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Testing multi-shot, multi-dialog in Kling AI 3.0. We’re pushing the difficulty by creating different scene variations, including setups with more than two characters, while exploring their emotional range. Everything here is generated from a single start-frame image. It’s been genuinely fun and creatively exciting to explore how far this... show more

Dinda Prasetyo

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11,709 次观看 • 5 个月前 •via X (Twitter)

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So Kling AI 3.0 now supports multi-shot sequences, so I was excited to test it head-to-head against Flow by Google VEO 3.1, which is known for having some of the best video lip-sync out there. Verdict 🏆: This might not even be a totally fair comparison since Kling can generate up to 15s clips while VEO tops out at 8s. That said, Kling feels like it’s capturing more emotional performance and nuance, with more natural overall mouth movement. VEO still seems stronger on strict lip-sync accuracy, while Kling characters can look like they’re slightly mumbling at times. Overall, it feels like Kling is pushing performance forward, which is a huge leap. I definitely want to run more side-by-side tests.

So Kling AI 3.0 now supports multi-shot sequences, so I was excited to test it head-to-head against Flow by Google VEO 3.1, which is known for having some of the best video lip-sync out there. Verdict 🏆: This might not even be a totally fair comparison since Kling can generate up to 15s clips while VEO tops out at 8s. That said, Kling feels like it’s capturing more emotional performance and nuance, with more natural overall mouth movement. VEO still seems stronger on strict lip-sync accuracy, while Kling characters can look like they’re slightly mumbling at times. Overall, it feels like Kling is pushing performance forward, which is a huge leap. I definitely want to run more side-by-side tests.

Curious Refuge

17,672 次观看 • 5 个月前

I just watched "Martin Syndrome" and it’s the first time an AI-made film felt this intentional. The concept is gripping. A father wakes up in a new body every 24 hours while trying to save his daughter. What really stayed with me was how grounded it felt, even with such a high-concept premise. The visuals are cohesive and expressive. The characters, though generated by AI, carry emotional weight from scene to scene. You can follow their growth not just through plot but in how they feel on screen. What impressed me most is how well everything holds together. The transitions, the continuity, even the quiet moments feel crafted rather than generated. This isn’t AI for spectacle. It’s AI used with real creative control. Watch here → #Klingai #loading Kling AI

I just watched "Martin Syndrome" and it’s the first time an AI-made film felt this intentional. The concept is gripping. A father wakes up in a new body every 24 hours while trying to save his daughter. What really stayed with me was how grounded it felt, even with such a high-concept premise. The visuals are cohesive and expressive. The characters, though generated by AI, carry emotional weight from scene to scene. You can follow their growth not just through plot but in how they feel on screen. What impressed me most is how well everything holds together. The transitions, the continuity, even the quiet moments feel crafted rather than generated. This isn’t AI for spectacle. It’s AI used with real creative control. Watch here → #Klingai #loading Kling AI

SARAH

151,797 次观看 • 1 年前

We came across a really interesting workflow that could help solve environmental consistency. It’s called the “burst frame” technique. You take a single image, prompt 20 quick shot variations using Seedance 2.0, and generate a multi-angle sequence from the same scene. Because everything comes from one source, the environment stays consistent across shots. It ends up working like a fast pre-vis tool. Explore angles, pick your favorites, and build from there. Shoutout to Kai Turner for sharing this method.

We came across a really interesting workflow that could help solve environmental consistency. It’s called the “burst frame” technique. You take a single image, prompt 20 quick shot variations using Seedance 2.0, and generate a multi-angle sequence from the same scene. Because everything comes from one source, the environment stays consistent across shots. It ends up working like a fast pre-vis tool. Explore angles, pick your favorites, and build from there. Shoutout to Kai Turner for sharing this method.

Curious Refuge

22,114 次观看 • 2 个月前

RIP Hollywood. AI is now 100% photorealistic with the launch of Kling 3.0 In just two days, I created the opening sequence from The Way of Kings by Brandon Sanderson You have to try this new Multi-Shot technique that makes making films much faster and cheaper 🧵👇

RIP Hollywood. AI is now 100% photorealistic with the launch of Kling 3.0 In just two days, I created the opening sequence from The Way of Kings by Brandon Sanderson You have to try this new Multi-Shot technique that makes making films much faster and cheaper 🧵👇

PJ Ace

4,390,519 次观看 • 5 个月前

🧵1/3 I partnered with Kling to make a promo for their new 3.0 model. I came up with the concept, created it and delivered it all on my own in 3 days of early access, I wanted to make something that showed how Kling could be used to tell a diverse range of stories in a diverse range of styles. I've honestly been blown away be how incredible the model is and I haven't even scratched the surface of features like the new 3.0 OMNI model. For me Kling 2.6 was already best in class for most things but 3.0 sees massive improvements to video quality and detail (no need to add grain to mask imperfections) and prompt adherence. Also you can time your generations to be as long as 15 seconds and as short as 3, this is fantastic for pacing your scenes. Read on to find out more about the new Performance and Multi shot features!👇

🧵1/3 I partnered with Kling to make a promo for their new 3.0 model. I came up with the concept, created it and delivered it all on my own in 3 days of early access, I wanted to make something that showed how Kling could be used to tell a diverse range of stories in a diverse range of styles. I've honestly been blown away be how incredible the model is and I haven't even scratched the surface of features like the new 3.0 OMNI model. For me Kling 2.6 was already best in class for most things but 3.0 sees massive improvements to video quality and detail (no need to add grain to mask imperfections) and prompt adherence. Also you can time your generations to be as long as 15 seconds and as short as 3, this is fantastic for pacing your scenes. Read on to find out more about the new Performance and Multi shot features!👇

Uncanny Harry AI

28,977 次观看 • 5 个月前

Finding the Right Swingers When couples start exploring swinging, one of the biggest questions is how to choose the right people. I’ve been thinking about what actually makes a good match beyond just attraction. It’s more about emotional safety, communication, and shared values than most realize. Curious what your experience has been with this.

Finding the Right Swingers When couples start exploring swinging, one of the biggest questions is how to choose the right people. I’ve been thinking about what actually makes a good match beyond just attraction. It’s more about emotional safety, communication, and shared values than most realize. Curious what your experience has been with this.

Kate Shelor

67,240 次观看 • 2 个月前

Video Inpainting has now made it's way onto Kling. It's called Multi-Elements. You can now Swap, Add and Delete elements from a video to completely change the narrative. Here are some examples. I've always been a big fan of this technology and it's nice to see more companies exploring it as well. Kling AI Video inpainting results are done by making simple selections in a video with a text description to get an end result and it works very well!

Video Inpainting has now made it's way onto Kling. It's called Multi-Elements. You can now Swap, Add and Delete elements from a video to completely change the narrative. Here are some examples. I've always been a big fan of this technology and it's nice to see more companies exploring it as well. Kling AI Video inpainting results are done by making simple selections in a video with a text description to get an end result and it works very well!

Travis Davids

29,660 次观看 • 1 年前

This is getting ridiculous. You need to try this AI filmmaking workflow. My Blender reference is embarrassingly simple. You can drive a precise multi-character shot with nothing but basic shapes. 1. Generate a start frame in Midjourney 2. Block out the scene in Blender with boxes, animate the camera 3. Feed both to Seedance This feels like a real unlock. Your 3D reference doesn't need to look good.

This is getting ridiculous. You need to try this AI filmmaking workflow. My Blender reference is embarrassingly simple. You can drive a precise multi-character shot with nothing but basic shapes. 1. Generate a start frame in Midjourney 2. Block out the scene in Blender with boxes, animate the camera 3. Feed both to Seedance This feels like a real unlock. Your 3D reference doesn't need to look good.

Reid Hannaford

240,521 次观看 • 1 个月前

The future of AI video is here, and it is completely mind-blowing. 🤯 OpenArt's new Smart Shot feature takes the "GPT-image 2 + Seedance 2.0" workflow and pushes it to the absolute extreme. The generated storyboard isn't just a simple sketch anymore. It is a highly detailed director's shooting guide, complete with precise camera lenses, framing, and lighting setups. One single prompt. A full multi-cut cinematic sequence. Zero editing required. Let me show you how to use this game-changer in the thread below 👇

The future of AI video is here, and it is completely mind-blowing. 🤯 OpenArt's new Smart Shot feature takes the "GPT-image 2 + Seedance 2.0" workflow and pushes it to the absolute extreme. The generated storyboard isn't just a simple sketch anymore. It is a highly detailed director's shooting guide, complete with precise camera lenses, framing, and lighting setups. One single prompt. A full multi-cut cinematic sequence. Zero editing required. Let me show you how to use this game-changer in the thread below 👇

John

107,574 次观看 • 2 个月前

Been playing with a character consistency workflow again. This came from Nexora that starts with a single GPT Image 2.0 character sheet and turns it into a multi-shot cinematic sequence in Seedance 2.0. One thing I added to the workflow: I first comped the character, environment, and visual style together in Midjourney before bringing everything into GPT Image 2.0 to build the character sheet. I also pushed it a bit further by generating multiple characters, destinations, and art directions at the same time, then turning those into production-style character sheets and shot sequences. It's interesting how much consistency you can get from a single well-defined character board when the visual language, wardrobe, and environment are established upfront. Check out three different character + scenes here 👇

Been playing with a character consistency workflow again. This came from Nexora that starts with a single GPT Image 2.0 character sheet and turns it into a multi-shot cinematic sequence in Seedance 2.0. One thing I added to the workflow: I first comped the character, environment, and visual style together in Midjourney before bringing everything into GPT Image 2.0 to build the character sheet. I also pushed it a bit further by generating multiple characters, destinations, and art directions at the same time, then turning those into production-style character sheets and shot sequences. It's interesting how much consistency you can get from a single well-defined character board when the visual language, wardrobe, and environment are established upfront. Check out three different character + scenes here 👇

Curious Refuge

12,209 次观看 • 1 个月前

Here are some of my experiments with AI generated filmmaking, pushing realism, narrative texture, and visual continuity as far as current tools allow. I combined multiple models for this and honestly, I’m pretty satisfied with how far it’s come. There are still rough spots, especially in transition seams between start and end frames, but compared to what was possible back in January, the progress feels massive. All the color and sound were manually adjusted I’m genuinely excited to see how far we can go in 2026. For this project, I call it Subject 168. I’d love to hear your feedback. To help maintain all the production costs, I used WaveSpeedAI for this one.

Here are some of my experiments with AI generated filmmaking, pushing realism, narrative texture, and visual continuity as far as current tools allow. I combined multiple models for this and honestly, I’m pretty satisfied with how far it’s come. There are still rough spots, especially in transition seams between start and end frames, but compared to what was possible back in January, the progress feels massive. All the color and sound were manually adjusted I’m genuinely excited to see how far we can go in 2026. For this project, I call it Subject 168. I’d love to hear your feedback. To help maintain all the production costs, I used WaveSpeedAI for this one.

DStudioproject

219,368 次观看 • 8 个月前

🚀 Introducing the Kling 3.0 Model: Everyone a Director. It’s Time. An all-in-one creative engine that enables truly native multimodal creation. - Superb Consistency: Your characters and elements, always locked in. - Flexible Video Production: Create 15s clips with precise control, excellent video realism and customizable multi-shots. - Upgraded Native Audio: Now supports multi-character reference, more languages and accents. - Enhanced Image Generation: 4K Image output, new image series mode and more cinematic visuals. Ultra subscribers get exclusive early access — now live on Web -> Kling AI. Get ready to unlock your creative potential with our most advanced model yet. [For the next 24 hours ONLY] Follow, Comment & Retweet to win exclusive early access - we will select 10 winners in this post from the top ten 'Most liked replies'. So which feature are you most excited about? Let us know in the comment! We will contact you via your DM.

🚀 Introducing the Kling 3.0 Model: Everyone a Director. It’s Time. An all-in-one creative engine that enables truly native multimodal creation. - Superb Consistency: Your characters and elements, always locked in. - Flexible Video Production: Create 15s clips with precise control, excellent video realism and customizable multi-shots. - Upgraded Native Audio: Now supports multi-character reference, more languages and accents. - Enhanced Image Generation: 4K Image output, new image series mode and more cinematic visuals. Ultra subscribers get exclusive early access — now live on Web -> Kling AI. Get ready to unlock your creative potential with our most advanced model yet. [For the next 24 hours ONLY] Follow, Comment & Retweet to win exclusive early access - we will select 10 winners in this post from the top ten 'Most liked replies'. So which feature are you most excited about? Let us know in the comment! We will contact you via your DM.

Kling AI

1,195,344 次观看 • 5 个月前

In June 2024, a group of creators began creating with Kling AI. Besides "this is amazing," we heard one phrase more than anything else: "If only." If only characters felt more alive. If only movement felt more real. If only she could speak. For two years, we heard this over and over again. And with every iteration of our product, we listened. From Kling 1.0 to 3.0, every breakthrough began with a creator saying: "If only it could be better." In June 2026, Kling AI has reached over 100 million users worldwide. As we celebrate our Anniversary II, we want to say thank you to every creator. Kling has grown with you, every step of the way.

In June 2024, a group of creators began creating with Kling AI. Besides "this is amazing," we heard one phrase more than anything else: "If only." If only characters felt more alive. If only movement felt more real. If only she could speak. For two years, we heard this over and over again. And with every iteration of our product, we listened. From Kling 1.0 to 3.0, every breakthrough began with a creator saying: "If only it could be better." In June 2026, Kling AI has reached over 100 million users worldwide. As we celebrate our Anniversary II, we want to say thank you to every creator. Kling has grown with you, every step of the way.

Kling AI

14,609 次观看 • 1 个月前

How to Create AI Videos with Google Flow Storyboard Studio. Creating AI videos becomes much easier when you can map out every scene before generating a single image. In this tutorial, you'll learn how to use Google Flow Storyboard Studio to turn an idea into a complete AI video workflow. I'll show you how to organize scenes, build consistent characters, generate backgrounds, structure your story, and prepare every shot before moving into video generation. Whether you're creating YouTube videos, short films, documentaries, or animated content, this workflow helps you build more organized, consistent, and higher quality AI videos from start to finish. If you found this helpful, Like, Retweet, and Bookmark it for later. Follow BIG CHRIS for more AI filmmaking and Google Flow tutorials. Video Credit: GenAI with Keera (

How to Create AI Videos with Google Flow Storyboard Studio. Creating AI videos becomes much easier when you can map out every scene before generating a single image. In this tutorial, you'll learn how to use Google Flow Storyboard Studio to turn an idea into a complete AI video workflow. I'll show you how to organize scenes, build consistent characters, generate backgrounds, structure your story, and prepare every shot before moving into video generation. Whether you're creating YouTube videos, short films, documentaries, or animated content, this workflow helps you build more organized, consistent, and higher quality AI videos from start to finish. If you found this helpful, Like, Retweet, and Bookmark it for later. Follow BIG CHRIS for more AI filmmaking and Google Flow tutorials. Video Credit: GenAI with Keera (

BIG CHRIS

22,472 次观看 • 8 天前

This is our second head-to-head test between Kling 3.0 and Seedance 2.0. This time, we pushed both models further, including dialogue-driven Sci-fi comedy shots and even a singing scene. Every single shot was generated using: • The exact same base image • The exact same prompt • No re-generate • No second attempt • No prompt refinements. What you see is the pure first output from each model under identical conditions. So… which one performs better? Seedance 2.0 generated by Ilham Setyawan on BytePlus

This is our second head-to-head test between Kling 3.0 and Seedance 2.0. This time, we pushed both models further, including dialogue-driven Sci-fi comedy shots and even a singing scene. Every single shot was generated using: • The exact same base image • The exact same prompt • No re-generate • No second attempt • No prompt refinements. What you see is the pure first output from each model under identical conditions. So… which one performs better? Seedance 2.0 generated by Ilham Setyawan on BytePlus

Dinda Prasetyo

196,514 次观看 • 5 个月前

Okay, this one is the Grok Imagine version. But here’s something you need to note: I uploaded the character sheet I made with Nano Banana Pro as the base image. So it feels like this fake “Omni reference” kind of style, but it works 😄 Somehow, it’s much more consistent than uploading a still image of your scene with your character, because there’s a chance your character will morph a bit. By using your character sheet as the base model, it helps maintain consistency. The only problem is that when you do the img2vid prompt, you need to retell the setting, the action, the vibe and so on. But for me, I kind of like that approach, LOL 😆 Like I said, I’m getting lazy about animating images one by one. With this approach, I can just focus on dividing the shots, like shot 1: blabla, shot 2: bliblibli, shot 3: blublu, etc. Now for the comparison: In comparison with the Kling 3.0 Omni version, I feel that Grok Imagine is much more dynamic. But in terms of the character performance, it feels a bit over the top. It’s like the AI characters are acting it out 😁 Meanwhile, Kling 3.0 Omni feels much more realistic in terms of the acting and a bit more atmospheric. I honestly love both. If I want to fool around, I guess I’ll use Grok Imagine. But if I want more subtle realism and a candid feel, I’ll go with Kling 3.0.

Okay, this one is the Grok Imagine version. But here’s something you need to note: I uploaded the character sheet I made with Nano Banana Pro as the base image. So it feels like this fake “Omni reference” kind of style, but it works 😄 Somehow, it’s much more consistent than uploading a still image of your scene with your character, because there’s a chance your character will morph a bit. By using your character sheet as the base model, it helps maintain consistency. The only problem is that when you do the img2vid prompt, you need to retell the setting, the action, the vibe and so on. But for me, I kind of like that approach, LOL 😆 Like I said, I’m getting lazy about animating images one by one. With this approach, I can just focus on dividing the shots, like shot 1: blabla, shot 2: bliblibli, shot 3: blublu, etc. Now for the comparison: In comparison with the Kling 3.0 Omni version, I feel that Grok Imagine is much more dynamic. But in terms of the character performance, it feels a bit over the top. It’s like the AI characters are acting it out 😁 Meanwhile, Kling 3.0 Omni feels much more realistic in terms of the acting and a bit more atmospheric. I honestly love both. If I want to fool around, I guess I’ll use Grok Imagine. But if I want more subtle realism and a candid feel, I’ll go with Kling 3.0.

DAN · MXVDXN

16,764 次观看 • 5 个月前

We’re back from summer vacations and ready to make games again :D Here is a compilation of some new vfx systems implemented. •In the first scene is your ship being wrecked. You can see how everything inside start to go crazy and then you see the whole ship explode and with a classic From Software ending 🪦 •Second scene is the loading screen when travelling from one destination to another 🚀 •Third scene is one of the big ships you will encounter go boom 💥

We’re back from summer vacations and ready to make games again :D Here is a compilation of some new vfx systems implemented. •In the first scene is your ship being wrecked. You can see how everything inside start to go crazy and then you see the whole ship explode and with a classic From Software ending 🪦 •Second scene is the loading screen when travelling from one destination to another 🚀 •Third scene is one of the big ships you will encounter go boom 💥

Kaplan

79,906 次观看 • 1 年前

An AI that animates narratives with Hollywood-level emotion? Kling AI is pushing generative technology to new limits. 🎞️"Loading..." — the first-ever fully AI-generated short-form film series, powered by Kling AI. It’s more than content—it’s a glimpse of AI storytelling 2.0, setting a New Benchmark for AI-Generated Content. The project, which held its Beijing premiere, positions itself as a groundbreaking entry into AI-driven narrative content. The series features seven standalone episodes, spanning genres from sci-fi and historical fiction to fantasy and surreal humor. Notable episodes include Martin Syndrome depicting profound paternal love, The Galatic Gut a satire on "progress" and more. Think Love, Death & Robots, but no human camera crew. On JULY 3rd! AI cinema isn’t coming—it’s here 👉 #klingai #loading Kling AI

An AI that animates narratives with Hollywood-level emotion? Kling AI is pushing generative technology to new limits. 🎞️"Loading..." — the first-ever fully AI-generated short-form film series, powered by Kling AI. It’s more than content—it’s a glimpse of AI storytelling 2.0, setting a New Benchmark for AI-Generated Content. The project, which held its Beijing premiere, positions itself as a groundbreaking entry into AI-driven narrative content. The series features seven standalone episodes, spanning genres from sci-fi and historical fiction to fantasy and surreal humor. Notable episodes include Martin Syndrome depicting profound paternal love, The Galatic Gut a satire on "progress" and more. Think Love, Death & Robots, but no human camera crew. On JULY 3rd! AI cinema isn’t coming—it’s here 👉 #klingai #loading Kling AI

Atul Kumar

1,264,121 次观看 • 1 年前

Any Batman fans here? I took the first two pages—yes, just two—from Batman: Year One comic book and turned them into a full 2-minute introductory film. Just to showcase the potential of AI I even cast a few huge names that I felt suited the story and setting. Use headphones for an immersive experience! This is by far one of the most realistic pieces I managed to create. AI Filmmaking is REAL. Let me know your thoughts. 4K version available on my patreon for all members (including free) if you want to contribute to such projects your support is more than welcome! Done using: Text-to-Image LetzAI Image-to-video Kling AI Runway Luma Music udio VO Editing + Sound Design + Script Alterverse Studio Wondershare Filmora Video Editor #Batman #comicbooks

Any Batman fans here? I took the first two pages—yes, just two—from Batman: Year One comic book and turned them into a full 2-minute introductory film. Just to showcase the potential of AI I even cast a few huge names that I felt suited the story and setting. Use headphones for an immersive experience! This is by far one of the most realistic pieces I managed to create. AI Filmmaking is REAL. Let me know your thoughts. 4K version available on my patreon for all members (including free) if you want to contribute to such projects your support is more than welcome! Done using: Text-to-Image LetzAI Image-to-video Kling AI Runway Luma Music udio VO Editing + Sound Design + Script Alterverse Studio Wondershare Filmora Video Editor #Batman #comicbooks

Alterverse Studio

81,366 次观看 • 1 年前