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This mesmerizing animation is a generative art piece titled "Sand watch," created by digital artist Yunsu using [TouchDesigner](0.5.1, 0.5.2, 0.5.4)—a node-based visual programming environment for real-time interactive multimedia content. 🎥© joungyunsu

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Sarahh

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15,720 görüntüleme • 2 ay önce •via X (Twitter)

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A full musical based on Animal Crossing? Random Encounters created this amazing piece using Moho for the rigging and animation. Be sure to check their channel! Art direction, rigging and animation by MarlineAnimates🌱 & Bezbrwiowiec #animalcrossing #mohoanimation
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A full musical based on Animal Crossing? Random Encounters created this amazing piece using Moho for the rigging and animation. Be sure to check their channel! Art direction, rigging and animation by MarlineAnimates🌱 & Bezbrwiowiec #animalcrossing #mohoanimation

Moho Animation Software

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This 3D interactive billboard in Times Square, showcasing Mario and Bowser, is a demonstration created by BlackhatVFX a special effects artist and company While it isn’t real, it shows how 3D billboard spaces can be used for videogame advertisements
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This 3D interactive billboard in Times Square, showcasing Mario and Bowser, is a demonstration created by BlackhatVFX a special effects artist and company While it isn’t real, it shows how 3D billboard spaces can be used for videogame advertisements

SuperSisi

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For everyone assuming the Zelda: Ocarina of Time Remake is going for realistic graphics, take a look at this. This animation was created by Ember Lab before Kena: Bridge of Spirits launched. That's much closer to the level of visual fidelity I'd expect from the remake: Real time CGI level, highly detailed, cinematic, expressive... but not realistic.
4:39

For everyone assuming the Zelda: Ocarina of Time Remake is going for realistic graphics, take a look at this. This animation was created by Ember Lab before Kena: Bridge of Spirits launched. That's much closer to the level of visual fidelity I'd expect from the remake: Real time CGI level, highly detailed, cinematic, expressive... but not realistic.

EBellumat ᯅ

66,162 görüntüleme • 2 ay önce

This ceramic artist is known for creating handmade pottery that transforms in color when filled with hot liquid. By using heat-reactive glazes, they design charming mugs and cups that unveil secret illustrations—adding a fun, interactive element to ceramic art. Artists via Douyin
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This ceramic artist is known for creating handmade pottery that transforms in color when filled with hot liquid. By using heat-reactive glazes, they design charming mugs and cups that unveil secret illustrations—adding a fun, interactive element to ceramic art. Artists via Douyin

Enezator

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This episode never existed. What you’re watching was created entirely by artificial intelligence. Seedance 2.0 is set to radically transform the internet once it launches globally. Video AI has reached a new level — in fluidity, consistency, and 2D animation quality. This isn’t a test or a curiosity. It’s the beginning of a new era for digital content.
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This episode never existed. What you’re watching was created entirely by artificial intelligence. Seedance 2.0 is set to radically transform the internet once it launches globally. Video AI has reached a new level — in fluidity, consistency, and 2D animation quality. This isn’t a test or a curiosity. It’s the beginning of a new era for digital content.

nachos2d

495,990 görüntüleme • 6 ay önce

Village in the Clouds by Lucas Cavalcanti 3D, is a personal, game-ready environment project based on the artwork of 简繁, created to improve his understanding of large-scale environments in Unreal Engine 5. The scene was crafted from scratch, including props, vegetation, textures, VFX, landscape and buildings. In addition to this, the main character was created in VRoid Studio, the modeling and texturing of the Yak was done by 3D Artist Guilherme Miles and the art direction was handled by Concept Artist Dan Vitoria. "I built this project from scratch, using mostly information freely available on the internet. Planning and persistence were crucial to achieving this result. Unreal Engine’s native tools made my work much easier, such as the Vertex Paint tool for texturing the house walls and the Niagara System for creating real-time waterfalls." - Lucas Cavalcanti
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Village in the Clouds by Lucas Cavalcanti 3D, is a personal, game-ready environment project based on the artwork of 简繁, created to improve his understanding of large-scale environments in Unreal Engine 5. The scene was crafted from scratch, including props, vegetation, textures, VFX, landscape and buildings. In addition to this, the main character was created in VRoid Studio, the modeling and texturing of the Yak was done by 3D Artist Guilherme Miles and the art direction was handled by Concept Artist Dan Vitoria. "I built this project from scratch, using mostly information freely available on the internet. Planning and persistence were crucial to achieving this result. Unreal Engine’s native tools made my work much easier, such as the Vertex Paint tool for texturing the house walls and the Niagara System for creating real-time waterfalls." - Lucas Cavalcanti

Unreal Engine

45,664 görüntüleme • 6 ay önce

A 10-minute walk. That's all it takes to transform a real-world neighborhood into a machine-readable digital twin. Captured with an Insta360 X5 and reconstructed by Over the Reality, this environment is no longer just a place on a map. It's spatial data that can power Visual AI, Robotics localization, VPS, XR experiences, and next-generation world models. Today, the OVER community has already created more than 270,000 machine-readable locations like this, forming one of the world's largest 3D datasets for Physical AI, an increasingly valuable asset as demand for high quality real-world data continues to grow.
1:30

A 10-minute walk. That's all it takes to transform a real-world neighborhood into a machine-readable digital twin. Captured with an Insta360 X5 and reconstructed by Over the Reality, this environment is no longer just a place on a map. It's spatial data that can power Visual AI, Robotics localization, VPS, XR experiences, and next-generation world models. Today, the OVER community has already created more than 270,000 machine-readable locations like this, forming one of the world's largest 3D datasets for Physical AI, an increasingly valuable asset as demand for high quality real-world data continues to grow.

Over the Reality 🌐

16,724 görüntüleme • 1 ay önce

TEDRA Text-based Editing of Dynamic and Photoreal Actors discuss: Over the past years, significant progress has been made in creating photorealistic and drivable 3D avatars solely from videos of real humans. However, a core remaining challenge is the fine-grained and user-friendly editing of clothing styles by means of textual descriptions. To this end, we present TEDRA, the first method allowing text-based edits of an avatar, which maintains the avatar's high fidelity, space-time coherency, as well as dynamics, and enables skeletal pose and view control. We begin by training a model to create a controllable and high-fidelity digital replica of the real actor. Next, we personalize a pretrained generative diffusion model by fine-tuning it on various frames of the real character captured from different camera angles, ensuring the digital representation faithfully captures the dynamics and movements of the real person. This two-stage process lays the foundation for our approach to dynamic human avatar editing. Utilizing this personalized diffusion model, we modify the dynamic avatar based on a provided text prompt using our Personalized Normal Aligned Score Distillation Sampling (PNA-SDS) within a model-based guidance framework. Additionally, we propose a time step annealing strategy to ensure high-quality edits. Our results demonstrate a clear improvement over prior work in functionality and visual quality.
3:54

TEDRA Text-based Editing of Dynamic and Photoreal Actors discuss: Over the past years, significant progress has been made in creating photorealistic and drivable 3D avatars solely from videos of real humans. However, a core remaining challenge is the fine-grained and user-friendly editing of clothing styles by means of textual descriptions. To this end, we present TEDRA, the first method allowing text-based edits of an avatar, which maintains the avatar's high fidelity, space-time coherency, as well as dynamics, and enables skeletal pose and view control. We begin by training a model to create a controllable and high-fidelity digital replica of the real actor. Next, we personalize a pretrained generative diffusion model by fine-tuning it on various frames of the real character captured from different camera angles, ensuring the digital representation faithfully captures the dynamics and movements of the real person. This two-stage process lays the foundation for our approach to dynamic human avatar editing. Utilizing this personalized diffusion model, we modify the dynamic avatar based on a provided text prompt using our Personalized Normal Aligned Score Distillation Sampling (PNA-SDS) within a model-based guidance framework. Additionally, we propose a time step annealing strategy to ensure high-quality edits. Our results demonstrate a clear improvement over prior work in functionality and visual quality.

AK

17,302 görüntüleme • 2 yıl önce

Most people use AI tools separately. Arcads lets you integrate them into a creation system. I created a complete node-based workflow for my short film: What I still control: • writing • character design • art direction What Arcads does: • connects all the elements • structures the pipeline • ensures consistency using the best AI tools and models for generating text, images, and video Here's the difference between: → content generation → creating a production workflow Arcads offers an AI agent to automate a large part of the process. This changes the speed of creation.
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Most people use AI tools separately. Arcads lets you integrate them into a creation system. I created a complete node-based workflow for my short film: What I still control: • writing • character design • art direction What Arcads does: • connects all the elements • structures the pipeline • ensures consistency using the best AI tools and models for generating text, images, and video Here's the difference between: → content generation → creating a production workflow Arcads offers an AI agent to automate a large part of the process. This changes the speed of creation.

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Robbie - The Aesthetic Boy in the Water Studio. Sometimes, a single visual concept holds so much energy that it simply demands to be set in motion. This cinematic piece is an exploration of pure aesthetic, light, and flawless youth. Watch as the neon reflections dance on the water's surface, perfectly syncing with every splash, every smile, and every graceful movement of our hero. It’s more than just an animation; it’s a living painting born in a digital water studio. A mesmerizing journey where time slows down, allowing you to catch every drop of water and every genuine emotion. #cinematicart #bbart #CinematicPortrait #WaterStudio #AestheticEdit #VisualArt #Mesmerizing #NeonAesthetic #CinematicAnimation #DigitalArt #WaterPhotography #ArtisticPortrait #SlowMoVibes
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Robbie - The Aesthetic Boy in the Water Studio. Sometimes, a single visual concept holds so much energy that it simply demands to be set in motion. This cinematic piece is an exploration of pure aesthetic, light, and flawless youth. Watch as the neon reflections dance on the water's surface, perfectly syncing with every splash, every smile, and every graceful movement of our hero. It’s more than just an animation; it’s a living painting born in a digital water studio. A mesmerizing journey where time slows down, allowing you to catch every drop of water and every genuine emotion. #cinematicart #bbart #CinematicPortrait #WaterStudio #AestheticEdit #VisualArt #Mesmerizing #NeonAesthetic #CinematicAnimation #DigitalArt #WaterPhotography #ArtisticPortrait #SlowMoVibes

BB Art

25,599 görüntüleme • 2 ay önce

With immense joy and a profound sense of honor, I announce the acquisition of Refik Anadol ‘s — Machine Hallucinations — MoMA' by MoMA The Museum of Modern Art. This pivotal moment has been made possible through the generous contribution by the #RFCCollection, led by Desiree Casoni and myself, alongside 1OF1 , spearheaded by Ryan Zurrer. This acquisition not only marks a grand milestone in Refik's remarkable journey but also inscribes a historic chapter in modern art, as MoMA welcomes the first tokenized artwork into its esteemed permanent collection. 'Unsupervised' transcends a digital installation; it's a visionary expedition into the core of artistic evolution, employing generative artificial intelligence to reinterpret and reimagine over two centuries of MoMA’s rich artistic archive. Through this pioneering venture, Refik orchestrates a mesmerizing dance of data aesthetics with emotive narratives, creating a living tapestry of art that breathes and evolves with environmental stimuli on a grand media wall, unveiling new visual forms and narrating a captivating tale of art's dynamic journey. The exhibition has resonated across the global art scene, captivating audiences of diverse backgrounds and elevating digital art into broader realms of recognition. 'Unsupervised' unfolds into a profound reflection on technology's role in augmenting the creative process, resonating deeply with today’s global audience. The blockchain tokenization of 'Unsupervised' exemplifies a harmonious blend of the digital and traditional realms of artistry. It underscores the evolving tale of digital ownership, ushering in a new era where digital art finds a venerable home amidst iconic traditional art collections. This venture, gracefully facilitated by the #RFCCollection and #1OF1, not only elevates the stature of digital art but also paves the path for future generations of artists and collectors, broadening the horizon for the acceptance and recognition of tokenized digital art within traditional art institutions. Refik Anadol's journey in digital artistry stands out as a reference of innovation and exploration. His visionary approach, coupled with an enduring dedication, marks him as a trailblazer truly deserving of leading the charge in this novel artistic frontier. Each artistic endeavor by Refik resonates through the wider digital art landscape, igniting a spark of inspiration among the community and welcoming a bright and promising future for digital artistry on a global stage
3:59

With immense joy and a profound sense of honor, I announce the acquisition of Refik Anadol ‘s — Machine Hallucinations — MoMA' by MoMA The Museum of Modern Art. This pivotal moment has been made possible through the generous contribution by the #RFCCollection, led by Desiree Casoni and myself, alongside 1OF1 , spearheaded by Ryan Zurrer. This acquisition not only marks a grand milestone in Refik's remarkable journey but also inscribes a historic chapter in modern art, as MoMA welcomes the first tokenized artwork into its esteemed permanent collection. 'Unsupervised' transcends a digital installation; it's a visionary expedition into the core of artistic evolution, employing generative artificial intelligence to reinterpret and reimagine over two centuries of MoMA’s rich artistic archive. Through this pioneering venture, Refik orchestrates a mesmerizing dance of data aesthetics with emotive narratives, creating a living tapestry of art that breathes and evolves with environmental stimuli on a grand media wall, unveiling new visual forms and narrating a captivating tale of art's dynamic journey. The exhibition has resonated across the global art scene, captivating audiences of diverse backgrounds and elevating digital art into broader realms of recognition. 'Unsupervised' unfolds into a profound reflection on technology's role in augmenting the creative process, resonating deeply with today’s global audience. The blockchain tokenization of 'Unsupervised' exemplifies a harmonious blend of the digital and traditional realms of artistry. It underscores the evolving tale of digital ownership, ushering in a new era where digital art finds a venerable home amidst iconic traditional art collections. This venture, gracefully facilitated by the #RFCCollection and #1OF1, not only elevates the stature of digital art but also paves the path for future generations of artists and collectors, broadening the horizon for the acceptance and recognition of tokenized digital art within traditional art institutions. Refik Anadol's journey in digital artistry stands out as a reference of innovation and exploration. His visionary approach, coupled with an enduring dedication, marks him as a trailblazer truly deserving of leading the charge in this novel artistic frontier. Each artistic endeavor by Refik resonates through the wider digital art landscape, igniting a spark of inspiration among the community and welcoming a bright and promising future for digital artistry on a global stage

Pablo

454,753 görüntüleme • 2 yıl önce

Generations of devotion. ❤️🇮🇳 78 seconds of highest form of human art. Standing ovation for the artists who created this majestic handmade piece of art inspired by The Konark Sun Temple. Let us all come together to appreciate their legacy. THE KONARK WHEEL Built in the 13th century, the Konark Sun Temple (a UNESCO designated World Heritage Site) is a monumental representation of the chariot of the Sun God. Its 24 wheels are decorated with symbolic designs and led by seven horses symbolizing time. This temple is located on the Eastern shores of the Indian state of Odisha. A beautiful example of the intricacies of temple architecture and art of India. A masterpiece of creative genius that took 12 years to build by12,000 artisans. DETAILED SPECIFICATION OF THIS SCULPTURE Made of sand stone, this is a handcrafted replication that is inspired by the wheels at Konark Sun Temple. Several artists from the Lalitagitri Village of Odisha, India have worked day and night for many months to make this incredible piece of art. This piece will be displayed as a symbol of unity between the Indian Diaspora and America in Vikas Khanna’s upcoming NYC restaurant in 2024. Material: Sand Stone Dimension: 8ft X 6ft X 1ft Weight: 1,750KG (Appx. 4,000 pounds) Category: Non-Antique (Newly made) Artist: Amaresh Chandra Bindhani and team Origin: Odisha, India Thank you Jitendra Mishra / ଜିତେନ୍ଦ୍ର ମିଶ୍ର Sudarsan Pattnaik for being my guide. ❤️
1:17

Generations of devotion. ❤️🇮🇳 78 seconds of highest form of human art. Standing ovation for the artists who created this majestic handmade piece of art inspired by The Konark Sun Temple. Let us all come together to appreciate their legacy. THE KONARK WHEEL Built in the 13th century, the Konark Sun Temple (a UNESCO designated World Heritage Site) is a monumental representation of the chariot of the Sun God. Its 24 wheels are decorated with symbolic designs and led by seven horses symbolizing time. This temple is located on the Eastern shores of the Indian state of Odisha. A beautiful example of the intricacies of temple architecture and art of India. A masterpiece of creative genius that took 12 years to build by12,000 artisans. DETAILED SPECIFICATION OF THIS SCULPTURE Made of sand stone, this is a handcrafted replication that is inspired by the wheels at Konark Sun Temple. Several artists from the Lalitagitri Village of Odisha, India have worked day and night for many months to make this incredible piece of art. This piece will be displayed as a symbol of unity between the Indian Diaspora and America in Vikas Khanna’s upcoming NYC restaurant in 2024. Material: Sand Stone Dimension: 8ft X 6ft X 1ft Weight: 1,750KG (Appx. 4,000 pounds) Category: Non-Antique (Newly made) Artist: Amaresh Chandra Bindhani and team Origin: Odisha, India Thank you Jitendra Mishra / ଜିତେନ୍ଦ୍ର ମିଶ୍ର Sudarsan Pattnaik for being my guide. ❤️

Vikas Khanna

73,405 görüntüleme • 3 yıl önce

BREAKING: Ordzaar & OdinSwap have just mined the 4th largest block ever to inscribe Endless Art Ordinal 2024 We are thrilled to unveil the Endless Art Ordinal 2024, a monumental digital art piece celebrating those who have shaped the ordinals ecosystem into what it is today. It is currently the 4th largest ordinal inscription on the Bitcoin blockchain, see here: - Block: 848,688 🟧 At 3.968 MB, it's the largest EVER on a LEGACY sat! Featuring contributors from over 150+ infrastructure partners, communities, builders, alpha groups, and more! Created by renowned artist osmankubat.eth behind the unique style of endless art, this piece captures the essence of online meme culture and the vibrant ordinals communities. His unique digital artistry has once again brought a significant contribution to the world of digital art. Proudly supported by OrdinalsBot ⚡. Stay tuned, as we have exciting plans in store for this massive 4MB creation! Special thanks to everyone who has contributed to the immense success of Ordzaar and our past projects. SEND ZAAR 💾
0:56

BREAKING: Ordzaar & OdinSwap have just mined the 4th largest block ever to inscribe Endless Art Ordinal 2024 We are thrilled to unveil the Endless Art Ordinal 2024, a monumental digital art piece celebrating those who have shaped the ordinals ecosystem into what it is today. It is currently the 4th largest ordinal inscription on the Bitcoin blockchain, see here: - Block: 848,688 🟧 At 3.968 MB, it's the largest EVER on a LEGACY sat! Featuring contributors from over 150+ infrastructure partners, communities, builders, alpha groups, and more! Created by renowned artist osmankubat.eth behind the unique style of endless art, this piece captures the essence of online meme culture and the vibrant ordinals communities. His unique digital artistry has once again brought a significant contribution to the world of digital art. Proudly supported by OrdinalsBot ⚡. Stay tuned, as we have exciting plans in store for this massive 4MB creation! Special thanks to everyone who has contributed to the immense success of Ordzaar and our past projects. SEND ZAAR 💾

Ordzaar

660,376 görüntüleme • 2 yıl önce

"Maybe the right UI for AI is a generative UI." Here's my new interview with Stephen Chau featuring a live demo of Cove's ground-breaking visual AI interface that breaks free from chatbots. We had a great chat about: - Real world use cases for visual AI interfaces - Generative UI and just-in-time AI apps - How Stephen scaled Uber Eats to $25B ARR Some quotes from Stephen Chau: "In computing, we moved from the command line to graphic user interfaces. Chatbots are like the command line era of AI. What's next is this..." "Imagine the entire layout of the workspace and all its contents is something made just in time, based on what you're trying to do..." "Our goal with Uber Eats was to build a business that's the same size as the Rides business. Here's what mattered..." 📌 Watch now:
1:09

"Maybe the right UI for AI is a generative UI." Here's my new interview with Stephen Chau featuring a live demo of Cove's ground-breaking visual AI interface that breaks free from chatbots. We had a great chat about: - Real world use cases for visual AI interfaces - Generative UI and just-in-time AI apps - How Stephen scaled Uber Eats to $25B ARR Some quotes from Stephen Chau: "In computing, we moved from the command line to graphic user interfaces. Chatbots are like the command line era of AI. What's next is this..." "Imagine the entire layout of the workspace and all its contents is something made just in time, based on what you're trying to do..." "Our goal with Uber Eats was to build a business that's the same size as the Rides business. Here's what mattered..." 📌 Watch now:

Peter Yang

74,721 görüntüleme • 1 yıl önce

In honour of World Refugee Day last week, Soundwaves Art is auctioning one of the last remaining signed Artist Proofs created from the audio of #TooSweet. This rare piece comes from a collection that is now completely sold out with all profits to benefit War Child UK and their work protecting, educating, and standing up for the rights of children affected by war. Bid here:
0:35

In honour of World Refugee Day last week, Soundwaves Art is auctioning one of the last remaining signed Artist Proofs created from the audio of #TooSweet. This rare piece comes from a collection that is now completely sold out with all profits to benefit War Child UK and their work protecting, educating, and standing up for the rights of children affected by war. Bid here:

Hozier

42,712 görüntüleme • 2 ay önce