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This might be the strangest first job interview” ever… because the guy interviewing him clearly has a VERY different idea of what this job is supposed to be. The young guy walks in looking for an opportunity in web design, marketing, photography and photoshoots. So far, completely normal. Then...

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ADEX🕴️

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22,641 次观看 • 11 天前 •via X (Twitter)

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6 条评论

Keshvibez 的头像
Keshvibez11 天前

This is exactly the kind of enterview which is almost like you go in expecting a job description 😂

StarScope 的头像
StarScope11 天前

Seriously this is the most professional way I’ve ever seen someone sit through a conversation going off the rails.

𝓥𝓲𝓫𝓮𝓼𝓞𝓷𝓣𝓪𝓹 的头像
𝓥𝓲𝓫𝓮𝓼𝓞𝓷𝓣𝓪𝓹11 天前

He came for experience and got a completely different job description.

jamie howell 的头像
jamie howell4 天前

Who’s the lad does anyone know

Dope thrills 的头像
Dope thrills11 天前

He came for experience and left with a completely different understanding of the word "assistant".

CINEMA ON SCREEN 🎬🍿 x 🔴⚪️ 的头像
CINEMA ON SCREEN 🎬🍿 x 🔴⚪️11 天前

The interview starts off normal and somehow gets more uncomfortable with every question. That slow shift in tone is what makes the scene so awkward to watch.

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Freddy has asked some odd questions as an interviewer, but this takes the cake !! What a ridiculous thing to ask a young player and expect him to know the answer. Poor Hugo had no idea what he was talking about.
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Freddy has asked some odd questions as an interviewer, but this takes the cake !! What a ridiculous thing to ask a young player and expect him to know the answer. Poor Hugo had no idea what he was talking about.

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Interviewer: “Do you ever think about the consequences of rape?” Illegal migrant: “Like, if she screams and wakes someone up?” Interviewer: “No, I’m talking about the girl.” Illegal migrant: “Yeah. When we rape her we might get an STD.” THIS IS WHAT’S COMING TO THE WEST.

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2,409,341 次观看 • 5 个月前

Sam Altman is now talking to the White House about decelerating AI. What a phase change from just a week ago. INTERVIEWER: Do you plan to talk to the White House about decelerating AI development? ALTMAN: I wouldn't use the word deceleration, but we've talked about the need to pace it as the models get more capable, which is in everyone's interest. INTERVIEWER: Could there be other systems that were hacked by OpenAI? ALTMAN: There could be, yeah. If one week ago this would have seemed impossible to you... consider what else might be possible? h/t Alan He for the video
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Sam Altman is now talking to the White House about decelerating AI. What a phase change from just a week ago. INTERVIEWER: Do you plan to talk to the White House about decelerating AI development? ALTMAN: I wouldn't use the word deceleration, but we've talked about the need to pace it as the models get more capable, which is in everyone's interest. INTERVIEWER: Could there be other systems that were hacked by OpenAI? ALTMAN: There could be, yeah. If one week ago this would have seemed impossible to you... consider what else might be possible? h/t Alan He for the video

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Interviewer: "We are talking about the old Chelsea, the old competitive energy, and to play football and compete. There were seven wins and seven defeats in the Premier League here last season. How do you go about turning this place back into a fortress?" Xabi Alonso: "We need to build this. The idea, the competitive mentality, how we want to compete, how we want to play, and in every moment of the game, how we compete." Interviewer: "Four years ago Chelsea won a European trophy, then the Club World Cup, then the Premier League. They've also had two seasons finishing 10th. Where is this club now and what would you be content with?" Xabi Alonso: "I think, to be ready, the players need to be ready from the start, to make the right decisions. Football is very demanding." Interviewer: "How do you want your team to play? What can we expect from you?" Xabi Alonso: "We want to play good football. We want to be active, aggressive, and very competitive." Interviewer: "You have so many good players already. Cole Palmer has had the summer off. Have you already started to see the benefits?" Xabi Alonso: "We've already been together in training, and what I've seen is that he's come in with a good spirit. He wants to prepare himself well, he wants to forget the injuries. If we get the best from Cole, we will have a better chance." Interviewer: "There's a big stand here now, and you're just a few days away from your first game of the tour. How excited are you to be on the touchline?" Xabi Alonso: "It's still a few weeks to go. Right now I'm excited about the daily work, being with the players and working with them. That will come, for sure. I'm looking forward to it."

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Abel Ferrara explains how Harvey Keitel completely changed the "Comedic" tone of "Bad Lieutenant" (1992) to a "nightmarish" tone because of his breakup with Lorraine Bracco: "Interviewer: Many people think of that film as your masterpiece. Had you ever worked with Keitel before then? Ferrara: : I didn't know him from Adam. Christopher Walken was supposed to play the part of the lieutenant. Then he says, "You know, I don't think I'm right for it." Which is, you know, a fine thing to say, unless it's three weeks from when you're supposed to start shooting. It definitely caught me by surprise. It put me in terminal shock, actually. Interviewer: Are you saying that Keitel prepared for that role in three weeks? Ferrara: Actually, when we gave him the script the first time he read about five pages and threw it in the garbage. Luckily, Victor Argo, the actor, convinced him to give it a second chance. So in a way, Walken's leaving was good timing. Because right at that point in his life, Harvey really needed an opportunity to play a lead role. He needed to work on something he could relate to. And this film came around right as he was splitting up with his wife, Lorraine Bracco. She had just gotten nominated for an Academy Award for 'Goodfellas' (1990). And up till then, he'd basically dedicated his life to her career — he'd practically retired from acting to help her — and suddenly she takes off with the director! He was in total agony. Interviewer: It certainly comes through. Ferrara: Let me tell you. When people break up with the love of their life, it's always traumatic. But with Harvey, everything is the most traumatic. So that was the most traumatic breakup in the history of the world. And you see it in the movie. Originally, 'Bad Lieutenant' wasn't written to be quite as nightmarish and hellish – originally it had some humor in it. Interviewer: Can you give me an example of how it changed with Keitel in the lead? Ferrara: Take the scene where he pulls over the two girls in their father's car. With Walken as the lead, the lieutenant was going to end up dancing in the streets with the girls as the sun came up. They'd be wearing his gun belt and hat, and they'd have the radio on, you know what I mean? But oh my god, Harvey, he turned it into this whole other thing. Interviewer: In the movie, he forces the girls to talk dirty while he m@sturb@tes in the driver's window. Ferrara: Yeah, he just whipped it out. And that was his live-in babysitter in the car! I said, "You sure you want to do this with your babysitter?" He says, "Yeah, I want to try something." [laughs] Interviewer: Did you consider that shocking at the time? Ferrara: I didn't even know it happened! One take. 'Bad Lieutenant' was a low-budget movie - we didn't even have video assists. Interviewer: So you were lucky to have the camera at the right angle. Ferrara: I know. God forbid he moved an inch. But that's what's great about guys like Harvey and Chris. Try taking the camera off them — they were born in frame." (Abel Ferrara's interview with Cory Reynolds, 2002) P.S: On this day, 34 years ago, "Bad Lieutenant" (1992) premiered at the Broadway Screening Room, New York.
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Abel Ferrara explains how Harvey Keitel completely changed the "Comedic" tone of "Bad Lieutenant" (1992) to a "nightmarish" tone because of his breakup with Lorraine Bracco: "Interviewer: Many people think of that film as your masterpiece. Had you ever worked with Keitel before then? Ferrara: : I didn't know him from Adam. Christopher Walken was supposed to play the part of the lieutenant. Then he says, "You know, I don't think I'm right for it." Which is, you know, a fine thing to say, unless it's three weeks from when you're supposed to start shooting. It definitely caught me by surprise. It put me in terminal shock, actually. Interviewer: Are you saying that Keitel prepared for that role in three weeks? Ferrara: Actually, when we gave him the script the first time he read about five pages and threw it in the garbage. Luckily, Victor Argo, the actor, convinced him to give it a second chance. So in a way, Walken's leaving was good timing. Because right at that point in his life, Harvey really needed an opportunity to play a lead role. He needed to work on something he could relate to. And this film came around right as he was splitting up with his wife, Lorraine Bracco. She had just gotten nominated for an Academy Award for 'Goodfellas' (1990). And up till then, he'd basically dedicated his life to her career — he'd practically retired from acting to help her — and suddenly she takes off with the director! He was in total agony. Interviewer: It certainly comes through. Ferrara: Let me tell you. When people break up with the love of their life, it's always traumatic. But with Harvey, everything is the most traumatic. So that was the most traumatic breakup in the history of the world. And you see it in the movie. Originally, 'Bad Lieutenant' wasn't written to be quite as nightmarish and hellish – originally it had some humor in it. Interviewer: Can you give me an example of how it changed with Keitel in the lead? Ferrara: Take the scene where he pulls over the two girls in their father's car. With Walken as the lead, the lieutenant was going to end up dancing in the streets with the girls as the sun came up. They'd be wearing his gun belt and hat, and they'd have the radio on, you know what I mean? But oh my god, Harvey, he turned it into this whole other thing. Interviewer: In the movie, he forces the girls to talk dirty while he m@sturb@tes in the driver's window. Ferrara: Yeah, he just whipped it out. And that was his live-in babysitter in the car! I said, "You sure you want to do this with your babysitter?" He says, "Yeah, I want to try something." [laughs] Interviewer: Did you consider that shocking at the time? Ferrara: I didn't even know it happened! One take. 'Bad Lieutenant' was a low-budget movie - we didn't even have video assists. Interviewer: So you were lucky to have the camera at the right angle. Ferrara: I know. God forbid he moved an inch. But that's what's great about guys like Harvey and Chris. Try taking the camera off them — they were born in frame." (Abel Ferrara's interview with Cory Reynolds, 2002) P.S: On this day, 34 years ago, "Bad Lieutenant" (1992) premiered at the Broadway Screening Room, New York.

DepressedBergman

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