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This is Benham’s Disk, a classic optical illusion that tricks your brain into “seeing” colors that aren’t actually there at all. The woman in the video asks what color you see… and she even shares how her own color kept changing (purple the first time, blue the second, yellow...

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End3of6Days9 (Helen) 🇺🇸

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37,633 görüntüleme • 1 ay önce •via X (Twitter)

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I am going to trick your brain into briefly seeing the true colors of this black and white image. Stare at the center until the video ends. When it restarts you will briefly see color in the previously black and white photo.
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I am going to trick your brain into briefly seeing the true colors of this black and white image. Stare at the center until the video ends. When it restarts you will briefly see color in the previously black and white photo.

ⱤɆ₳Ⱡ ฿Ɇ₦

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LISTEN TO HER WHAT SHE SAYS ABOUT THE COLOR BLUE 🔵 The untold story of the color blue❤️: Everything is a frequency - Everything is a vibration. Many people noticed blue umbrellas, blue houses, and blue cars were untouched by the fires in Hawaii. 🤔When you dig into the color blue - you can see if a blue a laser was used the color blue reflects it due to the vibrational pattern.
2:55

LISTEN TO HER WHAT SHE SAYS ABOUT THE COLOR BLUE 🔵 The untold story of the color blue❤️: Everything is a frequency - Everything is a vibration. Many people noticed blue umbrellas, blue houses, and blue cars were untouched by the fires in Hawaii. 🤔When you dig into the color blue - you can see if a blue a laser was used the color blue reflects it due to the vibrational pattern.

MAVERICK X

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In Xiamen, the sky is blue, the sea is blue, and even the tall buildings are blue... What shade of blue do you see in #Xiamen? Come and customize your own Xiamen color palette.
1:02

In Xiamen, the sky is blue, the sea is blue, and even the tall buildings are blue... What shade of blue do you see in #Xiamen? Come and customize your own Xiamen color palette.

Xiamen China

19,192 görüntüleme • 11 ay önce

In this video we are not “seeing” an “optical illusion” we are seeing a “brain illusion” based on what our HumanOS expects to “see”. Every human sense is only interpreted by the paradigm we have built in to the HumanOS. “I will believe it when I see it with my own eyes” Hear that a lot, interesting…
0:30

In this video we are not “seeing” an “optical illusion” we are seeing a “brain illusion” based on what our HumanOS expects to “see”. Every human sense is only interpreted by the paradigm we have built in to the HumanOS. “I will believe it when I see it with my own eyes” Hear that a lot, interesting…

Brian Roemmele

132,024 görüntüleme • 3 yıl önce

Have you gone to the grocery store lately and bought oranges? Most oranges are in these new orange colored mesh bags Lemons are in yellow ones, limes are in green ones These mesh bags create an optical illusion tricking you into thinking the fruit is ripe and good looking, when you pull an orange out it’s nearly yellow The illusion is called the Munker illusion or confetti illusion, and it’s being used in grocery stores The mesh lines overlay the fruit’s natural peel color. The tones tricks your eyes and brain into perceiving a stronger, deeper orange hue This is intentional marketing and most people think it’s a scam The mesh also allows air circulation to reduce mold, but the main purpose is for the shopper to perceive an enhanced appearance of the product
3:12

Have you gone to the grocery store lately and bought oranges? Most oranges are in these new orange colored mesh bags Lemons are in yellow ones, limes are in green ones These mesh bags create an optical illusion tricking you into thinking the fruit is ripe and good looking, when you pull an orange out it’s nearly yellow The illusion is called the Munker illusion or confetti illusion, and it’s being used in grocery stores The mesh lines overlay the fruit’s natural peel color. The tones tricks your eyes and brain into perceiving a stronger, deeper orange hue This is intentional marketing and most people think it’s a scam The mesh also allows air circulation to reduce mold, but the main purpose is for the shopper to perceive an enhanced appearance of the product

Wall Street Apes

225,349 görüntüleme • 2 gün önce

An optical illusion is a visual phenomenon that tricks the brain into perceiving something different from reality. These illusions occur when the eyes send information to the brain that confuses how it interprets shapes, colors, depth, or motion.
1:04

An optical illusion is a visual phenomenon that tricks the brain into perceiving something different from reality. These illusions occur when the eyes send information to the brain that confuses how it interprets shapes, colors, depth, or motion.

HOW THINGS WORK

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If you watch this lines, you generally see them moving vertically and with red/green colors. But it you squint or watch them from a distance, you see them yellow and moving horizontally. 'Change the Color' was devised by Haruaki Fukuda and was Best Illusion of the Year 2019.
0:35

If you watch this lines, you generally see them moving vertically and with red/green colors. But it you squint or watch them from a distance, you see them yellow and moving horizontally. 'Change the Color' was devised by Haruaki Fukuda and was Best Illusion of the Year 2019.

Massimo

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If you watch this lines, you generally see them moving vertically and with red/green colors. But it you squint or watch them from a distance, you see them yellow and moving horizontally. 'Change the Color' was devised by Haruaki Fukuda and was Best Illusion of the Year 2019.
0:35

If you watch this lines, you generally see them moving vertically and with red/green colors. But it you squint or watch them from a distance, you see them yellow and moving horizontally. 'Change the Color' was devised by Haruaki Fukuda and was Best Illusion of the Year 2019.

Massimo

106,454 görüntüleme • 8 ay önce

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)
0:52

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

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What if you could see how accessible your color palette is before you use it? 🎨 The piechart shows a breakdown of all the colors in this palette that meet contrast WCAG standards. Wdyt? Is this easy to understand?
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What if you could see how accessible your color palette is before you use it? 🎨 The piechart shows a breakdown of all the colors in this palette that meet contrast WCAG standards. Wdyt? Is this easy to understand?

David Aerne

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FINALLY WE HAVE WILLIAMEST FIGHT IN THAMEPO RECORDINGS 😂😂😂 OKAY THEIR BLUE COLOR.. (is a large story..) p’mui: i heard WilliamEst arguing about something(serious) and I went to ask them, what are you talking about? 🦈: It’s very serious bc, I want color blue as my favorite color and 🎸: i want it too, he wants the color blue his fav color but I can’t be 🦈: I loved blue before you,since first grade 🎸: I’ve loved blue since preschool 🦈: I’ve loved you since I was born 🎸: I want to win I want to win, I’ve loved blue since my past life p’mui: What are you doing, this a serious your argument? 👤: Maybe that’s the reason why their mascot is blue (Wesley) p’mui: (in this time) idk if im with 3 yo kids or like and with a one couple who’ve been together for forty years.. married couple since then😂 #NPBLxMuiAndThamePo #WilliamEst
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FINALLY WE HAVE WILLIAMEST FIGHT IN THAMEPO RECORDINGS 😂😂😂 OKAY THEIR BLUE COLOR.. (is a large story..) p’mui: i heard WilliamEst arguing about something(serious) and I went to ask them, what are you talking about? 🦈: It’s very serious bc, I want color blue as my favorite color and 🎸: i want it too, he wants the color blue his fav color but I can’t be 🦈: I loved blue before you,since first grade 🎸: I’ve loved blue since preschool 🦈: I’ve loved you since I was born 🎸: I want to win I want to win, I’ve loved blue since my past life p’mui: What are you doing, this a serious your argument? 👤: Maybe that’s the reason why their mascot is blue (Wesley) p’mui: (in this time) idk if im with 3 yo kids or like and with a one couple who’ve been together for forty years.. married couple since then😂 #NPBLxMuiAndThamePo #WilliamEst

xim 𝜗𝜚 live for lyknest!

68,915 görüntüleme • 8 ay önce

We are used to seeing the 1920s in black and white. This is what London actually looked like, in full color, more than a hundred years ago. What you are watching comes from The Open Road, filmed in the summer of 1924 by a British cinematographer named Claude Friese-Greene. It is some of the earliest colour film of London ever made. What I love about this film is that the color collapses the distance between us and them. The black-and-white footage we are used to is beautiful, but it makes the past feel like another world. Colour changes that. Red buses, a blue sky, the green of the trees, and suddenly 1924 does not feel like history at all... What most people don't know is that this footage was one man's attempt to finish his father's life's work: Claude was the son of William Friese-Greene, one of the pioneers of early cinema. Together they had spent years developing a way to capture true color on film, using a system of spinning red and blue-green filters in front of the camera. The process was flawed. It flickered, it produced strange color fringes around anything that moved too fast, and it was soon overtaken by better systems and forgotten. Claude set out on a journey by car from Land's End to the north of Scotland, filming the whole country in his imperfect color, trying to prove that his father's dream could work. For decades the footage sat largely unseen, its flaws making it almost unwatchable. Then, in our own century, the British Film Institute used digital technology to clean away the flicker and the fringing, revealing what Friese-Greene had actually captured: a lost world, brought back to life in color.
0:59

We are used to seeing the 1920s in black and white. This is what London actually looked like, in full color, more than a hundred years ago. What you are watching comes from The Open Road, filmed in the summer of 1924 by a British cinematographer named Claude Friese-Greene. It is some of the earliest colour film of London ever made. What I love about this film is that the color collapses the distance between us and them. The black-and-white footage we are used to is beautiful, but it makes the past feel like another world. Colour changes that. Red buses, a blue sky, the green of the trees, and suddenly 1924 does not feel like history at all... What most people don't know is that this footage was one man's attempt to finish his father's life's work: Claude was the son of William Friese-Greene, one of the pioneers of early cinema. Together they had spent years developing a way to capture true color on film, using a system of spinning red and blue-green filters in front of the camera. The process was flawed. It flickered, it produced strange color fringes around anything that moved too fast, and it was soon overtaken by better systems and forgotten. Claude set out on a journey by car from Land's End to the north of Scotland, filming the whole country in his imperfect color, trying to prove that his father's dream could work. For decades the footage sat largely unseen, its flaws making it almost unwatchable. Then, in our own century, the British Film Institute used digital technology to clean away the flicker and the fringing, revealing what Friese-Greene had actually captured: a lost world, brought back to life in color.

James Lucas

165,624 görüntüleme • 2 gün önce

Although this aurora was fairly faint last night (hence the noise in the video recording at ISO 102,400), the colors were extremely vivid. I did see blue/purple to the naked eye briefly along with red and green. Have you ever seen naked-eye blue colors before?
0:34

Although this aurora was fairly faint last night (hence the noise in the video recording at ISO 102,400), the colors were extremely vivid. I did see blue/purple to the naked eye briefly along with red and green. Have you ever seen naked-eye blue colors before?

Vincent Ledvina

12,783 görüntüleme • 1 yıl önce

During the whoop japan osaka fansign, OP asked Baekhyun about changing his hair color. He mentioned he will dye his hair the day after tomorrow but still hasn’t decided on the color yet 👀 👤: So, oppa, how are you going to dye your hair? Are you going to change your hair color? 🐶: Dye my hair? What? 👤: Red hair! 🐶: Red? 👤: Yeah! I’ve been asking you to do red hair for over a year now. It’s about time you do it! 🐶: I’m not sure yet. 👤: Boo~ 🐶: If I dye it red, I won’t be able to do another color after that. 👤: Wait, do you even have another color planned after that? 🐶: I’ll have to choose something first… 👤: Ah, so you’re not going to do it then! 🐶: No, I really do have something in mind. I’ll dye it the day after tomorrow, but I haven’t decided on the color yet.
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During the whoop japan osaka fansign, OP asked Baekhyun about changing his hair color. He mentioned he will dye his hair the day after tomorrow but still hasn’t decided on the color yet 👀 👤: So, oppa, how are you going to dye your hair? Are you going to change your hair color? 🐶: Dye my hair? What? 👤: Red hair! 🐶: Red? 👤: Yeah! I’ve been asking you to do red hair for over a year now. It’s about time you do it! 🐶: I’m not sure yet. 👤: Boo~ 🐶: If I dye it red, I won’t be able to do another color after that. 👤: Wait, do you even have another color planned after that? 🐶: I’ll have to choose something first… 👤: Ah, so you’re not going to do it then! 🐶: No, I really do have something in mind. I’ll dye it the day after tomorrow, but I haven’t decided on the color yet.

포백펄님🔮

24,438 görüntüleme • 8 ay önce

You can see a warm LED and think it’s fine because of the perceived color temperature. But take a slow-motion video and you’ll see the flicker. This is very bad for the brain.
0:20

You can see a warm LED and think it’s fine because of the perceived color temperature. But take a slow-motion video and you’ll see the flicker. This is very bad for the brain.

Dr. Ben Braddock

781,678 görüntüleme • 1 yıl önce

Emma Corrin on the black-and-white filming tricks used in their #BlackMirror episode “Hotel Reverie”: “If they wanted a certain shade of lipstick, they’d use purple or blue. Or like blue eye shadow. You forget that when you’re watching a black and white movie that they were wearing colors.” Watch the full video:
0:49

Emma Corrin on the black-and-white filming tricks used in their #BlackMirror episode “Hotel Reverie”: “If they wanted a certain shade of lipstick, they’d use purple or blue. Or like blue eye shadow. You forget that when you’re watching a black and white movie that they were wearing colors.” Watch the full video:

Variety

18,465 görüntüleme • 1 ay önce

Check this out!!! It’s a matte white R1S with projectors strategically placed around the car, all of which are precisely calibrated to change the entire SUV color! Sorry for the bad video as I was filming and changing the color at the same time. 🤣
0:27

Check this out!!! It’s a matte white R1S with projectors strategically placed around the car, all of which are precisely calibrated to change the entire SUV color! Sorry for the bad video as I was filming and changing the color at the same time. 🤣

Carlos R

16,325 görüntüleme • 7 ay önce

Gyuri's official answer to #SEULGI's offical question: How did you end up liking me? "Ah during Russian Roulette, I became a stan for the first time. We were promoting at the same time as Red Velvet when you debuted. At the time I was like 'Ah, they're so cute!' and stuff. Actually at the time, [the members'] hair was almost the same so I couldn't really distinguish between the members. Then even before, I kept hearing from the people around me 'That Seulgi kid is quite good'. So during Russian Roulette, while watching the MV, I was like 'Oh this one is quite... why can't I take my eyes off of her? You had orange hair, and you were wearing something like a PE uniform, the one with the red line, with your hair like this! In the MV. It was then that... when the first part appeared... from that moment, the next part where you were in the front, while doing that choreo, it was like my head was spinning too. Like oh my, from then on I memorized all of the members names, I became a fan of Red Velvet, and among the members, Seulgi... continuously, bit by bit, I think I fell for you. And even now when you perform, you're really good, so I really, really liked you. I still like you so so much."
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Gyuri's official answer to #SEULGI's offical question: How did you end up liking me? "Ah during Russian Roulette, I became a stan for the first time. We were promoting at the same time as Red Velvet when you debuted. At the time I was like 'Ah, they're so cute!' and stuff. Actually at the time, [the members'] hair was almost the same so I couldn't really distinguish between the members. Then even before, I kept hearing from the people around me 'That Seulgi kid is quite good'. So during Russian Roulette, while watching the MV, I was like 'Oh this one is quite... why can't I take my eyes off of her? You had orange hair, and you were wearing something like a PE uniform, the one with the red line, with your hair like this! In the MV. It was then that... when the first part appeared... from that moment, the next part where you were in the front, while doing that choreo, it was like my head was spinning too. Like oh my, from then on I memorized all of the members names, I became a fan of Red Velvet, and among the members, Seulgi... continuously, bit by bit, I think I fell for you. And even now when you perform, you're really good, so I really, really liked you. I still like you so so much."

KSG Updates

61,628 görüntüleme • 1 yıl önce