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Testing this prompt in Kling v2.6. Rendered two 10 second clips. Then two 10 second start & end frame clips to stitch them together. Final result = ~40 second seamless loop. Tip: if you delete the first frame of an extended clip & adjust speed slightly, it’s pretty seamless.

Blaine Brown

16,788 subscribers

32,706 views • 7 months ago •via X (Twitter)

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We came across a really interesting tool that fixes a pretty common problem inside AI video workflows: extending AI cinematic scenes with seamless continuity. Using Omni models, you can take the last frame from an existing video clip and prompt something like: “show me what happens next in the video, use the last frame as the start frame” and it actually creates a second clip with surprisingly good continuity from the original shot. But you know how when you try stitching two clips together in Premiere Pro, you can usually spot the exact transition point? The exposure shifts slightly, the lighting bounces, or something just feels off enough that you can tell the clips don’t fully belong together. Well this new tool called SeeDance 2 Stitcher from TomLikesRobots🤖 automatically blends the two clips together in a much more seamless way and honestly the results are pretty impressive.

We came across a really interesting tool that fixes a pretty common problem inside AI video workflows: extending AI cinematic scenes with seamless continuity. Using Omni models, you can take the last frame from an existing video clip and prompt something like: “show me what happens next in the video, use the last frame as the start frame” and it actually creates a second clip with surprisingly good continuity from the original shot. But you know how when you try stitching two clips together in Premiere Pro, you can usually spot the exact transition point? The exposure shifts slightly, the lighting bounces, or something just feels off enough that you can tell the clips don’t fully belong together. Well this new tool called SeeDance 2 Stitcher from TomLikesRobots🤖 automatically blends the two clips together in a much more seamless way and honestly the results are pretty impressive.

Curious Refuge

14,083 views • 2 months ago

We had a handstand competition and guess who won in the end 😎 We first tried to get 10 seconds in three tries then 15 seconds in 2 tries and lastly who could hold it for the longest. These two clips are from the 10 second challenge

We had a handstand competition and guess who won in the end 😎 We first tried to get 10 seconds in three tries then 15 seconds in 2 tries and lastly who could hold it for the longest. These two clips are from the 10 second challenge

Oliver Muhl

24,266 views • 1 year ago

First frame is the entrance while the Second frame is the inside. The 36 states of Nigeria garnered near or number-equivalent of this frenzy crowd, and to sum it up, this is happening globally. And then someone will come & tell you these outrageous numbers are going to hell.😭

First frame is the entrance while the Second frame is the inside. The 36 states of Nigeria garnered near or number-equivalent of this frenzy crowd, and to sum it up, this is happening globally. And then someone will come & tell you these outrageous numbers are going to hell.😭

JayB

27,396 views • 11 months ago

First frame + Last frame = Fashion ads in minutes. Here’s how I generated this U.S. Polo sequence using Kling 3.0 + Calico AI: → The Input: A start frame and an end frame to lock in the subject and composition. → The Prompt: Don't just ask for a "cool video." Specifically prompted for "slow cinematic push-in," "shallow depth of field," and "micro-parallax" to get that premium brand-film look. → The Output: Motion that looks like a high-budget fashion shoot. Studio shoots are expensive, but AI is leveling the playing field. Comment 'PROMPT' if you want me to send you all of the prompts and the system I used to build this. (must be following so I can dm you!)

David Roberts

26,271 views • 5 months ago

LosPollos explains why the Outdoor Boys decided to takedown multiple of his reaction videos to his content which led to him getting a strike on a 10 second YouTube short 😳 "he wants to be able to control all the comments about his content.. If you don't want people to know about you just delete all of your videos" "you go back the next day and go into my clips and I get a strike on my YouTube channel, because he decided to strike a 10 second clip"

LosPollos explains why the Outdoor Boys decided to takedown multiple of his reaction videos to his content which led to him getting a strike on a 10 second YouTube short 😳 "he wants to be able to control all the comments about his content.. If you don't want people to know about you just delete all of your videos" "you go back the next day and go into my clips and I get a strike on my YouTube channel, because he decided to strike a 10 second clip"

yoxic

2,995,333 views • 3 months ago

google flow + claude + gpt image is actually f*cking cracked i figured out how to lock one AI character across an entire video. same face, same voice, same outfit, every single shot. zero drift. everyone making AI video right now hits the same wall. the character looks different in every clip so you can never tell an actual story. you get 5 second clips, not films. the fix isn't better prompting. it's building the character ONCE before you ever touch video, then referencing it everywhere. here's the workflow: > build the character inside Flow's character section, not a per-clip prompt > design the voice + personality one time and reuse it across every clip > generate a full turnaround sheet (Claude writes the prompt, GPT image renders the angles) > pull the character into any scene with a single @ tag > ingredients vs frames: when to let a shot float vs lock it to your source image > the end-frame loop that chains 4-10 sec clips into one seamless scene > stitch + trim in the timeline editor and export the whole thing as one film i packaged the entire thing. every prompt, the exact tool order, the character sheet template, and the continuity loop nobody actually explains. RT + reply "FLOW" and i'll send it over (must be following so i can dm)

google flow + claude + gpt image is actually f*cking cracked i figured out how to lock one AI character across an entire video. same face, same voice, same outfit, every single shot. zero drift. everyone making AI video right now hits the same wall. the character looks different in every clip so you can never tell an actual story. you get 5 second clips, not films. the fix isn't better prompting. it's building the character ONCE before you ever touch video, then referencing it everywhere. here's the workflow: > build the character inside Flow's character section, not a per-clip prompt > design the voice + personality one time and reuse it across every clip > generate a full turnaround sheet (Claude writes the prompt, GPT image renders the angles) > pull the character into any scene with a single @ tag > ingredients vs frames: when to let a shot float vs lock it to your source image > the end-frame loop that chains 4-10 sec clips into one seamless scene > stitch + trim in the timeline editor and export the whole thing as one film i packaged the entire thing. every prompt, the exact tool order, the character sheet template, and the continuity loop nobody actually explains. RT + reply "FLOW" and i'll send it over (must be following so i can dm)

Sulfur

35,549 views • 1 month ago

From International Space Station, we have a unique vantage point to observe lightning storms from directly above them. Much like from the ground, they appear as rapid, intense flashes that are over as quickly as they started. But, with the help of handheld cameras and a bit of practice (and, admittedly, some luck), we can capture these intense flashes with a very high frame rate then slow them down to see how the lightning propagates. It's lightning, in slow motion. This is one that occurred over Indonesia on 6/28. I shot it for a half second at 1/120 frame rate, so, 60 separate frames. I then compiled those frames into two videos: the first, in real-time, and the second, slowed down so that each frame is a half second to highlight the progression of the flash. Note the incredible burst of light in one frame, which includes what is likely a TLE on the upper left. A TLE, or Transient Luminous Event, is an electrical discharge that happens in the upper atmosphere above lightning storms (if you haven’t seen Ferry Farhan TLE photo from last week, head over to her page). As their name implies, these are transient, or short lived, phenomena – it appeared in only one frame of the sequence, lasting for no more than 1/120th of a second. The last photo is that single frame. Absolutely incredible.

From International Space Station, we have a unique vantage point to observe lightning storms from directly above them. Much like from the ground, they appear as rapid, intense flashes that are over as quickly as they started. But, with the help of handheld cameras and a bit of practice (and, admittedly, some luck), we can capture these intense flashes with a very high frame rate then slow them down to see how the lightning propagates. It's lightning, in slow motion. This is one that occurred over Indonesia on 6/28. I shot it for a half second at 1/120 frame rate, so, 60 separate frames. I then compiled those frames into two videos: the first, in real-time, and the second, slowed down so that each frame is a half second to highlight the progression of the flash. Note the incredible burst of light in one frame, which includes what is likely a TLE on the upper left. A TLE, or Transient Luminous Event, is an electrical discharge that happens in the upper atmosphere above lightning storms (if you haven’t seen Ferry Farhan TLE photo from last week, head over to her page). As their name implies, these are transient, or short lived, phenomena – it appeared in only one frame of the sequence, lasting for no more than 1/120th of a second. The last photo is that single frame. Absolutely incredible.

COL Anne McClain

82,113 views • 1 year ago

Clavicular got PRESSED by two STACYS to delete viral clips of them 📸😳 “I don't post the videos, listen like you really think I'm sitting here posting videos. Message them to take it down.” “Wait, we just saw you… are you not taking clips? Who is Kick Plug? Would you message them and tell them to take it down? Look, that's your thing.” “That's a free shout out, Oh my god, it's me. I'm clipping while I'm holding the camera.” “You know what clippers are? This chick is weird. You just became another clip right now… yeah, now there's a second clip.”

Clavicular got PRESSED by two STACYS to delete viral clips of them 📸😳 “I don't post the videos, listen like you really think I'm sitting here posting videos. Message them to take it down.” “Wait, we just saw you… are you not taking clips? Who is Kick Plug? Would you message them and tell them to take it down? Look, that's your thing.” “That's a free shout out, Oh my god, it's me. I'm clipping while I'm holding the camera.” “You know what clippers are? This chick is weird. You just became another clip right now… yeah, now there's a second clip.”

midaqih

21,340 views • 5 months ago

Today it’s exactly two weeks to go until our Easter weekend UK shows in Bristol, London & Manchester - here’s an update from rehearsals… ‘Get Ready’ live for the first time ever followed by a full, second set of Joy Division/New Order hits! Tickets:

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Peter Hook

13,319 views • 1 year ago

DELETE FIGMA. ONE MCP CONNECTOR TURNS CLAUDE CODE INTO A GOD-MODE STUDIO IN 30 MINUTES. The exact setup, step by step, no jokes: > open connectors, add a custom connector, drop in the Higgsfield MCP > open a Claude Code session and paste one prompt > it generates the first frame, the last frame, and the motion between them > then wires the result straight into an animated hero section for your site > 30 minutes end to end, nothing rendered by hand The bigger thing hiding here: MCP means the model rents hands. it doesn't know how to animate, so it hires a tool that does, mid-task, without you switching tabs. The ceiling of what one prompt ships isn't the model anymore, it's how many hands you've plugged into it. The method underneath (the goal, the rules, the bar, the loop) is in the article below, and it works with any connector you add next.

DELETE FIGMA. ONE MCP CONNECTOR TURNS CLAUDE CODE INTO A GOD-MODE STUDIO IN 30 MINUTES. The exact setup, step by step, no jokes: > open connectors, add a custom connector, drop in the Higgsfield MCP > open a Claude Code session and paste one prompt > it generates the first frame, the last frame, and the motion between them > then wires the result straight into an animated hero section for your site > 30 minutes end to end, nothing rendered by hand The bigger thing hiding here: MCP means the model rents hands. it doesn't know how to animate, so it hires a tool that does, mid-task, without you switching tabs. The ceiling of what one prompt ships isn't the model anymore, it's how many hands you've plugged into it. The method underneath (the goal, the rules, the bar, the loop) is in the article below, and it works with any connector you add next.

Miraqle

38,373 views • 1 month ago

I've been experimenting with Seedance 2.0 to create seamless extensions. I created this sequence called UBUMBE FOREST. Seamless extensions can actually be quite tricky to do and requires some precise magic with editing to connect them. There is no shortcut here, you must experiment until you find the sweet spot to make the transition seamless. Ubumbe Forest - During a routine foraging trip deep in the Ubumbe forest in Tanzania, a father guides his daughter off the beaten path. Here, hidden from the rest of their tribe, she steps into a breathtaking new world and comes face-to-face with insects and creatures she has never seen before, even encountering a rare Peafox. 🟢Extending a scene however is fairly simple: - Generate your first sequence. - Upload that video as an Omni reference. - Type this at the start of the prompt "Naturally continue the movement and momentum from the previous clip. Keep the exact same art style, lighting, character appearance, and physics." and then explain what happens next in this sequence. - Congrats, you now have a scene extension that naturally flows from where the last video ended. However this is only the start of the puzzle, you need to join these clips so they're seamless. Seedance 2.0 is able to match the pacing, remember the characters and even their voices using this technique. The hard part is the extension but check my second post to see how I'm doing it in Capcut.

I've been experimenting with Seedance 2.0 to create seamless extensions. I created this sequence called UBUMBE FOREST. Seamless extensions can actually be quite tricky to do and requires some precise magic with editing to connect them. There is no shortcut here, you must experiment until you find the sweet spot to make the transition seamless. Ubumbe Forest - During a routine foraging trip deep in the Ubumbe forest in Tanzania, a father guides his daughter off the beaten path. Here, hidden from the rest of their tribe, she steps into a breathtaking new world and comes face-to-face with insects and creatures she has never seen before, even encountering a rare Peafox. 🟢Extending a scene however is fairly simple: - Generate your first sequence. - Upload that video as an Omni reference. - Type this at the start of the prompt "Naturally continue the movement and momentum from the previous clip. Keep the exact same art style, lighting, character appearance, and physics." and then explain what happens next in this sequence. - Congrats, you now have a scene extension that naturally flows from where the last video ended. However this is only the start of the puzzle, you need to join these clips so they're seamless. Seedance 2.0 is able to match the pacing, remember the characters and even their voices using this technique. The hard part is the extension but check my second post to see how I'm doing it in Capcut.

Travis Davids

14,105 views • 2 months ago

you can create pretty realistic AI UGC w/ gemini omni flash in higgsfield... here's my workflow to make this video: the whole video is made up of 4-8 second clips, each one starts with a starting frame image & a different prompt you can generate the starting frame by going to tiktok, finding some UGC content, sending a screenshot to nano banana pro, changing the persons appearance & getting it to generate some starting frames the prompt structure is as follows: "extend this video and make her say this (make sure she is very expressive and enthusiastic when she says it): {what you want her to say goes here} {additional conditions go here}" it'll probably take a few generations for each segment once you've gathered all the segments you can compile them in capcut to get a finished product

you can create pretty realistic AI UGC w/ gemini omni flash in higgsfield... here's my workflow to make this video: the whole video is made up of 4-8 second clips, each one starts with a starting frame image & a different prompt you can generate the starting frame by going to tiktok, finding some UGC content, sending a screenshot to nano banana pro, changing the persons appearance & getting it to generate some starting frames the prompt structure is as follows: "extend this video and make her say this (make sure she is very expressive and enthusiastic when she says it): {what you want her to say goes here} {additional conditions go here}" it'll probably take a few generations for each segment once you've gathered all the segments you can compile them in capcut to get a finished product

EP

50,896 views • 24 days ago

In my previous post about the #Nioh3 demo, I mentioned that when the game isn’t consistently holding 60 FPS or 120 FPS, several issues can show up. Here’s a clearer breakdown of what's going on. The main reason is that the game speed and physics are tied to the frame rate. When you enable the 120 FPS cap, the engine start overreacting and pushes CPU usage very high, even if the game is still running at around 60 FPS (as shown in the first example). In the second clip, you can see the uneven, jittery camera movement I mentioned before. Notice how much smoother 60 FPS and 120 FPS look compared to the unlocked side. Also, camera movement at 60 FPS is slightly faster than at 120 FPS. In the third clip, player movement is slower when the frame rate is unlocked. This doesn’t happen all the time, but it shows up often enough to be noticeable. Because of how the Katana Engine behaves, the game is clearly designed around 60 FPS. Running at 120 FPS is possible, but it’s only recommended if your system can maintain that target almost all the time, which isn’t easy to achieve. There’s also an alternative workaround where you select the 60 (locked) option and enable Frame Generation (DLSS or FSR 3), as shown in the last clip. The downside is that DLSS Frame Generation tends to show the same stuttery look as when the frame rate isn’t holding a fixed target, likely due to Reflex keeping the frame rate slightly below target. FSR Frame Generation, on the other hand, looks much smoother and works better here.

In my previous post about the #Nioh3 demo, I mentioned that when the game isn’t consistently holding 60 FPS or 120 FPS, several issues can show up. Here’s a clearer breakdown of what's going on. The main reason is that the game speed and physics are tied to the frame rate. When you enable the 120 FPS cap, the engine start overreacting and pushes CPU usage very high, even if the game is still running at around 60 FPS (as shown in the first example). In the second clip, you can see the uneven, jittery camera movement I mentioned before. Notice how much smoother 60 FPS and 120 FPS look compared to the unlocked side. Also, camera movement at 60 FPS is slightly faster than at 120 FPS. In the third clip, player movement is slower when the frame rate is unlocked. This doesn’t happen all the time, but it shows up often enough to be noticeable. Because of how the Katana Engine behaves, the game is clearly designed around 60 FPS. Running at 120 FPS is possible, but it’s only recommended if your system can maintain that target almost all the time, which isn’t easy to achieve. There’s also an alternative workaround where you select the 60 (locked) option and enable Frame Generation (DLSS or FSR 3), as shown in the last clip. The downside is that DLSS Frame Generation tends to show the same stuttery look as when the frame rate isn’t holding a fixed target, likely due to Reflex keeping the frame rate slightly below target. FSR Frame Generation, on the other hand, looks much smoother and works better here.

BenchmarKing

17,820 views • 6 months ago

The ticket exchange may be fixed. In the past we were able to constantly toggle, check, toggle check no 30 second pause. From about this time last year the ticket broke/changed to two toggles only every 30. Now it seems that it’s back to unlimited toggles (till you need to require after 10-15min) Let me know if it’s the same cause for you guy!

The ticket exchange may be fixed. In the past we were able to constantly toggle, check, toggle check no 30 second pause. From about this time last year the ticket broke/changed to two toggles only every 30. Now it seems that it’s back to unlimited toggles (till you need to require after 10-15min) Let me know if it’s the same cause for you guy!

Ballot News

40,964 views • 6 months ago

Cinematic city transitions. Perfect cuts. Zero traditional video editing. Everything you’re watching is AI. Tools: - Kling 2.5 Turbo - Nano Banana Pro - ChatGPT 4 STEP TUTORIAL: 1️⃣: Design your concept Brainstorm with ChatGPT the type of “vibe” you want your images/video to capture. I landed on “Cinematic Urban Melancholy” for my overall Visual Theme. 2️⃣: Generate Images with Nano Banana 🍌 Use ChatGPT to generate nano-banana-ready prompts for each of the 5 images in your setting. 3️⃣: Generate AI Transitions Navigate to Kling and select AI Video Generator Upload your start frame (image 1) + end frame (image 2) Prompt for a “seamless cinematic transition between scenes”. You’ll need to iterate on your prompt until the result matches your vision. Be specific about motion, style, and mood. 4️⃣: Polish Import everything into your editor (I use CapCut). Add speed / slowdown. And most importantly, add sound design. Music and SFX sell the visuals. Bookmark this and try it out yourself! If you want the exact prompts I'm using to generate these transitions: Follow, RT, & comment 'PROMPTS' below. I'll dm them to you (must be following so i can message)

Cinematic city transitions. Perfect cuts. Zero traditional video editing. Everything you’re watching is AI. Tools: - Kling 2.5 Turbo - Nano Banana Pro - ChatGPT 4 STEP TUTORIAL: 1️⃣: Design your concept Brainstorm with ChatGPT the type of “vibe” you want your images/video to capture. I landed on “Cinematic Urban Melancholy” for my overall Visual Theme. 2️⃣: Generate Images with Nano Banana 🍌 Use ChatGPT to generate nano-banana-ready prompts for each of the 5 images in your setting. 3️⃣: Generate AI Transitions Navigate to Kling and select AI Video Generator Upload your start frame (image 1) + end frame (image 2) Prompt for a “seamless cinematic transition between scenes”. You’ll need to iterate on your prompt until the result matches your vision. Be specific about motion, style, and mood. 4️⃣: Polish Import everything into your editor (I use CapCut). Add speed / slowdown. And most importantly, add sound design. Music and SFX sell the visuals. Bookmark this and try it out yourself! If you want the exact prompts I'm using to generate these transitions: Follow, RT, & comment 'PROMPTS' below. I'll dm them to you (must be following so i can message)

David Roberts

230,532 views • 7 months ago

You can now generate 25-second Sora 2 videos in a single shot 🤯 No clipping, no stitching. One full, 25-second generation. Most Sora 2 providers cap you at 10-15 seconds. This model lets you go up to 25, with scene-by-scene control. Perfect for e-comm brands & agencies creating AI UGC that doesn't require a dozen edits. Here's the problem: You're generating 10-second Sora 2 clips and stitching them together in post. And it takes FOREVER. This Sora 2 Pro Storyboard model fixes it: → Specify up to 6 different scenes → Set the exact duration for each scene → Upload a product reference image → AI generates all scenes in one continuous output → 25 seconds of cohesive UGC in a single shot No choppy edits. No character inconsistency between clips. No post-production stitching. What you get: - Full 25-second AI UGC videos - Scene-by-scene control over the narrative - Consistent character and setting throughout - $1.35 per video I recorded a 10-minute walkthrough showing exactly how to set this up step-by-step. Want access? > Comment "25" > Like this post And I'll send it over (must be following so I can DM)

You can now generate 25-second Sora 2 videos in a single shot 🤯 No clipping, no stitching. One full, 25-second generation. Most Sora 2 providers cap you at 10-15 seconds. This model lets you go up to 25, with scene-by-scene control. Perfect for e-comm brands & agencies creating AI UGC that doesn't require a dozen edits. Here's the problem: You're generating 10-second Sora 2 clips and stitching them together in post. And it takes FOREVER. This Sora 2 Pro Storyboard model fixes it: → Specify up to 6 different scenes → Set the exact duration for each scene → Upload a product reference image → AI generates all scenes in one continuous output → 25 seconds of cohesive UGC in a single shot No choppy edits. No character inconsistency between clips. No post-production stitching. What you get: - Full 25-second AI UGC videos - Scene-by-scene control over the narrative - Consistent character and setting throughout - $1.35 per video I recorded a 10-minute walkthrough showing exactly how to set this up step-by-step. Want access? > Comment "25" > Like this post And I'll send it over (must be following so I can DM)

Mike Futia

15,329 views • 7 months ago

Bar hop How It’s Done Start on one side of the stick with two targets at 7-10 yards and 1 yard apart. On the beep, engage the target directly in front of you with two shots, then engage the second target with two shots. Step over the stick and reengage the first target with two shots, and then the second target with two shots again. This drill is 8 shots total, with four on each target. Why It’s Done This drill is a great way to introduce movement into your training. If you're used to static shooting, this drill would be a great one to start with. It may be just one step, but getting your feet to do what they’re supposed to while shooting is harder than it looks. This drill also includes a couple of transitions, which will easily get you some Charlies and Deltas if you’re not careful. Things to Remember The goal is to make it sound like you're shooting one target. What I mean by that is you should try to shorten the time between targets and make the flow as smooth as possible. When you start and when you finish, be sure to check your stance. You don’t want to end up off balance. Bending your knees will help soften your movement. As always, make sure you are looking at a small spot and not just the whole target. It’s one of my favorite drill to do so give it a try! Thanks sis for the drill suggestion! Hannah

Bar hop How It’s Done Start on one side of the stick with two targets at 7-10 yards and 1 yard apart. On the beep, engage the target directly in front of you with two shots, then engage the second target with two shots. Step over the stick and reengage the first target with two shots, and then the second target with two shots again. This drill is 8 shots total, with four on each target. Why It’s Done This drill is a great way to introduce movement into your training. If you're used to static shooting, this drill would be a great one to start with. It may be just one step, but getting your feet to do what they’re supposed to while shooting is harder than it looks. This drill also includes a couple of transitions, which will easily get you some Charlies and Deltas if you’re not careful. Things to Remember The goal is to make it sound like you're shooting one target. What I mean by that is you should try to shorten the time between targets and make the flow as smooth as possible. When you start and when you finish, be sure to check your stance. You don’t want to end up off balance. Bending your knees will help soften your movement. As always, make sure you are looking at a small spot and not just the whole target. It’s one of my favorite drill to do so give it a try! Thanks sis for the drill suggestion! Hannah

Emily Fisher

18,049 views • 5 months ago

Have you seen my arms? This is the second episode of my WARFRAME #sponsored build, and I am definitely doing something. You may play #warframe for free on all platforms - link in bio, and if you can't make it to TennoCon (July 10 & 11) you can watch the livestream! Publicité

Have you seen my arms? This is the second episode of my WARFRAME #sponsored build, and I am definitely doing something. You may play #warframe for free on all platforms - link in bio, and if you can't make it to TennoCon (July 10 & 11) you can watch the livestream! Publicité

arborealkey

42,227 views • 2 months ago