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This is Benham’s Disk, a classic optical illusion that tricks your brain into “seeing” colors that aren’t actually there at all. The woman in the video asks what color you see… and she even shares how her own color kept changing (purple the first time, blue the second, yellow...

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End3of6Days9 (Helen) 🇺🇸

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37,673 views • 3 months ago •via X (Twitter)

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I am going to trick your brain into briefly seeing the true colors of this black and white image. Stare at the center until the video ends. When it restarts you will briefly see color in the previously black and white photo.
0:22

I am going to trick your brain into briefly seeing the true colors of this black and white image. Stare at the center until the video ends. When it restarts you will briefly see color in the previously black and white photo.

ⱤɆ₳Ⱡ ฿Ɇ₦

26,015 views • 3 months ago

LISTEN TO HER WHAT SHE SAYS ABOUT THE COLOR BLUE 🔵 The untold story of the color blue❤️: Everything is a frequency - Everything is a vibration. Many people noticed blue umbrellas, blue houses, and blue cars were untouched by the fires in Hawaii. 🤔When you dig into the color blue - you can see if a blue a laser was used the color blue reflects it due to the vibrational pattern.
2:55

LISTEN TO HER WHAT SHE SAYS ABOUT THE COLOR BLUE 🔵 The untold story of the color blue❤️: Everything is a frequency - Everything is a vibration. Many people noticed blue umbrellas, blue houses, and blue cars were untouched by the fires in Hawaii. 🤔When you dig into the color blue - you can see if a blue a laser was used the color blue reflects it due to the vibrational pattern.

MAVERICK X

876,262 views • 3 years ago

In this video we are not “seeing” an “optical illusion” we are seeing a “brain illusion” based on what our HumanOS expects to “see”. Every human sense is only interpreted by the paradigm we have built in to the HumanOS. “I will believe it when I see it with my own eyes” Hear that a lot, interesting…
0:30

In this video we are not “seeing” an “optical illusion” we are seeing a “brain illusion” based on what our HumanOS expects to “see”. Every human sense is only interpreted by the paradigm we have built in to the HumanOS. “I will believe it when I see it with my own eyes” Hear that a lot, interesting…

Brian Roemmele

132,269 views • 3 years ago

Have you gone to the grocery store lately and bought oranges? Most oranges are in these new orange colored mesh bags Lemons are in yellow ones, limes are in green ones These mesh bags create an optical illusion tricking you into thinking the fruit is ripe and good looking, when you pull an orange out it’s nearly yellow The illusion is called the Munker illusion or confetti illusion, and it’s being used in grocery stores The mesh lines overlay the fruit’s natural peel color. The tones tricks your eyes and brain into perceiving a stronger, deeper orange hue This is intentional marketing and most people think it’s a scam The mesh also allows air circulation to reduce mold, but the main purpose is for the shopper to perceive an enhanced appearance of the product
3:12

Have you gone to the grocery store lately and bought oranges? Most oranges are in these new orange colored mesh bags Lemons are in yellow ones, limes are in green ones These mesh bags create an optical illusion tricking you into thinking the fruit is ripe and good looking, when you pull an orange out it’s nearly yellow The illusion is called the Munker illusion or confetti illusion, and it’s being used in grocery stores The mesh lines overlay the fruit’s natural peel color. The tones tricks your eyes and brain into perceiving a stronger, deeper orange hue This is intentional marketing and most people think it’s a scam The mesh also allows air circulation to reduce mold, but the main purpose is for the shopper to perceive an enhanced appearance of the product

Wall Street Apes

227,630 views • 1 month ago

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)
0:52

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 views • 1 year ago

FINALLY WE HAVE WILLIAMEST FIGHT IN THAMEPO RECORDINGS 😂😂😂 OKAY THEIR BLUE COLOR.. (is a large story..) p’mui: i heard WilliamEst arguing about something(serious) and I went to ask them, what are you talking about? 🦈: It’s very serious bc, I want color blue as my favorite color and 🎸: i want it too, he wants the color blue his fav color but I can’t be 🦈: I loved blue before you,since first grade 🎸: I’ve loved blue since preschool 🦈: I’ve loved you since I was born 🎸: I want to win I want to win, I’ve loved blue since my past life p’mui: What are you doing, this a serious your argument? 👤: Maybe that’s the reason why their mascot is blue (Wesley) p’mui: (in this time) idk if im with 3 yo kids or like and with a one couple who’ve been together for forty years.. married couple since then😂 #NPBLxMuiAndThamePo #WilliamEst
0:55

FINALLY WE HAVE WILLIAMEST FIGHT IN THAMEPO RECORDINGS 😂😂😂 OKAY THEIR BLUE COLOR.. (is a large story..) p’mui: i heard WilliamEst arguing about something(serious) and I went to ask them, what are you talking about? 🦈: It’s very serious bc, I want color blue as my favorite color and 🎸: i want it too, he wants the color blue his fav color but I can’t be 🦈: I loved blue before you,since first grade 🎸: I’ve loved blue since preschool 🦈: I’ve loved you since I was born 🎸: I want to win I want to win, I’ve loved blue since my past life p’mui: What are you doing, this a serious your argument? 👤: Maybe that’s the reason why their mascot is blue (Wesley) p’mui: (in this time) idk if im with 3 yo kids or like and with a one couple who’ve been together for forty years.. married couple since then😂 #NPBLxMuiAndThamePo #WilliamEst

xim 𝜗𝜚 live for lyknest!

68,915 views • 9 months ago

We are used to seeing the 1920s in black and white. This is what London actually looked like, in full color, more than a hundred years ago. What you are watching comes from The Open Road, filmed in the summer of 1924 by a British cinematographer named Claude Friese-Greene. It is some of the earliest colour film of London ever made. What I love about this film is that the color collapses the distance between us and them. The black-and-white footage we are used to is beautiful, but it makes the past feel like another world. Colour changes that. Red buses, a blue sky, the green of the trees, and suddenly 1924 does not feel like history at all... What most people don't know is that this footage was one man's attempt to finish his father's life's work: Claude was the son of William Friese-Greene, one of the pioneers of early cinema. Together they had spent years developing a way to capture true color on film, using a system of spinning red and blue-green filters in front of the camera. The process was flawed. It flickered, it produced strange color fringes around anything that moved too fast, and it was soon overtaken by better systems and forgotten. Claude set out on a journey by car from Land's End to the north of Scotland, filming the whole country in his imperfect color, trying to prove that his father's dream could work. For decades the footage sat largely unseen, its flaws making it almost unwatchable. Then, in our own century, the British Film Institute used digital technology to clean away the flicker and the fringing, revealing what Friese-Greene had actually captured: a lost world, brought back to life in color.
0:59

We are used to seeing the 1920s in black and white. This is what London actually looked like, in full color, more than a hundred years ago. What you are watching comes from The Open Road, filmed in the summer of 1924 by a British cinematographer named Claude Friese-Greene. It is some of the earliest colour film of London ever made. What I love about this film is that the color collapses the distance between us and them. The black-and-white footage we are used to is beautiful, but it makes the past feel like another world. Colour changes that. Red buses, a blue sky, the green of the trees, and suddenly 1924 does not feel like history at all... What most people don't know is that this footage was one man's attempt to finish his father's life's work: Claude was the son of William Friese-Greene, one of the pioneers of early cinema. Together they had spent years developing a way to capture true color on film, using a system of spinning red and blue-green filters in front of the camera. The process was flawed. It flickered, it produced strange color fringes around anything that moved too fast, and it was soon overtaken by better systems and forgotten. Claude set out on a journey by car from Land's End to the north of Scotland, filming the whole country in his imperfect color, trying to prove that his father's dream could work. For decades the footage sat largely unseen, its flaws making it almost unwatchable. Then, in our own century, the British Film Institute used digital technology to clean away the flicker and the fringing, revealing what Friese-Greene had actually captured: a lost world, brought back to life in color.

James Lucas

170,928 views • 1 month ago

During the whoop japan osaka fansign, OP asked Baekhyun about changing his hair color. He mentioned he will dye his hair the day after tomorrow but still hasn’t decided on the color yet 👀 👤: So, oppa, how are you going to dye your hair? Are you going to change your hair color? 🐶: Dye my hair? What? 👤: Red hair! 🐶: Red? 👤: Yeah! I’ve been asking you to do red hair for over a year now. It’s about time you do it! 🐶: I’m not sure yet. 👤: Boo~ 🐶: If I dye it red, I won’t be able to do another color after that. 👤: Wait, do you even have another color planned after that? 🐶: I’ll have to choose something first… 👤: Ah, so you’re not going to do it then! 🐶: No, I really do have something in mind. I’ll dye it the day after tomorrow, but I haven’t decided on the color yet.
0:30

During the whoop japan osaka fansign, OP asked Baekhyun about changing his hair color. He mentioned he will dye his hair the day after tomorrow but still hasn’t decided on the color yet 👀 👤: So, oppa, how are you going to dye your hair? Are you going to change your hair color? 🐶: Dye my hair? What? 👤: Red hair! 🐶: Red? 👤: Yeah! I’ve been asking you to do red hair for over a year now. It’s about time you do it! 🐶: I’m not sure yet. 👤: Boo~ 🐶: If I dye it red, I won’t be able to do another color after that. 👤: Wait, do you even have another color planned after that? 🐶: I’ll have to choose something first… 👤: Ah, so you’re not going to do it then! 🐶: No, I really do have something in mind. I’ll dye it the day after tomorrow, but I haven’t decided on the color yet.

포백펄님🔮

24,438 views • 10 months ago

Gyuri's official answer to #SEULGI's offical question: How did you end up liking me? "Ah during Russian Roulette, I became a stan for the first time. We were promoting at the same time as Red Velvet when you debuted. At the time I was like 'Ah, they're so cute!' and stuff. Actually at the time, [the members'] hair was almost the same so I couldn't really distinguish between the members. Then even before, I kept hearing from the people around me 'That Seulgi kid is quite good'. So during Russian Roulette, while watching the MV, I was like 'Oh this one is quite... why can't I take my eyes off of her? You had orange hair, and you were wearing something like a PE uniform, the one with the red line, with your hair like this! In the MV. It was then that... when the first part appeared... from that moment, the next part where you were in the front, while doing that choreo, it was like my head was spinning too. Like oh my, from then on I memorized all of the members names, I became a fan of Red Velvet, and among the members, Seulgi... continuously, bit by bit, I think I fell for you. And even now when you perform, you're really good, so I really, really liked you. I still like you so so much."
1:36

Gyuri's official answer to #SEULGI's offical question: How did you end up liking me? "Ah during Russian Roulette, I became a stan for the first time. We were promoting at the same time as Red Velvet when you debuted. At the time I was like 'Ah, they're so cute!' and stuff. Actually at the time, [the members'] hair was almost the same so I couldn't really distinguish between the members. Then even before, I kept hearing from the people around me 'That Seulgi kid is quite good'. So during Russian Roulette, while watching the MV, I was like 'Oh this one is quite... why can't I take my eyes off of her? You had orange hair, and you were wearing something like a PE uniform, the one with the red line, with your hair like this! In the MV. It was then that... when the first part appeared... from that moment, the next part where you were in the front, while doing that choreo, it was like my head was spinning too. Like oh my, from then on I memorized all of the members names, I became a fan of Red Velvet, and among the members, Seulgi... continuously, bit by bit, I think I fell for you. And even now when you perform, you're really good, so I really, really liked you. I still like you so so much."

KSG Updates

61,788 views • 1 year ago

Timing is everything, isn’t it? And sometimes being in the right place at the right time feels well, timely, or even predetermined. With wildlife photography, it’s all about being in the right place at the right time. The more you know about your subject, the better because it increases your chances of being where you need to be when you need to be there. There is also an element of just letting go and taking what is given to you. It’s always best to have no expectations at all when it comes to wildlife. On this morning, everything did fall perfectly into place, and I was able to capture this dreamy scene of a beautiful Dalmatian pelican and its reflection on smooth water as it came in for a landing. Oh yeah, the glorious snow-capped mountains in the back were definitely a treat too. The days prior to this, that mountain range was hidden by clouds. I didn’t even know it was there. 🤪
0:20

Timing is everything, isn’t it? And sometimes being in the right place at the right time feels well, timely, or even predetermined. With wildlife photography, it’s all about being in the right place at the right time. The more you know about your subject, the better because it increases your chances of being where you need to be when you need to be there. There is also an element of just letting go and taking what is given to you. It’s always best to have no expectations at all when it comes to wildlife. On this morning, everything did fall perfectly into place, and I was able to capture this dreamy scene of a beautiful Dalmatian pelican and its reflection on smooth water as it came in for a landing. Oh yeah, the glorious snow-capped mountains in the back were definitely a treat too. The days prior to this, that mountain range was hidden by clouds. I didn’t even know it was there. 🤪

Mark Smith Photography

32,668 views • 1 year ago

The hustle bros & the harmony bros are both wrong. This is the right mindset: “You mentioned sacrifices, about all the things that you lost to become professional. I never had the feeling that I did a lot of sacrifices. I just was not able to do all the things that my friends were doing every weekend. But I was able to do all the things. And I did. And at the same time, when you are doing what you want to do, you are not doing sacrifices. You work hard. Of course you push as much as you can. But you’re doing what you want to do.”
0:57

The hustle bros & the harmony bros are both wrong. This is the right mindset: “You mentioned sacrifices, about all the things that you lost to become professional. I never had the feeling that I did a lot of sacrifices. I just was not able to do all the things that my friends were doing every weekend. But I was able to do all the things. And I did. And at the same time, when you are doing what you want to do, you are not doing sacrifices. You work hard. Of course you push as much as you can. But you’re doing what you want to do.”

anu

60,161 views • 1 year ago

Message from #AKATU ~ The Windows Of The Soul "Who Is Looking Out Behind Your Eyes? Who Is The One Observing? This Is You. The Real You. The Visiting Soul In A Temporary Form." "To See And Experience The Real Life Force Of Your Own Soul, Stand Before A Mirror And Gaze Into The Eyes That Are Windows Of The Soul." "You Will See More Than The Color And Shape As You Look Quietly. You Will See The Image Of A Powerful Infinite Being."
4:31

Message from #AKATU ~ The Windows Of The Soul "Who Is Looking Out Behind Your Eyes? Who Is The One Observing? This Is You. The Real You. The Visiting Soul In A Temporary Form." "To See And Experience The Real Life Force Of Your Own Soul, Stand Before A Mirror And Gaze Into The Eyes That Are Windows Of The Soul." "You Will See More Than The Color And Shape As You Look Quietly. You Will See The Image Of A Powerful Infinite Being."

Kab

93,171 views • 1 year ago

.tobi lutke on why the right video game is a great way to learn entrepreneurship: “The good video games are simulations. They are a world upon itself, and you are a high-agency actor, and you modify things. You perform actions, you make decisions, and then you learn about the consequences of your actions. When I was in my teens in the 90s, I played StarCraft and I loved it. It was easy to learn, but hard to master, which is a hallmark of everything that’s worth doing. It taught me there’s no right decision. There’s only context in which decisions turn out to be correct. It taught me resource management is extremely important. Managing resources is not just about quantifiables. It’s also teaches you about managing your attention. I learned a lot about how do you get better? How do you get more out of every game you play? How do I get more skill progress units out of the time that I have? StarCraft might have just been the right teacher for me at that moment, and the student was ready. It was a perfect little sandbox to explore how to think about when it’s time to build infrastructure, when it’s time to invest in resources, when it’s time to prepare, when it’s time to reveal your hand, when it’s not time to reveal your hand. I think it was a perfect place to spend time for me in my teenage years, given what I did afterwards.”
4:44

.tobi lutke on why the right video game is a great way to learn entrepreneurship: “The good video games are simulations. They are a world upon itself, and you are a high-agency actor, and you modify things. You perform actions, you make decisions, and then you learn about the consequences of your actions. When I was in my teens in the 90s, I played StarCraft and I loved it. It was easy to learn, but hard to master, which is a hallmark of everything that’s worth doing. It taught me there’s no right decision. There’s only context in which decisions turn out to be correct. It taught me resource management is extremely important. Managing resources is not just about quantifiables. It’s also teaches you about managing your attention. I learned a lot about how do you get better? How do you get more out of every game you play? How do I get more skill progress units out of the time that I have? StarCraft might have just been the right teacher for me at that moment, and the student was ready. It was a perfect little sandbox to explore how to think about when it’s time to build infrastructure, when it’s time to invest in resources, when it’s time to prepare, when it’s time to reveal your hand, when it’s not time to reveal your hand. I think it was a perfect place to spend time for me in my teenage years, given what I did afterwards.”

David Senra

111,335 views • 4 months ago

🦌 i think burgundy/wine color suits me too. wine color just… seems to go well with everything. colors in the red family are a bit… well red is such a strong and intense color the moment you see it right. 🦌 so when you dye your hair that color, it feels like it might make your image even more intense. 🦌 i don’t think my face looks that strong or sharp so it kind of balances things out. (*he’s saying his features are softer so the strong hair color ends up balancing his overall look instead of making him look overly intense)
0:43

🦌 i think burgundy/wine color suits me too. wine color just… seems to go well with everything. colors in the red family are a bit… well red is such a strong and intense color the moment you see it right. 🦌 so when you dye your hair that color, it feels like it might make your image even more intense. 🦌 i don’t think my face looks that strong or sharp so it kind of balances things out. (*he’s saying his features are softer so the strong hair color ends up balancing his overall look instead of making him look overly intense)

h.

80,685 views • 2 months ago

.tobi lutke on why the right video game is a great way to learn entrepreneurship: “The good video games are simulations. They are a world upon itself, and you are a high-agency actor, and you modify things. You perform actions, you make decisions, and then you learn about the consequences of your actions. When I was in my teens in the 90s, I played StarCraft and I loved it. It was easy to learn, but hard to master, which is a hallmark of everything that’s worth doing. It taught me there’s no right decision. There’s only context in which decisions turn out to be correct. It taught me resource management is extremely important. Managing resources is not just about quantifiables. It’s also teaches you about managing your attention. I learned a lot about how do you get better? How do you get more out of every game you play? How do I get more skill progress units out of the time that I have? StarCraft might have just been the right teacher for me at that moment, and the student was ready. It was a perfect little sandbox to explore how to think about when it’s time to build infrastructure, when it’s time to invest in resources, when it’s time to prepare, when it’s time to reveal your hand, when it’s not time to reveal your hand. I think it was a perfect place to spend time for me in my teenage years, given what I did afterwards.”
4:43

.tobi lutke on why the right video game is a great way to learn entrepreneurship: “The good video games are simulations. They are a world upon itself, and you are a high-agency actor, and you modify things. You perform actions, you make decisions, and then you learn about the consequences of your actions. When I was in my teens in the 90s, I played StarCraft and I loved it. It was easy to learn, but hard to master, which is a hallmark of everything that’s worth doing. It taught me there’s no right decision. There’s only context in which decisions turn out to be correct. It taught me resource management is extremely important. Managing resources is not just about quantifiables. It’s also teaches you about managing your attention. I learned a lot about how do you get better? How do you get more out of every game you play? How do I get more skill progress units out of the time that I have? StarCraft might have just been the right teacher for me at that moment, and the student was ready. It was a perfect little sandbox to explore how to think about when it’s time to build infrastructure, when it’s time to invest in resources, when it’s time to prepare, when it’s time to reveal your hand, when it’s not time to reveal your hand. I think it was a perfect place to spend time for me in my teenage years, given what I did afterwards.”

David Senra

27,653 views • 1 month ago

I shared a video from Nick Freitas yesterday about how to encourage and reach young men. You should check it out if you didn’t see it. Now, here is a clip that shows how to repel and discourage young men. This is so frustrating, Sean DeMars and Neil Shenvi. Leaving aside the whole “woke right” thing, whatever. You acknowledge that the Left has total cultural control. Then you mock the idea that white men are systemically discriminated against in our culture, or that we live in an effeminate gynocracy. What do you think the Left does with its total cultural control? You mock young men by claiming that their discrimination has no basis in reality, but has to be understood via some “gnostic” higher knowledge. This is not fair. We are starting to get more and more hard data on this issue. I will admit that there is an element of “look around, this should be obvious.” It should be, and you’re really sticking your head in the sand to deny these things. But being on the Right is to believe in God’s created reality. It’s not about “lived experience,” it’s about what is actually true. White men are being discriminated against in this culture, and the West has been feminized radically in the last 60 years. The biggest problem with the woke was always that they were wrong, beyond even their philosophical system. It wasn’t merely that they were claiming to be oppressed, but it was that this claim was wrong. "This argument sounds like that argument" is just so lazy when one was factually wrong, and one is factually right. The claims of the Right are correct in general. But at the end of the day, good luck crapping on young men like this. We'll see how that works out for you. I won’t be joining you.
3:05

I shared a video from Nick Freitas yesterday about how to encourage and reach young men. You should check it out if you didn’t see it. Now, here is a clip that shows how to repel and discourage young men. This is so frustrating, Sean DeMars and Neil Shenvi. Leaving aside the whole “woke right” thing, whatever. You acknowledge that the Left has total cultural control. Then you mock the idea that white men are systemically discriminated against in our culture, or that we live in an effeminate gynocracy. What do you think the Left does with its total cultural control? You mock young men by claiming that their discrimination has no basis in reality, but has to be understood via some “gnostic” higher knowledge. This is not fair. We are starting to get more and more hard data on this issue. I will admit that there is an element of “look around, this should be obvious.” It should be, and you’re really sticking your head in the sand to deny these things. But being on the Right is to believe in God’s created reality. It’s not about “lived experience,” it’s about what is actually true. White men are being discriminated against in this culture, and the West has been feminized radically in the last 60 years. The biggest problem with the woke was always that they were wrong, beyond even their philosophical system. It wasn’t merely that they were claiming to be oppressed, but it was that this claim was wrong. "This argument sounds like that argument" is just so lazy when one was factually wrong, and one is factually right. The claims of the Right are correct in general. But at the end of the day, good luck crapping on young men like this. We'll see how that works out for you. I won’t be joining you.

Nate Schlomann

47,845 views • 8 months ago

Morning rant. If my boyfriend kept singing almost every night for tens of thousands of people to hear about being lost in blue eyes (AND THE ORIGINAL LYRIC ISN’T EVEN ABOUT BLUE EYES, IT’S ABOUT YOUR EYES FFS!!!) and about a long term relationship while wearing the color of a blue eyed ex-bandmate he’s been rumored for 16 years to be in a relationship with but my eyes aren’t blue and we’re dating for less than a year, I’d kick the jerk out of my life faster than he can say blue because I have dignity and I’d hate to be humiliated in front of everyone with more than two brain cells. Ok. I’m done😊
0:21

Morning rant. If my boyfriend kept singing almost every night for tens of thousands of people to hear about being lost in blue eyes (AND THE ORIGINAL LYRIC ISN’T EVEN ABOUT BLUE EYES, IT’S ABOUT YOUR EYES FFS!!!) and about a long term relationship while wearing the color of a blue eyed ex-bandmate he’s been rumored for 16 years to be in a relationship with but my eyes aren’t blue and we’re dating for less than a year, I’d kick the jerk out of my life faster than he can say blue because I have dignity and I’d hate to be humiliated in front of everyone with more than two brain cells. Ok. I’m done😊

DelD

14,387 views • 1 month ago

🚨 NOW: Interior Sec. Doug Burgum UNLEASHES on the Democrats who keep whining about President Trump's restoration of the filthy Lincoln Memorial Reflecting Pool "This thing has been FAILING, 40,000 gallons per day that's [leaking] out of this thing!" "That's MILLIONS in a year!" "We took out 2.5 MILES worth of rotting seam material that connects to different components in the base of the pool for where these expansion joints are." "There's been a lot of, I don't want to call it mocking, maybe it's just misunderstanding about the color. The color, American flag blue, is meant to enhance the reflectivity. It's called the REFLECTING POOL." "It's not a look to the bottom and see how deep it is pool. It's a reflecting pool, and anyone that is, from the experts in the city, you know, if you want to have a reflecting pool in some kind of fountain or some kind of place around the world, you want to have a dark base on the color." "There was a time in history when this reflecting pool was actually asphalt black." "It's the same blue as the navy blue, it's an American flag. So it's the appropriate color choice, and I think when it's completed, people are going to see that, again, 47 million people come to the National Mall every year." Perfectly said.
2:36

🚨 NOW: Interior Sec. Doug Burgum UNLEASHES on the Democrats who keep whining about President Trump's restoration of the filthy Lincoln Memorial Reflecting Pool "This thing has been FAILING, 40,000 gallons per day that's [leaking] out of this thing!" "That's MILLIONS in a year!" "We took out 2.5 MILES worth of rotting seam material that connects to different components in the base of the pool for where these expansion joints are." "There's been a lot of, I don't want to call it mocking, maybe it's just misunderstanding about the color. The color, American flag blue, is meant to enhance the reflectivity. It's called the REFLECTING POOL." "It's not a look to the bottom and see how deep it is pool. It's a reflecting pool, and anyone that is, from the experts in the city, you know, if you want to have a reflecting pool in some kind of fountain or some kind of place around the world, you want to have a dark base on the color." "There was a time in history when this reflecting pool was actually asphalt black." "It's the same blue as the navy blue, it's an American flag. So it's the appropriate color choice, and I think when it's completed, people are going to see that, again, 47 million people come to the National Mall every year." Perfectly said.

Eric Daugherty

258,008 views • 3 months ago

Caitlin: “What I love about you Candace though and I feel like this is something that is very lost right now especially on the women’s side is you just tell the game how it is. And it’s never in a disrespectful way you’re just trying to talk about the game how you see it.”
1:17

Caitlin: “What I love about you Candace though and I feel like this is something that is very lost right now especially on the women’s side is you just tell the game how it is. And it’s never in a disrespectful way you’re just trying to talk about the game how you see it.”

correlation

286,175 views • 3 months ago