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The foreskin is a complex, specialized tissue – a mobile, double-layered fold of skin, mucous membrane, and muscle, containing dense concentrations of erogenous nerve endings. It is an integral part of the penile skin system, not something "extra." The foreskin amounts to half of the skin the penis is...

35,603 views • 12 days ago •via X (Twitter)

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RULE #18 OF THE PRIMAL DIET Drink raw milkshakes. The raw milkshake is a recipe and one of the most important items on the Primal Diet. It reinforces the body, in particular the mucous linings, which are essential to protect bodily tissues from toxin damage. It strengthens parts of the body that other foods cannot, most of the time, as it is the best combination of foods to help the body restore mucus. Mucus protects the mucous membranes in the intestines, kidney, etc. Contrary to certain beliefs, mucus is not toxic. It is part of the body and remains internally. When mucus is expelled, is during detoxification, as a vessel that contains the toxins, but it is not a toxin itself, it protects from them. Toxins can deplete the mucus lining in the body, exposing tissues and organs to damage. This manifests in heartburn, being constantly drained, and other ways. So it is important to reconstitute the mucus layers that buffer those toxins, with milkshakes. Eating raw meat, raw fat, etc., should in theory give everything the body needs to make anything it needs. However, for most people, because of limitations induced by toxicity and long-term deficiencies, it often takes the combination of foods in raw milkshakes to let the body generate the appropriate amounts of mucus. It takes a whole raw egg, raw milk, and extra raw cream (that extra fat is necessary), with a bit of unheated honey to facilitate the digestion of this complex mix. Blend them together. Milkshake recipe with measurements:

The Primal Diet by Aajonus Vonderplanitz

10,579 views • 1 year ago

Mel Gibson's physical depiction of evil in The Passion of the Christ mirrors an organism in a state of biological entropy, devoid of warmth and light. While likely an unconscious choice, Gibson’s stated goal is to represent evil as a distortion of good and order. Visually, the devil he portrays mimics the structural collapse of a biologically stressed organism. The devil's lack of eyebrows and hair is a manifestation of hypothyroidism. When the thyroid is underactive, overall energy production drops, forcing the body to forgo energy-intensive processes like hair growth and prioritize its remaining fuel for vital organs. The gaunt face reflects cortisol dominance. During periods of chronic stress, the body releases cortisol, which breaks down skin, muscle, bone, and connective tissues to provide emergency energy. This catabolic process dissolves structural proteins, leading to thinning skin and sagging, a sign of tissue wasting. Also, elevated cortisol levels forcibly redirect fat away from supportive areas like the face and deposit it in the abdomen. The devil’s pale, bloodless skin results from reduced peripheral blood flow. A hypothyroid body produces heat at a low rate, causing blood sugar levels to drop. To prevent hypothermia, the body secretes massive amounts of adrenaline, sometimes up to 30 to 40 times the normal amount (Peat, 1992). This adrenaline surge forcibly constricts blood vessels in the skin, conserving the little heat left around internal organs and leaving the skin cold and pale. The devil's androgyny is an expression of what happens to a developing organism under severe stress. A healthy, fully developed body relies on protective, differentiating hormones like progesterone and specific androgens to build structure, while a stressed organism relies on primitive emergency hormones like estrogen and cortisol (Peat, 2015). This stressed state halts proper cellular specialization and destroys the delicate hormonal ratios required for proper sexual dimorphism, pulling the organism toward an undifferentiated, amorphous, or "unisex" phenotype. The devil's behavior, especially during the manic state after Christ's resurrection, shows a reversion to the "lizard brain," or serpentine/snake-like behavior. In chronic stress, higher-order traits, such as love, creativity, empathy, cooperation, altruism, etc., are seen as expensive luxuries. When the brain lacks the ATP required to sustain these higher functions, it forcibly shuts them down to conserve fuel for basic survival. What remains is only the primitive brain stem, operating entirely on reactive survival instincts. In this low-energy, fat-oxidizing state, the devil, as shown here, becomes withdrawn, cold, angry, cancerous, and perceives the demands of the world, and the light of creation, as an active threat rather than an opportunity for expansion.

Dang

101,276 views • 5 months ago

From a distance, this figure seems to be wearing a robe draped over his shoulders. Step closer, and you realize it is not a robe. It's his own skin... This is the statue of Saint Bartholomew, carved in 1562 by the Lombard sculptor Marco d'Agrate, and it stands inside the Duomo of Milan. Bartholomew was one of the twelve apostles of Christ, and according to tradition he was martyred in the cruelest way imaginable: he was flayed alive, his skin stripped from his body, and then beheaded. D'Agrate chose to show him not in the moment of agony, but afterward, standing upright in defiance, his own flayed skin wrapped around him like a garment. What makes the sculpture extraordinary is the precision beneath that skin: every muscle, every tendon, every vein and cord of the human body is exposed and rendered with such accuracy that anatomists have studied it. This was the Renaissance at its most fearless, when the same curiosity that drove artists to dissect the human body in secret produced an image of a man turned inside out, his suffering transformed into a study of how a human being is actually made. And the sculptor knew exactly how remarkable his achievement was. At the base of the statue he carved a line in Latin that has outlived him by nearly five centuries: Non me Praxiteles, sed Marcus finxit Agrates. "I was not made by Praxiteles, but by Marco d'Agrate." He was comparing himself to the greatest sculptor of ancient Greece, and daring you to disagree... I started this newsletter because the artists of the past were truly extraordinary, and fewer and fewer people are showing us what they were capable of. Every week I try to. If that is something you would like to be part of, you can join at the link below, and if you'd like to support my work, a paid subscription is what makes it possible: Thanks for reading.

James Lucas

67,390 views • 3 months ago