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the ultimate gag is Michael didn’t train classically yet became a worldwide dance sensation. dancers pay thousands of $ in traditional classes, competition dance fees, then you have Michael Jackson who did none of that. found his own way to honor black legends +learn dance, invigorate it creating his...

33,248 次观看 • 1 年前 •via X (Twitter)

4 条评论

CatDance 的头像
CatDance1 年前

MJ was DISCIPLINED, rehearsing + collaborating with choreographers who have nothing but respect for his work ethic + dance artistry, elevating their own careers - fav stayed humble yet he is responsible for conceptualizing and disrupting the landscape of dance art in stage/music videos, holding everyone to a higher standard 🙂‍↕️

CatDance 的头像
CatDance1 年前

His improv and ensemble work is second to none, lines clean, sharp transitions seamless and articulate - this is what separates him from other dancers. Anyone can learn dance. It’s what they DO with the moves that makes an exceptional dancer. You just can’t argue or compare anyone with what he achieved and still continues to influence, it isn’t a matter for stan opinion - it’s experts in dance, by rigorous criteria he was inducted into the illustrious dance hall of fame for unique contribution to dance.

CatDance 的头像
CatDance1 年前

PAPA MJ WORKED DECADES CREATING ULTIMATE INNOVATIVE, EMOTIVE DANCECRAFT - PUT SOME RESPECT TO HIS NAME 👏

LazyFit 的头像
LazyFit1 年前

No jumping, No Running. Workouts at home at any time.🕒🏠 BEST 15 min Beginner Home Workout for Weight Loss 🧘‍♀️🔥

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[Throwback] Kobayashi Arata,a professional dancer, give detailed abt taehyung’s dance abilities on Fire and Dynamite 👤Whenever I see Taetae dance, I got the impression that he is a groove-type dancer. He has good detail and dances like he is riding the music. I like dances that convey the dancer's own vibe that only they have, and Taetae's dance is like that. His neck's trajectory is continuously moving back and forth. It's a professional's technique. His dance is very professional. It's very difficult to grab the rhythm in a simple way, but Taetae has a very good sense for that. Even when he isn't moving, the texture of his dance movements are very exquisite.The way he dances to his heart's content is wonderfully cool. The way he feels the sound (music) is expressed through the movement of his neck. The way he burns his feelings into the music is at a very professional level. One more thing to mention, the way he approaches a certain melody is always very outstanding and beautiful. You can see his great sense for dancing in his ad-libs, besides the set choreography. The neck is the part of the body that can express rhythm, so it especially requires skill. Taetae uses his neck extremely well. People at a high level of dancing can draw a hot response from just moving their neck a little. A great dancer knows that just a simple neck movement can look really cool. 1 speculate that Taetae is a dancer who knows this. The way he paces himself is no joke. The reason he can comfortably maintain the rhythm with his whole body is because he properly feels the music inside his body His dance has a mature charm. It's something different than the brilliance and dynamism that can be seen from the outside. From an angle that surpasses all that, he expresses how he perceives the beauty of the dance. He is the type that enthralls others by actually enjoying the music himself. He is like a miso soup made by a first-class chef. It doesn't make sense how smooth he is. (All of his movements are very smooth.) People, who enjoy music itself in the first place, look cool with the way they ride the rhythm. He dances as if he has surrendered himself to the sound (music), and as if he is submerged in the music. He is able to feel the rhythm with his whole body. Taetae's hidden details, in which he accomplishes things like they're nothing, make my heart beat. It's a difficult thing to do. You can't do this just by learning it. He has a good sense for dancing. The way he dances is very smart. In conclusion, Taetae is at an extremely high level of dance. From the little details that are hard to catch at first glance, to his dance skills that read the music, making it feel like a "professional dance" style and feel, can all be seen in the ad-libs as well. These parts all depend on the individual's sense for dance. What can be seen from here is that Taetae has a good sense of understanding and feeling sound(music), and i really want to become someone like that too. 28min video: trans cr: KTHbase/KTH_FanBase

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46,199 次观看 • 1 年前

Powwow dances are beautiful expressions of Indigenous spirituality, history and culture. There are a variety of regional dance styles performed by men, women and children across North America. For all dancers, spiritual centre of a powwow is always the Circle — a revered area blessed by a spiritual leader. Dancers must only enter Circle from east, as they walk in direction of sun. In addition, powwow dances, drum music and singers and regalia are sacred elements of celebration, meant not only to entertain, but also to tell important stories about personal and cultural history. Term “powwow” derives from Pau Wau, meaning “medicine man” in Narrtick, a language spoken by Algonquian peoples in Massachusetts. English settlers began misusing word to refer to meetings of Indigenous medicine men and later to any kind of American Indian gathering. American Indians have since reclaimed term. Although powwows are said to originate with Plains Indigenous peoples, cross-cultural exchanges have produced various regional variations to powwow dances. Most well-known of Northern styles (originating from northern Great Lakes and Great Plains regions) include men’s and women’s Northern Traditional Dances. Most well-known Southern styles (originating from central and western areas of Oklahoma and southern Plains peoples, including Kiowa, Comanche, Pawnee, Ponca), include men’s Southern Straight Dance and women’s Southern Cloth Dance. Some dances, namely men’s and women’s Fancy Dances, women’s Jingle Dance and men’s Grass Dance, are less geographically specific in modern times because they have been adapted in different ways by both Northern and Southern communities. There are also dances that are specific to certain First Nations, or that commemorate certain events or elements of nature. For example, Chicken Dance (Northern Plains), Crow Hop (Crow of Montana) and Rabbit Dance (Sioux) are regional dances that originate from observations of nature and animals. Sneak-Up Dance (Plains) and Smoke Dance (Haudenosaunee) are warrior dances. Hoop Dance (Anishinaabe) incorporates anywhere from one to 30 hoops in a story-telling dance. There are many other types of regional and ceremonial dances performed by various First Nations at some powwows. Most powwow dances are performed by individuals. There are dances for couples as well, such as Owl Dance (Northern Plains). Friendship Dances or Round Dances (Anishinaabe/Northern Plains) are intertribal dances that are open to general public, allowing both Indigenous and non-Indigenous peoples to celebrate together in song and dance. During Round Dance, all participants join hands and circle dance area, facing centre of circle. At times, Métis dancers (often performing the traditional jigging dance), Inuit dancers and dancers from Indigenous nations outside Canada and United States, such as Mexico, Australia, New Zealand, among others, are asked to perform at powwow celebrations. In this way, powwows can be a forum for cultural exchanges. Powwows can be defined as traditional or competitive. Traditional powwows are held in local communities, and do not have dance and drum group competitions. Competitive powwows have dance categories for women, men and children. Dancers who score the highest in their category receive awards or cash prizes. At contest powwows, dance categories can be gender- and age-specific. For example, jingle dress dance is typically performed by women, while Smoke Dance was historically performed by men. However, with resurgence of two-spirit traditions, and progression of women’s rights movements in 20th Century, some powwow organizers and First Nations allow dancers of opposite sex to participate in traditionally male or female specific dances. Most dances are also categorized by age: adult, teenager/youth and “tiny tot” (children). Panel of judges evaluating the competitive dances scores performers based on dance category as well as regalia and dancing abilities. #archaeohistories

Archaeo - Histories

69,196 次观看 • 16 天前