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The Dark Knight (2008) — Christopher Nolan insisted the SWAT takedown be practical, not CGI. The “strings of sausages” stunt rigged multiple SWAT performers in sequence, rehearsed for weeks with ramps, weights, and safety lines.

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In Batman Begins, the Scarecrow fire stunt used real flames and practical effects. A fire resistant silicone suit was made for stuntman Buster Reeves, with a descender rig for the single take fall. Christopher Nolan added minimal CGI later, including the flaming eyes.
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In Batman Begins, the Scarecrow fire stunt used real flames and practical effects. A fire resistant silicone suit was made for stuntman Buster Reeves, with a descender rig for the single take fall. Christopher Nolan added minimal CGI later, including the flaming eyes.

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For The Dark Knight (2008), Bale convinced Nolan to let him do the perch shot instead of a stunt double: ‘It was important for me to do that shot because I wanted to be able to say I did it.’
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For The Dark Knight, Christian Bale had to convince Christopher Nolan to let him do the iconic perch shot himself instead of using a stunt double. “It was important for me to do that shot because I wanted to be able to say I did it.”
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You’re not overthinking The Dark Knight—Christopher Nolan actually intended it that way. Every mirrored line and reversed gesture is deliberate. Batman and the Joker aren’t just enemies; they’re reflections of each other.
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