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The Future is Hybrid Experiment 1: “Physically” picking up a virtual 3D figure and placing it in a new location. Traditional VFX: very difficult. GenAI-only: no intention, no control. Hybrid: used Simulon to lock placement/scale/lighting + start/end frames, then use Google DeepMind Veo to generate the interaction between them.... show more

Divesh Naidoo

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30,248 görüntüleme • 7 ay önce •via X (Twitter)

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Omni 1.1 Flash is now in Google Flow, giving you even more creative control over your vision. Here’s what’s new: Introducing end frames to Omni 1.1 Flash on desktop: Direct how your video begins, and now ends, helping keep your characters and narrative consistent as you thoughtfully transition between frames. Experiment in 360p: Quickly explore new visual directions in 360p while using fewer credits. This is great for drafting on the go, right from the Google Flow mobile app. Export in 1080p and 4K: Upscale your 720p generations for a crisp, cinematic finish on final clips. Try the new updates at or download the mobile app available on Android.

Omni 1.1 Flash is now in Google Flow, giving you even more creative control over your vision. Here’s what’s new: Introducing end frames to Omni 1.1 Flash on desktop: Direct how your video begins, and now ends, helping keep your characters and narrative consistent as you thoughtfully transition between frames. Experiment in 360p: Quickly explore new visual directions in 360p while using fewer credits. This is great for drafting on the go, right from the Google Flow mobile app. Export in 1080p and 4K: Upscale your 720p generations for a crisp, cinematic finish on final clips. Try the new updates at or download the mobile app available on Android.

Google Flow

157,548 görüntüleme • 9 gün önce

How I made the video below (17s): 1. Use Nano Banana to generate keyframes (a consistent world + full environment) 2. Use Kling with first/last frame reference to generate the in-between shots (bring the keyframes to life) 3. Use CapCut for revisions and editing (pacing, transitions, SFX, subtitles) There are three main challenges: 1. Getting AI to produce story-driven visuals: you need to bake relationships and narrative intent into the prompt 2. Writing prompts in cinematic language: specify shot types, camera movement, and framing changes to make transitions smoother 3. Editing is the real “ceiling”: assembling shots, controlling rhythm, building emotion, and syncing sound with visuals all come down to editing Making AI shorts is basically a hybrid job: writer-director + editor. If you understand storytelling and camera grammar—and then cut it with the right rhythm—the results get dramatically better.

How I made the video below (17s): 1. Use Nano Banana to generate keyframes (a consistent world + full environment) 2. Use Kling with first/last frame reference to generate the in-between shots (bring the keyframes to life) 3. Use CapCut for revisions and editing (pacing, transitions, SFX, subtitles) There are three main challenges: 1. Getting AI to produce story-driven visuals: you need to bake relationships and narrative intent into the prompt 2. Writing prompts in cinematic language: specify shot types, camera movement, and framing changes to make transitions smoother 3. Editing is the real “ceiling”: assembling shots, controlling rhythm, building emotion, and syncing sound with visuals all come down to editing Making AI shorts is basically a hybrid job: writer-director + editor. If you understand storytelling and camera grammar—and then cut it with the right rhythm—the results get dramatically better.

underwood

304,568 görüntüleme • 9 ay önce

Simulon's Next Chapter 🌌 Thank you for your excitement and invaluable feedback. As we've started to reveal more about Simulon, one thing has become clear: the creative community is ready and eager for a fresh chapter in VFX. In every creative endeavor, there are defining moments—when art meets technology, when vision becomes reality, and when creators discover their tools. This is the essence of Simulon. We're aiming to make cinematic-quality VFX accessible to all creators, no matter their background. Simulon has been 3.5 years in the making and our focus from day one has been to harmonize simplicity and power with the human creator at the core of the experience. What's Next - Closed Beta: We're close to sharing Simulon with a select group of creators and studios to help us finesse the final touches. - Community Insights: Keep an eye out for updates and stories we'll be sharing along the way. Your feedback is crucial as we move toward a version of Simulon available to everyone. - Public Launch: We're gearing up for a full release early next year. It's a significant moment, one that promises a new chapter for all creators. - Knowledge Sharing: In the lead-up to the launch, we will compile a series of tutorials, tips, and maybe a surprise or two, to help you maximize Simulon's potential. - Constant Evolution: in an industry that never stands still, neither will Simulon. Stay tuned for regular updates on our exciting R&D progress across social media. As we enter this new phase, your engagement and support continues to inspire us. Thank you for joining us on this creative journey! The Simulon Team 🌟 (Video shot with Simulon on iPhone)

Simulon's Next Chapter 🌌 Thank you for your excitement and invaluable feedback. As we've started to reveal more about Simulon, one thing has become clear: the creative community is ready and eager for a fresh chapter in VFX. In every creative endeavor, there are defining moments—when art meets technology, when vision becomes reality, and when creators discover their tools. This is the essence of Simulon. We're aiming to make cinematic-quality VFX accessible to all creators, no matter their background. Simulon has been 3.5 years in the making and our focus from day one has been to harmonize simplicity and power with the human creator at the core of the experience. What's Next - Closed Beta: We're close to sharing Simulon with a select group of creators and studios to help us finesse the final touches. - Community Insights: Keep an eye out for updates and stories we'll be sharing along the way. Your feedback is crucial as we move toward a version of Simulon available to everyone. - Public Launch: We're gearing up for a full release early next year. It's a significant moment, one that promises a new chapter for all creators. - Knowledge Sharing: In the lead-up to the launch, we will compile a series of tutorials, tips, and maybe a surprise or two, to help you maximize Simulon's potential. - Constant Evolution: in an industry that never stands still, neither will Simulon. Stay tuned for regular updates on our exciting R&D progress across social media. As we enter this new phase, your engagement and support continues to inspire us. Thank you for joining us on this creative journey! The Simulon Team 🌟 (Video shot with Simulon on iPhone)

Divesh Naidoo

85,633 görüntüleme • 2 yıl önce

How to generate 3D miniature city models and animate them using Kling AI? This visual effect can be created with Kling O1, and then rotated in 3D using Image to Video. The image prompt used for generation is as follows: Present a clear, 45° top-down isometric miniature 3D cartoon scene of New York featuring its most iconic landmarks and architectural elements. Use soft, refined textures with realistic PBR materials and gentle, lifelike lighting and shadows. Integrate the current weather conditions directly into the city environment to create an immersive atmospheric mood.Use a clean, minimalistic composition with a soft, solid-colored background. At the top-center, place the title "New York" in large bold text in white. You can create different effects by changing the city name according to your needs.

How to generate 3D miniature city models and animate them using Kling AI? This visual effect can be created with Kling O1, and then rotated in 3D using Image to Video. The image prompt used for generation is as follows: Present a clear, 45° top-down isometric miniature 3D cartoon scene of New York featuring its most iconic landmarks and architectural elements. Use soft, refined textures with realistic PBR materials and gentle, lifelike lighting and shadows. Integrate the current weather conditions directly into the city environment to create an immersive atmospheric mood.Use a clean, minimalistic composition with a soft, solid-colored background. At the top-center, place the title "New York" in large bold text in white. You can create different effects by changing the city name according to your needs.

Kling AI

34,303 görüntüleme • 8 ay önce

Slideshow clipping has to be the chillest business model you can really be making $5k - $15k+ a month running 10 TikTok accounts and have complete location freedom + make more than you would working a job you can literally just go to content rewards, pick a saas or brand to promote, for example skin care buy 5 aged TT accounts to start with connect US proxy / sim find videos in the niche the product is in for example skin care steal the hook of the video and content inside it and turn it into a slideshow for example: “skin care tips for broke girls” generate the images with NBP by finding a Pinterest image and getting the JSON from Gemini or ChatGPT promote the product as another “glow up” tip Post 1 a day from the start and as the accounts get more warm boost it to 2-3 + scale to more accounts If you can’t make your first $5k doing this then there is no hope

Pounds

15,415 görüntüleme • 6 ay önce

🎬 Motion Control has arrived! Take full control of your AI videos with 12 dynamic camera shots — from smooth Dolly moves to dramatic Cranes and VFX like Explosions and Disintegration. Perfect for adding cinematic flare, stock footage, product ads, or just experimenting with storytelling. ✨ How it works: 1️⃣ Head to the new Video creation tool 2️⃣ Enter your prompt 3️⃣ Pick your camera shot from the Motion Control panel 4️⃣ (Optional) Add a Style or inspiration image as a start frame 💡Want extra consistency? Train an Element, generate your key stills, and animate them for a fully guided scene. More features are coming soon — including End Frames 👀 So stay tuned, and let us know what you create! 🎥 Lights, camera... Motion! Try it now on the Video page 👉🏻

🎬 Motion Control has arrived! Take full control of your AI videos with 12 dynamic camera shots — from smooth Dolly moves to dramatic Cranes and VFX like Explosions and Disintegration. Perfect for adding cinematic flare, stock footage, product ads, or just experimenting with storytelling. ✨ How it works: 1️⃣ Head to the new Video creation tool 2️⃣ Enter your prompt 3️⃣ Pick your camera shot from the Motion Control panel 4️⃣ (Optional) Add a Style or inspiration image as a start frame 💡Want extra consistency? Train an Element, generate your key stills, and animate them for a fully guided scene. More features are coming soon — including End Frames 👀 So stay tuned, and let us know what you create! 🎥 Lights, camera... Motion! Try it now on the Video page 👉🏻

Leonardo.Ai

984,421 görüntüleme • 1 yıl önce

MiniMax H3 is now 50% OFF on Magnific for 2K video, only until September 1. 🔥 I’ve been trying MiniMax H3 on Magnific, and it feels like a big upgrade for AI video creation. It’s not just about turning text into videos. You can use text, images, videos, and audio together in one prompt, giving you more control over the final video. Here’s what makes it stand out: - Multimodal: Use text, images, video, and audio in one prompt. - Multiple references: Add up to 9 images, 3 videos, and 3 audio files. - 2K video: Create videos up to 15 seconds long. - Built-in sound: Generate voice, music, and sound effects with the video. - Easy editing: Remove objects or transfer motion easily. - More control: Control the camera, characters, and voice. You can use it to turn posters into videos, moodboards into short films, and product images into ads. It also helps bring your ideas to life with realistic movement, lighting, reflections, and sound. The workflow is simple: give it your references → generate → edit → refine. Try MiniMax H3 on Magnific:

MiniMax H3 is now 50% OFF on Magnific for 2K video, only until September 1. 🔥 I’ve been trying MiniMax H3 on Magnific, and it feels like a big upgrade for AI video creation. It’s not just about turning text into videos. You can use text, images, videos, and audio together in one prompt, giving you more control over the final video. Here’s what makes it stand out: - Multimodal: Use text, images, video, and audio in one prompt. - Multiple references: Add up to 9 images, 3 videos, and 3 audio files. - 2K video: Create videos up to 15 seconds long. - Built-in sound: Generate voice, music, and sound effects with the video. - Easy editing: Remove objects or transfer motion easily. - More control: Control the camera, characters, and voice. You can use it to turn posters into videos, moodboards into short films, and product images into ads. It also helps bring your ideas to life with realistic movement, lighting, reflections, and sound. The workflow is simple: give it your references → generate → edit → refine. Try MiniMax H3 on Magnific:

Markandey Sharma

96,964 görüntüleme • 20 gün önce

🚨BREAKING: Google just merged Gemini and NotebookLM into one unified workspace and it changes everything about how you use AI for deep work. It's called Notebooks in Gemini and it's the personal knowledge base that power users have been begging for. You create a notebook for a project, drop in your files, PDFs, and documents, give Gemini custom instructions, and every chat you have stays organized in one place. No more hunting through old conversations. No more re-uploading the same files every session. The wildest part is the sync. Anything you add in Gemini automatically appears in NotebookLM. Anything you add in NotebookLM automatically appears in Gemini. One source of truth. Two powerful apps. Zero friction switching between them. So you can start a research notebook in Gemini, ask it questions all week, then flip to NotebookLM to generate a Cinematic Video Overview from the same material. Next morning, open Gemini and ask it to write a full report on exactly what you just watched. That workflow used to take three apps and a lot of copy-pasting. Now it's one notebook. Rolling out this week to Google AI Ultra, Pro, and Plus subscribers on web. Mobile and free users coming soon. What do you think?

🚨BREAKING: Google just merged Gemini and NotebookLM into one unified workspace and it changes everything about how you use AI for deep work. It's called Notebooks in Gemini and it's the personal knowledge base that power users have been begging for. You create a notebook for a project, drop in your files, PDFs, and documents, give Gemini custom instructions, and every chat you have stays organized in one place. No more hunting through old conversations. No more re-uploading the same files every session. The wildest part is the sync. Anything you add in Gemini automatically appears in NotebookLM. Anything you add in NotebookLM automatically appears in Gemini. One source of truth. Two powerful apps. Zero friction switching between them. So you can start a research notebook in Gemini, ask it questions all week, then flip to NotebookLM to generate a Cinematic Video Overview from the same material. Next morning, open Gemini and ask it to write a full report on exactly what you just watched. That workflow used to take three apps and a lot of copy-pasting. Now it's one notebook. Rolling out this week to Google AI Ultra, Pro, and Plus subscribers on web. Mobile and free users coming soon. What do you think?

Mayank Vora

136,834 görüntüleme • 4 ay önce

1. No, we can't recreate a universally perfect liquid glass in Figma that will adapt to any UI on the background. 2. Yes, we can create a slightly fake version. The secret is to use 1 additional nested layer that will have 2 effects — blurring the background and deforming it. All additional lighting effects should be used on the main container where this background layer sits. These are my best numbers for it so far.

1. No, we can't recreate a universally perfect liquid glass in Figma that will adapt to any UI on the background. 2. Yes, we can create a slightly fake version. The secret is to use 1 additional nested layer that will have 2 effects — blurring the background and deforming it. All additional lighting effects should be used on the main container where this background layer sits. These are my best numbers for it so far.

Anton

33,713 görüntüleme • 1 yıl önce

There are way too many AI 3D models claiming to be the best. So we’re testing them head-to-head. Tripo P1 vs Meshy V6 vs Hunyuan V3.1 Pro vs Rodin 2.5 Same image. Same prompt. No cherry-picking, only 1 generation. This week’s test: a shiny metal helmet. reflections, materials, geometry, and texture accuracy. Next up: characters, objects, environments, and more. By the end, we want one answer: Which AI 3D model should you actually use for your next game, website, or project?

There are way too many AI 3D models claiming to be the best. So we’re testing them head-to-head. Tripo P1 vs Meshy V6 vs Hunyuan V3.1 Pro vs Rodin 2.5 Same image. Same prompt. No cherry-picking, only 1 generation. This week’s test: a shiny metal helmet. reflections, materials, geometry, and texture accuracy. Next up: characters, objects, environments, and more. By the end, we want one answer: Which AI 3D model should you actually use for your next game, website, or project?

mint

20,027 görüntüleme • 23 gün önce

The next frontier in AI video isn't better motion - it's better perspective. What used to require a full production setup, camera rig, location scout, multi-shot choreography - now starts with a single image inside Comfy. Creator seungho__yeo ( IG ) used Hyper POV + Seedance 2 to build a complete cinematic space traversal from one still frame: → Aggressive first-person orbit through the full environment → Fly-through movement that inhabits the space, not just records it → Motion blur and single-take continuity that holds the cinematic feel end to end → No cuts. No rig. One image as the source of truth. This is what perspective design looks like at the new baseline.

The next frontier in AI video isn't better motion - it's better perspective. What used to require a full production setup, camera rig, location scout, multi-shot choreography - now starts with a single image inside Comfy. Creator seungho__yeo ( IG ) used Hyper POV + Seedance 2 to build a complete cinematic space traversal from one still frame: → Aggressive first-person orbit through the full environment → Fly-through movement that inhabits the space, not just records it → Motion blur and single-take continuity that holds the cinematic feel end to end → No cuts. No rig. One image as the source of truth. This is what perspective design looks like at the new baseline.

ComfyUI

35,150 görüntüleme • 2 ay önce

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

Blaze

38,242 görüntüleme • 3 ay önce

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

Rez Karim

10,951 görüntüleme • 3 ay önce

Imagine making 2D concept art for a game world –pressing a button – and suddenly you can walk around an interactive 3D world. That's what Google DeepMind's new paper Genie 2 can do – simulate virtual worlds, including the consequences of any action (e.g. unlock door, jump, swim etc). Right now Genie 2 can generate consistent worlds for up to a minute. And this world model seems to generate larger 3D worlds than what World Labs showcased yesterday. Plus they're dynamic vs. static worlds – the foliage moves in the wind, the water ripples etc. Not quite ready for prime time, but promising on two fronts: 1. For game developers: enabling rapid prototyping of interactive experiences straight from concept art 2. For AI research: providing unlimited, diverse 3D environments for training and testing AI agents The race for building the biggest, baddest world model is very much on. Meanwhile, all I can think is "if only Stadia was still around!"

Imagine making 2D concept art for a game world –pressing a button – and suddenly you can walk around an interactive 3D world. That's what Google DeepMind's new paper Genie 2 can do – simulate virtual worlds, including the consequences of any action (e.g. unlock door, jump, swim etc). Right now Genie 2 can generate consistent worlds for up to a minute. And this world model seems to generate larger 3D worlds than what World Labs showcased yesterday. Plus they're dynamic vs. static worlds – the foliage moves in the wind, the water ripples etc. Not quite ready for prime time, but promising on two fronts: 1. For game developers: enabling rapid prototyping of interactive experiences straight from concept art 2. For AI research: providing unlimited, diverse 3D environments for training and testing AI agents The race for building the biggest, baddest world model is very much on. Meanwhile, all I can think is "if only Stadia was still around!"

Bilawal Sidhu

71,398 görüntüleme • 1 yıl önce

This is genuinely insane 🤯 I sent the same prompt to 2 Claude Opus 5 agents 1 agent used no MCPs 1 agent used 2 MCPS the goal was to clone a very famous game, that has over 4 billion downloads and the results are scary.. The 1st agents game looks pretty basic. but has all the mechanics in place and even has power ups. The 2nd agents game looks polished especially for 1 single prompt. the 2nd agent used higgsfield mcp to create images for all of the assets then sent those images to Meshy AI with a prompt to create them it also generated all the UI elements. the results speak for themselves. you need to start MCP maxxing

This is genuinely insane 🤯 I sent the same prompt to 2 Claude Opus 5 agents 1 agent used no MCPs 1 agent used 2 MCPS the goal was to clone a very famous game, that has over 4 billion downloads and the results are scary.. The 1st agents game looks pretty basic. but has all the mechanics in place and even has power ups. The 2nd agents game looks polished especially for 1 single prompt. the 2nd agent used higgsfield mcp to create images for all of the assets then sent those images to Meshy AI with a prompt to create them it also generated all the UI elements. the results speak for themselves. you need to start MCP maxxing

Ernesto Lopez

70,384 görüntüleme • 1 ay önce

M E S S I E R | P2P Exchange We’re starting a new post series to spotlight what’s coming next on our platform. 🔍 First up: P2P Cross-Chain Swaps One of the most requested features is now in development. Direct peer-to-peer swaps between blockchains with no bridges, no wrapping, and no third-party custody. Our new cross-chain engine will let users trade tokens across chains with full ownership and transparency. Every order settles on-chain, routed through verified endpoints, and executed directly between wallets. For example, a user will be able to swap $ETH on Ethereum for $SOL on Solana in one transaction. No detours. No synthetic tokens. This is the multi-chain future through a true P2P lens.

M E S S I E R | P2P Exchange We’re starting a new post series to spotlight what’s coming next on our platform. 🔍 First up: P2P Cross-Chain Swaps One of the most requested features is now in development. Direct peer-to-peer swaps between blockchains with no bridges, no wrapping, and no third-party custody. Our new cross-chain engine will let users trade tokens across chains with full ownership and transparency. Every order settles on-chain, routed through verified endpoints, and executed directly between wallets. For example, a user will be able to swap $ETH on Ethereum for $SOL on Solana in one transaction. No detours. No synthetic tokens. This is the multi-chain future through a true P2P lens.

MESSIER | M87

14,073 görüntüleme • 10 ay önce

Up, Up, Down, Down, Left, Right, Left Right, B, A…❤️ As a kid I called the Konami Code the “Contra Code.” I played with friends and instinctively recall “Select, Start” at the end, which gives 30 lives for 2 players. Yet “Select” scrolls to the 2 player option and “Start” is necessary to start the game. Thus, it’s technically not part of the code. Pressing only “Start” after goes to 1 player mode with 30 lives. Notably, the 1st Nintendo Power issue’s “Classified Information” section explicitly included “Start” when disclosing the sequence. The Konami Code was initially created by Kazuhisa Hashimoto while testing the arcade to console port of Gradius, which he found too difficult. (It also “includes” Start to start the game.) There, it gave access to all power ups ups. Why it stayed in Gradius is unclear, and it appears in future Konami games, most famously Contra. It confers 30 lives in Contra, Life Force, and others, and is sometimes called “the 30 Lives Code.” The effect can vary in different games. As kids, knowing the code was like magic. We imparted it to our friends like a fabled wisdom. Like riding a bike, I’ll never forget it, and I smile inputting it now just as much as I did as a child. No shame in it—Nintendo codes were and still are rad. Homages to the Konami Code outside of gaming are ubiquitous, including in Wreck it Ralph, unlocking Amazon’s “Super Alexa,” and even unlocking a chiptune version of the National Anthem on a Bank of Canada website! Also, Contra’s soundtrack is so good…I hope I’m not the only dork who takes a moment to jam out to it 🤭

Up, Up, Down, Down, Left, Right, Left Right, B, A…❤️ As a kid I called the Konami Code the “Contra Code.” I played with friends and instinctively recall “Select, Start” at the end, which gives 30 lives for 2 players. Yet “Select” scrolls to the 2 player option and “Start” is necessary to start the game. Thus, it’s technically not part of the code. Pressing only “Start” after goes to 1 player mode with 30 lives. Notably, the 1st Nintendo Power issue’s “Classified Information” section explicitly included “Start” when disclosing the sequence. The Konami Code was initially created by Kazuhisa Hashimoto while testing the arcade to console port of Gradius, which he found too difficult. (It also “includes” Start to start the game.) There, it gave access to all power ups ups. Why it stayed in Gradius is unclear, and it appears in future Konami games, most famously Contra. It confers 30 lives in Contra, Life Force, and others, and is sometimes called “the 30 Lives Code.” The effect can vary in different games. As kids, knowing the code was like magic. We imparted it to our friends like a fabled wisdom. Like riding a bike, I’ll never forget it, and I smile inputting it now just as much as I did as a child. No shame in it—Nintendo codes were and still are rad. Homages to the Konami Code outside of gaming are ubiquitous, including in Wreck it Ralph, unlocking Amazon’s “Super Alexa,” and even unlocking a chiptune version of the National Anthem on a Bank of Canada website! Also, Contra’s soundtrack is so good…I hope I’m not the only dork who takes a moment to jam out to it 🤭

Christina Rose

15,091 görüntüleme • 1 yıl önce

Microsoft is testing a new feature in Windows 11 called Low Latency Profile that gives a short boost to your CPU for 1 to 3 seconds when you open apps or menus. Early tests show Microsoft apps like Edge and Outlook open up to 40% faster, while the Start menu and other menus can load up to 70% faster, with CPU use jumping high for a few seconds then dropping right back down. Microsoft says this is normal because Apple does it in macOS and Linux, plus phones use the same type of quick CPU boosts for better speed. The feature is only in early Insider testing now, so it is not out for everyone yet.

Pirat_Nation 🔴

146,153 görüntüleme • 3 ay önce