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The Marx Brothers didn’t just master comedy — they played it ... Literally! Chico and Harpo weren’t only chaotic geniuses on screen; they were genuinely gifted musicians. Chico, the quick-fingered trickster, dazzled audiences with his signature “shooting the keys” piano style — half virtuoso, half vaudeville wizard. Harpo, though...

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"Piano Man" is the title track from Billy Joel's 1973 album Piano Man. The storytelling classic peaked at #25 on the US Billboard Hot 100 but went on to become his signature song and a live favorite for decades. It was inspired by Joel's real experiences performing at a piano bar in Los Angeles after leaving his first record deal. Many of the song's characters including the waitress, the businessman, and "John at the bar" were based on actual regulars Joel met while performing. He also played the song's instantly recognizable harmonica part himself, and although it wasn't his biggest hit at the time, "Piano Man" became the song most closely associated with his career.
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"Piano Man" is the title track from Billy Joel's 1973 album Piano Man. The storytelling classic peaked at #25 on the US Billboard Hot 100 but went on to become his signature song and a live favorite for decades. It was inspired by Joel's real experiences performing at a piano bar in Los Angeles after leaving his first record deal. Many of the song's characters including the waitress, the businessman, and "John at the bar" were based on actual regulars Joel met while performing. He also played the song's instantly recognizable harmonica part himself, and although it wasn't his biggest hit at the time, "Piano Man" became the song most closely associated with his career.

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"Piano Man" is the title track from Billy Joel's 1973 album Piano Man. The storytelling classic peaked at #25 on the US Billboard Hot 100 but went on to become his signature song and a live favorite for decades. It was inspired by Joel's real experiences performing at a piano bar in Los Angeles after leaving his first record deal. Many of the song's characters including the waitress, the businessman, and "John at the bar" were based on actual regulars Joel met while performing. He also played the song's instantly recognizable harmonica part himself, and although it wasn't his biggest hit at the time, "Piano Man" became the song most closely associated with his career.
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"Piano Man" is the title track from Billy Joel's 1973 album Piano Man. The storytelling classic peaked at #25 on the US Billboard Hot 100 but went on to become his signature song and a live favorite for decades. It was inspired by Joel's real experiences performing at a piano bar in Los Angeles after leaving his first record deal. Many of the song's characters including the waitress, the businessman, and "John at the bar" were based on actual regulars Joel met while performing. He also played the song's instantly recognizable harmonica part himself, and although it wasn't his biggest hit at the time, "Piano Man" became the song most closely associated with his career.

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Footage that may be hard for some to watch shows the moment a woman walking a dog is run over by two young brothers, ages 4 and 7, who took their parents' car Thursday morning in Oakland. According to the boys' uncle, the parents were sleeping when they took the parents' keys. The woman was taken to the hospital and is in critical condition. The brothers are recovering in the hospital, one with a broken leg and the other with a concussion. For the latest details on the story, click the link below.
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Footage that may be hard for some to watch shows the moment a woman walking a dog is run over by two young brothers, ages 4 and 7, who took their parents' car Thursday morning in Oakland. According to the boys' uncle, the parents were sleeping when they took the parents' keys. The woman was taken to the hospital and is in critical condition. The brothers are recovering in the hospital, one with a broken leg and the other with a concussion. For the latest details on the story, click the link below.

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“He was one of the best, if not the best, keyboardists that I’ve ever had the honor of playing with…He could learn songs before he was even done hearing them for the first time. And he could play just about anything..." - Bill Kreutzmann Keith Godchaux joined the Dead in October 1971, bringing a sharp ear and a strong feel for the piano. Though he hadn’t played in a rock band before, Keith’s classical background elevated his playing, helping the band stretch into new territory as they bounced between the many genres they were exploring at the time. He played on five studio albums and was a core part of the Europe ‘72 tour. Got a favorite Keith moment? Drop it in the comments.
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“He was one of the best, if not the best, keyboardists that I’ve ever had the honor of playing with…He could learn songs before he was even done hearing them for the first time. And he could play just about anything..." - Bill Kreutzmann Keith Godchaux joined the Dead in October 1971, bringing a sharp ear and a strong feel for the piano. Though he hadn’t played in a rock band before, Keith’s classical background elevated his playing, helping the band stretch into new territory as they bounced between the many genres they were exploring at the time. He played on five studio albums and was a core part of the Europe ‘72 tour. Got a favorite Keith moment? Drop it in the comments.

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The Berry Brothers, the sensational flash tap and acrobatics dance team that found fame in nightclubs, stage and film, comprised three blood brothers, Ananias, James, and Warren. Encouraged by their mother, they perfected their unique dance style from from the eccentric dancer Henry Wessels, who game them their only formal lessons. Their father, who was an extremely religious man and did not at first approve of their performance aspirations, eventually relented and taught them the Cake Walk and the Prancing Strut. In 1925, after the family made its way to the West Coast and settled in Hollywood, Ananias and James entered an amateur dance contest, billed as “A Miniature Williams and Walker.” Jimmy danced at parties given by such reigning silent movie stars as Mary Pickford and Clara Bow, and landed a job on the Our Gang comedies. They were a very acrobatic soft shoe dance trio. They had a dance off with the Nicholas Brothers in 1938 in the Cotton Club and by some accounts, they were more flashy but the Nicholas Brothers were better crowd pleasers overall. James Berry famously did his "butt spin", predecessor to the backspin. We can see him in The Spirit Moves documentary doing it during a Blues dance demonstration. It's not shocking that some of these flash dancers had hip problems later in life. The Brothers performed for over 30 years together were two of them unfortunately passed away before they were 55. Warren, the youngest, lived on until he was 74.
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The Berry Brothers, the sensational flash tap and acrobatics dance team that found fame in nightclubs, stage and film, comprised three blood brothers, Ananias, James, and Warren. Encouraged by their mother, they perfected their unique dance style from from the eccentric dancer Henry Wessels, who game them their only formal lessons. Their father, who was an extremely religious man and did not at first approve of their performance aspirations, eventually relented and taught them the Cake Walk and the Prancing Strut. In 1925, after the family made its way to the West Coast and settled in Hollywood, Ananias and James entered an amateur dance contest, billed as “A Miniature Williams and Walker.” Jimmy danced at parties given by such reigning silent movie stars as Mary Pickford and Clara Bow, and landed a job on the Our Gang comedies. They were a very acrobatic soft shoe dance trio. They had a dance off with the Nicholas Brothers in 1938 in the Cotton Club and by some accounts, they were more flashy but the Nicholas Brothers were better crowd pleasers overall. James Berry famously did his "butt spin", predecessor to the backspin. We can see him in The Spirit Moves documentary doing it during a Blues dance demonstration. It's not shocking that some of these flash dancers had hip problems later in life. The Brothers performed for over 30 years together were two of them unfortunately passed away before they were 55. Warren, the youngest, lived on until he was 74.

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The Berry Brothers, the sensational flash tap and acrobatics dance team that found fame in nightclubs, stage and film, comprised three blood brothers, Ananias, James, and Warren. Encouraged by their mother, they perfected their unique dance style from from the eccentric dancer Henry Wessels, who game them their only formal lessons. Their father, who was an extremely religious man and did not at first approve of their performance aspirations, eventually relented and taught them the Cake Walk and the Prancing Strut. In 1925, after the family made its way to the West Coast and settled in Hollywood, Ananias and James entered an amateur dance contest, billed as “A Miniature Williams and Walker.” Jimmy danced at parties given by such reigning silent movie stars as Mary Pickford and Clara Bow, and landed a job on the Our Gang comedies. They were a very acrobatic soft shoe dance trio. They had a dance off with the Nicholas Brothers in 1938 in the Cotton Club and by some accounts, they were more flashy but the Nicholas Brothers were better crowd pleasers overall. James Berry famously did his "butt spin", predecessor to the backspin. We can see him in The Spirit Moves documentary doing it during a Blues dance demonstration. It's not shocking that some of these flash dancers had hip problems later in life. The Brothers performed for over 30 years together were two of them unfortunately passed away before they were 55. Warren, the youngest, lived on until he was 74.
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The Berry Brothers, the sensational flash tap and acrobatics dance team that found fame in nightclubs, stage and film, comprised three blood brothers, Ananias, James, and Warren. Encouraged by their mother, they perfected their unique dance style from from the eccentric dancer Henry Wessels, who game them their only formal lessons. Their father, who was an extremely religious man and did not at first approve of their performance aspirations, eventually relented and taught them the Cake Walk and the Prancing Strut. In 1925, after the family made its way to the West Coast and settled in Hollywood, Ananias and James entered an amateur dance contest, billed as “A Miniature Williams and Walker.” Jimmy danced at parties given by such reigning silent movie stars as Mary Pickford and Clara Bow, and landed a job on the Our Gang comedies. They were a very acrobatic soft shoe dance trio. They had a dance off with the Nicholas Brothers in 1938 in the Cotton Club and by some accounts, they were more flashy but the Nicholas Brothers were better crowd pleasers overall. James Berry famously did his "butt spin", predecessor to the backspin. We can see him in The Spirit Moves documentary doing it during a Blues dance demonstration. It's not shocking that some of these flash dancers had hip problems later in life. The Brothers performed for over 30 years together were two of them unfortunately passed away before they were 55. Warren, the youngest, lived on until he was 74.

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People of Nabi Ball!❤️✌🏾 There is progress in this team👏🏾 The patterns need time to develop and for the team to be consistent in them. ■ The left side looked better with Mmodi and Shinga✅️ ■ We needed Duba to attack the box and be available more when these 2 attacked on the left. He dropped to the edge of the box very often. ■ Unlike in the 1st half, there was a better understanding between Shinga and the LW. When Shinga overlapped, Mmodi was willing to occupy the pockets and combine. ▪︎ When Shinga inverted, Mmodi was happy to hug the line and take his man on. This understanding was key in that side coming to life in the 2nd half. ■ What was also impressive was the ability for them to create good combinations and movements with Mdu and Duba on the offense from the left side. ■ Lilepo from the right was getting into good goal scoring positions when the left was creating in the 2nd half, but poor decisions on the ball and slow reactions were a problem. He should compete on the LW with Mmodi. ■ In the 1st half, it was Monyane and Vilakazi on the right, and 2nd half it was Mmodi and Shinga with some of our best moments in attack. Overall, you can see the general attitude of this team changing. They want to play now. They want to stay on the ball and create chances from a position of control, not rely heavily on transitional moments to create chances. We have shown signs that we can control and be patient, but when opportunities to attack comes we are relentless, and we use a lot of speed to enter the final 3rd. We just need to work on the combinations and finishing in the final 3rd. Like I said before, we are a work in progress, and we will get better only if we build on the positives and remove the negatives. Protagonist Tiki-taka is coming!❤️✌🏾

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The Fotoplayer was an instrument developed by the American Photo Player Co. between the years of 1912 and 1925, used to provide music and sound effects for silent movies. Before movies had sound, playing background music during a film aided in developing a particular mood for a certain scene. Initially, small theatres would use player pianos to produce music automatically from piano rolls. After some time, some of these pianos were extended in size with pipe organs and sound effects inserted into large cabinets connected to the sides of the piano. The user of this new contraption could then create multiple sounds to match the actions on screen. Between 8,000 and 12,000 of these musical instruments were made between 1910 and 1928. The appeal of the Fotoplayer to theatre owners was the fact that it took no major musical skill to operate. The Fotoplayer would play the piano and pipe organ mechanically using an electric motor, an air pump, and piano rolls while the user of the Fotoplayer would follow the onscreen action while pulling cords, pushing buttons, and pressing pedals to produce relatable sounds to what was occurring onscreen.
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The Fotoplayer was an instrument developed by the American Photo Player Co. between the years of 1912 and 1925, used to provide music and sound effects for silent movies. Before movies had sound, playing background music during a film aided in developing a particular mood for a certain scene. Initially, small theatres would use player pianos to produce music automatically from piano rolls. After some time, some of these pianos were extended in size with pipe organs and sound effects inserted into large cabinets connected to the sides of the piano. The user of this new contraption could then create multiple sounds to match the actions on screen. Between 8,000 and 12,000 of these musical instruments were made between 1910 and 1928. The appeal of the Fotoplayer to theatre owners was the fact that it took no major musical skill to operate. The Fotoplayer would play the piano and pipe organ mechanically using an electric motor, an air pump, and piano rolls while the user of the Fotoplayer would follow the onscreen action while pulling cords, pushing buttons, and pressing pedals to produce relatable sounds to what was occurring onscreen.

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Remembering the great Lee Morgan who was born on this day in 1938. A prodigy known as the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers, Morgan was a professional musician at age 15, and at 18 he was a featured soloist with the Dizzy Gillespie big band. His attack was aggressive; half-valved, slurred, and stuttered notes lent expressive character to his lines. Emotional complexities, from exuberance to dark moods, were typical of his improvising, as evidenced by his melodic intricacy and great rhythmic poise. He began leading his own recording sessions in the late 1950s, at first exhibiting a style modeled on Clifford Brown’s trumpeting. Even then, however, idiosyncratic elements of phrasing and expression appeared in his playing, elements that were integrated into a personal style during his first tenure with Art Blakey and the Jazz Messengers. Here, he is performing “I Remember Brit” with Billy Harper on tenor saxophone, Harold Mabern on piano, Jymie Merrit on bass and Freddie Waits on drums live on Soul! in 1972.
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Remembering the great Lee Morgan who was born on this day in 1938. A prodigy known as the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers, Morgan was a professional musician at age 15, and at 18 he was a featured soloist with the Dizzy Gillespie big band. His attack was aggressive; half-valved, slurred, and stuttered notes lent expressive character to his lines. Emotional complexities, from exuberance to dark moods, were typical of his improvising, as evidenced by his melodic intricacy and great rhythmic poise. He began leading his own recording sessions in the late 1950s, at first exhibiting a style modeled on Clifford Brown’s trumpeting. Even then, however, idiosyncratic elements of phrasing and expression appeared in his playing, elements that were integrated into a personal style during his first tenure with Art Blakey and the Jazz Messengers. Here, he is performing “I Remember Brit” with Billy Harper on tenor saxophone, Harold Mabern on piano, Jymie Merrit on bass and Freddie Waits on drums live on Soul! in 1972.

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John Krasinski and Jenna Fischer, who played Jim and Pam in The Office, shared an incredible on-screen chemistry that came from a real-life friendship. During auditions, their connection was so natural that producers instantly knew they were perfect for the roles. Many emotional moments between them, like the teapot scene, were filled with genuine feelings, Jenna even admitted she truly cried filming it.
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John Krasinski and Jenna Fischer, who played Jim and Pam in The Office, shared an incredible on-screen chemistry that came from a real-life friendship. During auditions, their connection was so natural that producers instantly knew they were perfect for the roles. Many emotional moments between them, like the teapot scene, were filled with genuine feelings, Jenna even admitted she truly cried filming it.

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607,019 просмотров • 9 месяцев назад

The Nicholas Brothers didn’t just dance in Stormy Weather (1943). They rewrote what audiences thought was physically possible! Fayard and Harold Nicholas combined tap, acrobatics, and perfect timing into a sequence that still feels impossible more than 80 years later. Leaping over each other, dancing across pianos, and finishing with their legendary staircase routine, they performed every move for real. Fred Astaire later called it the greatest dance sequence ever filmed, and it’s easy to see why. Some performances age. This one just keeps raising the bar.
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The Nicholas Brothers didn’t just dance in Stormy Weather (1943). They rewrote what audiences thought was physically possible! Fayard and Harold Nicholas combined tap, acrobatics, and perfect timing into a sequence that still feels impossible more than 80 years later. Leaping over each other, dancing across pianos, and finishing with their legendary staircase routine, they performed every move for real. Fred Astaire later called it the greatest dance sequence ever filmed, and it’s easy to see why. Some performances age. This one just keeps raising the bar.

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Remembering the great Lee Morgan who was born this week in 1938. A prodigy known as the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers, Morgan was a professional musician at age 15, and at 18 he was a featured soloist with the Dizzy Gillespie big band. His attack was aggressive; half-valved, slurred, and stuttered notes lent expressive character to his lines. Emotional complexities, from exuberance to dark moods, were typical of his improvising, as evidenced by his melodic intricacy and great rhythmic poise. He began leading his own recording sessions in the late 1950s, at first exhibiting a style modeled on Clifford Brown’s trumpeting. Even then, however, idiosyncratic elements of phrasing and expression appeared in his playing, elements that were integrated into a personal style during his first tenure with Art Blakey and the Jazz Messengers. Morgan was also part of multi-instrumentalist Rahsaan Roland Kirk’s Jazz and People’s Movement where they organized protests and pickets, specifically targeting major television networks to demand better representation, fair broadcasting opportunities for Black artists, and an end to racist practices in show business. The black liberation movement of the late-60s gave the musician a new, political impulse, and he returned to the jazz scene to become a vociferous campaigner for black musicians’ rights and representation. Here, he is performing “Angela” with Billy Harper on tenor saxophone, Harold Mabern on piano, Jymie Merritt on bass and Freddie Waits on drums live on Soul! in 1972. The tune was composed by bassist Jymie Merritt and is dedicated to Marxist feminist activist and author Angela Davis.
5:15

Remembering the great Lee Morgan who was born this week in 1938. A prodigy known as the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers, Morgan was a professional musician at age 15, and at 18 he was a featured soloist with the Dizzy Gillespie big band. His attack was aggressive; half-valved, slurred, and stuttered notes lent expressive character to his lines. Emotional complexities, from exuberance to dark moods, were typical of his improvising, as evidenced by his melodic intricacy and great rhythmic poise. He began leading his own recording sessions in the late 1950s, at first exhibiting a style modeled on Clifford Brown’s trumpeting. Even then, however, idiosyncratic elements of phrasing and expression appeared in his playing, elements that were integrated into a personal style during his first tenure with Art Blakey and the Jazz Messengers. Morgan was also part of multi-instrumentalist Rahsaan Roland Kirk’s Jazz and People’s Movement where they organized protests and pickets, specifically targeting major television networks to demand better representation, fair broadcasting opportunities for Black artists, and an end to racist practices in show business. The black liberation movement of the late-60s gave the musician a new, political impulse, and he returned to the jazz scene to become a vociferous campaigner for black musicians’ rights and representation. Here, he is performing “Angela” with Billy Harper on tenor saxophone, Harold Mabern on piano, Jymie Merritt on bass and Freddie Waits on drums live on Soul! in 1972. The tune was composed by bassist Jymie Merritt and is dedicated to Marxist feminist activist and author Angela Davis.

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ABC News photojournalist Chris Plater, a witness to the scene after two National Guardsmen were shot in D.C.: "One person said something like, you know, man, the guy went up there and started shooting at the National Guard. I didn't get to talk to him, but I didn't get to, you know, know who he was. But it seemed like he suggested that somebody went up and started shooting at the National Guard." "One National Guard was lying on his side. They were rendering aid to him. He wasn't moving, but he was on his side. And then I looked at the the other National Guard member that was down, and I saw compressions going on. I, you know, it was -- it was a lot of people around there. So I don't think it was the person that had done the shooting. And all I could tell you is that I identified two National Guard members that were being worked on. Eventually, the one National Guard that was on the side, he got to move a little bit while he was on his side. And they were still, you know, kind of, you know, working with him. But the other national Guard member, I just saw compression going on with him in the chest area, and that's that's all I can tell you."
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ABC News photojournalist Chris Plater, a witness to the scene after two National Guardsmen were shot in D.C.: "One person said something like, you know, man, the guy went up there and started shooting at the National Guard. I didn't get to talk to him, but I didn't get to, you know, know who he was. But it seemed like he suggested that somebody went up and started shooting at the National Guard." "One National Guard was lying on his side. They were rendering aid to him. He wasn't moving, but he was on his side. And then I looked at the the other National Guard member that was down, and I saw compressions going on. I, you know, it was -- it was a lot of people around there. So I don't think it was the person that had done the shooting. And all I could tell you is that I identified two National Guard members that were being worked on. Eventually, the one National Guard that was on the side, he got to move a little bit while he was on his side. And they were still, you know, kind of, you know, working with him. But the other national Guard member, I just saw compression going on with him in the chest area, and that's that's all I can tell you."

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697,899 просмотров • 9 месяцев назад

On April 3rd, 1865, 15,000 battle-hardened black men with rifles, joined with their white counterparts and fellow soldiers, marched into the Confederate capital of Richmond, Virginia after a series of fiery battles and placed the American flag there. They liberating 500,000 enslaved peoples in one day. They fought side by side with their brothers to become proud Americans, with love for this new country they built with their blood, sweat and tears. They are God’s Soldiers, and were a divine force in making the Constitution real for all Americans. Salute to them, and salute to the Independence they brought to America. Happy 4th. God’s Soldiers premieres in 2026. It’s been a true honor to tell their story. The love that I feel, the love for my country, the land that we rose, the life we chose, I pledge to America, forever on. #july4th #indepenceday #foundationalblackamericans #constitution
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On April 3rd, 1865, 15,000 battle-hardened black men with rifles, joined with their white counterparts and fellow soldiers, marched into the Confederate capital of Richmond, Virginia after a series of fiery battles and placed the American flag there. They liberating 500,000 enslaved peoples in one day. They fought side by side with their brothers to become proud Americans, with love for this new country they built with their blood, sweat and tears. They are God’s Soldiers, and were a divine force in making the Constitution real for all Americans. Salute to them, and salute to the Independence they brought to America. Happy 4th. God’s Soldiers premieres in 2026. It’s been a true honor to tell their story. The love that I feel, the love for my country, the land that we rose, the life we chose, I pledge to America, forever on. #july4th #indepenceday #foundationalblackamericans #constitution

Mark Batson🇺🇸

74,925 просмотров • 1 год назад

Does anyone remember the Aaron Spelling Television show THE HEIGHTS? I think it lasted a half season, I was the guest star on the 6th episode 32 years on this date! Huge guest star role. They wanted a rock star (for real they tried to get one) and ended up with me. The show’s environment was all music, and not a lot of us were doing that back then out of the 80s - acting and music. Wish I had the clip rehearsing with the band on that episode where I played guitar and sang (yes, for real, both). I do though have this clip…. Feeling LOVE and LIGHT for all! Smiles to everyone! #90sTV #90sTelevison #ThrowbackTV #NinetiesNostalgia #Backtothe90s
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Does anyone remember the Aaron Spelling Television show THE HEIGHTS? I think it lasted a half season, I was the guest star on the 6th episode 32 years on this date! Huge guest star role. They wanted a rock star (for real they tried to get one) and ended up with me. The show’s environment was all music, and not a lot of us were doing that back then out of the 80s - acting and music. Wish I had the clip rehearsing with the band on that episode where I played guitar and sang (yes, for real, both). I do though have this clip…. Feeling LOVE and LIGHT for all! Smiles to everyone! #90sTV #90sTelevison #ThrowbackTV #NinetiesNostalgia #Backtothe90s

Jill Schoelen

69,770 просмотров • 11 месяцев назад

Can you observe Knopfler's incredible humbleness in this performance? He's acting like that song is not written by himself and he just enjoys the legends. The video you'll watch is a special one. Not only for you bot also for Mark Knopfler. Atkins was a great influence on Knopfler, possibly one of the most influenced musician was Atkins. He always adored his playing and dreamt of playing with him. Mark Knopfler, Chet Atkins, and Everly Brothers performing 'Why Worry', the song that was released within the ground-breaking 1985 album Brothers In Arms, by Dire Straits. This performance is a dream that came true.
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Can you observe Knopfler's incredible humbleness in this performance? He's acting like that song is not written by himself and he just enjoys the legends. The video you'll watch is a special one. Not only for you bot also for Mark Knopfler. Atkins was a great influence on Knopfler, possibly one of the most influenced musician was Atkins. He always adored his playing and dreamt of playing with him. Mark Knopfler, Chet Atkins, and Everly Brothers performing 'Why Worry', the song that was released within the ground-breaking 1985 album Brothers In Arms, by Dire Straits. This performance is a dream that came true.

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182,516 просмотров • 1 год назад

This is Emilio Piano (real name Emil Reinert), a French-German classical pianist who’s become famous on Instagram and TikTok for playing piano in public places — streets, shopping malls, airports — and letting random people request songs. On June 16, 2026, he was playing outside the TAURON Arena in Kraków, Poland, right before The Offspring’s concert at the Lost Generation Festival. A girl walked up and asked him to play her favorite song by The Offspring. He started playing… and suddenly the crowd went crazy. He had no idea why. It turned out the band themselves were walking past on their way to the show. They heard him playing one of their songs (“The Kids Aren’t Alright”), stopped, and jumped in to sing and play along with him. Completely spontaneous. One of those rare, magical moments that only happen in real life.
2:58

This is Emilio Piano (real name Emil Reinert), a French-German classical pianist who’s become famous on Instagram and TikTok for playing piano in public places — streets, shopping malls, airports — and letting random people request songs. On June 16, 2026, he was playing outside the TAURON Arena in Kraków, Poland, right before The Offspring’s concert at the Lost Generation Festival. A girl walked up and asked him to play her favorite song by The Offspring. He started playing… and suddenly the crowd went crazy. He had no idea why. It turned out the band themselves were walking past on their way to the show. They heard him playing one of their songs (“The Kids Aren’t Alright”), stopped, and jumped in to sing and play along with him. Completely spontaneous. One of those rare, magical moments that only happen in real life.

MP10

895,645 просмотров • 25 дней назад

It’s the ultimate Hollywood paradox: One of the greatest on-screen romances of all time was fueled by two people who—at the time—could barely stand to be in the same room. ​The tension between Patrick Swayze and Jennifer Grey wasn't just acting; it was genuine friction from their time on Red Dawn that carried over into the Kellerman’s rehearsals. But somehow, that irritation translated into a raw, electric chemistry that a "friendly" set could never replicate. ​From the frustration in the "arm tickling" scene (which was actually real) to the legendary lift in the lake, they gave us a masterpiece of longing and passion. ​40 years later and: ✅ The soundtrack still carries. ✅ The "lift" is still the GOAT. ✅ "Nobody puts Baby in a corner" still gives chills. ​It’s proof that sometimes, the best magic happens when things aren’t perfect. A favorite forever. ❤️🎞️
0:31

It’s the ultimate Hollywood paradox: One of the greatest on-screen romances of all time was fueled by two people who—at the time—could barely stand to be in the same room. ​The tension between Patrick Swayze and Jennifer Grey wasn't just acting; it was genuine friction from their time on Red Dawn that carried over into the Kellerman’s rehearsals. But somehow, that irritation translated into a raw, electric chemistry that a "friendly" set could never replicate. ​From the frustration in the "arm tickling" scene (which was actually real) to the legendary lift in the lake, they gave us a masterpiece of longing and passion. ​40 years later and: ✅ The soundtrack still carries. ✅ The "lift" is still the GOAT. ✅ "Nobody puts Baby in a corner" still gives chills. ​It’s proof that sometimes, the best magic happens when things aren’t perfect. A favorite forever. ❤️🎞️

✨️Serenitee♡Sam✨️

30,656 просмотров • 4 месяцев назад

Seems the "pianist vs. 'CCP'" story made it to Chinese social media, so one of the people involved released her side of the story. Summary: 1) They were there to film Chinese New Year Greetings for a company 2) They were waiting to use the piano to film next to it and waited for over 40 minutes for the pianist guy to leave 3) Due to a non-disclosure agreement with the company, none of the footage of their CNY greeting could be published to the public 4) They did not know he was live-streaming (for profit) and even before his live-streaming started he filmed videos of all of them and during this time they told him they were Chinese 5) Even though he knew they were Chinese he kept insisting they were Japanese (perhaps to provoke them because content) 6) He provokingly plays a discriminating song on his piano (related to Ching Cheng Hanji meme) 7) They decided to politely ask how long it would take for him to use the piano 8) After realizing he is probably a content creator she asked if he could delete the video because their content was non-disclosable and could not be made public in advance 9) He posted content with them in online anyway without their permission 10) They found out he's a YouTuber with over 2 million subscribers and so according to the police he will likely not be allowed to play the piano there without a permit since he is making money from it
4:29

Seems the "pianist vs. 'CCP'" story made it to Chinese social media, so one of the people involved released her side of the story. Summary: 1) They were there to film Chinese New Year Greetings for a company 2) They were waiting to use the piano to film next to it and waited for over 40 minutes for the pianist guy to leave 3) Due to a non-disclosure agreement with the company, none of the footage of their CNY greeting could be published to the public 4) They did not know he was live-streaming (for profit) and even before his live-streaming started he filmed videos of all of them and during this time they told him they were Chinese 5) Even though he knew they were Chinese he kept insisting they were Japanese (perhaps to provoke them because content) 6) He provokingly plays a discriminating song on his piano (related to Ching Cheng Hanji meme) 7) They decided to politely ask how long it would take for him to use the piano 8) After realizing he is probably a content creator she asked if he could delete the video because their content was non-disclosable and could not be made public in advance 9) He posted content with them in online anyway without their permission 10) They found out he's a YouTuber with over 2 million subscribers and so according to the police he will likely not be allowed to play the piano there without a permit since he is making money from it

thisischaniece

1,292,893 просмотров • 2 лет назад

On December 13th, 2025, they were married in a beautiful ceremony. They didn't know that eight months later, he would be killed by the very people who were supposed to protect him. Fwansgshak and Sandra were a beautiful young couple with dreams of raising a family and building a future together. On August 9th, 2026 — in the eighth month of their marriage — Fwansgshak left home and never returned. It was a cloudy Sunday afternoon. Fwansgshak and his wife Sandra, who was pregnant, had just returned from church service. They sat talking about the security of their community and the future of their unborn child. Just hours earlier, a young man had been ambushed on his way to church, only three miles away. Fwansgshak was worried about his wife's safety and spent time reassuring her. Then gunshots erupted outside their home. Fwansgshak was a youth leader in his community, responsible for mobilizing the village security team. The team was only ten volunteers armed with nothing but homemade pipe guns. He knew the danger. The gunfire they were hearing was from automatic rifles — the kind often used by radical Fulani terrorists. But he and his team were the only hope for his wife and over 500 members of the community. After several failed attempts to get the military, stationed just two miles away, to respond, Fwansgshak and his team bravely moved toward the gunfire and successfully pushed the attackers back. As the terrorists retreated into the forest, the soldiers who had been unresponsive suddenly appeared. Despite clearly hearing the gunshots from the retreating attackers, they ignored them and turned their weapons on the civilian guards instead. Fwansgshak was killed instantly by machine gun fire. The soldiers then took his body, dumped it at a nearby hospital, and later circulated his photos online, falsely alleging he was a bandit who had fired on them. But the testimony of his church where he served as secretary, his pregnant wife who was with him moments before he left, and his fellow community members — including fellow guards who witnessed the encounter — tell a completely different story.
1:11

On December 13th, 2025, they were married in a beautiful ceremony. They didn't know that eight months later, he would be killed by the very people who were supposed to protect him. Fwansgshak and Sandra were a beautiful young couple with dreams of raising a family and building a future together. On August 9th, 2026 — in the eighth month of their marriage — Fwansgshak left home and never returned. It was a cloudy Sunday afternoon. Fwansgshak and his wife Sandra, who was pregnant, had just returned from church service. They sat talking about the security of their community and the future of their unborn child. Just hours earlier, a young man had been ambushed on his way to church, only three miles away. Fwansgshak was worried about his wife's safety and spent time reassuring her. Then gunshots erupted outside their home. Fwansgshak was a youth leader in his community, responsible for mobilizing the village security team. The team was only ten volunteers armed with nothing but homemade pipe guns. He knew the danger. The gunfire they were hearing was from automatic rifles — the kind often used by radical Fulani terrorists. But he and his team were the only hope for his wife and over 500 members of the community. After several failed attempts to get the military, stationed just two miles away, to respond, Fwansgshak and his team bravely moved toward the gunfire and successfully pushed the attackers back. As the terrorists retreated into the forest, the soldiers who had been unresponsive suddenly appeared. Despite clearly hearing the gunshots from the retreating attackers, they ignored them and turned their weapons on the civilian guards instead. Fwansgshak was killed instantly by machine gun fire. The soldiers then took his body, dumped it at a nearby hospital, and later circulated his photos online, falsely alleging he was a bandit who had fired on them. But the testimony of his church where he served as secretary, his pregnant wife who was with him moments before he left, and his fellow community members — including fellow guards who witnessed the encounter — tell a completely different story.

Masara Kim

27,624 просмотров • 14 дней назад