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this scene also getting done with some idea from #zhanglinghe 😉⚔️ dir: the whole process will be very quick. you come in from the side and when the time comes you take a knife, use the sharp dagger and stab him directly in the shoulder. zlh🚀: starting off that...

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张凌赫的小核桃𖹭

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24,402 görüntüleme • 4 ay önce •via X (Twitter)

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#PursuitofJade commentary vid ⚔️🎬 #zhanglinghe talking about his comfort zone in acting😄 zqj: people say this is your comfort zone zlh🚀: my comfort zone? zqj: your acting comfort zone… "forced love" zlh🚀: director, you misunderstood me. I actually like playing frail, scholarly characters. host: but don't people say you're the strictest "father" of the forced-love genre? zlh🚀: no… you all have misunderstood me. I'm suited to playing a weak scholar. host: so basically playing the kind of man changyu likes, right? zlh🚀: (nods)
0:27

#PursuitofJade commentary vid ⚔️🎬 #zhanglinghe talking about his comfort zone in acting😄 zqj: people say this is your comfort zone zlh🚀: my comfort zone? zqj: your acting comfort zone… "forced love" zlh🚀: director, you misunderstood me. I actually like playing frail, scholarly characters. host: but don't people say you're the strictest "father" of the forced-love genre? zlh🚀: no… you all have misunderstood me. I'm suited to playing a weak scholar. host: so basically playing the kind of man changyu likes, right? zlh🚀: (nods)

张凌赫的小核桃𖹭

109,994 görüntüleme • 4 ay önce

new interview of #zhanglinghe with Vogue for Lancome's Valentine's Day campaign 💎 Q1: describe yourself in three words ZLH🚀: free, natural, easygoing. Q2: when you take a break, do you prefer being alone or spending time with friends? ZLH🚀: I tend to prefer being alone. I like staying at home by myself, playing games, doing handicrafts, and enjoying the process of assembling things. before joining a new project, I'll also spend time reading scripts. Q3: share something that made you happy recently. ZLH🚀: filming that short film was quite interesting. it was my first time working with a product in a format that had character dynamics and a storyline, even though the final focus was on the product. it felt like stepping into a parallel world and experiencing another version of myself, doing things I might actually do in that world. ​Q4: in a relationship, do you prefer being with someone similar to you or someone who complements you? ZLH🚀: I lean toward being complementary. but what's interesting is that this short film introduced a new concept: at first glance, the other person seems completely different from you, but then you discover many similar little hobbies. visiting the same exhibition or using the same skincare product. those little surprises, built on differences and complementarity, really help warm up an emotional relationship. the idea in the film actually aligns well with my own views. meeting naturally, unexpectedly, yet with moments of surprise. that kind of feeling is very romantic. Q5: how do you view the theme "me first, then us"? ZLH🚀: I think everyone should prioritize themselves first. have self-love and self-fulfillment. when you're in a good place on your own and then build emotional relationships with others, you're more likely to encounter better things. Q6: If you were preparing a Valentine's Day gift, what would you choose? ZLH🚀: I'm a practical person. I'd give something that's useful, something the other person genuinely likes, and something I've personally used.
2:02

new interview of #zhanglinghe with Vogue for Lancome's Valentine's Day campaign 💎 Q1: describe yourself in three words ZLH🚀: free, natural, easygoing. Q2: when you take a break, do you prefer being alone or spending time with friends? ZLH🚀: I tend to prefer being alone. I like staying at home by myself, playing games, doing handicrafts, and enjoying the process of assembling things. before joining a new project, I'll also spend time reading scripts. Q3: share something that made you happy recently. ZLH🚀: filming that short film was quite interesting. it was my first time working with a product in a format that had character dynamics and a storyline, even though the final focus was on the product. it felt like stepping into a parallel world and experiencing another version of myself, doing things I might actually do in that world. ​Q4: in a relationship, do you prefer being with someone similar to you or someone who complements you? ZLH🚀: I lean toward being complementary. but what's interesting is that this short film introduced a new concept: at first glance, the other person seems completely different from you, but then you discover many similar little hobbies. visiting the same exhibition or using the same skincare product. those little surprises, built on differences and complementarity, really help warm up an emotional relationship. the idea in the film actually aligns well with my own views. meeting naturally, unexpectedly, yet with moments of surprise. that kind of feeling is very romantic. Q5: how do you view the theme "me first, then us"? ZLH🚀: I think everyone should prioritize themselves first. have self-love and self-fulfillment. when you're in a good place on your own and then build emotional relationships with others, you're more likely to encounter better things. Q6: If you were preparing a Valentine's Day gift, what would you choose? ZLH🚀: I'm a practical person. I'd give something that's useful, something the other person genuinely likes, and something I've personally used.

张凌赫的小核桃𖹭

11,944 görüntüleme • 5 ay önce

•042426• new interview of #zhanglinghe with Movie News for "The Answer is Earth" documentary 💬🌱 ZLH🚀: this is a small souvenir they gave me when I visited the wind turbine manufacturing plant. 👤: I know you really like these kinds of things. ZLH🚀: yes, this is the motor of the wind turbine, located at the highest point of the turbine shaft. these are the blades. they look small now, but in reality, when I went to the wind turbine manufacturing plant, it was about 80 meters long. really huge. and the proportions might not be accurate. when we stood below it, it was incredibly impressive. it works like this: the wind comes from this direction and drives the blades to rotate. then the motor converts that kinetic energy into electrical energy. there are cables below that can directly transmit the electricity to a substation, where it's stepped up or down in voltage, and then sent to places on land where the electricity is used. that's how a wind turbine works. 👤: it's a very meaningful souvenir. ZLH🚀: yes. 👤: where are you planning to put it? ZLH🚀: before I brought this with me, I usually keep it next to my computer.
1:25

•042426• new interview of #zhanglinghe with Movie News for "The Answer is Earth" documentary 💬🌱 ZLH🚀: this is a small souvenir they gave me when I visited the wind turbine manufacturing plant. 👤: I know you really like these kinds of things. ZLH🚀: yes, this is the motor of the wind turbine, located at the highest point of the turbine shaft. these are the blades. they look small now, but in reality, when I went to the wind turbine manufacturing plant, it was about 80 meters long. really huge. and the proportions might not be accurate. when we stood below it, it was incredibly impressive. it works like this: the wind comes from this direction and drives the blades to rotate. then the motor converts that kinetic energy into electrical energy. there are cables below that can directly transmit the electricity to a substation, where it's stepped up or down in voltage, and then sent to places on land where the electricity is used. that's how a wind turbine works. 👤: it's a very meaningful souvenir. ZLH🚀: yes. 👤: where are you planning to put it? ZLH🚀: before I brought this with me, I usually keep it next to my computer.

张凌赫的小核桃𖹭

14,289 görüntüleme • 3 ay önce

•042726• new interview of #zhanglinghe with Movie News for documentary "Exploring the Future" 🌱💬 👤: how does it feel to be discussed and noticed because of your "good looks"? ZLH🚀: first of all, of course I'm quite happy that everyone recognizes me in that regard. but at the same time, I also hope people can appreciate the most genuine, authentic version of me. the reason I did this documentary is that many people came to know me through my roles, and then started paying attention to me as a person. I've been thinking about how can I make good use of this attention and the so-called influence that I have. I hope to have the opportunity to use my influence to bring something positive to everyone. while you're paying attention to me, you can also learn about energy transition, improve your own daily habits, and help promote progress in this transition.
0:42

•042726• new interview of #zhanglinghe with Movie News for documentary "Exploring the Future" 🌱💬 👤: how does it feel to be discussed and noticed because of your "good looks"? ZLH🚀: first of all, of course I'm quite happy that everyone recognizes me in that regard. but at the same time, I also hope people can appreciate the most genuine, authentic version of me. the reason I did this documentary is that many people came to know me through my roles, and then started paying attention to me as a person. I've been thinking about how can I make good use of this attention and the so-called influence that I have. I hope to have the opportunity to use my influence to bring something positive to everyone. while you're paying attention to me, you can also learn about energy transition, improve your own daily habits, and help promote progress in this transition.

张凌赫的小核桃𖹭

15,890 görüntüleme • 2 ay önce

3 advantages of #zhanglinghe in jing tian's pov during filming #RebornForLove 🎬 jt: I think linghe's performance is really delicate & layered. his eyes are very immersive. when we were acting together, I felt very immersive when I looked at his eyes. some scenes makes me feel heartbroken. he could make people feel really heartbroken🥺 zlh: there's still one more jt: these are unknowns right? I don't know if he let everyone see how heartbroken it was before this interview aired zlh: don't worry about it, just keep praising😄 jt: he just said that he heard enough of it😏 zlh: there's still one more jt: one more... zlh: can't praise anymore?😂 jt: I'm not thinking about how handsome you are. everyone already knows that right?😂 zlh: yes jt: I'm not giving that praise to you😾 he said yes😂 zlh: one more. the last one jt: his action scenes are very handsome & had coordinate movements zlh: uncoordinate (2x) jt: it's really coordinate! where did you not coordinate? zlh: my limbs are uncoordinate jt: I think he's particularly handsome in action scenes. you can consider that I'm watching him from a distance of one or two meters. what I said just now is true. it's about the filming during these four months. it's a sincere answers. 🥹🥹🥹
1:02

3 advantages of #zhanglinghe in jing tian's pov during filming #RebornForLove 🎬 jt: I think linghe's performance is really delicate & layered. his eyes are very immersive. when we were acting together, I felt very immersive when I looked at his eyes. some scenes makes me feel heartbroken. he could make people feel really heartbroken🥺 zlh: there's still one more jt: these are unknowns right? I don't know if he let everyone see how heartbroken it was before this interview aired zlh: don't worry about it, just keep praising😄 jt: he just said that he heard enough of it😏 zlh: there's still one more jt: one more... zlh: can't praise anymore?😂 jt: I'm not thinking about how handsome you are. everyone already knows that right?😂 zlh: yes jt: I'm not giving that praise to you😾 he said yes😂 zlh: one more. the last one jt: his action scenes are very handsome & had coordinate movements zlh: uncoordinate (2x) jt: it's really coordinate! where did you not coordinate? zlh: my limbs are uncoordinate jt: I think he's particularly handsome in action scenes. you can consider that I'm watching him from a distance of one or two meters. what I said just now is true. it's about the filming during these four months. it's a sincere answers. 🥹🥹🥹

张凌赫的小核桃𖹭

14,541 görüntüleme • 2 yıl önce

When I was 1 my mum and were told I'd never eat with a fork and knife I was doing that by 2 Thdey told my parents when I was born I'd never walk unaided (I done it) They told my mum when I went to school I'd never write (I done it) If you told me before I joined BetterU Fitness I'd be able to do this I'd have laughed at you but I can. Honestly can't thank Michelle for her help and what it's done for me mentally and physically Disabled still has the word able in it
0:26

When I was 1 my mum and were told I'd never eat with a fork and knife I was doing that by 2 Thdey told my parents when I was born I'd never walk unaided (I done it) They told my mum when I went to school I'd never write (I done it) If you told me before I joined BetterU Fitness I'd be able to do this I'd have laughed at you but I can. Honestly can't thank Michelle for her help and what it's done for me mentally and physically Disabled still has the word able in it

Stephen Reside

208,146 görüntüleme • 2 yıl önce

#zhanglinghe's interview with iQIYI for #PursuitofJade ⚔️🎬 turns out it was zhang linghe's idea to make xie zheng wrapped the blue ribbon thrown by changyu to his hand. the script only mentioned to tie it around head but he think of another special way to present it😉 wow! 👤: among all the beautiful hair ribbons Xie Zheng has, which one is your favorite? why? ZLH🚀: I like the blue one from that famous scene where he catches the hair ribbon. the color looks really nice. it's the ribbon from the moment he catches it in front of everyone. 👤: was wrapping the ribbon around your hand your idea? ZLH🚀: yes, that was my idea. originally, the script said to tie it around the head, but I felt that too many people would do it that way. I thought about whether there was another special way to present it, so I decided to wrap it around my hand instead.
0:21

#zhanglinghe's interview with iQIYI for #PursuitofJade ⚔️🎬 turns out it was zhang linghe's idea to make xie zheng wrapped the blue ribbon thrown by changyu to his hand. the script only mentioned to tie it around head but he think of another special way to present it😉 wow! 👤: among all the beautiful hair ribbons Xie Zheng has, which one is your favorite? why? ZLH🚀: I like the blue one from that famous scene where he catches the hair ribbon. the color looks really nice. it's the ribbon from the moment he catches it in front of everyone. 👤: was wrapping the ribbon around your hand your idea? ZLH🚀: yes, that was my idea. originally, the script said to tie it around the head, but I felt that too many people would do it that way. I thought about whether there was another special way to present it, so I decided to wrap it around my hand instead.

张凌赫的小核桃𖹭

17,053 görüntüleme • 4 ay önce

#zhanglinghe at CeraVe livestream event 💎 host: what do you usually do on your days off? zlh🚀: it depends on my hobbies. lately I've been into photography. so if I go out, I'll take photos. and if it's not convenient to go out, I'll stay at home and take online photography courses. when I have a hobby I enjoy, I devote myself to it wholeheartedly. host: do you have any travel plans? where do you want to go the most? zlh🚀: I do have travel plans. I want to go somewhere that doesn't require walking too much but has lots of beautiful scenery. ideally a place where I can lie in bed, have the window opened, and immediately have gorgeous views that I can casually photograph.
1:16

#zhanglinghe at CeraVe livestream event 💎 host: what do you usually do on your days off? zlh🚀: it depends on my hobbies. lately I've been into photography. so if I go out, I'll take photos. and if it's not convenient to go out, I'll stay at home and take online photography courses. when I have a hobby I enjoy, I devote myself to it wholeheartedly. host: do you have any travel plans? where do you want to go the most? zlh🚀: I do have travel plans. I want to go somewhere that doesn't require walking too much but has lots of beautiful scenery. ideally a place where I can lie in bed, have the window opened, and immediately have gorgeous views that I can casually photograph.

张凌赫的小核桃𖹭

10,873 görüntüleme • 1 ay önce

Petr Yan details how injured he was in his loss to Merab: "If you just look at the stats you can see that I only used my right hand 3-4 times. I couldn't punch with my right hand. I also couldn't use it to defend the wrestling. Those are just facts. When you compare it to my different fights, that's the hand I use the most."
1:43

Petr Yan details how injured he was in his loss to Merab: "If you just look at the stats you can see that I only used my right hand 3-4 times. I couldn't punch with my right hand. I also couldn't use it to defend the wrestling. Those are just facts. When you compare it to my different fights, that's the hand I use the most."

Ariel Helwani

120,787 görüntüleme • 9 ay önce

🎙️ : “carlos sainz had some lovely things to say about you [..] he said that you're the most open driver on the grid, but that in the modern world, sometimes people can use that against you. how important is it to you to be this open book that you are?” lando: “that's tricky. i don't know if it's about importance. it's not like i'm trying to be like this because i think it's important. i'm just being myself and i'd rather be myself than try to be something i'm not. i'd rather do what i enjoy in my life and feel like i've just done what i feel like i should have done in my life than try to pretend i'm someone else or try to pretend like i'm the racing driver that everyone thinks you need to be or should be. a lot of people like to set these stereotypes and some things are probably right and along better lines. for me, i just want to enjoy my time here. i work hard. i do everything i can to win races and try to be the best. but that's it. other than that, i'm here to enjoy my life, share it with others and try to stand on the top step and that's as simple as i try and keep it”
1:29

🎙️ : “carlos sainz had some lovely things to say about you [..] he said that you're the most open driver on the grid, but that in the modern world, sometimes people can use that against you. how important is it to you to be this open book that you are?” lando: “that's tricky. i don't know if it's about importance. it's not like i'm trying to be like this because i think it's important. i'm just being myself and i'd rather be myself than try to be something i'm not. i'd rather do what i enjoy in my life and feel like i've just done what i feel like i should have done in my life than try to pretend i'm someone else or try to pretend like i'm the racing driver that everyone thinks you need to be or should be. a lot of people like to set these stereotypes and some things are probably right and along better lines. for me, i just want to enjoy my time here. i work hard. i do everything i can to win races and try to be the best. but that's it. other than that, i'm here to enjoy my life, share it with others and try to stand on the top step and that's as simple as i try and keep it”

ray

148,886 görüntüleme • 11 ay önce

#Shellybenda #pundao “We sulked and not understand to each other for many times on those times. Because those times we were offended to each other and also talk this out. It made me feel like “Am I important to her?” and I wonder about it so much. Until we had to shoot this scene. Pure had to have a feeling for Loft very very much. But in the mean time, I use my feeling when I play this scene. This feeling is full of doubtful “Am I important for Shelly?. When I looked at her, I don’t know what to say and portray this scene because of this feeling in my mind. I knew that Loft love pure so much but I don’t know that Shelly love me or not. That’s why I can’t act on that scene. Um, it maybe looks ridiculous but I don’t know why I can’t do it. So there’s a time director let us talk for a minute, I saw many people look at us and it made me feel shy to tell something from my heart and also the microphone that attached. I decided to pull it off and ask Shelly “I ask you. For you, am I important?” Shelly looked at me and said “Yes” and I looked back at her. She said “I love you, why not? I love you” she said so many things. It made me feel like I can unlock something from my heart and that time is the first time Shelly said she loves me. Because she’s always tells me that she’s not the one who likes to say “I love you” easily. And I’ll be like “why I have to wait for that word from you?” At first, I don’t understand why and annoyed. But she was the one who said it first. When she said, it made me understand her more. But as you know, I’m an emotional woman. As you can see from the unpackaged live, crying over the letters. When I was told “I love you” I cried my balls out on that scene. If you can watch this scene on this Wednesday again, you will see it. But the scene got cut until it left a little. The scene where I said like “Pure love Loft” I said why I was crying so hard until the song was coming out. And the scene got cut. That scene is also my memorable moment.”
3:45

#Shellybenda #pundao “We sulked and not understand to each other for many times on those times. Because those times we were offended to each other and also talk this out. It made me feel like “Am I important to her?” and I wonder about it so much. Until we had to shoot this scene. Pure had to have a feeling for Loft very very much. But in the mean time, I use my feeling when I play this scene. This feeling is full of doubtful “Am I important for Shelly?. When I looked at her, I don’t know what to say and portray this scene because of this feeling in my mind. I knew that Loft love pure so much but I don’t know that Shelly love me or not. That’s why I can’t act on that scene. Um, it maybe looks ridiculous but I don’t know why I can’t do it. So there’s a time director let us talk for a minute, I saw many people look at us and it made me feel shy to tell something from my heart and also the microphone that attached. I decided to pull it off and ask Shelly “I ask you. For you, am I important?” Shelly looked at me and said “Yes” and I looked back at her. She said “I love you, why not? I love you” she said so many things. It made me feel like I can unlock something from my heart and that time is the first time Shelly said she loves me. Because she’s always tells me that she’s not the one who likes to say “I love you” easily. And I’ll be like “why I have to wait for that word from you?” At first, I don’t understand why and annoyed. But she was the one who said it first. When she said, it made me understand her more. But as you know, I’m an emotional woman. As you can see from the unpackaged live, crying over the letters. When I was told “I love you” I cried my balls out on that scene. If you can watch this scene on this Wednesday again, you will see it. But the scene got cut until it left a little. The scene where I said like “Pure love Loft” I said why I was crying so hard until the song was coming out. And the scene got cut. That scene is also my memorable moment.”

พรรอก๊ออว์ ติ่งที่เป็นหมอดูและโทรโข่งเดินได้

166,184 görüntüleme • 10 ay önce

Matt Damon reveals Steven Soderbergh sent him a fully scored cut of every scene by 8pm the same night they shot it "Steven operates the camera, is the editor, is the cinematographer, and the director" "I'd go home and the kids were little, we'd bathe them, give him dinner, read him a story, put him to sleep. I'd come downstairs by like 7:30 or 8:00 and on my iPad there was a new delivery" "I'd open it up and it was the scene we shot that day fully scored as it was going to appear in the movie when it came out nine months later" "To calibrate the performance is difficult, but not when you can watch, yeah, here's the scene that's going to happen after this and here's the scene that just happened before this"
1:18

Matt Damon reveals Steven Soderbergh sent him a fully scored cut of every scene by 8pm the same night they shot it "Steven operates the camera, is the editor, is the cinematographer, and the director" "I'd go home and the kids were little, we'd bathe them, give him dinner, read him a story, put him to sleep. I'd come downstairs by like 7:30 or 8:00 and on my iPad there was a new delivery" "I'd open it up and it was the scene we shot that day fully scored as it was going to appear in the movie when it came out nine months later" "To calibrate the performance is difficult, but not when you can watch, yeah, here's the scene that's going to happen after this and here's the scene that just happened before this"

sara

69,579 görüntüleme • 17 gün önce

•110425• new interview of #zhanglinghe with movie news 💬 Q: when you come across the pics of yourself from your student days, how do you feel? ZLH: how do I feel? my most direct reaction is just noticing what I was wearing back then😂 it was just typical college student outfits, nothing more than that. Q: do you ever feel a bit embarrassed, like being forced to have your younger self being exposed in front of everyone? ZLH: feeling embarrased? Q: yes, do you feel that way? ZLH: not really, not really. actually, I've always had a pretty optimistic attitude toward fans or viewers. I feel very happy that so many people are paying attention to me and like me because of my works. it makes me glad that my roles and projects are what attract people in. in terms of personality, I'm actually more of a homebody, so there aren't that "many things I want to do but can't". so, it's actually okay and it hasn't had much of an impact on my life.
0:41

•110425• new interview of #zhanglinghe with movie news 💬 Q: when you come across the pics of yourself from your student days, how do you feel? ZLH: how do I feel? my most direct reaction is just noticing what I was wearing back then😂 it was just typical college student outfits, nothing more than that. Q: do you ever feel a bit embarrassed, like being forced to have your younger self being exposed in front of everyone? ZLH: feeling embarrased? Q: yes, do you feel that way? ZLH: not really, not really. actually, I've always had a pretty optimistic attitude toward fans or viewers. I feel very happy that so many people are paying attention to me and like me because of my works. it makes me glad that my roles and projects are what attract people in. in terms of personality, I'm actually more of a homebody, so there aren't that "many things I want to do but can't". so, it's actually okay and it hasn't had much of an impact on my life.

张凌赫的小核桃𖹭

11,455 görüntüleme • 8 ay önce

I asked Garry Tan how to use meta prompting to get better at AI: "My partners at YC Jared Friedman and Pete Koomen showed me how to do this. You can take almost anything that you do all the time and just drop it into a context window. And then say, “Here’s a bunch of inputs and outputs." And maybe you also add a bunch of notes. And then you tell it, “Write me a prompt that can act as an agent that takes this input and makes this output over here.” You can do this for almost any type of knowledge work. And you can even introspect. "What are things you notice that I did to convert this from the input to the output?”. And then you can just start using the prompt. Initially, it’s going to suck. Because it’s just not that smart yet. But what’s funny is now, I also use it to Iterate my writing. You can be very direct, "I would never say that", "Don’t say it like this", or "Oh, you used the long word there, use the short word". Just speak to it conversationally. And then when you're happy with the output, you can use that new output to make a new prompt. "Based on this conversation, give me a better initial prompt that incorporates all the things we talked about." And you can do this with literally everything. And in theory, there’s so much it applies to that people do day-to-day. You could use it for tweets. You could use it for editing podcasts. You can use it for pretty much everything. I have a folder of prompts that I use all the time. My YouTube prompt is on v27 or something. I'll go through this process with all the different max models. I'll use GPT 5.2 Pro. I’ll use Grok. I'll use Claude. Then, I’ll take all the outputs from all the models and put them into Claude and say "Here’s my prompt, here’s the output from four LLMs, including yourself. Rate each response and tell me what the pros and cons of each approach are." And I usually say "give it to me in numbered form". And then you can agree with one, disagree with two, tell it three is this or that. And then after that, you say given all of this, synthesize it."
4:16

I asked Garry Tan how to use meta prompting to get better at AI: "My partners at YC Jared Friedman and Pete Koomen showed me how to do this. You can take almost anything that you do all the time and just drop it into a context window. And then say, “Here’s a bunch of inputs and outputs." And maybe you also add a bunch of notes. And then you tell it, “Write me a prompt that can act as an agent that takes this input and makes this output over here.” You can do this for almost any type of knowledge work. And you can even introspect. "What are things you notice that I did to convert this from the input to the output?”. And then you can just start using the prompt. Initially, it’s going to suck. Because it’s just not that smart yet. But what’s funny is now, I also use it to Iterate my writing. You can be very direct, "I would never say that", "Don’t say it like this", or "Oh, you used the long word there, use the short word". Just speak to it conversationally. And then when you're happy with the output, you can use that new output to make a new prompt. "Based on this conversation, give me a better initial prompt that incorporates all the things we talked about." And you can do this with literally everything. And in theory, there’s so much it applies to that people do day-to-day. You could use it for tweets. You could use it for editing podcasts. You can use it for pretty much everything. I have a folder of prompts that I use all the time. My YouTube prompt is on v27 or something. I'll go through this process with all the different max models. I'll use GPT 5.2 Pro. I’ll use Grok. I'll use Claude. Then, I’ll take all the outputs from all the models and put them into Claude and say "Here’s my prompt, here’s the output from four LLMs, including yourself. Rate each response and tell me what the pros and cons of each approach are." And I usually say "give it to me in numbered form". And then you can agree with one, disagree with two, tell it three is this or that. And then after that, you say given all of this, synthesize it."

The Peel

51,632 görüntüleme • 5 ay önce

CC Sabathia says he gave up a $500,000 bonus to defend a teammate, but the Yankees paid him anyway “They put a bonus in my contract, I think I needed like 140 innings to get 500 grand extra in my bonus. We go into Tampa, and I need six innings to get this bonus. I'm in the fourth inning, cruising. I'm getting this” “Then they threw a ball up and in at my catcher, Austin Romine. I know baseball, so I knew that shit came from the bench. Because I threw a two-seamer in and hit Jake Bauers in the hand. So they made a big stink. They throw at Austin Romine. I come out of the dugout and I'm ready to go” “Then everybody calms me back down. Gardy comes to me. He's like, ‘Bro, don't do it.’ And I was like, ‘Just be ready to fucking fight.’ That's all I told him. So their catcher comes up the next inning and I hit him with the first pitch. I wasn't mad at him. I was mad at the situation and who called it” “I said what I said at their bench and I walked off. When I was walking off, in the moment, I was like, ‘Fuck, I don't know if I made the right decision.’ Then everybody came in after the game and they was all fired up. That was something where, in the moment, it was the right thing to do” “It was just a snap decision. I was just trying to show this is how you take care of your teammates. My team was young. Luis Severino was in there. Judge was young. All those dudes were young. This is how you set the standard. Don't matter about the fucking money. You go and you do what you got to do for your teammates and everything else will work out. Hal called me the next day and paid me my bonus”
1:54

CC Sabathia says he gave up a $500,000 bonus to defend a teammate, but the Yankees paid him anyway “They put a bonus in my contract, I think I needed like 140 innings to get 500 grand extra in my bonus. We go into Tampa, and I need six innings to get this bonus. I'm in the fourth inning, cruising. I'm getting this” “Then they threw a ball up and in at my catcher, Austin Romine. I know baseball, so I knew that shit came from the bench. Because I threw a two-seamer in and hit Jake Bauers in the hand. So they made a big stink. They throw at Austin Romine. I come out of the dugout and I'm ready to go” “Then everybody calms me back down. Gardy comes to me. He's like, ‘Bro, don't do it.’ And I was like, ‘Just be ready to fucking fight.’ That's all I told him. So their catcher comes up the next inning and I hit him with the first pitch. I wasn't mad at him. I was mad at the situation and who called it” “I said what I said at their bench and I walked off. When I was walking off, in the moment, I was like, ‘Fuck, I don't know if I made the right decision.’ Then everybody came in after the game and they was all fired up. That was something where, in the moment, it was the right thing to do” “It was just a snap decision. I was just trying to show this is how you take care of your teammates. My team was young. Luis Severino was in there. Judge was young. All those dudes were young. This is how you set the standard. Don't matter about the fucking money. You go and you do what you got to do for your teammates and everything else will work out. Hal called me the next day and paid me my bonus”

dank

820,735 görüntüleme • 26 gün önce

The final scene in The Godfather Part II, with the family gathered around the dinner table, was originally going to include Marlon Brando, but he pulled out at the very last minute. Coppola had to rewrite a whole new ending the night before the shoot. He explains: “It’s a very interesting story, because I had written this scene that we go back to, around the period just before the first Godfather, when they were all young… My idea was that they would come together, finally, at the end, as a family. And the end of the movie would be a big, beautiful scene with Marlon Brando and Al Pacino, sort of summing up the whole saga that had gone down. And I was negotiating with Marlon Brando right up to the last minute saying, “Marlon, please, just one day. We’ll give you this money.” But Marlon was so mad at Paramount - for ultimately not paying him any money on the first picture, or whatever he was mad about - And although I didn’t know it until the last day, ultimately, it wasn’t going to be possible to have him in the picture. So I went to bed that night really worried. I had lost the end of my movie. I had to shoot it the next day. I had no idea what to do. I was sleeping in the Chateau Marmont Hotel. I had this scene. I had paid all this money to get Jimmy Caan to come back and some of the other actors to be in the last scene. And in the middle of the night, I just had this idea. And I wrote it - which is that they were all gathered for a surprise birthday party for the Don. And so after this scene plays out, in which Michael’s decision to join the Marines is kind of examined relative to really what all we know is going to happen, and what this young, beautiful, collegiate man who’s a war hero, who goes straight, is going to end up to be: this man without a heart, who’s killed his own brother and alienated his wife… And I thought there could be one beautiful scene with him and Don Corleone as we remember him from the first movie. Since Marlon didn’t come, I made it the surprise party, and I built it up to the point where they all said, “Oh, he’s here. He’s here.” And they all run out of the room. And as you’re waiting for Marlon to come into the room, you just stay on Al… And I came up with the solution at, like - three in the morning. And the next day they said, “Well, Marlon’s not coming.” And I said, “That’s all right. I’ve got a scene we can do without him.” And it was this one. Also, I like that staging kind of, especially about families who ultimately dissolve in front of your eyes, the idea that you have a table full of people. And one by one, someone argues or someone goes off, and then you’re just left with one … And everything else now is just sound. The father comes, and you know he’s there, and you feel he’s there, but you’re left with Michael alone.” This quote comes from the director's commentary track off the Godfather Part II Blu-ray
4:15

The final scene in The Godfather Part II, with the family gathered around the dinner table, was originally going to include Marlon Brando, but he pulled out at the very last minute. Coppola had to rewrite a whole new ending the night before the shoot. He explains: “It’s a very interesting story, because I had written this scene that we go back to, around the period just before the first Godfather, when they were all young… My idea was that they would come together, finally, at the end, as a family. And the end of the movie would be a big, beautiful scene with Marlon Brando and Al Pacino, sort of summing up the whole saga that had gone down. And I was negotiating with Marlon Brando right up to the last minute saying, “Marlon, please, just one day. We’ll give you this money.” But Marlon was so mad at Paramount - for ultimately not paying him any money on the first picture, or whatever he was mad about - And although I didn’t know it until the last day, ultimately, it wasn’t going to be possible to have him in the picture. So I went to bed that night really worried. I had lost the end of my movie. I had to shoot it the next day. I had no idea what to do. I was sleeping in the Chateau Marmont Hotel. I had this scene. I had paid all this money to get Jimmy Caan to come back and some of the other actors to be in the last scene. And in the middle of the night, I just had this idea. And I wrote it - which is that they were all gathered for a surprise birthday party for the Don. And so after this scene plays out, in which Michael’s decision to join the Marines is kind of examined relative to really what all we know is going to happen, and what this young, beautiful, collegiate man who’s a war hero, who goes straight, is going to end up to be: this man without a heart, who’s killed his own brother and alienated his wife… And I thought there could be one beautiful scene with him and Don Corleone as we remember him from the first movie. Since Marlon didn’t come, I made it the surprise party, and I built it up to the point where they all said, “Oh, he’s here. He’s here.” And they all run out of the room. And as you’re waiting for Marlon to come into the room, you just stay on Al… And I came up with the solution at, like - three in the morning. And the next day they said, “Well, Marlon’s not coming.” And I said, “That’s all right. I’ve got a scene we can do without him.” And it was this one. Also, I like that staging kind of, especially about families who ultimately dissolve in front of your eyes, the idea that you have a table full of people. And one by one, someone argues or someone goes off, and then you’re just left with one … And everything else now is just sound. The father comes, and you know he’s there, and you feel he’s there, but you’re left with Michael alone.” This quote comes from the director's commentary track off the Godfather Part II Blu-ray

Gangster Cinema Central

241,434 görüntüleme • 1 ay önce

If you're like me and spend a lot of time in the car, having a truly helpful assistant by your side can be a game changer. Right from the start, we've prioritized hands-free voice controls on Android Auto and cars with Google built-in so that you can stay connected and keep your eyes on the road. Soon, Gemini will take that experience to the next level, helping you get things done in ways you might not have even imagined. I experienced this first hand with Dieter Bohn in the Genesis GV60 at #GoogleIO. Can’t wait for you to try it!
1:55

If you're like me and spend a lot of time in the car, having a truly helpful assistant by your side can be a game changer. Right from the start, we've prioritized hands-free voice controls on Android Auto and cars with Google built-in so that you can stay connected and keep your eyes on the road. Soon, Gemini will take that experience to the next level, helping you get things done in ways you might not have even imagined. I experienced this first hand with Dieter Bohn in the Genesis GV60 at #GoogleIO. Can’t wait for you to try it!

Sameer Samat

155,079 görüntüleme • 1 yıl önce

Steven Bauer almost didn't get the role of Manny in Scarface because Universal didn't see "the killer" in him. Specifically, they were unsure he could pull off the scene where Manny kills Frank Lopez. He later explained how he did it: “There was a week when they [the studio people] saw me doing a reading with Al, and they said to my agents, ‘He’s perfect but we haven’t seen that killer in him.’ They wanted me to work with this great acting coach, Sandra Seacat, and she gave me some acute insight into what I needed to allow. What she said was ‘You’re a prince, and Manny’s a prince to some degree, so that comes easy to you, but you will not allow the frog in you to be seen. You’ve got to open up and allow the frog, if called upon, to come out.’ My dad also gave me pointers on that scene: ‘You can’t just walk up and shoot him. Your facial expression has got to be believable that you’re going to pull the trigger and end a man’s life that you’re not mad at, you’re not angry at him. If I had to do that,’ he said, ‘I would find something to be angry about so you can pull the trigger. If he hasn’t wronged you, it’s very hard to end somebody’s life.’” If you see me in that scene, I’m muttering something in Spanish, something my dad said, like ‘Fuck you, you motherfucker.’ It’s almost like I was angry to be called upon to do it, so I’m angry at Frank, and so now he doesn’t mean anything to me, and I’ll do it, so I won’t be in trouble with my guys.”
1:50

Steven Bauer almost didn't get the role of Manny in Scarface because Universal didn't see "the killer" in him. Specifically, they were unsure he could pull off the scene where Manny kills Frank Lopez. He later explained how he did it: “There was a week when they [the studio people] saw me doing a reading with Al, and they said to my agents, ‘He’s perfect but we haven’t seen that killer in him.’ They wanted me to work with this great acting coach, Sandra Seacat, and she gave me some acute insight into what I needed to allow. What she said was ‘You’re a prince, and Manny’s a prince to some degree, so that comes easy to you, but you will not allow the frog in you to be seen. You’ve got to open up and allow the frog, if called upon, to come out.’ My dad also gave me pointers on that scene: ‘You can’t just walk up and shoot him. Your facial expression has got to be believable that you’re going to pull the trigger and end a man’s life that you’re not mad at, you’re not angry at him. If I had to do that,’ he said, ‘I would find something to be angry about so you can pull the trigger. If he hasn’t wronged you, it’s very hard to end somebody’s life.’” If you see me in that scene, I’m muttering something in Spanish, something my dad said, like ‘Fuck you, you motherfucker.’ It’s almost like I was angry to be called upon to do it, so I’m angry at Frank, and so now he doesn’t mean anything to me, and I’ll do it, so I won’t be in trouble with my guys.”

Gangster Cinema Central

235,841 görüntüleme • 2 ay önce