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The next frontier in AI video isn't better motion - it's better perspective. What used to require a full production setup, camera rig, location scout, multi-shot choreography - now starts with a single image inside Comfy. Creator seungho__yeo ( IG ) used Hyper POV + Seedance 2 to build... show more

ComfyUI

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35,150 Aufrufe • vor 2 Monaten •via X (Twitter)

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📖THE STEP MOST CREATORS SKIP IS WHY THEIR AI ANIMATION LOOKS INCONSISTENT Consistency across clips doesn't come from prompting — it comes from the reference image. The pipeline, step by step: ▪ Start with ChatGPT Image 2 — generate a full character design sheet first, not just a single frame. Multiple angles, expressions, and outfit variations in one image keeps the character consistent across every scene ▪ Build a storyboard inside ChatGPT Image 2 as well — define each shot, camera angle, action, and mood before touching Seedance at all. This is the step most people skip and it's the reason clips look disconnected ▪ Define a color palette and lighting mood early — golden afternoon light, soft warm tones, dramatic shadows. Lock those values and repeat them across every prompt ▪ Take each storyboard frame into Seedance 2.0 as the reference image — one frame becomes one clip ▪ Write the Seedance prompt around the character action, not the scene description. The scene is already in the image. The prompt handles motion, camera behavior, and timing ▪ Keep clip duration between 4-6 seconds per shot — shorter clips give more control over pacing and reduce motion drift on character faces ▪ Match camera movement type across consecutive clips — if one shot dollies in, the next should hold or pull back, not dolly again The consistency across these frames comes from the character design sheet, not from luck. Seedance reads the reference image and the prompt together — if the reference is detailed enough, the output stays on-model. This video was created by ALOKXMEHTA 📥 tomorrow: the exact ChatGPT Image 2 prompt structure used to generate a multi-angle character design sheet like this one 🔖One article covers the entire workflow — it is pinned below, do not scroll past it.

📖THE STEP MOST CREATORS SKIP IS WHY THEIR AI ANIMATION LOOKS INCONSISTENT Consistency across clips doesn't come from prompting — it comes from the reference image. The pipeline, step by step: ▪ Start with ChatGPT Image 2 — generate a full character design sheet first, not just a single frame. Multiple angles, expressions, and outfit variations in one image keeps the character consistent across every scene ▪ Build a storyboard inside ChatGPT Image 2 as well — define each shot, camera angle, action, and mood before touching Seedance at all. This is the step most people skip and it's the reason clips look disconnected ▪ Define a color palette and lighting mood early — golden afternoon light, soft warm tones, dramatic shadows. Lock those values and repeat them across every prompt ▪ Take each storyboard frame into Seedance 2.0 as the reference image — one frame becomes one clip ▪ Write the Seedance prompt around the character action, not the scene description. The scene is already in the image. The prompt handles motion, camera behavior, and timing ▪ Keep clip duration between 4-6 seconds per shot — shorter clips give more control over pacing and reduce motion drift on character faces ▪ Match camera movement type across consecutive clips — if one shot dollies in, the next should hold or pull back, not dolly again The consistency across these frames comes from the character design sheet, not from luck. Seedance reads the reference image and the prompt together — if the reference is detailed enough, the output stays on-model. This video was created by ALOKXMEHTA 📥 tomorrow: the exact ChatGPT Image 2 prompt structure used to generate a multi-angle character design sheet like this one 🔖One article covers the entire workflow — it is pinned below, do not scroll past it.

Zentrix⌚️

14,015 Aufrufe • vor 2 Monaten

AI just killed static content. 🎬 One image → full cinematic video in seconds. That’s what Yapper is doing with AI Motion Control. No editors. No timelines. No complexity. Just this: • Turn any image into motion-rich visuals • Control camera like a pro (zoom, pan, rotate) • Tell better stories without touching editing software • Go from idea → video instantly This isn’t a feature. It’s a shift. For creators & marketers: Motion isn’t “nice to have” anymore… It’s the new default. 🔗 Yapper

AI just killed static content. 🎬 One image → full cinematic video in seconds. That’s what Yapper is doing with AI Motion Control. No editors. No timelines. No complexity. Just this: • Turn any image into motion-rich visuals • Control camera like a pro (zoom, pan, rotate) • Tell better stories without touching editing software • Go from idea → video instantly This isn’t a feature. It’s a shift. For creators & marketers: Motion isn’t “nice to have” anymore… It’s the new default. 🔗 Yapper

RAVI KUMAR SAHU

41,350 Aufrufe • vor 4 Monaten

Creator seungho__yeo ( IG ) built an entire anime-inspired 2D motion sequence - storyboard to final render inside Comfy. seungho__yeo created this workflow while creator whatzuwant ( IG ) created the fully AI generated anime + sound design. pipeline: → Poster art → Storyboard frames → Transitions + animation → Edit + final render What usually takes multiple apps was built in one tool.

Creator seunghoyeo ( IG ) built an entire anime-inspired 2D motion sequence - storyboard to final render inside Comfy. seunghoyeo created this workflow while creator whatzuwant ( IG ) created the fully AI generated anime + sound design. pipeline: → Poster art → Storyboard frames → Transitions + animation → Edit + final render What usually takes multiple apps was built in one tool.

ComfyUI

29,451 Aufrufe • vor 2 Monaten

Creator seungho__yeo ( IG ) has been architecting a workflow that doesn't just generate images - it builds an entire visual universe. Environment Board → Fashion Board → Depth Extraction → Seedance Animation → Kinetic Edit One workflow. One visual language. A full New York sequence - Manhattan streets, yellow cabs, subway stations, rooftop editorials - animated and cut with crash zooms, hyperlapses, infinite zooms, and motion blur smears. The insight: stop thinking in single images. Start designing asset collections. The more insert shots, props, fashion details, and architecture you build upfront, the more powerful the final edit becomes.

Creator seungho__yeo ( IG ) has been architecting a workflow that doesn't just generate images - it builds an entire visual universe. Environment Board → Fashion Board → Depth Extraction → Seedance Animation → Kinetic Edit One workflow. One visual language. A full New York sequence - Manhattan streets, yellow cabs, subway stations, rooftop editorials - animated and cut with crash zooms, hyperlapses, infinite zooms, and motion blur smears. The insight: stop thinking in single images. Start designing asset collections. The more insert shots, props, fashion details, and architecture you build upfront, the more powerful the final edit becomes.

ComfyUI

50,089 Aufrufe • vor 1 Monat

Beauty ads just changed forever. Free Claude Opus 4.8 + GPT Image 2 + Seedance 2.0 workflow to spin up 100s of video ads. No studio, no model, no macro lens, no shoot day. Here's what nobody in beauty marketing wants to say out loud. That glossy lip shot. The droplet hitting the surface in slow motion. The whip-pan into the next scene. The crystalline product splash. All the stuff that used to need a real set, a real camera op, and a full shoot day. You can generate every frame of it from a text prompt now, and stitch it into a finished ad before your coffee goes cold. The workflow is almost stupidly simple: → Tell Claude Opus 4.8 the beauty shot you want (dewy skin macro, gloss-on-lips contact, ripple transition, the works) → Claude turns it into a shot-by-shot storyboard plus a prompt for every frame → GPT Image 2 generates the photoreal stills, frame by frame → Seedance 2.0 animates each one into a clip with that buttery slow-mo glide → You drop the clips into HeyOz and assemble the full ad in one place The real unlock is volume. This isn't one hero video. Once the workflow is dialed, you spin up hundreds of variations. Different shades, different models, different hooks, different transitions. The exact creative volume Meta rewards, minus the production cost that used to make it impossible. Old way: one shoot, one look, $10k+, weeks of waiting. New way: a hundred angles, any look, a few dollars each, same afternoon. I wrote up the entire workflow. The Claude storyboard prompt, the GPT Image 2 frame prompts, the Seedance motion settings, the full assembly flow. Completely free, no email gate. Want it? Comment "GLOSS" and I'll send it straight over. (make sure you're following so it can actually reach you)

Beauty ads just changed forever. Free Claude Opus 4.8 + GPT Image 2 + Seedance 2.0 workflow to spin up 100s of video ads. No studio, no model, no macro lens, no shoot day. Here's what nobody in beauty marketing wants to say out loud. That glossy lip shot. The droplet hitting the surface in slow motion. The whip-pan into the next scene. The crystalline product splash. All the stuff that used to need a real set, a real camera op, and a full shoot day. You can generate every frame of it from a text prompt now, and stitch it into a finished ad before your coffee goes cold. The workflow is almost stupidly simple: → Tell Claude Opus 4.8 the beauty shot you want (dewy skin macro, gloss-on-lips contact, ripple transition, the works) → Claude turns it into a shot-by-shot storyboard plus a prompt for every frame → GPT Image 2 generates the photoreal stills, frame by frame → Seedance 2.0 animates each one into a clip with that buttery slow-mo glide → You drop the clips into HeyOz and assemble the full ad in one place The real unlock is volume. This isn't one hero video. Once the workflow is dialed, you spin up hundreds of variations. Different shades, different models, different hooks, different transitions. The exact creative volume Meta rewards, minus the production cost that used to make it impossible. Old way: one shoot, one look, $10k+, weeks of waiting. New way: a hundred angles, any look, a few dollars each, same afternoon. I wrote up the entire workflow. The Claude storyboard prompt, the GPT Image 2 frame prompts, the Seedance motion settings, the full assembly flow. Completely free, no email gate. Want it? Comment "GLOSS" and I'll send it straight over. (make sure you're following so it can actually reach you)

Ahad Shams

11,259 Aufrufe • vor 2 Monaten

Creator seungho__yeo ( IG ) has been architecting a workflow that doesn't just generate images - it builds an entire visual universe. Environment Board → Fashion Board → Depth Extraction → Seedance Animation → Kinetic Edit One workflow. One visual language. A full New York sequence - Manhattan streets, yellow cabs, subway stations, rooftop editorials - animated and cut with crash zooms, hyperlapses, infinite zooms, and motion blur smears. The insight: stop thinking in single images. Start designing asset collections. The more insert shots, props, fashion details, and architecture you build upfront, the more powerful the final edit becomes.

Creator seungho__yeo ( IG ) has been architecting a workflow that doesn't just generate images - it builds an entire visual universe. Environment Board → Fashion Board → Depth Extraction → Seedance Animation → Kinetic Edit One workflow. One visual language. A full New York sequence - Manhattan streets, yellow cabs, subway stations, rooftop editorials - animated and cut with crash zooms, hyperlapses, infinite zooms, and motion blur smears. The insight: stop thinking in single images. Start designing asset collections. The more insert shots, props, fashion details, and architecture you build upfront, the more powerful the final edit becomes.

ComfyUI

19,412 Aufrufe • vor 2 Monaten

I didn’t expect AI to make ad creation this fast. Just tested Pollo AI Marketing Studio to see what it can do. Tried making a sports streaming app ad from a single product image. No editing. No timeline. No production setup. Just picked a video format and it generated a full video ad in seconds. What stood out wasn’t just the output,, it was how simple the whole process is now. What used to take multiple steps and tools can now be done in a single workflow. Curious how others see this, would you use something like this for ads?

I didn’t expect AI to make ad creation this fast. Just tested Pollo AI Marketing Studio to see what it can do. Tried making a sports streaming app ad from a single product image. No editing. No timeline. No production setup. Just picked a video format and it generated a full video ad in seconds. What stood out wasn’t just the output,, it was how simple the whole process is now. What used to take multiple steps and tools can now be done in a single workflow. Curious how others see this, would you use something like this for ads?

Ai Girllie

18,849 Aufrufe • vor 3 Monaten

Made with Seedance 2.5 🎬 This is what happens when cinematic storytelling meets precise AI video control. A packed Friday night. A sudden collision. A cocktail suspended in mid-air. And one bartender moving through frozen time to rebuild the drink before anyone even realizes what happened. 🍸 The attention to liquid physics, ice, garnish movement, character consistency, camera motion, and time transitions is what makes this generation stand out. Prompt below 👇 [Paste the full prompt in the first reply/thread] #AI #Seedance #AIVideo

Made with Seedance 2.5 🎬 This is what happens when cinematic storytelling meets precise AI video control. A packed Friday night. A sudden collision. A cocktail suspended in mid-air. And one bartender moving through frozen time to rebuild the drink before anyone even realizes what happened. 🍸 The attention to liquid physics, ice, garnish movement, character consistency, camera motion, and time transitions is what makes this generation stand out. Prompt below 👇 [Paste the full prompt in the first reply/thread] #AI #Seedance #AIVideo

James AI

72,345 Aufrufe • vor 21 Tagen

A WEB STUDIO CHARGES $35,000 FOR AN ANIMATED SITE. THE SAME BUILD NOW COSTS $12 - CLAUDE CODE WRITES, HIGGSFIELD RENDERS. Every agency billing $100-149/hr is just three departments. Here's each one, collapsed into a single agentic session. SYSTEM 1 - THE MOTION STUDIO (Higgsfield) Cinematic clips pulled from 30+ generative models - hero shots, transitions, ambient loops. → This used to be a motion artist on retainer. Now it's a prompt. SYSTEM 2 - THE DEV TEAM (Claude Code) Scaffolds the site, writes the GSAP ScrollTrigger timelines and Lenis smooth-scroll, extracts frames, optimizes every asset. → A full scroll-driven build with zero hand-coded keyframes. SYSTEM 3 - THE DESIGN DEPT (baked-in cinematic layer) Six effects with no config: film grain, particles, vignette, glass cards, color tints, scroll pacing. → The polish that justified the invoice - now it ships by default. Three departments. One operator. One pass. What used to take a designer, a motion artist, and a developer through weeks of handoffs now runs in a single session - for a Claude subscription and a few dollars of Higgsfield credits. The studio was never the talent. It was the overhead. And the overhead just became three systems. Reply "web-site" to this post and I will send you the step-by-step Playbook 👇

A WEB STUDIO CHARGES $35,000 FOR AN ANIMATED SITE. THE SAME BUILD NOW COSTS $12 - CLAUDE CODE WRITES, HIGGSFIELD RENDERS. Every agency billing $100-149/hr is just three departments. Here's each one, collapsed into a single agentic session. SYSTEM 1 - THE MOTION STUDIO (Higgsfield) Cinematic clips pulled from 30+ generative models - hero shots, transitions, ambient loops. → This used to be a motion artist on retainer. Now it's a prompt. SYSTEM 2 - THE DEV TEAM (Claude Code) Scaffolds the site, writes the GSAP ScrollTrigger timelines and Lenis smooth-scroll, extracts frames, optimizes every asset. → A full scroll-driven build with zero hand-coded keyframes. SYSTEM 3 - THE DESIGN DEPT (baked-in cinematic layer) Six effects with no config: film grain, particles, vignette, glass cards, color tints, scroll pacing. → The polish that justified the invoice - now it ships by default. Three departments. One operator. One pass. What used to take a designer, a motion artist, and a developer through weeks of handoffs now runs in a single session - for a Claude subscription and a few dollars of Higgsfield credits. The studio was never the talent. It was the overhead. And the overhead just became three systems. Reply "web-site" to this post and I will send you the step-by-step Playbook 👇

ZEUS⚡️

174,092 Aufrufe • vor 2 Monaten

SAM 3D Body is open-source, so it can be run locally or on Comfy Cloud. Extract motion from a recording → bring it into Blender → control the camera → use the result with Seedance 2.5 More control over body motion and camera movement. To try this workflows, links below 👇

SAM 3D Body is open-source, so it can be run locally or on Comfy Cloud. Extract motion from a recording → bring it into Blender → control the camera → use the result with Seedance 2.5 More control over body motion and camera movement. To try this workflows, links below 👇

ComfyUI

120,451 Aufrufe • vor 5 Tagen

A SOLO CREATOR JUST SHIPPED A $35,000-TIER ANIMATED SITE IN ONE WEEKEND - WITH CLAUDE CODE + HIGGSFIELD, FOR THE COST OF A SUBSCRIPTION. What you're looking at isn't a template. It's a fully animated, scroll-driven site, generated end to end in a single agentic session. What's actually on the page: → Cinematic motion clips pulled from 30+ generative models → Scroll animations written automatically - not a single hand-coded keyframe → 6 cinematic effects baked in with zero config: film grain, particles, vignette, glass cards, color tints, scroll pacing Scroll the demo and one question keeps surfacing: a person didn't build this by hand… did they? For studios billing $100-149/hr, that question lands like a verdict. What this normally takes: → A designer, a motion artist, and a developer → Weeks of handoffs between all three → 6 systems wired by hand - GSAP ScrollTrigger, Lenis smooth-scroll, frame extraction, asset optimization, layout, copy That pipeline was the moat. It's what justified the invoice. Here's the part the agency won't put in its pitch deck. The price gap: → Boutique agency build: $6,000-$35,000+ → Industry average project: ~$5,280 → Your cost: a Claude subscription + a few dollars of Higgsfield credits → Timeline: weeks of production → one session One operator now runs all six systems in a single pass and ships a working site - without opening a frame extractor or writing one CSS keyframe. Full breakdown of how it's built in the article below. Save it & read today 👇

A SOLO CREATOR JUST SHIPPED A $35,000-TIER ANIMATED SITE IN ONE WEEKEND - WITH CLAUDE CODE + HIGGSFIELD, FOR THE COST OF A SUBSCRIPTION. What you're looking at isn't a template. It's a fully animated, scroll-driven site, generated end to end in a single agentic session. What's actually on the page: → Cinematic motion clips pulled from 30+ generative models → Scroll animations written automatically - not a single hand-coded keyframe → 6 cinematic effects baked in with zero config: film grain, particles, vignette, glass cards, color tints, scroll pacing Scroll the demo and one question keeps surfacing: a person didn't build this by hand… did they? For studios billing $100-149/hr, that question lands like a verdict. What this normally takes: → A designer, a motion artist, and a developer → Weeks of handoffs between all three → 6 systems wired by hand - GSAP ScrollTrigger, Lenis smooth-scroll, frame extraction, asset optimization, layout, copy That pipeline was the moat. It's what justified the invoice. Here's the part the agency won't put in its pitch deck. The price gap: → Boutique agency build: $6,000-$35,000+ → Industry average project: ~$5,280 → Your cost: a Claude subscription + a few dollars of Higgsfield credits → Timeline: weeks of production → one session One operator now runs all six systems in a single pass and ships a working site - without opening a frame extractor or writing one CSS keyframe. Full breakdown of how it's built in the article below. Save it & read today 👇

ZEUS⚡️

21,779 Aufrufe • vor 2 Monaten

At first glance, there is no image only separated fragments painted across a series of vertical glass panels Viewed from the side, the composition appears abstract and disconnected. But from one precise position, the fragments align and suddenly resolve into a single floating cloud suspended inside the space Created by Leandro Erlich, the installation transforms perspective into the medium itself. The cloud is not physically painted as one object instead, it emerges through the exact arrangement of distance, alignment, and viewpoint

At first glance, there is no image only separated fragments painted across a series of vertical glass panels Viewed from the side, the composition appears abstract and disconnected. But from one precise position, the fragments align and suddenly resolve into a single floating cloud suspended inside the space Created by Leandro Erlich, the installation transforms perspective into the medium itself. The cloud is not physically painted as one object instead, it emerges through the exact arrangement of distance, alignment, and viewpoint

Amazing Things

14,988 Aufrufe • vor 2 Monaten

This AI just turned me into a film director… No editing skills. No timeline headaches. Just one prompt. This is Seedance 2.0 🎬 You can literally combine: → Text → Images → Videos → Audio And it understands everything. Even crazier? You can control it like this: Image → character Video → camera movement audio1 → music/voice It doesn’t just generate clips… It builds full cinematic scenes with: → Consistent characters → Smooth transitions → Realistic motion → Built-in lip sync Basically… From a single prompt → you get a multi-shot story. Not AI video. AI filmmaking. Go try it before everyone catches on 👇

This AI just turned me into a film director… No editing skills. No timeline headaches. Just one prompt. This is Seedance 2.0 🎬 You can literally combine: → Text → Images → Videos → Audio And it understands everything. Even crazier? You can control it like this: Image → character Video → camera movement audio1 → music/voice It doesn’t just generate clips… It builds full cinematic scenes with: → Consistent characters → Smooth transitions → Realistic motion → Built-in lip sync Basically… From a single prompt → you get a multi-shot story. Not AI video. AI filmmaking. Go try it before everyone catches on 👇

Kshitij Mishra | AI & Tech

60,393 Aufrufe • vor 4 Monaten

STUDIOS QUOTE $35,000 FOR THIS WEBSITE. A FULLY ANIMATED, SCROLL-DRIVEN BUILD - CINEMATIC CLIPS, FILM GRAIN, GLASS CARDS - SHIPPED IN ONE SESSION FOR $12. Scroll it and one question won't leave: did an AI really assemble all of this in a single pass? For studios quoting $35,000 and billing $100-149/hr, that question lands like a verdict. Here's what the page actually runs: → Motion clips generated from 30+ models - not stock, not hand-shot → Scroll animations written automatically - zero hand-coded keyframes → Six cinematic effects baked in with no config: film grain, particles, vignette, glass cards, color tints, scroll pacing What that used to require: → A designer, a motion artist, and a developer → Weeks of handoffs → Six systems wired by hand - GSAP ScrollTrigger, Lenis, frame extraction, asset optimization, layout, copy That pipeline was the moat. It justified the invoice. It just collapsed into Claude Code + Higgsfield running in one pass. The gap nobody wants to say out loud: → Agency build: $6,000-$35,000+ → Real cost now: a Claude sub + a few dollars of credits → Timeline: weeks → a single session Follow me + reply "web-site" to this post and I will send you the step-by-step Playbook 👇

STUDIOS QUOTE $35,000 FOR THIS WEBSITE. A FULLY ANIMATED, SCROLL-DRIVEN BUILD - CINEMATIC CLIPS, FILM GRAIN, GLASS CARDS - SHIPPED IN ONE SESSION FOR $12. Scroll it and one question won't leave: did an AI really assemble all of this in a single pass? For studios quoting $35,000 and billing $100-149/hr, that question lands like a verdict. Here's what the page actually runs: → Motion clips generated from 30+ models - not stock, not hand-shot → Scroll animations written automatically - zero hand-coded keyframes → Six cinematic effects baked in with no config: film grain, particles, vignette, glass cards, color tints, scroll pacing What that used to require: → A designer, a motion artist, and a developer → Weeks of handoffs → Six systems wired by hand - GSAP ScrollTrigger, Lenis, frame extraction, asset optimization, layout, copy That pipeline was the moat. It justified the invoice. It just collapsed into Claude Code + Higgsfield running in one pass. The gap nobody wants to say out loud: → Agency build: $6,000-$35,000+ → Real cost now: a Claude sub + a few dollars of credits → Timeline: weeks → a single session Follow me + reply "web-site" to this post and I will send you the step-by-step Playbook 👇

ZEUS⚡️

56,961 Aufrufe • vor 2 Monaten

In this setup, a Blender blockout provides the motion and composition while a reference image guides the environment, subject, and textures with MiniMax H3. With open weights, you can previs the final look locally for free or run it on Comfy Cloud. To try this workflow, link below 👇

In this setup, a Blender blockout provides the motion and composition while a reference image guides the environment, subject, and textures with MiniMax H3. With open weights, you can previs the final look locally for free or run it on Comfy Cloud. To try this workflow, link below 👇

ComfyUI

32,733 Aufrufe • vor 10 Tagen

We are getting absurdly close to the point where “learning Blender” means learning how to direct an AI. A shot like this looks soft and playful on the surface, but under it is the usual 3D pain: modeling, layout, materials, lighting, atmosphere, animation, and endless tiny fixes until the frame stops looking dead. That is why Kimi K3 matters. With Blender MCP, you can describe a scene like a robotic goat walking through a dreamy field and let the model help build the environment, place the camera, shape the materials, script the motion, and iterate inside the real Blender project. The real shift is not text-to-image. It is text-to-workflow. Kimi K3 does not just give you a pretty output and disappear. It can help move the actual scene from rough setup to something that looks art-directed. Soon the hardest part of 3D will not be the software. It will be whether your imagination is good enough to deserve tools like this.

We are getting absurdly close to the point where “learning Blender” means learning how to direct an AI. A shot like this looks soft and playful on the surface, but under it is the usual 3D pain: modeling, layout, materials, lighting, atmosphere, animation, and endless tiny fixes until the frame stops looking dead. That is why Kimi K3 matters. With Blender MCP, you can describe a scene like a robotic goat walking through a dreamy field and let the model help build the environment, place the camera, shape the materials, script the motion, and iterate inside the real Blender project. The real shift is not text-to-image. It is text-to-workflow. Kimi K3 does not just give you a pretty output and disappear. It can help move the actual scene from rough setup to something that looks art-directed. Soon the hardest part of 3D will not be the software. It will be whether your imagination is good enough to deserve tools like this.

Rina

45,651 Aufrufe • vor 1 Monat

omni motion control is f*cking cracked the left clip is the original. the right is 100% ai, same video, one prompt i grabbed a weight loss transformation off tiktok, gave omni a single image of a totally different girl, and it rebuilt the whole clip around her. she copies the original move for move, down to the dumbbells and the timing. and she doesnt exist and i barely lifted a finger. this was the entire prompt, word for word: "replace the person in the video attached with the person attached in the image, make sure the weight loss transformation is exactly the same from fat to fit" gpt image 2 made the character and omni did the rest. thats it brands pay creators to reshoot the same winning ad with different people just to split test. now you film it once and swap the face for cents. one video turns into 50 i wrote up the full setup: > the prompt method that transfers motion without breaking > how to find reference videos that work > how to batch this out at scale comment "MOTION" and ill send it over

omni motion control is f*cking cracked the left clip is the original. the right is 100% ai, same video, one prompt i grabbed a weight loss transformation off tiktok, gave omni a single image of a totally different girl, and it rebuilt the whole clip around her. she copies the original move for move, down to the dumbbells and the timing. and she doesnt exist and i barely lifted a finger. this was the entire prompt, word for word: "replace the person in the video attached with the person attached in the image, make sure the weight loss transformation is exactly the same from fat to fit" gpt image 2 made the character and omni did the rest. thats it brands pay creators to reshoot the same winning ad with different people just to split test. now you film it once and swap the face for cents. one video turns into 50 i wrote up the full setup: > the prompt method that transfers motion without breaking > how to find reference videos that work > how to batch this out at scale comment "MOTION" and ill send it over

jason

10,811 Aufrufe • vor 20 Tagen

Every creator has been here: an idea in your head, no time to build it, no clean way to visualize it. So I tried something different… I opened Freepik and built the entire concept as a short video, start to finish, in one place. I wrote a simple scene, dropped in my product, and let Freepik generate a cinematic first draft. Then I refined it: better framing, smoother motion, cleaner lighting. The kind of polish you’d normally need a full editing stack for, all handled inside the same workflow. One idea. One tool. A finished video in minutes. Try it now:

Every creator has been here: an idea in your head, no time to build it, no clean way to visualize it. So I tried something different… I opened Freepik and built the entire concept as a short video, start to finish, in one place. I wrote a simple scene, dropped in my product, and let Freepik generate a cinematic first draft. Then I refined it: better framing, smoother motion, cleaner lighting. The kind of polish you’d normally need a full editing stack for, all handled inside the same workflow. One idea. One tool. A finished video in minutes. Try it now:

Chidanand Tripathi

93,250 Aufrufe • vor 9 Monaten

🎬 Motion Control has arrived! Take full control of your AI videos with 12 dynamic camera shots — from smooth Dolly moves to dramatic Cranes and VFX like Explosions and Disintegration. Perfect for adding cinematic flare, stock footage, product ads, or just experimenting with storytelling. ✨ How it works: 1️⃣ Head to the new Video creation tool 2️⃣ Enter your prompt 3️⃣ Pick your camera shot from the Motion Control panel 4️⃣ (Optional) Add a Style or inspiration image as a start frame 💡Want extra consistency? Train an Element, generate your key stills, and animate them for a fully guided scene. More features are coming soon — including End Frames 👀 So stay tuned, and let us know what you create! 🎥 Lights, camera... Motion! Try it now on the Video page 👉🏻

🎬 Motion Control has arrived! Take full control of your AI videos with 12 dynamic camera shots — from smooth Dolly moves to dramatic Cranes and VFX like Explosions and Disintegration. Perfect for adding cinematic flare, stock footage, product ads, or just experimenting with storytelling. ✨ How it works: 1️⃣ Head to the new Video creation tool 2️⃣ Enter your prompt 3️⃣ Pick your camera shot from the Motion Control panel 4️⃣ (Optional) Add a Style or inspiration image as a start frame 💡Want extra consistency? Train an Element, generate your key stills, and animate them for a fully guided scene. More features are coming soon — including End Frames 👀 So stay tuned, and let us know what you create! 🎥 Lights, camera... Motion! Try it now on the Video page 👉🏻

Leonardo.Ai

984,421 Aufrufe • vor 1 Jahr