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This indie dev project has over 850k wishlists and insane art ✧ Navigate a dark cyberpunk thriller ✧ Run, climb, and fight through industrial wastelands ✧ Hand-crafted pixel art ✪ Game: REPLACED ✪ Play: Apr 14th

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10,303 просмотров • 5 месяцев назад •via X (Twitter)

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🎉20,000 Wishlists🎉 My indie game has officially hit 20k Wishlists on Steam. It might not seem a lot, but to reach this point as a solo dev is insane ! Thank you to everyone who has taken an interest in the project ❤️
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🎉20,000 Wishlists🎉 My indie game has officially hit 20k Wishlists on Steam. It might not seem a lot, but to reach this point as a solo dev is insane ! Thank you to everyone who has taken an interest in the project ❤️

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This indie dev is making a game where you can literally play as Ancient Egyptian wall art. - Switch between a 3D archaeologist and living 2D art - Survive puzzles that fight back - Progress by mastering both worlds It’s called Fresco. This mechanic is genius.
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This indie dev is making a game where you can literally play as Ancient Egyptian wall art. - Switch between a 3D archaeologist and living 2D art - Survive puzzles that fight back - Progress by mastering both worlds It’s called Fresco. This mechanic is genius.

Indie Game Joe

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Indie dev makes a Horror game with a CHARMING and APPEALING art style. I much prefer this over the millions and millions of games that use PSX style which is so overdone its LAUGHABLE.
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Indie dev makes a Horror game with a CHARMING and APPEALING art style. I much prefer this over the millions and millions of games that use PSX style which is so overdone its LAUGHABLE.

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A Japanese indie game studio called SALMON-RAT is making a horror adventure game. - Beautiful pixel art - A cute yet terrifying dream world - Puzzles solved by taking and connecting screenshots Would you play it? It's called DREAMiLL. #WishlistWednesday
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A Japanese indie game studio called SALMON-RAT is making a horror adventure game. - Beautiful pixel art - A cute yet terrifying dream world - Puzzles solved by taking and connecting screenshots Would you play it? It's called DREAMiLL. #WishlistWednesday

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This indie dev has spent over one year learning Godot to make an old-school trading card RPG. - Hunt or buy over 200 unique cards - Build your deck to defeat rivals and bosses - No AI Art, NFTs or Microtransactions Would you play this? It's called Cardaire: Eternal Aces.
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This indie dev has spent over one year learning Godot to make an old-school trading card RPG. - Hunt or buy over 200 unique cards - Build your deck to defeat rivals and bosses - No AI Art, NFTs or Microtransactions Would you play this? It's called Cardaire: Eternal Aces.

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This indie platforming game excels at PRECISE controls, along with a CHARMING art style that is UNIQUE and FUN. I much prefer this over any Unreal Engine SLOP.
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This indie platforming game excels at PRECISE controls, along with a CHARMING art style that is UNIQUE and FUN. I much prefer this over any Unreal Engine SLOP.

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This indie dev is making a cozy game where you play as an incredibly cute Spider. - Build custom webs to navigate the world - Full fur simulation - Realistic 8-legged climbing on walls and ceilings It's called Weave & Wander. Would you play this?
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This indie dev is making a cozy game where you play as an incredibly cute Spider. - Build custom webs to navigate the world - Full fur simulation - Realistic 8-legged climbing on walls and ceilings It's called Weave & Wander. Would you play this?

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In this indie game, you fight through dungeons to decorate your home. ⚔️ Fight through dungeons for rare furniture 🪑 Decorate to get stronger 🦎 Play as a cute axolotl saving a town It’s called Dungeons and Dining Tables
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In this indie game, you fight through dungeons to decorate your home. ⚔️ Fight through dungeons for rare furniture 🪑 Decorate to get stronger 🦎 Play as a cute axolotl saving a town It’s called Dungeons and Dining Tables

Lauren Clare 🌙

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This post is blowing up again so I'll reiterate - In indie game development, YOU are the marketing. One person retweeting or sharing a post can cascade into 1000s of wishlists, and that can be life changing for a dev. If you love indie games and you want to support someone's project, there's no better way than sharing their content with the world. With that said, here's my indie action RPG - A Short Quest!
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This post is blowing up again so I'll reiterate - In indie game development, YOU are the marketing. One person retweeting or sharing a post can cascade into 1000s of wishlists, and that can be life changing for a dev. If you love indie games and you want to support someone's project, there's no better way than sharing their content with the world. With that said, here's my indie action RPG - A Short Quest!

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These Polish indie devs are building a unique pixel-art RPG that combines the real-time and turnbased combat into something entirely new. - String attacks together for combos - Bath in the unique visuals - Traverse between two worlds It's called SacriFire. Would you play this?
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These Polish indie devs are building a unique pixel-art RPG that combines the real-time and turnbased combat into something entirely new. - String attacks together for combos - Bath in the unique visuals - Traverse between two worlds It's called SacriFire. Would you play this?

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This guy built something that changes your face in real time using hand gestures. And it looks insane. 🤯 Viet Nguyen, a Senior AI engineer, built a personal project that transforms your face into 16 different visual styles. Van Gogh. Neon. Anime. Pop art. Graffiti. All triggered by just moving your hand. Open your hand. AI reads the gesture. Your face transforms into a completely different art style. Almost instantly. 16 styles. One hand movement. Zero clicks. The wild part: he built this as a side project. Not a product. Not a startup. Just one engineer combining two existing tools in a way nobody had thought to before. This is what personal projects look like in 2026.
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This guy built something that changes your face in real time using hand gestures. And it looks insane. 🤯 Viet Nguyen, a Senior AI engineer, built a personal project that transforms your face into 16 different visual styles. Van Gogh. Neon. Anime. Pop art. Graffiti. All triggered by just moving your hand. Open your hand. AI reads the gesture. Your face transforms into a completely different art style. Almost instantly. 16 styles. One hand movement. Zero clicks. The wild part: he built this as a side project. Not a product. Not a startup. Just one engineer combining two existing tools in a way nobody had thought to before. This is what personal projects look like in 2026.

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i am extremely honored that the first curator to be a part of DIFFUSE CONTROL is Carolyn Christov-Bakargiev... she was the first person from the traditional world to reach out to try understand this my work and this new movement in digital art. through our many talks over the years she has taught me an immense amount about art history and her devotion to understanding new forms of art is truly inspiring...
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i am extremely honored that the first curator to be a part of DIFFUSE CONTROL is Carolyn Christov-Bakargiev... she was the first person from the traditional world to reach out to try understand this my work and this new movement in digital art. through our many talks over the years she has taught me an immense amount about art history and her devotion to understanding new forms of art is truly inspiring...

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STONES ARE FOREVER This means more than just a few words—it’s a rallying point for a project that has the potential to become the revival point of the Ordinals. ➔ is a project into which I’ve poured all my energy these past months, offering a set of unique mechanics and real value-building around community, art, and increasing rarity over time. When everything seems lost, that’s precisely when you need to invest your energy in art and innovation. I invite everyone to join the project and be part of this renaissance. The date is approaching… All information will be revealed within a week. Turn on your notifications and remember: The best is yet to come!
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STONES ARE FOREVER This means more than just a few words—it’s a rallying point for a project that has the potential to become the revival point of the Ordinals. ➔ is a project into which I’ve poured all my energy these past months, offering a set of unique mechanics and real value-building around community, art, and increasing rarity over time. When everything seems lost, that’s precisely when you need to invest your energy in art and innovation. I invite everyone to join the project and be part of this renaissance. The date is approaching… All information will be revealed within a week. Turn on your notifications and remember: The best is yet to come!

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Before Metal Slug took over the arcades, a legendary Spanish studio named Zeus Software dropped an absolute masterpiece of pixel art and twitch-reflex gameplay in 1995. Biomechanical Toy is back. You play as a 90s-action-hero-lookalike blasting through hordes of rogue, corrupted toys to save the kingdom. Punishing arcade physics? Yes. Mind-blowing parallax scrolling? Absolutely. Modern save states and rewind to fix your accidental deaths? We got you covered.

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The LACMA has long been a great supporter of initiatives in art and technology. From the original Art and Technology Lab, to more recent exhibitions like Coded: Art Enters the Computer Age, 1952–1982, their sustained interest in the development of creative and artistic practices in relation to the rise of computer technology has helped sustain a once controversial yet undeniably fascinating genre of art before it came into public discourse. I am so pleased with the opportunity to highlight an important part of my practice, known as parameterization. By changing one variable in the program, in this case the percentage of pegs to be wrapped by a string, we are able to see how the original artwork, Ringers #962, evolves over the course of 9 frames arranged in a grid. This process is what I call a “parameter sweep” and it’s an honor to present the combined works as the LACMA Iterations. As the artist who coded the algorithm, I had no explicit control over how the artwork would develop, instead relying on randomization and a deep familiarity of the aesthetic form to help guide the output through code.

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I'm an artist, and for a long time now, my work has been about catching viral words and cultural moments that define our time and turning them into art. The idea for "Special Slop" has been brewing in my mind for a while, but it was waiting for the final push. That push came when the word "SLOP" was named the word of the year. That's when everything clicked, and I knew it was time. So, "Special Slop" is my art project where I explore this theme through crypto tools. It consists of three parts: The $SSLOP token is as a digital art object and our common symbol. Unique NFTs will be a series of works where I artistically reinterpret the whole aesthetic of "special slop." What concerns content, I’ll be creating content to explain, showcase, and develop the project's idea to build a community around it. A key part of this project is reaching a broader audience that isn't typically into crypto. I'll be creating and sharing videos on TikTok ( and X to explain, showcase, and develop the project's idea. This is about building a community around cultural curiosity, not just blockchain technology To put it simply, I'm taking a meme and trying to turn it into something meaningful and interesting from an artistic perspective. Welcome to the process. ca - HFxgTCXzpZNAMPARmdQ89pNRpBWCuSBMfnzdk5yXpump
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I'm an artist, and for a long time now, my work has been about catching viral words and cultural moments that define our time and turning them into art. The idea for "Special Slop" has been brewing in my mind for a while, but it was waiting for the final push. That push came when the word "SLOP" was named the word of the year. That's when everything clicked, and I knew it was time. So, "Special Slop" is my art project where I explore this theme through crypto tools. It consists of three parts: The $SSLOP token is as a digital art object and our common symbol. Unique NFTs will be a series of works where I artistically reinterpret the whole aesthetic of "special slop." What concerns content, I’ll be creating content to explain, showcase, and develop the project's idea to build a community around it. A key part of this project is reaching a broader audience that isn't typically into crypto. I'll be creating and sharing videos on TikTok ( and X to explain, showcase, and develop the project's idea. This is about building a community around cultural curiosity, not just blockchain technology To put it simply, I'm taking a meme and trying to turn it into something meaningful and interesting from an artistic perspective. Welcome to the process. ca - HFxgTCXzpZNAMPARmdQ89pNRpBWCuSBMfnzdk5yXpump

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‼️ALPHA: Chibi Clash ⚔️ is the first AI fantasy gaming universe on the Base network. It consists of three games: Clash Survivor, Clash Kingdoms and Clash Hero (pvp combat). Giving away 10 WL for their upcoming Kingdoms mint! Comment below if you want one. ⭐️Play To Airdrop The play to airdrop consists of social quests, clash survival leaderboard, Referrals, Kingdom points through challenges, Kingdom activities, & recruitment bonus. ⭐️Kingdom Land Sale Mint Details Players will navigate through a meticulously crafted generative AI world, facing challenges and engaging in strategic gameplay to accumulate Kingdom Points. - Limited Supply: 2496 - Price: 0.025 ETH - Chain: Base by Coinbase - Minting on Xterio May 29th - Official trailer with more info I personally played this game and it is extremely fun, you can start playing the game today for free 👇 #ad

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The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron
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The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

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