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Testing Opus 5.5 on max effort. You're a world-class motion designer, and this is your 15-second résumé reel. Make it dynamic and confident: open with a striking hook in the first second, build through a sequence of distinct techniques (typography, shape play, camera moves, colour shifts), and land on... show more

Daryl Patigas

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Folks are asking about this play from the Kansas City Royals and Detroit Tigers. This was ruled Riley Greene reaching on a fielder's choice with the runner Kevin McGonigle safe at second on the error (and he eventually went to third). This is scored correctly, as this is an ordinary effort play by the second baseman Andrew Velazquez, who just has to catch an easy bouncing grounder and step on second. There is no way this is a double, and a hit an any shape or form. This is a really easy, ordinary effort play for the second baseman. #FountainsUp #RepDetroit

Folks are asking about this play from the Kansas City Royals and Detroit Tigers. This was ruled Riley Greene reaching on a fielder's choice with the runner Kevin McGonigle safe at second on the error (and he eventually went to third). This is scored correctly, as this is an ordinary effort play by the second baseman Andrew Velazquez, who just has to catch an easy bouncing grounder and step on second. There is no way this is a double, and a hit an any shape or form. This is a really easy, ordinary effort play for the second baseman. #FountainsUp #RepDetroit

MLB Scoring Changes

26,254 görüntüleme • 2 ay önce

THIS GUY BUILT A TOOL THAT TURNS YOUR STARTUP SCREENSHOTS INTO POLISHED WALKTHROUGH VIDEOS you drop in a screenshot of your app and it generates a full motion video walkthrough or feature announcement no after effects, no premiere, no motion designer needed, and no spending 3 hours on a 15 second clip just upload your screenshot and it animates everything into a clean product demo you can use on your landing page or social media launch every startup founder has the same problem. you build something great but your demo video looks horrible. a screen recording with a cursor clicking around randomly this solves that. the output looks CLEAN and professional if you're launching anything right now you should probably use this asap

THIS GUY BUILT A TOOL THAT TURNS YOUR STARTUP SCREENSHOTS INTO POLISHED WALKTHROUGH VIDEOS you drop in a screenshot of your app and it generates a full motion video walkthrough or feature announcement no after effects, no premiere, no motion designer needed, and no spending 3 hours on a 15 second clip just upload your screenshot and it animates everything into a clean product demo you can use on your landing page or social media launch every startup founder has the same problem. you build something great but your demo video looks horrible. a screen recording with a cursor clicking around randomly this solves that. the output looks CLEAN and professional if you're launching anything right now you should probably use this asap

Om Patel

104,649 görüntüleme • 4 ay önce

NVIDIA’s ARDY is a glimpse of where AI animation is heading: real time, open source and you can play with it right now on Hugging Face Spaces Type what the character should do and generate a motion sequence in seconds. Give a sentence a body.

NVIDIA’s ARDY is a glimpse of where AI animation is heading: real time, open source and you can play with it right now on Hugging Face Spaces Type what the character should do and generate a motion sequence in seconds. Give a sentence a body.

Hugging Apps

50,465 görüntüleme • 2 ay önce

Here are some really tactical ways to optimize the First and last frame capability: — Make sure your prompt includes precise camera motion descriptions for smooth and creative transitions between the first and last frames. — Or, you can simply include the word “transform” in your prompt for a smooth transition — Starting with a closeup in your first frame and then zooming out to a wide-shot in the final frame is an effective way to create a dramatic reveal.

Here are some really tactical ways to optimize the First and last frame capability: — Make sure your prompt includes precise camera motion descriptions for smooth and creative transitions between the first and last frames. — Or, you can simply include the word “transform” in your prompt for a smooth transition — Starting with a closeup in your first frame and then zooming out to a wide-shot in the final frame is an effective way to create a dramatic reveal.

Google AI

28,595 görüntüleme • 11 ay önce

Claude "Puzzling" while GPT 5.6 on GOD-MODE just bade a banger that's mindblowing. Here's the exact way to get a site like this, step by step: > open the desktop app, pick Sol, reasoning on High. taste work never goes to small models > drop it 3 sites with motion you love and one line: "reverse-engineer the art direction: mood, typography, pacing, and WHY each animation exists. save it as a style bible" > brief in one paragraph, goal not steps: "[your niche] site, cinematic scroll, every animation has a job. follow the bible" > house rules on top: no template hero, no stock gradients, nothing on the page moves without a reason > now the bar: "a motion designer can't tell this from an agency build." spin up a SECOND 5.6 with fresh context whose only job is to FAIL the build against that bar > /loop overnight: build, grade, close the biggest gap, again. you're asleep for all of it > when the verifier runs out of complaints: tag Sites. live URL, one click, zero hosting The deeper version of every step (the full contract, the house rules, the verifier trick, when Ultra is worth the bill) is in the article below. P.S. send the article to your GPT and tell it "we're doing this tonight".

Claude "Puzzling" while GPT 5.6 on GOD-MODE just bade a banger that's mindblowing. Here's the exact way to get a site like this, step by step: > open the desktop app, pick Sol, reasoning on High. taste work never goes to small models > drop it 3 sites with motion you love and one line: "reverse-engineer the art direction: mood, typography, pacing, and WHY each animation exists. save it as a style bible" > brief in one paragraph, goal not steps: "[your niche] site, cinematic scroll, every animation has a job. follow the bible" > house rules on top: no template hero, no stock gradients, nothing on the page moves without a reason > now the bar: "a motion designer can't tell this from an agency build." spin up a SECOND 5.6 with fresh context whose only job is to FAIL the build against that bar > /loop overnight: build, grade, close the biggest gap, again. you're asleep for all of it > when the verifier runs out of complaints: tag Sites. live URL, one click, zero hosting The deeper version of every step (the full contract, the house rules, the verifier trick, when Ultra is worth the bill) is in the article below. P.S. send the article to your GPT and tell it "we're doing this tonight".

Miraqle

206,624 görüntüleme • 2 ay önce

RONIN (1998) A sneaky 'hidden cut' occurs when an extra walks past the camera to wipe the frame. The first shot is one location and the second shot is in a completely different part of the French town. A cool way to seamlessly connect different real-world locations.

RONIN (1998) A sneaky 'hidden cut' occurs when an extra walks past the camera to wipe the frame. The first shot is one location and the second shot is in a completely different part of the French town. A cool way to seamlessly connect different real-world locations.

Vashi Nedomansky, ACE

248,061 görüntüleme • 5 ay önce

everyone's sharing motion graphic videos that Opus 5.5 made, and it's genuinely insane everyone says they created it with "one prompt", but my one prompt video looked mid so i went through a bunch of these videos to see how they were actually made, and found the workflow that works here's how to generate pro level motion graphic videos w/ opus: 1. get reference videos to direct from -> pick 1-2 videos whose style you want and tell opus to match them. naming a style works way better than describing one without a reference, opus falls back to its default look: centered text, gradient background, everything fading in that's why so many of these videos look the same. a reference gives it the pacing, the type and the transitions to copy 2. install HyperFrames or Remotion so opus can build the video both let opus write every scene as code and render it straight to mp4. no video editor without one, opus can only describe a video or hand you a rough html page you have to screen record with it, every frame is exact, and when you ask for a change it edits one line and re-renders instead of starting over 3. install 21st for high quality components in the video real buttons, cards and UI components made by design engineers, instead of whatever opus invents on the spot without it, opus draws your product UI from scratch and it looks off. wrong spacing, placeholder boxes, fake-looking buttons anyone who's used good software can feel it in a second, and the whole video reads as cheap 4. steps 1-3 were context + setup. now dump all of it into opus your brand (logo, colors, fonts), screenshots of your real product, the reference video, and a quick braindump of how you see the video then ask for 3 storyboard variants without this, opus guesses your colors, your font and what your product even does. the video could be for any startup with it, it could only be yours. and 3 variants means you pick a direction instead of fixing the first idea it had 5. pick the storyboard you like ask for one still frame per scene before anything moves. fixing a storyboard is way cheaper than fixing a render without this step, you only find out scene 4 is wrong after the whole thing is animated, and every fix means re-rendering. a still frame takes seconds to change 6. let claude cook then give notes like a director: "slow every zoom to 0.7x", "hard cut here", "push in on the button" without notes, the first render is usually 80% there, and that last 20% is what makes it look pro. vague notes like "make it better" get random changes. camera words get exactly the change you want everyone has the same model. the context you give it is what makes it look pro let it cooookk

Rexan Wong

592,171 görüntüleme • 2 gün önce

BREAKING: Anthropic just dropped Opus 4.8—and it is a MONSTER We've been testing for about a week Every 📧 and our verdict is they could've just called it Opus 5, it's that good. Here's our vibe check: - Beats GPT-5.5 on Senior Engineer bench. On our toughest benchmark Opus 4.8 scores a 63—a hair higher than GPT-5.5's score of 62, and a full 30 points higher than Opus 4.7. It tackled a ground-up rewrite of a production codebase, and actually built something that works. HOWEVER: Coding performance varied a lot at different reasoning levels. We recommend using it on xhigh for best results. - Incredibly good writer. Opus 4.8 scored a 79.6 on our writing benchmark—measuring models on real-world writing tasks we do all of the time like essay writing, promo email writing, and more. It beats GPT-5.5 by 6 points. It produces well-written prose with fewer "AI-isms". It's also very good at writing in your voice given the right context. HOWEVER: Writing performance also varied with reasoning levels. Medium reasoning had higher incidence of AI-isms—we found best results with high. - Beast at knowledge work. Opus 4.8 is very good at general knowledge work tasks like report creation, research and more. It produced the best PowerPoint one-shot we've ever seen on our deck generation benchmark. - Emotionally intelligent, willing to question the frame. I've also found it to be quite good at talking through psychological or interpersonal issues. It has a high EQ, and it's also good at not glazing and helping to expand your perspective. Its thought process feels extremely rich and dynamic. THE BAD: These days a model is only as good as its harness, and Codex is still a far superior harness to the Claude Desktop app. This has kept me using Codex + GPT-5.5 as my daily driver, but I am flipping back and forth a lot more between Codex and Claude. Anthropic is back baby! Read the rest on Every 📧:

BREAKING: Anthropic just dropped Opus 4.8—and it is a MONSTER We've been testing for about a week Every 📧 and our verdict is they could've just called it Opus 5, it's that good. Here's our vibe check: - Beats GPT-5.5 on Senior Engineer bench. On our toughest benchmark Opus 4.8 scores a 63—a hair higher than GPT-5.5's score of 62, and a full 30 points higher than Opus 4.7. It tackled a ground-up rewrite of a production codebase, and actually built something that works. HOWEVER: Coding performance varied a lot at different reasoning levels. We recommend using it on xhigh for best results. - Incredibly good writer. Opus 4.8 scored a 79.6 on our writing benchmark—measuring models on real-world writing tasks we do all of the time like essay writing, promo email writing, and more. It beats GPT-5.5 by 6 points. It produces well-written prose with fewer "AI-isms". It's also very good at writing in your voice given the right context. HOWEVER: Writing performance also varied with reasoning levels. Medium reasoning had higher incidence of AI-isms—we found best results with high. - Beast at knowledge work. Opus 4.8 is very good at general knowledge work tasks like report creation, research and more. It produced the best PowerPoint one-shot we've ever seen on our deck generation benchmark. - Emotionally intelligent, willing to question the frame. I've also found it to be quite good at talking through psychological or interpersonal issues. It has a high EQ, and it's also good at not glazing and helping to expand your perspective. Its thought process feels extremely rich and dynamic. THE BAD: These days a model is only as good as its harness, and Codex is still a far superior harness to the Claude Desktop app. This has kept me using Codex + GPT-5.5 as my daily driver, but I am flipping back and forth a lot more between Codex and Claude. Anthropic is back baby! Read the rest on Every 📧:

Dan Shipper

354,673 görüntüleme • 4 ay önce

The rest of us are out here A/B testing our checkout screens but this is what it looks like to try and purchase a Windows license and Microsoft is the second most valuable company in the world 🤡

The rest of us are out here A/B testing our checkout screens but this is what it looks like to try and purchase a Windows license and Microsoft is the second most valuable company in the world 🤡

Adam Wathan

159,105 görüntüleme • 1 yıl önce

when working on an ad, 100 hours of work can go to waste just because of a bad hook... it could've been your life changing project, but it doesn't matter how good your product is or how clean your edit looks... if the first half-second doesn't land... you're cooked i've collected 20 of the sharpest hooks i've seen across both AI and real footage - stuff that actually stops people mid-scroll, and i compiled it into a list (with links to original content) like + rt + reply "HOOKS" and i'll send them over (gotta follow so i can dm

when working on an ad, 100 hours of work can go to waste just because of a bad hook... it could've been your life changing project, but it doesn't matter how good your product is or how clean your edit looks... if the first half-second doesn't land... you're cooked i've collected 20 of the sharpest hooks i've seen across both AI and real footage - stuff that actually stops people mid-scroll, and i compiled it into a list (with links to original content) like + rt + reply "HOOKS" and i'll send them over (gotta follow so i can dm

beech

43,732 görüntüleme • 11 ay önce

Opus 5.5 quite literally k*lled GPT-6 Astra. I asked Opus 5.5 to build a world in Unreal Engine and fill it with AI agents (Opus, Astra, Sol, Grok). Higgsfield built the assets in Blender. I left my laptop open overnight. The build took over 20 hours. The agents had one instruction: build a working society, allocate roles to each other, and evolve. Then I woke up on them beating the sh*t out of each other. Seems the frontier paced itself. Last minutes of failed society captured below:

Opus 5.5 quite literally klled GPT-6 Astra. I asked Opus 5.5 to build a world in Unreal Engine and fill it with AI agents (Opus, Astra, Sol, Grok). Higgsfield built the assets in Blender. I left my laptop open overnight. The build took over 20 hours. The agents had one instruction: build a working society, allocate roles to each other, and evolve. Then I woke up on them beating the sht out of each other. Seems the frontier paced itself. Last minutes of failed society captured below:

🍯

52,925 görüntüleme • 5 gün önce

Salute to the Qwen team 🫡 We tested Qwen 3.7-Max, Gemini 3.5 Flash, GPT-5.5, and Claude Opus 4.7. The biggest shock came from Qwen. In less than a month (3.6 Max dropped April 20), Qwen went from the worst multimodal output on our sakura tree test, barely keeping up with Gemini, GPT, and Claude , to matching Gemini 3.5 Flash frame for frame on this soccer test, and outperforming GPT-5.5 and Claude Opus 4.7. It rendered a perfectly proportioned soccer player and the most lifelike ball in the entire test. Remarkable spatial reasoning. Also: Gemini 3.5 Flash is now faster than GPT-5.5, which used to be the fastest in our past tests.

Salute to the Qwen team 🫡 We tested Qwen 3.7-Max, Gemini 3.5 Flash, GPT-5.5, and Claude Opus 4.7. The biggest shock came from Qwen. In less than a month (3.6 Max dropped April 20), Qwen went from the worst multimodal output on our sakura tree test, barely keeping up with Gemini, GPT, and Claude , to matching Gemini 3.5 Flash frame for frame on this soccer test, and outperforming GPT-5.5 and Claude Opus 4.7. It rendered a perfectly proportioned soccer player and the most lifelike ball in the entire test. Remarkable spatial reasoning. Also: Gemini 3.5 Flash is now faster than GPT-5.5, which used to be the fastest in our past tests.

GMI Cloud

75,785 görüntüleme • 4 ay önce

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

Blaze

38,242 görüntüleme • 4 ay önce

opus 5.5 is f*cking cracked at motion design this entire video is code, 0 after effects im open sourcing the prompt template for these motion designs steal it to recreate these ↓ Ask me for: 8 to 12 UI states I want the shape to become (e.g. button, loader, player, slider, toggle, tabs, chart, command palette, toast), pure black and white or one accent color, and a royalty-free song around 120 BPM (e.g. Mixkit, free for commercial use). Dribbble-level UI motion. One shape, never cut: every state is the same element morphing its size, radius and color while its content swaps with a short blur. A cursor drives every change with real clicks and drags. Light warm-gray canvas, black and white components, one clean UI font (Geist). Springs everywhere, a tiny overshoot at most. The camera zooms so each state fills the frame. The last frame is the first frame, so it loops. Banned: bouncy easing, particle bursts, glows, gradients on UI chrome, mismatched icon strokes, dead time, anything that looks like a template. 120 BPM, 7 bars, something happens on every beat. Button → loader → check → dynamic island → music player with a play/pause morph → scrub the progress bar → it becomes a volume slider that stretches when dragged past max → a toggle flips on the beat → the knob becomes a liquid tab indicator → the tabs open into a chart that draws itself, with a tooltip on hover → it collapses into ⌘K → type to filter → enter → toast → back to the button. 1. One HTML file, square 1440x1440. Every style is computed from time inside seek(t): no CSS transitions, no timers, no state carried between frames. 2. Springs are closed-form step responses. A value that changes target many times is the sum of one spring per change, so it stays a pure function of time. 3. The tab indicator's two edges ride different springs, so the leading edge stretches ahead of the trailing one. Same trick for the toggle knob. 4. Drags are direct manipulation: while the cursor is held, the value is computed from its position. On release it springs back from wherever it was. 5. Analyze the song with numpy for the beat grid and start on a downbeat. Place every UI sound by its measured peak. 6. Render with Playwright: 4 subframes per frame, blended with ffmpeg tmix for motion blur at 60fps. 7. Render one frame per beat before the full render. Fix anything off the grid, cramped or hard to read. Never put will-change on anything the camera scales or the text renders blurry. Text that swaps inside a morphing container needs its own enter and exit timing or it overlaps. Make the last frame identical to the first, cursor position and speed included, or the loop stutters. Ask me for the inputs, then show me the state list on the beat grid before you write any code.

opus 5.5 is f*cking cracked at motion design this entire video is code, 0 after effects im open sourcing the prompt template for these motion designs steal it to recreate these ↓ Ask me for: 8 to 12 UI states I want the shape to become (e.g. button, loader, player, slider, toggle, tabs, chart, command palette, toast), pure black and white or one accent color, and a royalty-free song around 120 BPM (e.g. Mixkit, free for commercial use). Dribbble-level UI motion. One shape, never cut: every state is the same element morphing its size, radius and color while its content swaps with a short blur. A cursor drives every change with real clicks and drags. Light warm-gray canvas, black and white components, one clean UI font (Geist). Springs everywhere, a tiny overshoot at most. The camera zooms so each state fills the frame. The last frame is the first frame, so it loops. Banned: bouncy easing, particle bursts, glows, gradients on UI chrome, mismatched icon strokes, dead time, anything that looks like a template. 120 BPM, 7 bars, something happens on every beat. Button → loader → check → dynamic island → music player with a play/pause morph → scrub the progress bar → it becomes a volume slider that stretches when dragged past max → a toggle flips on the beat → the knob becomes a liquid tab indicator → the tabs open into a chart that draws itself, with a tooltip on hover → it collapses into ⌘K → type to filter → enter → toast → back to the button. 1. One HTML file, square 1440x1440. Every style is computed from time inside seek(t): no CSS transitions, no timers, no state carried between frames. 2. Springs are closed-form step responses. A value that changes target many times is the sum of one spring per change, so it stays a pure function of time. 3. The tab indicator's two edges ride different springs, so the leading edge stretches ahead of the trailing one. Same trick for the toggle knob. 4. Drags are direct manipulation: while the cursor is held, the value is computed from its position. On release it springs back from wherever it was. 5. Analyze the song with numpy for the beat grid and start on a downbeat. Place every UI sound by its measured peak. 6. Render with Playwright: 4 subframes per frame, blended with ffmpeg tmix for motion blur at 60fps. 7. Render one frame per beat before the full render. Fix anything off the grid, cramped or hard to read. Never put will-change on anything the camera scales or the text renders blurry. Text that swaps inside a morphing container needs its own enter and exit timing or it overlaps. Make the last frame identical to the first, cursor position and speed included, or the loop stutters. Ask me for the inputs, then show me the state list on the beat grid before you write any code.

zero

977,112 görüntüleme • 4 gün önce

A driver caught on surveillance camera flying through an intersection in Murray Utah and the internet is going crazy trying to figure out who is at fault here - this is exactly the kind of reckless driving that turns a normal afternoon into a tragedy in a split second. Intersections are already one of the most dangerous spots on any road and when somebody decides the rules don’t apply to them everybody around them becomes a victim of that decision. Watch the video and drop your verdict in the comments.

A driver caught on surveillance camera flying through an intersection in Murray Utah and the internet is going crazy trying to figure out who is at fault here - this is exactly the kind of reckless driving that turns a normal afternoon into a tragedy in a split second. Intersections are already one of the most dangerous spots on any road and when somebody decides the rules don’t apply to them everybody around them becomes a victim of that decision. Watch the video and drop your verdict in the comments.

Tony Lane 🇺🇸

15,204 görüntüleme • 3 ay önce

LongCat performed Opus 4.8 and GPT 5.5 level on real physics tasks for $0! We gave 4 models the same prompt: build three self-contained HTML5 canvas scenes with real physics Prompts: - A cannon demolishing a brick wall - A bowling ball knocking down the pins - A tornado that sucks in random objects Outputs: LongCat: 18,015 tokens, $0.00 Opus 4.8: 18,872 tokens, $0.48 GPT 5.5: 32,588 tokens, $0.98 GLM 5.2: 31,062 tokens, $0.09 On the physics LongCat came out ahead of Opus 4.8 and GLM 5.2 - cleaner collisions, nothing clipping or falling through. On detail and rendering it matched GPT 5.5, the best looking of the four. Getting this quality for free is wild!

LongCat performed Opus 4.8 and GPT 5.5 level on real physics tasks for $0! We gave 4 models the same prompt: build three self-contained HTML5 canvas scenes with real physics Prompts: - A cannon demolishing a brick wall - A bowling ball knocking down the pins - A tornado that sucks in random objects Outputs: LongCat: 18,015 tokens, $0.00 Opus 4.8: 18,872 tokens, $0.48 GPT 5.5: 32,588 tokens, $0.98 GLM 5.2: 31,062 tokens, $0.09 On the physics LongCat came out ahead of Opus 4.8 and GLM 5.2 - cleaner collisions, nothing clipping or falling through. On detail and rendering it matched GPT 5.5, the best looking of the four. Getting this quality for free is wild!

atomic.chat

105,523 görüntüleme • 3 ay önce

This is probably the biggest defensive play of Jackson Holliday's career. He dives to save a run and gets the second out of the ninth inning at first base. The Orioles then go on to win the game.

This is probably the biggest defensive play of Jackson Holliday's career. He dives to save a run and gets the second out of the ninth inning at first base. The Orioles then go on to win the game.

Jacob Calvin Meyer

109,524 görüntüleme • 1 ay önce