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This bop name Zykeria from nyc she be off some shit called tea but good eats #pyt #northjersey #newark #irvington #streetwalker #throat #blackpyt #telegram #fyp #southjersey #newarkbops #nycfreaks #ctfreaks

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Gia Carangi gave one of her last known interviews in 1986. She was 26 years old. She died the following year. Watch closely and you almost miss it. She's sitting at a bar, a little loose, a little electric. She talks about going to school for cinematography. She name-drops Vittorio Storaro, the Italian cinematographer behind Reds, the man who painted with light for Coppola and Bertolucci. She can't quite get his name out, but she knows exactly who he is. "I'm going to make a Big Splash in film someday with my films as a cinematographer." Then she catches herself. She knows why the camera is there. "I know you want to get down to business." But she keeps going anyway. She deflects with humor. She laughs about her nerves, blames it on not having finished her "Growing Pains." She acknowledges her skin doesn't look good. She cracks a joke about the model discount at the hotel bar. "That's life in the big city." And then, just before she wraps it up, something quietly defiant slips through: "I'm still in shape everybody. I'm still..." The sentence trails off. But the insistence behind it doesn't. By 1986, the fashion industry had largely discarded Gia Carangi. She had been the first supermodel, the face that launched a thousand covers, the girl from Philadelphia who walked into New York at 17 and made the whole city stop. Helmut Newton photographed her. Francesco Scavullo called her a natural. She had graced the covers of Vogue, Cosmopolitan, and Glamour at a time when those covers meant everything. But heroin had taken most of that away, and AIDS would take the rest. "Soon as I do, I'll be fine." She died on November 18, 1987. She was 26.

History Nerd

175,312 görüntüleme • 1 ay önce

Jess Phillips has been utterly exposed as a fraud in this brutal Channel 4 interview. The supposed champion for safeguarding women and girls just admitted she “absolutely understood” and “absolutely knew” that some r*p!sts, sex abusers and domestic abusers would walk free early under Labour’s scheme. When pressed on why she and her party voted against the Conservative amendment to exclude these exact offenders from early release, her only defence? “There’s a prison crisis.” Yes, Jess, there is but that’s no excuse for letting predators out sooner. The “safeguarding minister” shouldn’t be shrugging it off. The interviewer confronted her with devastated victim statements. Phillips called the handling “appalling” and whined that some victims shouldn’t even be getting those letters. The interviewer fired back: “But that’s exactly what you voted for!” Typical Jess Phillips: never taking responsibility. Just like when she blamed others in her party for “turning a blind eye” to grooming gangs (but never herself), or when she resigned from the Starmer government claiming she couldn’t get anything done only to throw him and the rest under the bus the moment it was politically convenient. It’s a clear pattern with her. The same woman who was warned by the shadow justice minister that this would come back to haunt every single one of them. When the interviewer asked “does it haunt you now?”, Phillips coldly replied: “It doesn’t haunt me.” Absolutely shameful, but entirely predictable from Jess Phillips. Women and girls deserve so much better.

J Stewart

666,901 görüntüleme • 1 ay önce

🛑🇫🇷 - A French woman is talking to Emmanuel Macron. She said, “Macron since you came into power, we are in shit. We no longer can buy anything. You’re the disgrace of our country. So, it’s time for you to leave, because we’re in shit. I didn’t have any choice between my rent and the electricity bill. But, I chose to pay my rent in order not to become a homeless. Today, I find myself without electricity, and I’m obliged to cook some pasta with this small gas stove. You’re the disgrace of our country. You know Mr Macron, I know what it is to a homeless, because a long time ago, I was homeless with 4 kids to care for. You are useless at all. You are just there as a decoration. You don’t keep your word. It enters in one ear and goes out from the other. You promised that there are no more homeless on the streets. Nowadays, there are still many on the streets. I am privileged to have a roof over my head, but I don’t have electricity anymore. Why? Because, you have increased everything. Those people, the people survive. Are you not ashamed of what you’re doing? But you’re quiet! Before Christmas, they cut off my electricity. Is that my Christmas gift? Before Christmas, they cut off my electricity without warning me, without sending me a word in the mailbox. Normally, in winter, they have no right to cut off electricity. Now, I’m obliged to go to the Auchan to charge my cellphone because, it doesn’t last long. Mr Macron with his three piece suit, he wants to act smart, make promises, promises of nothing at all. Promising to the people but doing nothing. He is doing nothing for his people. He is putting everyone in shit, you’re putting everyone in shit. Do you understand? Everyone is in shit. You put me in shit, like other people whom you put in shit. We’re all in shit because of you. We’re all in shit Mr Macron because of you. Your own people are in shit because of you. So, resign if you’re unable to take care of your people. Resign!” Alright, folks, the number of times she used the word shit shows how desperate and frustrated she is. I must confess that I couldn’t stop laughing. These are the French people who don’t truly know nor understand that their country called France 🇫🇷 is striving because she controls 14 francophone countries. It’s thanks to those country that France 🇫🇷 holds its prestige on the world stage and can lift a finger. If not, France 🇫🇷 is a dwarf and doesn’t deserve to sit among powerful nations. She’s complaining that she doesn’t have electricity anymore. Well, woman, your country used to get free uranium in a country called Niger 🇳🇪 that you guys called the poorest. Now that a man called General Tiani Conseil National pour la Sauvegarde de la Patrie has shut down the uranium tap, your electricity bill has skyrocketed. That’s why your crooked country finds it difficult to buy it at market price because, they can’t afford it. No wonder ORANO wants to sue Niger because General Tiani took back the uranium mines from your hands. Awww crybabies! Thieves will go hungry oh! So, a thief and a predator who was looting our uranium for the last 53 years wants to sue us for taking back our thing? Eiii! Europeans are very funny 🤣🤣🤣. Ok! See you in court! We’ll settle the score there! Without energy, you will have no economy! We’ve not yet abolished the CFA franc and you guys are already crying? You said you’re all in shit right? Sorry, woman! You’ll be in deep shit very soon! It’s way bigger than Macron, because Africa must be free! This is just the beginning of sorrows! It’s going to be worst! Wait and see!

Sy Marcus Herve Traore

33,378 görüntüleme • 1 yıl önce

This remote viewer allegedly went to a meeting with “hundreds of thousands” of aliens on the Moon. “There’s little troll beings.” “There’s gelatinous beings.” “There’s really freaking tall beings.” And there were “tens of thousands” of other remote viewers from Earth. This was Elizabeth April’s introduction to the “Galactic Federation.” First, she was visited in her room by a “seven foot tall” man in a “white light body.” “I open my eyes, and he’s gone.” “I close my eyes, and he’s there.” “Open my eyes, gone.” “Close my eyes, there.” “And he said: my name is Kinetic, and I’m a Pleiadian from the Galactic Federation of Light, and I want to invite you to a meeting.” “I’m like: yeah, sure.” “He said: there’s gonna be a meeting in, I think he said like two or three days … it’s gonna be at 2am your time.” “I’m sitting there, 2am on the dot, he comes back into my room and he says: follow me.” “He’s in this white light body … I’m gonna go follow him in my remote body.” “We’re just flying through the air … and we go off the planet.” “We’re going towards the Moon.” “I go inside the Moon, and there’s this huge … circular room.” “I’m talking like hundreds of thousands of seats and beings in this room.” “In the seats were two beings of each species or civilization.” And there were “tens of thousands of white light bodies.” “I could see the grounding cord from their body going outside of the Moon, back to planet Earth.” “I’m like, holy shit … these are a bunch of other remote viewers from Earth who also got invited to this meeting.” “There’s this floating platform in the center of the room, and standing on the platform is like this little being, and then this beautiful, tall, sort of a Grey hybrid woman.” “I now know her name is Mika.” “This is like December 21st, 2011, so right before 2012.” “She’s not only just saying it, but she’s projecting images into our minds as well.” “She talked a lot about … the splitting of the Earth, the shifting of the timelines.” “She talked about this huge energy wave that was going to hit the planet and propel us into this sort of new Earth.” “She talked extensively about this other species on planet Earth that has sort of been taking over, that’s gonna be kicked off of the planet.” “She was showing me these, I called them dinosaur-like beings, 8 to 10 foot tall, scaly, green, some had tails, some had wings.” “Reptilians.” “She was talking about: we have a history with them, we’ve been monitoring them, but now, it’s no longer time for them to be on planet Earth, they need to leave in order for humanity to make a choice, and they need to make that choice with their free will.” “And then that was that, and then I just went back into my body.” Elizabeth April Acid For Squares

Holden Culotta

238,093 görüntüleme • 3 ay önce

Quentin Tarantino on Pam Grier & the opening sequence in 'Jackie Brown' (1997): "'Jackie Brown' (1997) is not a black exploitation film. Having said that, Pam is such an icon. To one degree or another, it is like casting John Wayne in a movie. You cast John Wayne in a Western, you are not just dealing with this unknown figure walking in there that you have got to learn about. For some audiences that will be the case, but that is not where I am coming from. John Wayne has got a whole past behind him, and his past is built up from these other movies. That is good baggage. Some baggage can be very, very good. By casting Pam, I did term this in my mind to a Pam Grier movie, but it was a Pam Grier movie with its feet on the ground more. That is not putting anything down, because 'Coffy' (1973) is one of my favourite movies, actually; I love 'Coffy'. Jackie Brown is a real human being. She is not a super bad momma - she is a kind of super bad momma to tell you the truth! - she does not get razor blades in her Afro, and she is not Kung Fu-ing people, and she is not pulling a sawn off shotgun and blowing a guy's head off. She is realistic; she is a real lady in those dire circumstances that I described. One of the things I liked about the opening credit sequence is if you are familiar with Pam's movies, a whole lot of them start with Pam just walking, and beholding the glory that is Pam. I thought, OK, I will make me the greatest Pam Grier opening sequence of all time. I think I pulled it off actually. The structure of it is very interesting. It is not supposed to be naked to the eye, but it starts off that she is on the conveyor belt, and you see her, you are drinking her in, you are taking her in, and she is walking down the airport and she just looks like the baddest creature a guy ever created. She has just got all this power and strength - and she is Foxy Brown 20 years later, she is Coffy 20 years later - and she has all this womanness, and it is great. In the last part of it you see she is running and running, and you realise she is just trying to get to work. She is not walking down the street to burn Harlem to the ground. She is a woman working in this world, and she is late for her job, and she is going to get fired if she does not get there. After the big bad ass opening credit sequence, two minutes later she is serving peanuts. So it starts off as this mythical, super hero figure and then by the end of the credit sequence we have brought it back down to earth." ('Quentin Tarantino interview (I) with Pam Grier, Robert Forster and Lawrence Bender', Guardian, 1998)

DepressedBergman

53,783 görüntüleme • 6 ay önce

🔵🚨​‍ “AFTER GAME INTERVIEW 📹AND POST GAME PRESSER 📜🚨🔵 🎙Enzo Maresca's Full Post-Crystal Palace Press Conference: 🔹 Enzo Maresca: "Tough game, we expected a tough game. Apart from the first half free-kick, we didn't concede any chances but they are a very good team. We could have counter attacked better, we could have defended better but it is only the first game of the season." 🔹Enzo Maresca: "Some of them [the new signings] are ready, some of them need to adapt a little bit but overall very happy with all of them.” 🔹Enzo Maresca on signing a new centre-back: “You like to talk about central defenders? I already spoke. Thank you very much.” 🔹Enzo Maresca on Acheampong: "Very good, very good. We already showed some confidence with Josh last season. He dealt well with Mateta and overall he had a good game." 🔹Enzo Maresca: "We always try to win the game but unfortunately we didn't win. We deserved. We created enough chances. We didn't concede chances apart from the free-kick." 🔹Enzo Maresca on if pre-season preparations have an impact: "I don't think so. We competed until the end. We had chances at the end with Estevao and Andrey Santos. For us, last week we played two pre-season games but we tried to share minutes. The first real game was today." 🔹Enzo Maresca on if Mateta was lucky not to be sent off: "I was there, I was close. For sure it was a foul, the referee decided not to give a yellow." 🔹Enzo Maresca on Estevao: “He was very good. He showed personality - he has already shown that in training. He will be a very important player for this club.” 🔹Enzo Maresca on Tosin injury: "Physical problem - we don't know for how long. Wes was on the bench. Hopefully for the next one we can start to use Wes for some minutes." 📲 CFC_ChelseaFC via Telegram 🎥 Chelseafc_media via Telegram

Miki Djan

32,623 görüntüleme • 1 yıl önce

This woman spent $80 on tortillas she was on a waiting list for. They were super authentic, hand made in Kansas. I know right? It doesn’t even look like she got much for what she spent and I can’t believe people are spending that kind of money on tortillas made in Kansas. I would have to ought they were from a super authentic location. In several occasions I did buy some Ramen from Japan when I was younger. I be been eating ramen all my life but only the instant kind. I’ve never had the real deal up until that point. The website stated that it was from Sapporo Japan and it was authentic. It was almost $40 a bowl shipped. I ended up getting 4, each a different flavor. When I got the box, it was packed nice with dry ice and cold packs. It arrived in good shape and all but the one I noticed was it was shipped from NYC and not Japan. I contacted customer service and they said yes the recipe is authentic from Japan. I imagined it being cooked for hours at a little restaurant in Japan, not a Japanese recipe made here. Although I couldn’t completely call it a scam because it did taste good and I had friends from Japan try it and even they said it was very close to the point a person who lived there couldn’t tell the difference. But somehow I still felt scammed because it wasn’t actually made in Japan. Does that make a difference to you at all, can something be made elsewhere still be considered authentic? Maybe they need to reword their ad and say it’s made from an authentic recipe not made in Japan.

SonnyBoy🇺🇸

28,819 görüntüleme • 13 gün önce

This morning, a viral video is spreading around Twitter claiming a woman is a “Black Karen,” after walking into an Indonesian business and accusing them of stealing black culture. Let’s provide some context here, as a lot of people are spreading this video in order to try and sell some sort of narrative. 1) This video is 3 years old. 2) The woman’s name is Alewia Tola Roba. 3) She was in a business called “Trap Tea - The Boba Plug” which was located in Aurora, Colorado. They are still in business today, but have since been renamed as “Banned Boba Bar.” They are a minority-owned, woman-owned business that has been around since August of 2020. 4) The reason why Roba accused them of “stealing black culture” is because the term “trap” refers to a genre of music that originated within black communities in the 1990s. The term “plug” refers to something that is distributed, including drugs, music, etc. It is a term also seen by many to be tied closely to black culture. 5) The woman walked into the business thinking she was supporting a black business and was disappointed to see it was owned by an Indonesian family. 6) Calling someone a “black Karen,” is like calling someone a “black white person.” It’s definitely not the right term to use. Regardless of all of this, the business owners here have every right to run their business how they choose. It’s doubtful that they said to themselves when opening the business, “I’m going to steal black culture to make money.” I also think it’s great that they decided to change their name. I wouldn’t hesitate to buy a Boba tea from them if I’m ever in Aurora. As for the woman, we don’t know what she was going through. We don’t know if she had a really bad day, or if she was fired from her job, dumped by her boyfriend, or simply was feeling as though racism in America was preventing her from being able to achieve what she wanted to do. The owners of the business responded very appropriately. Sometimes just a little understanding, and the need to heard is all people want. Listen to people, learn why they feel the way they do. We all can do this better.

Ed Krassenstein

1,557,586 görüntüleme • 3 yıl önce