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THE IPCRESS FILE (1965) is a masterclass in “frame within the frame” cinematography. Director Sidney J. Furie and cinematographer Otto Heller turned doors, windows, lamps, shelves, file cabinets, walls, and foreground objects into visual architecture. The result is not just “cool framing.” It changes how we watch the film.... show more

Vashi Nedomansky, ACE

45,391 subscribers

59,565 次观看 • 19 天前 •via X (Twitter)

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THE IPCRESS FILE (1965) was built as the anti-Bond by Harry Saltzman. No glam. No gadgets. Just Michael Caine’s spy Harry Palmer, navigating Cold War paranoia and grey London bureaucracy. Smarter than 007… or just colder? Does it outclass Bond? 👀🎬

THE IPCRESS FILE (1965) was built as the anti-Bond by Harry Saltzman. No glam. No gadgets. Just Michael Caine’s spy Harry Palmer, navigating Cold War paranoia and grey London bureaucracy. Smarter than 007… or just colder? Does it outclass Bond? 👀🎬

SpyHards - A Spy Movie Podcast

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THE IPCRESS FILE (1965) — the spy film that put Michael Caine on the map and gave 007 a run for his money. With the passing of Len Deighton, now feels like the perfect time to revisit it. But is it the best non-Bond spy film of the ’60s?

THE IPCRESS FILE (1965) — the spy film that put Michael Caine on the map and gave 007 a run for his money. With the passing of Len Deighton, now feels like the perfect time to revisit it. But is it the best non-Bond spy film of the ’60s?

SpyHards - A Spy Movie Podcast

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What a visual feast! Every frame in the trailer is painted with grandeur. The cinematography is jaw-dropping. 🤯

What a visual feast! Every frame in the trailer is painted with grandeur. The cinematography is jaw-dropping. 🤯

Mufaddal Vohra

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And here we are frame by frame with VICTORY (THE FILM). WATCH:

And here we are frame by frame with VICTORY (THE FILM). WATCH:

Slick Rick

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BQQM... Tulsi is not leaving quietly... she is forcing the intelligence community to reopen the entire biolab story on her way out... 120+ labs across 30 countries... Ukraine is in the frame, gain-of-function is in the frame, Fauci is in the frame, and Biden national security apparatus is in the frame, and now the receipts are being requested... Tulsi has roughly 30 days left near the declas valve, and she appears determined to pull as much into the light as possible before the handoff... The story is no longer whether the labs existed... The story is who funded them, who approved them, who covered for them, and who lied about them... The DECLAS button is being pushed... see post below...

BQQM... Tulsi is not leaving quietly... she is forcing the intelligence community to reopen the entire biolab story on her way out... 120+ labs across 30 countries... Ukraine is in the frame, gain-of-function is in the frame, Fauci is in the frame, and Biden national security apparatus is in the frame, and now the receipts are being requested... Tulsi has roughly 30 days left near the declas valve, and she appears determined to pull as much into the light as possible before the handoff... The story is no longer whether the labs existed... The story is who funded them, who approved them, who covered for them, and who lied about them... The DECLAS button is being pushed... see post below...

Observing Consciousness

27,631 次观看 • 20 天前

The ATC scene in Close Encounters (1977) fascinates me. As the tension rises, more bodies crowd the frame: tighter compositions, overlapping bursts of chatter. We can’t make out the words, yet we feel the fear and confusion. It’s raw; no music, just voices and mounting panic.

The ATC scene in Close Encounters (1977) fascinates me. As the tension rises, more bodies crowd the frame: tighter compositions, overlapping bursts of chatter. We can’t make out the words, yet we feel the fear and confusion. It’s raw; no music, just voices and mounting panic.

The Sting

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Stephanie White spoke extensively on the hate her players (and other W players) have faced: “We in the media have to do a better job of not allowing trolls in social media to become the story. I feel like we have allowed trolls in social media to frame the narrative of what the story is. And it’s unacceptable.”

Stephanie White spoke extensively on the hate her players (and other W players) have faced: “We in the media have to do a better job of not allowing trolls in social media to become the story. I feel like we have allowed trolls in social media to frame the narrative of what the story is. And it’s unacceptable.”

Noa Dalzell 🏀

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Check out the differences here in the height of the hips and head, and the changes in the angle of the legs in this tip from Agora Studio Anna White! Source: #agorastudio #agoracommunity #framebyframe Frame by Frame is an initiative of agora.community

Check out the differences here in the height of the hips and head, and the changes in the angle of the legs in this tip from Agora Studio Anna White! Source: #agorastudio #agoracommunity #framebyframe Frame by Frame is an initiative of agora.community

FramebyFrame

18,622 次观看 • 1 年前

Cool engineering thing about IMAX - the film is so large that a traditional film transport system would put too much stress on the sprocket holes on the edge of the film. The film needs to get pulled forward a frame and then held still, the acceleration forces increase as the square of the frame size, so the full 15 hole/frame IMAX film is 9 times the acceleration of 5 hole/frame 70mm. This extra stress increases the chance that film gets damaged to the point that the developers of the format came up with a 'Rolling loop' transport mechanism that bends the film into a loop of exactly the right length, this moves down the film like a wave, and each wave advances the film by one frame. This changes the stresses and lets the large format film work without failing. I remember seeing this in the 90's and only just remembered when someone showed me a video from Ryan Coogler talking about film formats.

Cool engineering thing about IMAX - the film is so large that a traditional film transport system would put too much stress on the sprocket holes on the edge of the film. The film needs to get pulled forward a frame and then held still, the acceleration forces increase as the square of the frame size, so the full 15 hole/frame IMAX film is 9 times the acceleration of 5 hole/frame 70mm. This extra stress increases the chance that film gets damaged to the point that the developers of the format came up with a 'Rolling loop' transport mechanism that bends the film into a loop of exactly the right length, this moves down the film like a wave, and each wave advances the film by one frame. This changes the stresses and lets the large format film work without failing. I remember seeing this in the 90's and only just remembered when someone showed me a video from Ryan Coogler talking about film formats.

Scott Manley

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"Above the Clouds" Here's a visual haiku, on time and on my love for Japan. It was fully drawn, painted, and animated frame by frame in procreate. The music is by Erdenstern. Now available on SuperRare. 1/

"Above the Clouds" Here's a visual haiku, on time and on my love for Japan. It was fully drawn, painted, and animated frame by frame in procreate. The music is by Erdenstern. Now available on SuperRare. 1/

Marc Simonetti

408,143 次观看 • 3 年前

making a simple frame by frame animation with 2 layers just use a bit of copy/pasting inverse mask magic to make it feel like the shape changes 😋 #live2dwip

making a simple frame by frame animation with 2 layers just use a bit of copy/pasting inverse mask magic to make it feel like the shape changes 😋 #live2dwip

Hime 🌸 | aeru studio

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Questlove and Harry Weinger diving deep into the layers of “What’s Going On” — a masterclass in how timeless music is built.

Questlove and Harry Weinger diving deep into the layers of “What’s Going On” — a masterclass in how timeless music is built.

Melodies & Masterpieces

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If you take a movement to unpack this visualization... You'll see how it simply breaks down how reality works. At frame 0 you have a static image. Everything is one, this is the monad. As soon as you hit frame 1 there is movement, there is change. Now you have two states, moving, or static. When Nikola Tesla says you can explain everything in frequency and vibration. The difference between frame 0 and 1, is vibration. The difference between movement and no movement. This is like binary logic we use in code which is made up of 0's and 1's. After frame 1, is when frequency emerges. Because the difference between frame 1 and all frames after is about how fast is the vibration/movement happening. If we skip forward to frame 50... You have a shape that begins to emerge, this is the 8 dots, then the 6 dots. Notice how unstable it is, it's 8 dots, then 6, then a moment with 4 in a rectangle These shapes are emergent properties. The first two emergent properties after the monad was vibration and frequency. Next comes shape (i'm skipping over rotation and direction). These shapes of dots can only exist when you have frequency and rotation. This frequency and rotation creates vortex energy. It's the same energy that things like your chakras use. Or the same energy we harness in devices like engines, airplanes, fans, blenders, hard drives, etc. It's also the same vortex energy you'll see in a tornado or hurricane. They are powered because they harness rotation and frequency(change/movement). Going back to the video, notice that it is inside the entire shape, the internal structure is manifesting before the external structure does. Then around frame 60 the hexagon of circles begins to rotate. First it was the two dots that moved and now it's a complex shape that is coming to life. This is a higher dimension (or lower depending on how you look at it) manifesting into existence. The internal state is "awakening" and experiencing it's own change like what happened to the whole shape in the first frames. But it is unstable. That's why it doesn't persist for long. If you think of the 8 dots being the octahedron, they map to the element of air. Air is in the material world, but it is not something you can see. The brief moments the 8 dots are visible is similar to that effect. They are only experienceable between a small frequency band of frames. Now here's where stability begins to appear in the internal structure. This is when the 4 dots appear. You'll see that the four dots, the square, is stable and persists the most visibly for the most amount of frames. The square represents earth in the platonic solids to elements mapping. Earth, is material, it's stable. We build our buildings in squares and with earth because it is a solid shape to build on. This visualization shows you why. Across different vibrations (frame rates) it can self sustain. Between this point and frame 180, you'll see a new emergent property. Which is depth. A new dimension is introduced at around frame 90 but really becomes visible at around frame 110. You can see a foreground and background. There is the shape of the dots, but also the triskellion wave happening in the background. Let's jump to frame 180. Notice how it is the same as frame 0 except... It's flashing. If you were paying attention, you'll notice you could see flashing at frame 90 and frame 120, but they didn't persist for long. At around 150 it started to reach stability and 180 it was solidified. Between frames 150 and 180 there is flashing, but the image is still moving. Only for a brief moment at frame 180 is the movement frozen and the flashing persists. Think of that like your computer screen. It's what your screen is doing right now as you read this. Even tho the text isn't moving, the screen is flashing at 60 or 120hz. The images appear on your device because this flashing brings things to life. The entire material realm and your physical body right now, is doing the same thing. While you look solid... You're flashing in and out of existence at very high frequencies. You can look at frame 180 and frame 0 as the same essence but it is the mid point between an octave change. In the video, the ying and yang was vertical, now it is horizontal. This is a phase shift. If you notice at exactly frame 180, the rotation freezes and then the direction of rotation changes. The process then repeats all the way to frame 360 but in the opposite sequence. Once it reaches frame 360, that is an octave change and the process repeats. Each time you repeat the process is a layering of the same patterns into higher octaves. This is the same as your chakras or how other things work. They are like russian nesting dolls where every octave is layering onto the next. The complexity of your body is a layering of basic principles that emerged in earlier stages. Your organs are built of systems that are built with cells that are built with proteins that are built with atoms and so on. The atoms, work just like your body at a basic level. Your body works just like the galaxies. At each level you'll have the same pattern. This is where the idea "As Above, So Below" from. The monad, splits in two, and so on and so on. One cell, splits into two through mitosis in the same logic. We could spend all day going through examples of how biology, physics, spirituality, etc. aren't really different. They are just categories that we use to dissect these frequencies and octaves of energy but they only start paying attention within the confines of materialism. The problem is, none of the sciences start at the root patterns. Because that is reserved for religion or spirituality. It's too woo-woo to take seriously so it's dismissed. And because of that... We're left ignorant on the simple explanations for how things work. Now you need some expert with tools you don't have access to in order to explain things. When you could be understanding them without the tools. The Yin and Yang symbol in this video is 3,000 years old. It's simple. Yet I just showed you how it explains deeper layers of reality.

If you take a movement to unpack this visualization... You'll see how it simply breaks down how reality works. At frame 0 you have a static image. Everything is one, this is the monad. As soon as you hit frame 1 there is movement, there is change. Now you have two states, moving, or static. When Nikola Tesla says you can explain everything in frequency and vibration. The difference between frame 0 and 1, is vibration. The difference between movement and no movement. This is like binary logic we use in code which is made up of 0's and 1's. After frame 1, is when frequency emerges. Because the difference between frame 1 and all frames after is about how fast is the vibration/movement happening. If we skip forward to frame 50... You have a shape that begins to emerge, this is the 8 dots, then the 6 dots. Notice how unstable it is, it's 8 dots, then 6, then a moment with 4 in a rectangle These shapes are emergent properties. The first two emergent properties after the monad was vibration and frequency. Next comes shape (i'm skipping over rotation and direction). These shapes of dots can only exist when you have frequency and rotation. This frequency and rotation creates vortex energy. It's the same energy that things like your chakras use. Or the same energy we harness in devices like engines, airplanes, fans, blenders, hard drives, etc. It's also the same vortex energy you'll see in a tornado or hurricane. They are powered because they harness rotation and frequency(change/movement). Going back to the video, notice that it is inside the entire shape, the internal structure is manifesting before the external structure does. Then around frame 60 the hexagon of circles begins to rotate. First it was the two dots that moved and now it's a complex shape that is coming to life. This is a higher dimension (or lower depending on how you look at it) manifesting into existence. The internal state is "awakening" and experiencing it's own change like what happened to the whole shape in the first frames. But it is unstable. That's why it doesn't persist for long. If you think of the 8 dots being the octahedron, they map to the element of air. Air is in the material world, but it is not something you can see. The brief moments the 8 dots are visible is similar to that effect. They are only experienceable between a small frequency band of frames. Now here's where stability begins to appear in the internal structure. This is when the 4 dots appear. You'll see that the four dots, the square, is stable and persists the most visibly for the most amount of frames. The square represents earth in the platonic solids to elements mapping. Earth, is material, it's stable. We build our buildings in squares and with earth because it is a solid shape to build on. This visualization shows you why. Across different vibrations (frame rates) it can self sustain. Between this point and frame 180, you'll see a new emergent property. Which is depth. A new dimension is introduced at around frame 90 but really becomes visible at around frame 110. You can see a foreground and background. There is the shape of the dots, but also the triskellion wave happening in the background. Let's jump to frame 180. Notice how it is the same as frame 0 except... It's flashing. If you were paying attention, you'll notice you could see flashing at frame 90 and frame 120, but they didn't persist for long. At around 150 it started to reach stability and 180 it was solidified. Between frames 150 and 180 there is flashing, but the image is still moving. Only for a brief moment at frame 180 is the movement frozen and the flashing persists. Think of that like your computer screen. It's what your screen is doing right now as you read this. Even tho the text isn't moving, the screen is flashing at 60 or 120hz. The images appear on your device because this flashing brings things to life. The entire material realm and your physical body right now, is doing the same thing. While you look solid... You're flashing in and out of existence at very high frequencies. You can look at frame 180 and frame 0 as the same essence but it is the mid point between an octave change. In the video, the ying and yang was vertical, now it is horizontal. This is a phase shift. If you notice at exactly frame 180, the rotation freezes and then the direction of rotation changes. The process then repeats all the way to frame 360 but in the opposite sequence. Once it reaches frame 360, that is an octave change and the process repeats. Each time you repeat the process is a layering of the same patterns into higher octaves. This is the same as your chakras or how other things work. They are like russian nesting dolls where every octave is layering onto the next. The complexity of your body is a layering of basic principles that emerged in earlier stages. Your organs are built of systems that are built with cells that are built with proteins that are built with atoms and so on. The atoms, work just like your body at a basic level. Your body works just like the galaxies. At each level you'll have the same pattern. This is where the idea "As Above, So Below" from. The monad, splits in two, and so on and so on. One cell, splits into two through mitosis in the same logic. We could spend all day going through examples of how biology, physics, spirituality, etc. aren't really different. They are just categories that we use to dissect these frequencies and octaves of energy but they only start paying attention within the confines of materialism. The problem is, none of the sciences start at the root patterns. Because that is reserved for religion or spirituality. It's too woo-woo to take seriously so it's dismissed. And because of that... We're left ignorant on the simple explanations for how things work. Now you need some expert with tools you don't have access to in order to explain things. When you could be understanding them without the tools. The Yin and Yang symbol in this video is 3,000 years old. It's simple. Yet I just showed you how it explains deeper layers of reality.

Jamal ☯︎ 🔆🧘🏽🧠

13,149 次观看 • 2 个月前

“Davido’s frame is insignificant. The size of his frame does not depict how great he is. But Wizkid command respect, power and greatness which is why he represent a symbol of hope in this generation and the next to come.” -Tina Mba

“Davido’s frame is insignificant. The size of his frame does not depict how great he is. But Wizkid command respect, power and greatness which is why he represent a symbol of hope in this generation and the next to come.” -Tina Mba

Arthur🇳🇬🇬🇧🇸🇳

189,961 次观看 • 1 年前

Lawrence of Arabia (1962) is the definition of cinematic grandeur. Shot entirely on location in the desert with 70mm film, every frame feels monumental. It is a reminder of when epic filmmaking meant scale, patience, and awe rather than visual effects.

Lawrence of Arabia (1962) is the definition of cinematic grandeur. Shot entirely on location in the desert with 70mm film, every frame feels monumental. It is a reminder of when epic filmmaking meant scale, patience, and awe rather than visual effects.

cinesthetic.

63,520 次观看 • 7 个月前

First frame + Last frame = Fashion ads in minutes. Here’s how I generated this U.S. Polo sequence using Kling 3.0 + Calico AI: → The Input: A start frame and an end frame to lock in the subject and composition. → The Prompt: Don't just ask for a "cool video." Specifically prompted for "slow cinematic push-in," "shallow depth of field," and "micro-parallax" to get that premium brand-film look. → The Output: Motion that looks like a high-budget fashion shoot. Studio shoots are expensive, but AI is leveling the playing field. Comment 'PROMPT' if you want me to send you all of the prompts and the system I used to build this. (must be following so I can dm you!)

David Roberts

26,014 次观看 • 4 个月前

Christopher Doyle’s cinematography in In the Mood for Love (2000) is pure poetry. Every frame flows with longing, color, and atmosphere, turning emotion itself into cinema.

Christopher Doyle’s cinematography in In the Mood for Love (2000) is pure poetry. Every frame flows with longing, color, and atmosphere, turning emotion itself into cinema.

cinesthetic.

28,028 次观看 • 9 个月前

Warlordes is more than just a game; it’s a story-rich experience built to celebrate culture, legends, and the worlds we imagine. Every frame, every move, and every detail has been crafted with care and purpose. Download now and be part of the movement from the very beginning… Now available on the Play Store and App Store👇🏾

Warlordes is more than just a game; it’s a story-rich experience built to celebrate culture, legends, and the worlds we imagine. Every frame, every move, and every detail has been crafted with care and purpose. Download now and be part of the movement from the very beginning… Now available on the Play Store and App Store👇🏾

Hammer Games

28,770 次观看 • 11 个月前

Zach Polanski, "We can stop the small boats criss. We could have safe and legal routes" "This is a manufactured crisis by the Conservative government and now the Labour government" "So many black and Asian communities in this country are terrified because the whole frame of the migration crisis is a racist fascist frame" "There is a sense the country is broken. And they're right" "But the answer is not to blame migrants or asylum seekers" "The answer is to point at the private jets, teh private yachts, and to the multi millionaires and billionaires, and to say, we will fund our public services, we will build council houses, we will invest in our NHS" Simple, succinct 👏

Zach Polanski, "We can stop the small boats criss. We could have safe and legal routes" "This is a manufactured crisis by the Conservative government and now the Labour government" "So many black and Asian communities in this country are terrified because the whole frame of the migration crisis is a racist fascist frame" "There is a sense the country is broken. And they're right" "But the answer is not to blame migrants or asylum seekers" "The answer is to point at the private jets, teh private yachts, and to the multi millionaires and billionaires, and to say, we will fund our public services, we will build council houses, we will invest in our NHS" Simple, succinct 👏

Farrukh

255,222 次观看 • 9 个月前

Watching Blade Runner (1982) is like stepping into a dream where the rain never stops, the neon never fades, and every frame feels like it belongs in a museum.

Watching Blade Runner (1982) is like stepping into a dream where the rain never stops, the neon never fades, and every frame feels like it belongs in a museum.

cinesthetic.

41,571 次观看 • 10 个月前