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Vashi Nedomansky, ACE

@vashikoo • 44,865 subscribers

Feature Film Editor / Ex-Pro Hockey Player / Storyteller & Problem Solver

Shorts

The first "Texas Switch" of a flag in film history.

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The first "Texas Switch" of a flag in film history.

4,743,869 просмотров

Perspective Compression in cinematography is a visual effect where a telephoto lens makes foreground and background elements appear closer together. It helps to create tension during dramatic moments.

Perspective Compression in cinematography is a visual effect where a telephoto lens makes foreground and background elements appear closer together. It helps to create tension during dramatic moments.

1,371,271 просмотров

THE SUGARLAND EXPRESS (1974) One year before his famous Dolly Zoom shot in JAWS, Spielberg dropped this sniper Dolly Zoom into his first official theatrical feature film. Spielberg showed his film to Brian De Palma, who commented, "You stole that shot from Hitchcock's VERTIGO!"

THE SUGARLAND EXPRESS (1974) One year before his famous Dolly Zoom shot in JAWS, Spielberg dropped this sniper Dolly Zoom into his first official theatrical feature film. Spielberg showed his film to Brian De Palma, who commented, "You stole that shot from Hitchcock's VERTIGO!"

53,746 просмотров

LAWRENCE OF ARABIA (1962) The best day-for-night shot in cinema history. Cinematographer Freddie Young underexposed the film and used military aerial reconnaissance filters + ND filters to help craft this shot.

LAWRENCE OF ARABIA (1962) The best day-for-night shot in cinema history. Cinematographer Freddie Young underexposed the film and used military aerial reconnaissance filters + ND filters to help craft this shot.

798,666 просмотров

Cinematographer Roger Deakins had a camera platform with a soft buffer built on the railroad tracks so the train could run into it safely and push the camera down the track for this incredibly visceral shot. Movie Magic!

Cinematographer Roger Deakins had a camera platform with a soft buffer built on the railroad tracks so the train could run into it safely and push the camera down the track for this incredibly visceral shot. Movie Magic!

380,327 просмотров

AIRPLANE! (1980) Seven comedy writers documented and ranked all 178 jokes in the film. This landed safely at #2

AIRPLANE! (1980) Seven comedy writers documented and ranked all 178 jokes in the film. This landed safely at #2

263,757 просмотров

RONIN (1998) A sneaky 'hidden cut' occurs when an extra walks past the camera to wipe the frame. The first shot is one location and the second shot is in a completely different part of the French town. A cool way to seamlessly connect different real-world locations.

RONIN (1998) A sneaky 'hidden cut' occurs when an extra walks past the camera to wipe the frame. The first shot is one location and the second shot is in a completely different part of the French town. A cool way to seamlessly connect different real-world locations.

247,559 просмотров

Ladies and Gentlemen... The Dolly Zoom

Ladies and Gentlemen... The Dolly Zoom

356,375 просмотров

Quentin Tarantino's favorite edit in film history is the cut to the wide shot of the three gunslingers in the climactic cemetery showdown...a full reveal of the final location after numerous close-ups.

Quentin Tarantino's favorite edit in film history is the cut to the wide shot of the three gunslingers in the climactic cemetery showdown...a full reveal of the final location after numerous close-ups.

894,060 просмотров

PULLING FRAMES - a film editing technique where a couple of frames are removed after a point of impact to amplify and exaggerate the energy of the moment. Shown here in HEAT as the bad guy spins around when shot. 🎞️✂️

PULLING FRAMES - a film editing technique where a couple of frames are removed after a point of impact to amplify and exaggerate the energy of the moment. Shown here in HEAT as the bad guy spins around when shot. 🎞️✂️

351,203 просмотров

This perfect Match Cut belongs in the Film Editing Hall of Fame. Love the little bell sound right on the cut.

This perfect Match Cut belongs in the Film Editing Hall of Fame. Love the little bell sound right on the cut.

53,297 просмотров

Low Budget Forced-Perspective Shot • 1:18 scale Hummer model ($23) • 24mm lens with aperture set to f/11 • focus favors foreground object • lots of light. Thank you sun! • camera 3 feet from Hummer • camera 40 feet from background • car door sound effect helps sell it

Low Budget Forced-Perspective Shot • 1:18 scale Hummer model ($23) • 24mm lens with aperture set to f/11 • focus favors foreground object • lots of light. Thank you sun! • camera 3 feet from Hummer • camera 40 feet from background • car door sound effect helps sell it

53,175 просмотров

CATCH-22 (1970) The only 'Split Diopter Shot' of an egg in film history.

CATCH-22 (1970) The only 'Split Diopter Shot' of an egg in film history.

55,417 просмотров

Carlito embracing the Panavision anamorphic flare fest

Carlito embracing the Panavision anamorphic flare fest

42,237 просмотров

THE SPY WHO LOVED ME (1977) Practical filmmaking used in this shot: - lens flares - matte paintings - scale model - optical printer composite

THE SPY WHO LOVED ME (1977) Practical filmmaking used in this shot: - lens flares - matte paintings - scale model - optical printer composite

48,373 просмотров

Testing out the Generative Fill feature of Photoshop (beta). Took an iconic film image and did a little set extension to see what AI thinks lives beyond the frame's edges. Impressive results in one minute. Very realistic shadows, textures and lighting. #Firefly #possibilities

Testing out the Generative Fill feature of Photoshop (beta). Took an iconic film image and did a little set extension to see what AI thinks lives beyond the frame's edges. Impressive results in one minute. Very realistic shadows, textures and lighting. #Firefly #possibilities

685,787 просмотров

GOLDFINGER (1964) DIRTY HARRY (1971) cinematic symmetry zoom out reveal

GOLDFINGER (1964) DIRTY HARRY (1971) cinematic symmetry zoom out reveal

39,414 просмотров

DUNKIRK (1958) - A well-crafted example of a 'deep focus shot' that looks like a 'split diopter shot'. The focus was set between the foreground and the first man in the chair. By using bright lights and a high f-stop, almost everything is in focus.

DUNKIRK (1958) - A well-crafted example of a 'deep focus shot' that looks like a 'split diopter shot'. The focus was set between the foreground and the first man in the chair. By using bright lights and a high f-stop, almost everything is in focus.

93,154 просмотров

I ❤️ physical media in all its flavors!

I ❤️ physical media in all its flavors!

41,194 просмотров

LAWRENCE OF ARABIA (1962) One of the only visual effects shots in the film was a large painting of the Sun. Shooting directly into it for real would have burned the film stock.

LAWRENCE OF ARABIA (1962) One of the only visual effects shots in the film was a large painting of the Sun. Shooting directly into it for real would have burned the film stock.

23,881 просмотров

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The GOLDFINGER Criterion 1991 laserdisc was discontinued and unsold copies were recalled because the bonus-feature commentary was "insensitive, inflammatory and potentially libelous." Here's editor Peter Hunt discussing Sean Connery's sex appeal:

The GOLDFINGER Criterion 1991 laserdisc was discontinued and unsold copies were recalled because the bonus-feature commentary was "insensitive, inflammatory and potentially libelous." Here's editor Peter Hunt discussing Sean Connery's sex appeal:

Vashi Nedomansky, ACE

527,810 просмотров • 3 дней назад

In 2001, Hugh Jackman delivered the most realistic computer hacking scene in film history. To this day, it is used for training at the Cybercrime Division of the FBI.

In 2001, Hugh Jackman delivered the most realistic computer hacking scene in film history. To this day, it is used for training at the Cybercrime Division of the FBI.

Vashi Nedomansky, ACE

4,468,123 просмотров • 25 дней назад

ROGUE ONE (2016) All 46 shots and lines of dialogue used in trailers, teasers and promos that are NOT in the theatrical release of the film.

ROGUE ONE (2016) All 46 shots and lines of dialogue used in trailers, teasers and promos that are NOT in the theatrical release of the film.

Vashi Nedomansky, ACE

1,573,705 просмотров • 12 дней назад

I miss John Candy...especially his portrayal of Djour Djilios.

I miss John Candy...especially his portrayal of Djour Djilios.

Vashi Nedomansky, ACE

172,298 просмотров • 2 дней назад

THE AMERICAN FRIEND (1977) Dennis Hopper with Nicolas Ray and a stunning World Trade Center reveal...

THE AMERICAN FRIEND (1977) Dennis Hopper with Nicolas Ray and a stunning World Trade Center reveal...

Vashi Nedomansky, ACE

185,167 просмотров • 3 дней назад

Olivia Rodrigo performed a live "falling down the stairs" stunt and SNL revealed how they did it before cutting to a commercial. Practical filmmaking is alive and well!

Olivia Rodrigo performed a live "falling down the stairs" stunt and SNL revealed how they did it before cutting to a commercial. Practical filmmaking is alive and well!

Vashi Nedomansky, ACE

2,073,314 просмотров • 1 месяц назад

🎥RAIDERS SHOT DESIGN🎥 Spielberg turns a cramped living room into 96 seconds of continuous cinematic choreography. A single moving shot gives Indy and Brody close-ups, wide shots, movement, exposition and visual variety without a single cut. Super elegant visual storytelling.

🎥RAIDERS SHOT DESIGN🎥 Spielberg turns a cramped living room into 96 seconds of continuous cinematic choreography. A single moving shot gives Indy and Brody close-ups, wide shots, movement, exposition and visual variety without a single cut. Super elegant visual storytelling.

Vashi Nedomansky, ACE

352,982 просмотров • 7 дней назад

CONTACT The climax challenges the audience from two directions. If you believe only in science, it asks you to accept the unprovable. If you believe only in faith, it demands evidence. The film becomes a meditation asking: What if the most important truths can never be proven?

CONTACT The climax challenges the audience from two directions. If you believe only in science, it asks you to accept the unprovable. If you believe only in faith, it demands evidence. The film becomes a meditation asking: What if the most important truths can never be proven?

Vashi Nedomansky, ACE

240,071 просмотров • 5 дней назад

"Put the crosshairs on Charlize's nose."

"Put the crosshairs on Charlize's nose."

Vashi Nedomansky, ACE

1,263,988 просмотров • 27 дней назад

LONGLEGS (2024) Director Osgood Perkins claims to have hidden 15 devils in the film. After a thorough search...I only found 10 of them. Super creepy. Has anyone found the other 5?

LONGLEGS (2024) Director Osgood Perkins claims to have hidden 15 devils in the film. After a thorough search...I only found 10 of them. Super creepy. Has anyone found the other 5?

Vashi Nedomansky, ACE

562,709 просмотров • 17 дней назад

MAGNUM P.I. (1980) Most fans have never heard the original theme song. This jazzy version was replaced halfway through Season 1 by the famous guitar-driven version that became one of TV's most memorable themes ever.

MAGNUM P.I. (1980) Most fans have never heard the original theme song. This jazzy version was replaced halfway through Season 1 by the famous guitar-driven version that became one of TV's most memorable themes ever.

Vashi Nedomansky, ACE

117,993 просмотров • 4 дней назад

MASTER AND COMMANDER (2003) The Best Dad Joke of 1805

MASTER AND COMMANDER (2003) The Best Dad Joke of 1805

Vashi Nedomansky, ACE

90,695 просмотров • 3 дней назад

THE ANDROMEDA STRAIN (1971) didn't have a traditional screenplay. It had the first example of a CINESCRIPT: an amplified screenplay that combined text and printed visuals to communicate the intended visual language before production began.

THE ANDROMEDA STRAIN (1971) didn't have a traditional screenplay. It had the first example of a CINESCRIPT: an amplified screenplay that combined text and printed visuals to communicate the intended visual language before production began.

Vashi Nedomansky, ACE

37,741 просмотров • 1 день назад

The Best 'Exposition Dump' in Film History. In 5 minutes, Spielberg lays out the characters, mythology, locations, artifacts and the entire narrative engine of the film. The audience discovers everything alongside Indy + each detail pays off later. A masterclass in storytelling.

The Best 'Exposition Dump' in Film History. In 5 minutes, Spielberg lays out the characters, mythology, locations, artifacts and the entire narrative engine of the film. The audience discovers everything alongside Indy + each detail pays off later. A masterclass in storytelling.

Vashi Nedomansky, ACE

647,508 просмотров • 23 дней назад

CLIFFHANGER proved you could put lights wherever you wanted for night scenes in the 1990's.

CLIFFHANGER proved you could put lights wherever you wanted for night scenes in the 1990's.

Vashi Nedomansky, ACE

945,208 просмотров • 1 месяц назад

Bring back overcranked and undercranked comedy gags!

Bring back overcranked and undercranked comedy gags!

Vashi Nedomansky, ACE

484,832 просмотров • 21 дней назад

In early 1980, John Williams watched the final cut of THE EMPIRE STRIKES BACK before recording the score. • He wrote the entire score in 7 weeks • All the music was recorded in 9 days • 124 minutes of original score for the film

In early 1980, John Williams watched the final cut of THE EMPIRE STRIKES BACK before recording the score. • He wrote the entire score in 7 weeks • All the music was recorded in 9 days • 124 minutes of original score for the film

Vashi Nedomansky, ACE

145,182 просмотров • 7 дней назад

MAGNUM P.I. (1988) In 1980, Tom Selleck lost the role of Indiana Jones because CBS wouldn't release him from his MAGNUM P.I. contract. Years later, the show playfully spoofed the role he almost had in the episode "Legend of the Lost Art."

MAGNUM P.I. (1988) In 1980, Tom Selleck lost the role of Indiana Jones because CBS wouldn't release him from his MAGNUM P.I. contract. Years later, the show playfully spoofed the role he almost had in the episode "Legend of the Lost Art."

Vashi Nedomansky, ACE

376,493 просмотров • 18 дней назад

As far as we have come in filmmaking, this shot from 1940 is still pure magic.

As far as we have come in filmmaking, this shot from 1940 is still pure magic.

Vashi Nedomansky, ACE

13,606,130 просмотров • 1 год назад

STAR WARS (1977) in 2 minutes. Forty-nine years of space opera, lightsabers, daddy issues and exploding planets compressed into one hyperspace jump. 🔊

STAR WARS (1977) in 2 minutes. Forty-nine years of space opera, lightsabers, daddy issues and exploding planets compressed into one hyperspace jump. 🔊

Vashi Nedomansky, ACE

158,242 просмотров • 9 дней назад