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the guy who single-handedly raised Anthropic's engineering productivity by 70% just dropped a new podcast. Boris Cherny laid out the 9 core patterns he changed in his workflow to get there. the 3 most common traps: > bloated CLAUDE.md files that tax every single prompt before you've typed a...

57,942 görüntüleme • 3 ay önce •via X (Twitter)

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SOMEONE FROM THE ANTHROPIC TEAM LEAKED THEIR OBSIDIAN SETUP. 8 MILLION PEOPLE SAW HOW HE ACTUALLY USES CLAUDE the funniest part? all of this information was sitting in claude's documentation from day one. nobody read it one guy did, packed it into a 9-step guide and posted it. and it broke the internet. 4,100 likes, 800 retweets, then china picked it up and 8 million views want to know what's in it? one file. called CLAUDE.md. it holds everything about you: how you think, what you're working on, where you get stuck, even how you want the ai to talk to you. claude reads it first every single session one file changed everything. because now ai doesn't open with "how can i help?" it already knows. it remembers your projects, sees your goals, catches moments where you're contradicting yourself people spent years searching for the perfect prompt. the right temperature. the magic formula. and the answer turned out to be not how you ask ai. but what ai knows about you before you even open your mouth then the guy went deeper. taught claude to work on a schedule. every morning at 7am the ai walks through all notes on its own, finds new stuff, links it, cleans what's stale. no command. no reminder and all of this runs on obsidian. free app. text files on your drive. no cloud, no lock-in. switch models tomorrow and the folder keeps working the most liked comment under the original post: "this is the difference between using ai and building a system. most people won't realize it until they waste hundreds of hours repeating themselves" hundreds of hours. you've already spent some of them full guide in the video. i break down finds like this every day - follow so you don't miss the next one

kai

174,650 görüntüleme • 1 ay önce

Richard Donner explains how he managed to include the Anti-Apartheid message in "Lethal Weapon 2" (1989) & why entertainment should always come first- even in message films: "Interviewer: From the process of a chase now to the ideological content, a lot of this movie that anti-apartheid message is loud and clear. What is your philosophy about a message in an entertainment film as opposed to a documentary? Donner: If you want to deliver a message and you're a total believer and you make a message film, you must realize [that] you have a very limited audience. And that's too bad because you have a message to get across. If you you're restricting your audience to that message film you are going to restrict your message you're not going to get it out there. There was a wonderful home made last year called 'A World Apart' (1988) starring Barbara Hershey. It was Chris Menges second film and I thought it was probably the most brilliant direction of the year. I thought [the little girl's] performance certainly deserved acknowledgement by the Academy. Menges's did; the picture did. Nobody saw it [the movie] nobody acknowledged it. It's a sick industry. So, I decided when we had lethal weapon and originally it was written that the heavies were Colombians. I was bored with it and I said, "Jeff let's get something else; let's come up with something a little original." So we [thought] who are the heavies out there? If this was 1942, it would be the Nazis. Where [are] the Nazis [now]. They're in South Africa running the government; so if they're in South Africa let's make them the heavies. On top of it, let's show diplomatic immunity so I can have a Mel Gibson carry an anti-apartheid sign. You can have a diplomatic immunity that's happening in the USA and all the nations that are signatories to it and then you see guys that have committed child m*lest@t!on [and with] diplomatic immunity and they get at home hand slapping sent out of the country. So, we got across a few messages under the guise of entertainment. We got to crush the fact that if you eat tuna, you're ki*ll*ng the dolphins and I get my little and makes me feel good but it's under the guise of entertainment. Interviewer: During all of this, have you defined what best can be done in a Hollywood picture? In other words by combining those priorities? Donner: Yeah, i think so. It makes the filmmaker a little happier for what he's done if he can do something a little more; than just to do an entertainment film with no message whatsoever. Our message in this film is primarily it's a good film; have some laughs, love Mel and Danny. It's good entertainment. You feel good at the end of it and you feel up. That's all I want to do. I'm an entertainer, but if in to within that moment of entertainment if I can sneak one little line in, one little thought, provoke one anxiety in somebody, I'm thrilled." (Richard Donner's interview with John C. Tibbetts, 1989)

DepressedBergman

80,472 görüntüleme • 8 ay önce