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THIS IS FALSE!!!! “Feelin’ It” was NEVER a Camp Lo record and Jay never got it in exchange for “Luchini.” It was originally a Ski SOLO record featuring Geechi Suede from Camp Lo and Mecca on the hook. Ski had a verse and wrote the hook. He played it...

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Luis

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28,942 görüntüleme • 2 ay önce •via X (Twitter)

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Music producer Ski Beatz reveals that the song "Feelin' It" from Jay-Z's album "Reasonable Doubt" was originally his song and says Jay-Z kept the hook and used his flow. (🎥 You Did What Podcast/YouTube)
0:49

Music producer Ski Beatz reveals that the song "Feelin' It" from Jay-Z's album "Reasonable Doubt" was originally his song and says Jay-Z kept the hook and used his flow. (🎥 You Did What Podcast/YouTube)

The Art Of Dialogue

270,167 görüntüleme • 2 yıl önce

Some May Not Know: Camp Lo had Originally Recorded “FEELIN IT” Before Jay-Z got a Hold Of The Record.. Here’s The Demo Version❗️ Camp Lo Ft. Mecca & Ski Beatz- “Feelin It” (1996)
2:34

Some May Not Know: Camp Lo had Originally Recorded “FEELIN IT” Before Jay-Z got a Hold Of The Record.. Here’s The Demo Version❗️ Camp Lo Ft. Mecca & Ski Beatz- “Feelin It” (1996)

DJ SYLENT

118,006 görüntüleme • 11 ay önce

Camp Lo x Ski Beatz ― “Feelin' It” (demo) Jay-Z recorded over the beat, keeping the original hook sung by singer Mecca. timeless classic
2:33

Camp Lo x Ski Beatz ― “Feelin' It” (demo) Jay-Z recorded over the beat, keeping the original hook sung by singer Mecca. timeless classic

🔥 Ebonic Titalizer

59,667 görüntüleme • 2 ay önce

Jay-Z offered $7000 (according to Sonny Cheeba) to @skibeatz for the Luchini beat, but he refused and saved it for Camp Lo (the right decision IMO)......here's what it might've sounded like with Reasonable Doubt-era Hov on the instrumental..... 🔊Feelin It x Luchini
1:09

Jay-Z offered $7000 (according to Sonny Cheeba) to @skibeatz for the Luchini beat, but he refused and saved it for Camp Lo (the right decision IMO)......here's what it might've sounded like with Reasonable Doubt-era Hov on the instrumental..... 🔊Feelin It x Luchini

DJ Filthy Rich

430,359 görüntüleme • 1 yıl önce

the legend Pimp C on Hov’s generosity “Jay-Z had the beat and the hook already, it was gon be a hit with or without UGK” “Jay-Z is very smart, he knows whats gon sell before it sells, by him bringing us in he was giving us a meal ticket and a blessing” “Jay-Z is my man”
0:47

the legend Pimp C on Hov’s generosity “Jay-Z had the beat and the hook already, it was gon be a hit with or without UGK” “Jay-Z is very smart, he knows whats gon sell before it sells, by him bringing us in he was giving us a meal ticket and a blessing” “Jay-Z is my man”

The Roc Boy

32,875 görüntüleme • 1 yıl önce

In 1999, Dr. Dre was making his comeback album “2001” (his first solo studio album since 1992’s classic “The Chronic”). There was one great piano beat that Dre couldn’t write the lyrics for. He sent the beat to Jay-Z. In less than an hour, Jay-Z wrote the song and rapped over the beat — pretending to be both Dre and Snoop (in their respective voices) — and sent it back. The song was “Still D.R.E.” Dre heard it and said “That’s it. That’s it right there. This is a single.” Snoop said many years later “He wrote Dre’s shit and my shit. And it was flawless. Jay-Z is a great writer to begin with for himself, so imagine him striking it for someone he truly loves and appreciates. He loves Dr. Dre and that’s what his pen showed you.”
1:28

In 1999, Dr. Dre was making his comeback album “2001” (his first solo studio album since 1992’s classic “The Chronic”). There was one great piano beat that Dre couldn’t write the lyrics for. He sent the beat to Jay-Z. In less than an hour, Jay-Z wrote the song and rapped over the beat — pretending to be both Dre and Snoop (in their respective voices) — and sent it back. The song was “Still D.R.E.” Dre heard it and said “That’s it. That’s it right there. This is a single.” Snoop said many years later “He wrote Dre’s shit and my shit. And it was flawless. Jay-Z is a great writer to begin with for himself, so imagine him striking it for someone he truly loves and appreciates. He loves Dr. Dre and that’s what his pen showed you.”

Trung Phan

2,411,446 görüntüleme • 3 yıl önce

When Jay-Z was OUT RAPPED on his own song by a woman! I know Jay-Z wrote the verse & it STILL doesn’t change the fact it was the BETTER verse & Amil delivered!! 👏🏾
0:46

When Jay-Z was OUT RAPPED on his own song by a woman! I know Jay-Z wrote the verse & it STILL doesn’t change the fact it was the BETTER verse & Amil delivered!! 👏🏾

Jerome Trammel, MBA

10,751 görüntüleme • 5 ay önce

Jay-Z talks about writing “Still Dre”. Loves creative challenges (“taking one of your arms and tying it behind your back”). For Dre, challenge was to put himself in Dre’s shoes. Making the “2001” album 7 years after “The Chronic”. Backstory of how Jay did the song is legendary. There was one great piano beat that Dre couldn’t write the lyrics for. He sent the beat to Jay-Z. In less than an hour, Jay-Z wrote the song and rapped over the beat — pretending to be both Dre and Snoop (in their respective voices) — and sent it back. Basically exact same “Still D.R.E.” they would record (time between Dre’s first two albums was 7 years; 1992 to 1999, had to remind ‘em)! Dre heard it and said “That’s it. That’s it right there. This is a single.” Snoop said many years later “He wrote Dre’s shit and my shit. And it was flawless. Jay-Z is a great writer to begin with for himself, so imagine him striking it for someone he truly loves and appreciates. He loves Dr. Dre and that’s what his pen showed you.” *** First interview from NYT’s recent songwriter series: The Shop chat here:
2:46

Jay-Z talks about writing “Still Dre”. Loves creative challenges (“taking one of your arms and tying it behind your back”). For Dre, challenge was to put himself in Dre’s shoes. Making the “2001” album 7 years after “The Chronic”. Backstory of how Jay did the song is legendary. There was one great piano beat that Dre couldn’t write the lyrics for. He sent the beat to Jay-Z. In less than an hour, Jay-Z wrote the song and rapped over the beat — pretending to be both Dre and Snoop (in their respective voices) — and sent it back. Basically exact same “Still D.R.E.” they would record (time between Dre’s first two albums was 7 years; 1992 to 1999, had to remind ‘em)! Dre heard it and said “That’s it. That’s it right there. This is a single.” Snoop said many years later “He wrote Dre’s shit and my shit. And it was flawless. Jay-Z is a great writer to begin with for himself, so imagine him striking it for someone he truly loves and appreciates. He loves Dr. Dre and that’s what his pen showed you.” *** First interview from NYT’s recent songwriter series: The Shop chat here:

Trung Phan

110,020 görüntüleme • 4 ay önce

Next up, letter B: “Bam” #JayZ30 #JayZ Sister Nancy: “That's the best sample I ever had ... because he [Jay-Z] really took me with him. I think that was the right thing to do. He didn't go behind my back ... at least I'm a part of it.” Young Guru: “Everybody was vibing and understanding this history of music, and then, it was put up a microphone, and she’s [Sister Nancy] going to voice over this rhythm.” Damian Marley: “… He already had the idea of what he wanted for the hook. So, I did the hook for him. And then he said, ‘You know, please freestyle on the beat for a while.’ I did that for a few minutes, and then they kind of chopped up my freestyle and constructed my verse. Basically, what you hear on the record at the end.”
4:03

Next up, letter B: “Bam” #JayZ30 #JayZ Sister Nancy: “That's the best sample I ever had ... because he [Jay-Z] really took me with him. I think that was the right thing to do. He didn't go behind my back ... at least I'm a part of it.” Young Guru: “Everybody was vibing and understanding this history of music, and then, it was put up a microphone, and she’s [Sister Nancy] going to voice over this rhythm.” Damian Marley: “… He already had the idea of what he wanted for the hook. So, I did the hook for him. And then he said, ‘You know, please freestyle on the beat for a while.’ I did that for a few minutes, and then they kind of chopped up my freestyle and constructed my verse. Basically, what you hear on the record at the end.”

Luis

37,056 görüntüleme • 3 ay önce

The story of DJ Clark Kent introducing Biggie & JAY-Z to each other is almost as legendary as Clark himself. 🕊️ And the song “Brooklyn’s Finest” with Big & Hov? He produced it and rapped the hook. We lost a giant. God bless Clark and prayers for his family, including Jay.
4:21

The story of DJ Clark Kent introducing Biggie & JAY-Z to each other is almost as legendary as Clark himself. 🕊️ And the song “Brooklyn’s Finest” with Big & Hov? He produced it and rapped the hook. We lost a giant. God bless Clark and prayers for his family, including Jay.

💎🍾

211,836 görüntüleme • 1 yıl önce

Jay-Z voted NO to Kanye joining Roc A Fella and told him to stick to producing, Dame is the one who took a chance on him as a rapper and let him spit on “Champions” While Jay might’ve helped Kanye’s career, he was also the one trying to block it from ever happening in the first place. If it wasn’t for Dame, Kanye’s career would’ve never became what it was and that’s a fact. Jay didn’t want anyone outshining him, Kanye isn’t the only one who dealt with this either. Stop this BS narrative that Jay was the one who gave him a chance, he was hating until it benefited him
1:46

Jay-Z voted NO to Kanye joining Roc A Fella and told him to stick to producing, Dame is the one who took a chance on him as a rapper and let him spit on “Champions” While Jay might’ve helped Kanye’s career, he was also the one trying to block it from ever happening in the first place. If it wasn’t for Dame, Kanye’s career would’ve never became what it was and that’s a fact. Jay didn’t want anyone outshining him, Kanye isn’t the only one who dealt with this either. Stop this BS narrative that Jay was the one who gave him a chance, he was hating until it benefited him

Hip Hop Historian

1,794,304 görüntüleme • 1 yıl önce

J. Cole recalls Jay Z asking him to do a verse for The Blueprint 3 and finding out he had to record his verse live in front of both Jay AND Beyonce 😂 This verse really solidified the passing of the torch from Hov to Cole and Cole took advantage of the moment with his verse
3:31

J. Cole recalls Jay Z asking him to do a verse for The Blueprint 3 and finding out he had to record his verse live in front of both Jay AND Beyonce 😂 This verse really solidified the passing of the torch from Hov to Cole and Cole took advantage of the moment with his verse

Jeremy Hecht

680,519 görüntüleme • 1 yıl önce

i suddenly remembered this moment during a fansign when an engene brought a guitar for jay. jay walked over to heeseung with the guitar and that little smile.. he waited for his heeseung hyung to finish what he was doing, then asked him to tune the guitar.. and of course heeseung hyung did it for jay 🤍 #HEEJAY #HEESEUNG #JAY
0:57

i suddenly remembered this moment during a fansign when an engene brought a guitar for jay. jay walked over to heeseung with the guitar and that little smile.. he waited for his heeseung hyung to finish what he was doing, then asked him to tune the guitar.. and of course heeseung hyung did it for jay 🤍 #HEEJAY #HEESEUNG #JAY

lucky natty ✯

104,458 görüntüleme • 6 ay önce

I’ve never understood the confusion behind this record. Jay loved “good kid, m.A.A.d city” and the original “Bitch, Don’t Kill My Vibe.” He was inspired by Kendrick’s work. Recorded a verse, had Guru send the verse over to TDE. And during a studio session for ScHoolboy Q’s “Oxymoron” Kendrick came over and they surprised him with Jay’s verse. Kendrick then recorded two verses of his own and they put the record out as a remix. The end. They weren’t sparring. Kendrick had two verses. Jay had one. Kendrick recorded both of his verses after hearing Jay’s. Jay didn’t have that luxury. Nobody got “bodied.” Just enjoy the fucking music, man. I just want them to collaborate again. It’s long overdue. And now would be a perfect time for it.
2:59

I’ve never understood the confusion behind this record. Jay loved “good kid, m.A.A.d city” and the original “Bitch, Don’t Kill My Vibe.” He was inspired by Kendrick’s work. Recorded a verse, had Guru send the verse over to TDE. And during a studio session for ScHoolboy Q’s “Oxymoron” Kendrick came over and they surprised him with Jay’s verse. Kendrick then recorded two verses of his own and they put the record out as a remix. The end. They weren’t sparring. Kendrick had two verses. Jay had one. Kendrick recorded both of his verses after hearing Jay’s. Jay didn’t have that luxury. Nobody got “bodied.” Just enjoy the fucking music, man. I just want them to collaborate again. It’s long overdue. And now would be a perfect time for it.

Luis

228,971 görüntüleme • 4 ay önce

Havoc talks about how important it is for newer artists to write down their verses. There are only a select few artists who can spit lyrical verses from on top of their head like Jay-Z and Lil Wayne but it came with practice. Prodigy is one of the greatest lyricists and he wrote down his verses. havocmobbdeep
0:57

Havoc talks about how important it is for newer artists to write down their verses. There are only a select few artists who can spit lyrical verses from on top of their head like Jay-Z and Lil Wayne but it came with practice. Prodigy is one of the greatest lyricists and he wrote down his verses. havocmobbdeep

All Gen Hip Hop

67,821 görüntüleme • 2 yıl önce