracy when it comes to getting cards graded. Not to mention the slabs look dang clean. Thanks, TAG 👏

As much as I wanted a 10, my Ancient Mew getting a 9 is a perfect example of why I'm 100% in favor of TAG becoming the standard in card grading. Here's why: I was very hopeful that this card would get a 10 (if not a pristine score) after I sent it in shortly after cracking the promo seal. It looked pretty perfect. If this had come back a PSA 9, I would've honestly been really frustrated and would've cracked it and re-submitted. Since TAG has an incredibly transparent "DIG Report" though, I can actually see why it got a 9. There is a very faint "ink defect" that is really hard to see with the naked eye. The DIG Report shows exactly where it is on the card, so now I can go back to the video I took of the raw card before sending it, and sure enough if you look hard enough you can actually see the print lines when the light hits it right. I don't know about you, but I'm all for this kind of transparency and accuracy when it comes to getting cards graded. Not to mention the slabs look dang clean. Thanks, TAG 👏

Knoyhead

1,062,574 görüntüleme • 6 ay önce

🇯🇵 A brainless blob reproduced the Tokyo rail network in 26 hours. It was not trying to solve a transport problem. It was trying to eat oat flakes. Physarum polycephalum is, to be generous, a blob. Pale, damp, the size of a thumbnail, it has no brain, no nervous system, and no cells that could reasonably be accused of thinking. Scientists had studied it for years without feeling particularly threatened by it. Then someone put it in a maze. Within hours, Physarum had found the shortest route between entrance and exit. Not by wandering randomly. Not by luck. By something that had no name, because everyone had assumed it required a brain. This was interesting enough. What happened next was embarrassing. In 2010, a researcher named Toshiyuki Nakagaki and his team placed a piece of slime mold at the centre of a damp map of greater Tokyo. Around it, at the locations of 36 surrounding cities, they put small piles of oat flakes. Then they left the room. The organism did what it always does. It explored. Thin tendrils pushed outward in every direction, feeling for food. When a tendril found an oat flake, that connection strengthened. When a path led nowhere useful, it was quietly dismantled. The slime mold was not planning. It was simply following local chemistry, the same way it had been doing for 500 million years. After 26 hours, the exploration was over. What remained was a sparse, elegant network of tubes connecting all 36 cities to each other. Not a tangle. Not a web covering everything. A clean, efficient system with strong main corridors between the busiest points and lighter connections branching where they were needed. The team held it up next to the actual Tokyo rail map. The corridors matched. The branch lines matched. Even the redundant connections, the backup routes engineers had added so the system could survive a single failure, appeared in nearly the same places. The slime mold had not just found the cities. It had independently arrived at the same logic that Japanese railway engineers had spent decades refining. By some measures, its network was more robust than the one humans had built. There is no headquarters inside Physarum, no moment where anyone decides anything. The intelligence, if that is even the right word, lives entirely in one simple rule repeated across millions of connections: strengthen what works, abandon what doesn’t. That rule, applied blindly and without awareness, produces something that looks unnervingly like wisdom. The slime mold was not trying to redesign the Tokyo rail network. It was trying to eat breakfast. It just turns out that the most efficient way to eat breakfast, when your breakfast is scattered across a map of greater Tokyo, looks a great deal like good urban planning 😅 Gandalv / Gandalv

🇯🇵 A brainless blob reproduced the Tokyo rail network in 26 hours. It was not trying to solve a transport problem. It was trying to eat oat flakes. Physarum polycephalum is, to be generous, a blob. Pale, damp, the size of a thumbnail, it has no brain, no nervous system, and no cells that could reasonably be accused of thinking. Scientists had studied it for years without feeling particularly threatened by it. Then someone put it in a maze. Within hours, Physarum had found the shortest route between entrance and exit. Not by wandering randomly. Not by luck. By something that had no name, because everyone had assumed it required a brain. This was interesting enough. What happened next was embarrassing. In 2010, a researcher named Toshiyuki Nakagaki and his team placed a piece of slime mold at the centre of a damp map of greater Tokyo. Around it, at the locations of 36 surrounding cities, they put small piles of oat flakes. Then they left the room. The organism did what it always does. It explored. Thin tendrils pushed outward in every direction, feeling for food. When a tendril found an oat flake, that connection strengthened. When a path led nowhere useful, it was quietly dismantled. The slime mold was not planning. It was simply following local chemistry, the same way it had been doing for 500 million years. After 26 hours, the exploration was over. What remained was a sparse, elegant network of tubes connecting all 36 cities to each other. Not a tangle. Not a web covering everything. A clean, efficient system with strong main corridors between the busiest points and lighter connections branching where they were needed. The team held it up next to the actual Tokyo rail map. The corridors matched. The branch lines matched. Even the redundant connections, the backup routes engineers had added so the system could survive a single failure, appeared in nearly the same places. The slime mold had not just found the cities. It had independently arrived at the same logic that Japanese railway engineers had spent decades refining. By some measures, its network was more robust than the one humans had built. There is no headquarters inside Physarum, no moment where anyone decides anything. The intelligence, if that is even the right word, lives entirely in one simple rule repeated across millions of connections: strengthen what works, abandon what doesn’t. That rule, applied blindly and without awareness, produces something that looks unnervingly like wisdom. The slime mold was not trying to redesign the Tokyo rail network. It was trying to eat breakfast. It just turns out that the most efficient way to eat breakfast, when your breakfast is scattered across a map of greater Tokyo, looks a great deal like good urban planning 😅 Gandalv / Gandalv

Gandalv

205,841 görüntüleme • 4 ay önce

Europe is quietly becoming what the United States once promised the world. More and more people are looking at their best years ahead and choosing a place where everyday life is designed to work. Where the future feels stable enough to plan for. Where safety is not a luxury product. Where you can build a good life without gambling your health, your family, or your dignity on one bad month. In much of Europe, the “dream” is not about becoming a billionaire. It is about becoming unafraid. It is the freedom of walking home at night without scanning every shadow. The comfort of knowing that if you get sick, you do not need to calculate whether you can afford to be treated. The relief of having a society that still believes children should carry backpacks, not trauma, and definitely not weapons. The calm of streets built for human beings, not just cars. The ability to take a holiday without feeling like you are committing career suicide. The basic decency of labor protections that assume you are a person first and a resource second. And then there is the part people underestimate until they live it: the texture of life. The cities are older and more beautiful than you expect. The distances are smaller. Weekends are real. Food is real. Public spaces are not just decorative, they are functional. Parks are full. Cafes are full. Trains take you somewhere, often across borders, without turning travel into a stress test. You can live in one country, work with another, and visit a third like it is normal because, in many places, it is. The European dream is also a quiet confidence in the social contract. That if you contribute, the system does not abandon you. That you can raise a family without feeling like you are one accident away from ruin. That “getting ahead” does not require burning out. That a good society is one where normal people can live normal lives and still feel proud of them. This is why more and more Americans are not just visiting Europe, but staying. Some come for studies and never leave. Some arrive for a job and realise the lifestyle is the real promotion. Some originally planned a one year experiment and then cannot imagine going back to a place where stress is treated as a personality trait and insecurity is marketed as freedom. Europe is not perfect. It has bureaucracy. It has politics. It has problems that deserve criticism. But in many European countries, life is still built around a simple idea: society should reduce fear, not monetise it. That is the new dream. And people can feel it the moment they arrive. If you could choose one thing to trade for a better life, what would it be: more income, or more security? And what do you think your country would have to change for people to stop leaving, and start staying? Stay connected, Follow Gandalv Gandalv

Europe is quietly becoming what the United States once promised the world. More and more people are looking at their best years ahead and choosing a place where everyday life is designed to work. Where the future feels stable enough to plan for. Where safety is not a luxury product. Where you can build a good life without gambling your health, your family, or your dignity on one bad month. In much of Europe, the “dream” is not about becoming a billionaire. It is about becoming unafraid. It is the freedom of walking home at night without scanning every shadow. The comfort of knowing that if you get sick, you do not need to calculate whether you can afford to be treated. The relief of having a society that still believes children should carry backpacks, not trauma, and definitely not weapons. The calm of streets built for human beings, not just cars. The ability to take a holiday without feeling like you are committing career suicide. The basic decency of labor protections that assume you are a person first and a resource second. And then there is the part people underestimate until they live it: the texture of life. The cities are older and more beautiful than you expect. The distances are smaller. Weekends are real. Food is real. Public spaces are not just decorative, they are functional. Parks are full. Cafes are full. Trains take you somewhere, often across borders, without turning travel into a stress test. You can live in one country, work with another, and visit a third like it is normal because, in many places, it is. The European dream is also a quiet confidence in the social contract. That if you contribute, the system does not abandon you. That you can raise a family without feeling like you are one accident away from ruin. That “getting ahead” does not require burning out. That a good society is one where normal people can live normal lives and still feel proud of them. This is why more and more Americans are not just visiting Europe, but staying. Some come for studies and never leave. Some arrive for a job and realise the lifestyle is the real promotion. Some originally planned a one year experiment and then cannot imagine going back to a place where stress is treated as a personality trait and insecurity is marketed as freedom. Europe is not perfect. It has bureaucracy. It has politics. It has problems that deserve criticism. But in many European countries, life is still built around a simple idea: society should reduce fear, not monetise it. That is the new dream. And people can feel it the moment they arrive. If you could choose one thing to trade for a better life, what would it be: more income, or more security? And what do you think your country would have to change for people to stop leaving, and start staying? Stay connected, Follow Gandalv Gandalv

Gandalv

988,824 görüntüleme • 4 ay önce

🤯 Andrej Karpathy's coding rules have officially broken the internet. [BOOKMARK THIS NOW] 144,000 stars. #1 on GitHub for 28 days straight. But 99% of people still haven't heard of them. Here's what a CLAUDE.md ACTUALLY is, and why it quietly fixed the biggest problem with AI coding: It's a text file Claude reads before it touches your code. Standing instructions. It never forgets them. The 4 rules that went viral: - Think before coding. State assumptions. Ask when unsure. Never guess. - Simplicity first. Minimum code that solves the problem. Nothing extra. - Surgical changes. Touch only what was asked. Every line traces back to the request. - Goal-driven. Turn vague instructions into a test that proves it works, before writing code. The dev who built it says it took his accuracy from ~65% to ~94%. The rules aren't the interesting part though. The interesting part is that almost nobody knows you can do this at all.

🤯 Andrej Karpathy's coding rules have officially broken the internet. [BOOKMARK THIS NOW] 144,000 stars. #1 on GitHub for 28 days straight. But 99% of people still haven't heard of them. Here's what a CLAUDE.md ACTUALLY is, and why it quietly fixed the biggest problem with AI coding: It's a text file Claude reads before it touches your code. Standing instructions. It never forgets them. The 4 rules that went viral: - Think before coding. State assumptions. Ask when unsure. Never guess. - Simplicity first. Minimum code that solves the problem. Nothing extra. - Surgical changes. Touch only what was asked. Every line traces back to the request. - Goal-driven. Turn vague instructions into a test that proves it works, before writing code. The dev who built it says it took his accuracy from ~65% to ~94%. The rules aren't the interesting part though. The interesting part is that almost nobody knows you can do this at all.

Coin Bureau

58,972 görüntüleme • 1 ay önce

Blake Lively’s Met Gala Moment Was Deeply Tone-Deaf Blake Lively showing up at the Met Gala this year, smiling like nothing happened, honestly felt surreal. Not in a good way. More like… are we all just expected to pretend the last two years didn’t happen? Because that’s what it looked like. A reset. A clean slate. As if everything that went down with Justin Baldoni just evaporated the moment she stepped onto that carpet in a Versace gown. And I’m sorry, but it doesn’t work like that. You don’t get to be at the center of a situation that serious, with that much damage done to someone’s reputation, and then just reappear in full glamour mode like it was all some minor inconvenience. Whether people want to admit it or not, that whole situation left a mark. On him, on the project, and on how people see her now. What makes it worse is the timing. Walking into one of the most visible events in the world right after everything wrapped up just feels… off. There’s no reflection in that. No pause. No sense that any of it actually mattered beyond being something to get past. And then there’s the bigger issue. When something tied to a story about domestic violence turns into this kind of public spectacle, it cheapens it. It stops being about the message and starts being about ego, control, and image. That’s the part that doesn’t sit right. You can call it strategy, you can call it PR, but to a lot of people it just reads as tone-deaf. Versace dressing her? That’s their choice. But let’s not pretend fashion houses don’t pick sides when they do that. They know exactly what kind of attention it brings. Same with the Met Gala. They don’t “accidentally” invite people. Every name is a decision. So yeah, people are going to question it. They should. Because this didn’t feel like a comeback. It felt like someone stepping right back into the spotlight without acknowledging the weight of what just happened. Like the expectation is that the audience will move on simply because she has. Not everyone will. And honestly, they shouldn’t have to. PS: That’s the only soundtrack that actually fits that red carpet. moment.

Blake Lively’s Met Gala Moment Was Deeply Tone-Deaf Blake Lively showing up at the Met Gala this year, smiling like nothing happened, honestly felt surreal. Not in a good way. More like… are we all just expected to pretend the last two years didn’t happen? Because that’s what it looked like. A reset. A clean slate. As if everything that went down with Justin Baldoni just evaporated the moment she stepped onto that carpet in a Versace gown. And I’m sorry, but it doesn’t work like that. You don’t get to be at the center of a situation that serious, with that much damage done to someone’s reputation, and then just reappear in full glamour mode like it was all some minor inconvenience. Whether people want to admit it or not, that whole situation left a mark. On him, on the project, and on how people see her now. What makes it worse is the timing. Walking into one of the most visible events in the world right after everything wrapped up just feels… off. There’s no reflection in that. No pause. No sense that any of it actually mattered beyond being something to get past. And then there’s the bigger issue. When something tied to a story about domestic violence turns into this kind of public spectacle, it cheapens it. It stops being about the message and starts being about ego, control, and image. That’s the part that doesn’t sit right. You can call it strategy, you can call it PR, but to a lot of people it just reads as tone-deaf. Versace dressing her? That’s their choice. But let’s not pretend fashion houses don’t pick sides when they do that. They know exactly what kind of attention it brings. Same with the Met Gala. They don’t “accidentally” invite people. Every name is a decision. So yeah, people are going to question it. They should. Because this didn’t feel like a comeback. It felt like someone stepping right back into the spotlight without acknowledging the weight of what just happened. Like the expectation is that the audience will move on simply because she has. Not everyone will. And honestly, they shouldn’t have to. PS: That’s the only soundtrack that actually fits that red carpet. moment.

Queen Esther

1,925,286 görüntüleme • 2 ay önce

🚨 Do you understand what Claude just quietly dropped while everyone was distracted? 1 million tokens. Let me explain what that actually means because the number alone doesn't hit right. > A senior engineer joins a company and spends 3 to 6 months just reading code.. Understanding how things connect. Learning where the bugs hide. Why that one file nobody touches exists. It takes months because a codebase is massive and human memory is small. > Claude just loaded the entire thing in one prompt. 30 seconds. Every file, Every function, Every line. All of it. Sitting in memory like it's been working there for years. And it scored highest among every single frontier model. Not GPT.. Not Gemini, Nobody. > Yesterday Amazon's AI nuked production because it couldn't see the full picture - it made a decision with partial context and deleted everything. Today an AI can hold 1 million tokens of context at once. That's the fix. That's the "before and after" moment for AI coding. > 600 images in one request. Entire PDFs. Full repos. And they dropped it on a Friday on all plans like it was a patch note. The scariest AI updates aren't the ones with press conferences. They're the ones that drop in a tweet at 6pm and change everything by Monday morning.

🚨 Do you understand what Claude just quietly dropped while everyone was distracted? 1 million tokens. Let me explain what that actually means because the number alone doesn't hit right. > A senior engineer joins a company and spends 3 to 6 months just reading code.. Understanding how things connect. Learning where the bugs hide. Why that one file nobody touches exists. It takes months because a codebase is massive and human memory is small. > Claude just loaded the entire thing in one prompt. 30 seconds. Every file, Every function, Every line. All of it. Sitting in memory like it's been working there for years. And it scored highest among every single frontier model. Not GPT.. Not Gemini, Nobody. > Yesterday Amazon's AI nuked production because it couldn't see the full picture - it made a decision with partial context and deleted everything. Today an AI can hold 1 million tokens of context at once. That's the fix. That's the "before and after" moment for AI coding. > 600 images in one request. Entire PDFs. Full repos. And they dropped it on a Friday on all plans like it was a patch note. The scariest AI updates aren't the ones with press conferences. They're the ones that drop in a tweet at 6pm and change everything by Monday morning.

Tuki

206,260 görüntüleme • 4 ay önce

✨ Grok's new Imagine video model also comes with an Edit model We know edit models for images, you submit an image, write a prompt what to change, but this is the first time I've seen a proper edit model for video And it kinda works, not great yet though but it does something Here I had to remove the old name "Nomad List" in the video for my site First it said "Go nomad -> Nomad List", so I prompted it "remove the text Nomad List. do not change anything else", it didn't remove it but it replaced it with just "Go nomad" again, okay good enough Useful because otherwise I'd have to scour my backups for the original video in Final Cut Pro, and this is faster One thing you see is it changes the pattern on the door also, but that's okay for now if I fade it in

✨ Grok's new Imagine video model also comes with an Edit model We know edit models for images, you submit an image, write a prompt what to change, but this is the first time I've seen a proper edit model for video And it kinda works, not great yet though but it does something Here I had to remove the old name "Nomad List" in the video for my site First it said "Go nomad -> Nomad List", so I prompted it "remove the text Nomad List. do not change anything else", it didn't remove it but it replaced it with just "Go nomad" again, okay good enough Useful because otherwise I'd have to scour my backups for the original video in Final Cut Pro, and this is faster One thing you see is it changes the pattern on the door also, but that's okay for now if I fade it in

@levelsio

73,183 görüntüleme • 5 ay önce

A CHINESE GUY STOPPED PAYING WEB DESIGNERS $1,800 PER LANDING PAGE AND BUILT THE SAME KIND OF SITE WITH CLAUDE CODE IN ONE AFTERNOON FOR LESS THAN $70 claude was not just writing code. it was doing the job of a designer, copywriter and frontend dev in one window. in 4 hours, one rough idea turned into the layout, color system, font choices, page sections and the full html/css/js build the real trick was the references. he gave claude 5 screenshots, made it ask 7 questions first, then pushed it toward one clear visual direction instead of accepting another generic ai-looking template the first version already looked solid. the second pass made it feel expensive: better typography, a darker palette, mobile cleanup, cursor effects, 6 micro-interactions and custom hero visuals his old workflow was burning $1,200 on design, $500 on frontend work and another $150 on small fixes every time he needed a new page. now the whole test costs less than $70 and the site still looks like something a $5,000 agency would ship the edge is not “ai builds websites.” the edge is that one person can now brief, critique, polish and launch in one afternoon without waiting 10 days for a designer to send version one

A CHINESE GUY STOPPED PAYING WEB DESIGNERS $1,800 PER LANDING PAGE AND BUILT THE SAME KIND OF SITE WITH CLAUDE CODE IN ONE AFTERNOON FOR LESS THAN $70 claude was not just writing code. it was doing the job of a designer, copywriter and frontend dev in one window. in 4 hours, one rough idea turned into the layout, color system, font choices, page sections and the full html/css/js build the real trick was the references. he gave claude 5 screenshots, made it ask 7 questions first, then pushed it toward one clear visual direction instead of accepting another generic ai-looking template the first version already looked solid. the second pass made it feel expensive: better typography, a darker palette, mobile cleanup, cursor effects, 6 micro-interactions and custom hero visuals his old workflow was burning $1,200 on design, $500 on frontend work and another $150 on small fixes every time he needed a new page. now the whole test costs less than $70 and the site still looks like something a $5,000 agency would ship the edge is not “ai builds websites.” the edge is that one person can now brief, critique, polish and launch in one afternoon without waiting 10 days for a designer to send version one

Gipp 🦅

293,979 görüntüleme • 1 ay önce