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This time of year returns. It all changes through what you hear. Dark dystopian drum & bass. 172. Ultra heavy rolling bass. Crushing synths. Distant vocals. The season comes back different. Paul Buckingham #DnB #DarkDnB #DrumAndBass #Neurofunk #Industrial #Dystopian #BassMusic #ElectronicMusic #DarkElectronic

Legacy Records💽

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65,175 次观看 • 23 天前 •via X (Twitter)

#DnB #DarkDnB #DrumAndBass #Neurofunk #Industrial #Dystopian #BassMusic

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🚨 THE INTERNET IS LOSING ITS MIND OVER LA’S NEW “TINY HOME” VILLAGE Los Angeles just opened a new tiny home village in Sun Valley and the reaction is pure disbelief. Mayor Karen Bass celebrated 120 tiny homes (200 beds) as a cheaper alternative to putting people in motels. She called it dignity, stability, and possibility. The problem? The city spent nearly $1 billion on homelessness last year… and this is what a big chunk of that money produced. Rows of structures that look exactly like garden sheds. People online are calling it dystopian. After a billion dollars, this is the solution. Would you call these tiny homes progress… or proof that the homelessness industrial complex is completely broken?

🚨 THE INTERNET IS LOSING ITS MIND OVER LA’S NEW “TINY HOME” VILLAGE Los Angeles just opened a new tiny home village in Sun Valley and the reaction is pure disbelief. Mayor Karen Bass celebrated 120 tiny homes (200 beds) as a cheaper alternative to putting people in motels. She called it dignity, stability, and possibility. The problem? The city spent nearly $1 billion on homelessness last year… and this is what a big chunk of that money produced. Rows of structures that look exactly like garden sheds. People online are calling it dystopian. After a billion dollars, this is the solution. Would you call these tiny homes progress… or proof that the homelessness industrial complex is completely broken?

HustleBitch

20,015 次观看 • 1 个月前

✨ Added a 🎵 Track ID music recognition tool in my fully vibecoded new Chrome extension 🚀 SuperLevels that I started a few hours ago I never made a Chrome extension before but they were all becoming such a safety risk that I might as well re-make everything myself with AI It works really well, even catches double drops in Drum & Bass mixes like this (well it detects at least one track here, but that's impressive!) No messing around with Shazam anymore, it pulls the audio feed straight from inside Chrome! It now has all these features 🎵 Track ID music recognizer 🗑️ Tab Cleaner, auto closes tabs after inactivity (with host-based exclusions) 🍪 Cookie Editor, lets you nuke all cookies or edit any 🔀 Redirect Tracer, lets you see any redirects a site took you through 🌗 Dark Mode, changes websites to dark, per site or all sites 🎚️ X Dim, changes X background back to dark blue 🗺️ Add back a Maps link to Google in EU (they hide it!) 🌠 Add back a View Image link to Google Images in EU (they hide it too!) 🍪 Cookie popup hider 📹 YouTube recommendations hider 🖍️ CSS editor 📜 JS toggler

✨ Added a 🎵 Track ID music recognition tool in my fully vibecoded new Chrome extension 🚀 SuperLevels that I started a few hours ago I never made a Chrome extension before but they were all becoming such a safety risk that I might as well re-make everything myself with AI It works really well, even catches double drops in Drum & Bass mixes like this (well it detects at least one track here, but that's impressive!) No messing around with Shazam anymore, it pulls the audio feed straight from inside Chrome! It now has all these features 🎵 Track ID music recognizer 🗑️ Tab Cleaner, auto closes tabs after inactivity (with host-based exclusions) 🍪 Cookie Editor, lets you nuke all cookies or edit any 🔀 Redirect Tracer, lets you see any redirects a site took you through 🌗 Dark Mode, changes websites to dark, per site or all sites 🎚️ X Dim, changes X background back to dark blue 🗺️ Add back a Maps link to Google in EU (they hide it!) 🌠 Add back a View Image link to Google Images in EU (they hide it too!) 🍪 Cookie popup hider 📹 YouTube recommendations hider 🖍️ CSS editor 📜 JS toggler

@levelsio

72,953 次观看 • 5 个月前

It was 1987 when Kate Bush, English singer, songwriter, record producer and dancer, and David Gilmour gathered together in order to perform a song called 'Running Up That Hill' which is the greatest hit of all time for Kate Bush, live at Secret Policemans, Third Ball. The song was released in 1985 within Catherine Bush's album Hounds of Love and it became a hit reaching number three on the UK singles chart, it was also named among the year's best tracks by Melody Maker and was nominated for British Single of the Year at the 1986 Brit Awards. After 2 years of its release, two legends came together to perform this beautiful song together. Gilmour, as you may guess, took the guitar parts and back-up vocals along with Tony Franklin on bass and back-up vocals too. Guitar lovers: Look at what Gilmour uses in his hands. Interesting but you'd love to see it for sure. That's what happens to me, too. So, enough talking. Enjoy this rare and incredible footage.

It was 1987 when Kate Bush, English singer, songwriter, record producer and dancer, and David Gilmour gathered together in order to perform a song called 'Running Up That Hill' which is the greatest hit of all time for Kate Bush, live at Secret Policemans, Third Ball. The song was released in 1985 within Catherine Bush's album Hounds of Love and it became a hit reaching number three on the UK singles chart, it was also named among the year's best tracks by Melody Maker and was nominated for British Single of the Year at the 1986 Brit Awards. After 2 years of its release, two legends came together to perform this beautiful song together. Gilmour, as you may guess, took the guitar parts and back-up vocals along with Tony Franklin on bass and back-up vocals too. Guitar lovers: Look at what Gilmour uses in his hands. Interesting but you'd love to see it for sure. That's what happens to me, too. So, enough talking. Enjoy this rare and incredible footage.

Rock'n Roll of All

379,166 次观看 • 2 年前

This is a truly historic moment in world history. It’s a dagger through the heart of the dark regressive forces of woke totalitarian socialism & neo-fascism that wanted a future without free speech, and where a small group of unelected global ‘elites’ were able censor any opinion they disagreed with. The world has heading in a direction that Orwell tried to warn us about. But we’ve pulled back from the brink. There are still battles to win, but the white knights of freedom are back in ascendency. And it wouldn’t have happened without Musk buying Twitter and taking on the censorship industrial complex. Zuckerburg is smart enough to know he had to respond to the competition from X, by allowing free speech otherwise Facebook would have died. And that screaming you hear in the distance is coming eSafety Karen from her Canberra bunker - her dystopian fantasy of censoring the global internet has been smashed to pieces.

This is a truly historic moment in world history. It’s a dagger through the heart of the dark regressive forces of woke totalitarian socialism & neo-fascism that wanted a future without free speech, and where a small group of unelected global ‘elites’ were able censor any opinion they disagreed with. The world has heading in a direction that Orwell tried to warn us about. But we’ve pulled back from the brink. There are still battles to win, but the white knights of freedom are back in ascendency. And it wouldn’t have happened without Musk buying Twitter and taking on the censorship industrial complex. Zuckerburg is smart enough to know he had to respond to the competition from X, by allowing free speech otherwise Facebook would have died. And that screaming you hear in the distance is coming eSafety Karen from her Canberra bunker - her dystopian fantasy of censoring the global internet has been smashed to pieces.

Craig Kelly:🇦🇺Foundation for Economic Education

22,499 次观看 • 1 年前

Rich Paul says the Heat roster will look totally different by the time the season starts: “Bobby Portis can really shoot…. One other thing you’re getting, you’re getting Pros. Giannis and Bobby Portis, people talk about ‘Heat Culture’, they don’t need it. These are adults going into a locker room with the understanding of what this is all about. This team could look totally different. There’s a lot of work to be done. The one good thing about Miami is, when you talk about back filling a roster with minimums, who don’t want to go to Miami on a minimum?” (Via Game Over)

Rich Paul says the Heat roster will look totally different by the time the season starts: “Bobby Portis can really shoot…. One other thing you’re getting, you’re getting Pros. Giannis and Bobby Portis, people talk about ‘Heat Culture’, they don’t need it. These are adults going into a locker room with the understanding of what this is all about. This team could look totally different. There’s a lot of work to be done. The one good thing about Miami is, when you talk about back filling a roster with minimums, who don’t want to go to Miami on a minimum?” (Via Game Over)

Heat Central

690,898 次观看 • 3 个月前

Chapter II — The Inheritance They paid for immortality. Time for it to pay them back. When the hollow ones wake up, they aren't coming back empty handed. Something has been waiting for them, $HOLLOW. The lifeblood of the hollow ones ecosystem. A share of $HOLLOW will make its way back to The Hollow Ones through airdrops, but the inheritance was never meant to drop all at once. It rolls out over time, chapter by chapter, season by season. It was designed from day one to grow right alongside The Hollow Ones, taking on a real purpose as their world expands. The full breakdown, tokenomics, release mechanics, and structure, will be unveiled before chapter II begins. Chapter III — █████████ They came back to life. They found part of what was waiting for them. They took back part of what was waiting for them. You might think this is where the journey ends. It's actually where it begins. The Hollow Ones weren't brought back just to sit in the dark. And $HOLLOW wasn't forged just to be collected. They have somewhere to be. Something has been waiting beyond the first two chapters. Something we aren't ready to show you yet.

Chapter II — The Inheritance They paid for immortality. Time for it to pay them back. When the hollow ones wake up, they aren't coming back empty handed. Something has been waiting for them, $HOLLOW. The lifeblood of the hollow ones ecosystem. A share of $HOLLOW will make its way back to The Hollow Ones through airdrops, but the inheritance was never meant to drop all at once. It rolls out over time, chapter by chapter, season by season. It was designed from day one to grow right alongside The Hollow Ones, taking on a real purpose as their world expands. The full breakdown, tokenomics, release mechanics, and structure, will be unveiled before chapter II begins. Chapter III — █████████ They came back to life. They found part of what was waiting for them. They took back part of what was waiting for them. You might think this is where the journey ends. It's actually where it begins. The Hollow Ones weren't brought back just to sit in the dark. And $HOLLOW wasn't forged just to be collected. They have somewhere to be. Something has been waiting beyond the first two chapters. Something we aren't ready to show you yet.

The Hollow Ones

11,123 次观看 • 16 天前

Through all of my midterm election coverage in 2025 and 2026, I have noticed a pattern. 2026 is turning out to be the Rand Paul and Koch Network Revenge Tour Against MAGA. This is their last chance to fully undermine President Trump, and they are taking full advantage of that. One place this is especially evident this election season is in Kentucky, where the GOP primary election is scheduled to take place on May 19th, 2026. Meet Republican Congressional Candidate Ralph Alvarado, a Disciple of Trump-Hater Rand Paul running for US Congress in Andy Barr Andy Barr’s seat, KY-6. There is a primary. Andy Barr’s campaign for the United States Senate has opened up the solid Republican seat in Kentucky’s 6th Congressional District. It seems the Rand Paul-Thomas Massie political machine in Kentucky is attempting to fill this open seat in Congress with one of their own. Ralph Alvarado Ralph Alvarado MD is a current candidate for Kentucky-6 and a staunch Rand Paul Rand Paul acolyte. On April 7, 2015, Alvarado spoke at Rand Paul’s 2016 presidential announcement when Rand Paul ran against Donald Trump in the primary. During his speech, Alvarado praised Paul as a man of principle while also saying Paul would be committed to diversity: “You can imagine what went through my head when I was asked to introduce the next President of the United States… Rand Paul… It is time for us to elect a man of principle… With Rand Paul in the White House, all Americans will know what real leadership is about. It is time for Dr. Rand Paul to lead us. We need a leader who will embrace diversity… It is time for principled leadership. It is time for President Rand Paul.” President Trump has long said politicians always go back to their original ways. So with this in mind, Alvarado will always be a Paul supporter. Alvarado’s support for Paul has expanded beyond 2016. See more below 👇🏻

Through all of my midterm election coverage in 2025 and 2026, I have noticed a pattern. 2026 is turning out to be the Rand Paul and Koch Network Revenge Tour Against MAGA. This is their last chance to fully undermine President Trump, and they are taking full advantage of that. One place this is especially evident this election season is in Kentucky, where the GOP primary election is scheduled to take place on May 19th, 2026. Meet Republican Congressional Candidate Ralph Alvarado, a Disciple of Trump-Hater Rand Paul running for US Congress in Andy Barr Andy Barr’s seat, KY-6. There is a primary. Andy Barr’s campaign for the United States Senate has opened up the solid Republican seat in Kentucky’s 6th Congressional District. It seems the Rand Paul-Thomas Massie political machine in Kentucky is attempting to fill this open seat in Congress with one of their own. Ralph Alvarado Ralph Alvarado MD is a current candidate for Kentucky-6 and a staunch Rand Paul Rand Paul acolyte. On April 7, 2015, Alvarado spoke at Rand Paul’s 2016 presidential announcement when Rand Paul ran against Donald Trump in the primary. During his speech, Alvarado praised Paul as a man of principle while also saying Paul would be committed to diversity: “You can imagine what went through my head when I was asked to introduce the next President of the United States… Rand Paul… It is time for us to elect a man of principle… With Rand Paul in the White House, all Americans will know what real leadership is about. It is time for Dr. Rand Paul to lead us. We need a leader who will embrace diversity… It is time for principled leadership. It is time for President Rand Paul.” President Trump has long said politicians always go back to their original ways. So with this in mind, Alvarado will always be a Paul supporter. Alvarado’s support for Paul has expanded beyond 2016. See more below 👇🏻

Laura Loomer

213,017 次观看 • 5 个月前

You mean this interview on Wednesday’s ‘Good Morning America’ wasn’t enough to save Taylor Frankie Paul’s season of ‘The Bachelorette’ in light of video showing her beating her ex-boyfriend? Lara Spencer: “I want to hear all about your bachelorette journey. But first I want to give you the opportunity to respond to recent headlines about the alleged domestic violence incident with your ex-boyfriend. What do you want to share with us about this?” Paul: “Honestly, I — it's been a heavy time to see the headlines, especially during this time of The Bachelorette being released and it's supposed to be really exciting time. I'm a person that will always speak my truth and I'm — you know, that's what I'm known for. And so, when the time is right I will be. But right now, just trying to be in the present moment and focus on this and — but the thing is — is my — my kids do come first. My kids come first. And so, it's been, like, just a back and forth process trying to be here in the present moment, worrying about, you know, home and headlines. It's been stressful to be honest.” Spencer: “We did reach out to Dakota. And he did not — we did not — for a statement. We did not get a response from him. Now we have reports that ‘The Secret Lives of Mormon Wives’ has paused production on the next season. I know there's a season on right now and then season five was in production. Reports say it's been — it's paused. Is that true?” Paul: “Honestly I — I don't call the shots with production. So, as of now I have gotten word that it also has been paused, but I do not call those shots. So, as far as I know it — it was, but I don't know for how long and why.” Spencer: “And — and I know you're one of the executive producers on the show.” Paul: “Yeah, yeah. I got told that this — this year.” Spencer: “Oh, you didn't know that?” Paul: “I — I didn't. No. And I was like, what does that mean? You know, I was, like, like, I think just because we share our lives and we produce like our own, you know, lives.” Spencer: “Yeah. Paul: “But I don't know if that necessarily what that — what that means.” Spencer: “And how do you — how do you envision your future on that show?” Paul: “Hard to say now, right?” Spencer: “Right.” Paul: “Just because of, you know, everything going on. It's hard to see past this. I'm not going to lie. In this moment, it's just so heavy. And when your life is broadcasted out there in these headlines, it's, like, the end of the world.” Spencer: “Right.” Paul: “That's what it feels like. I'm not going to lie. But I will say I've, I've been here before and I got through it and, you know, shared my story, my life. So I — I'm hoping that I can do that again.” Spencer: “Yeah.”

You mean this interview on Wednesday’s ‘Good Morning America’ wasn’t enough to save Taylor Frankie Paul’s season of ‘The Bachelorette’ in light of video showing her beating her ex-boyfriend? Lara Spencer: “I want to hear all about your bachelorette journey. But first I want to give you the opportunity to respond to recent headlines about the alleged domestic violence incident with your ex-boyfriend. What do you want to share with us about this?” Paul: “Honestly, I — it's been a heavy time to see the headlines, especially during this time of The Bachelorette being released and it's supposed to be really exciting time. I'm a person that will always speak my truth and I'm — you know, that's what I'm known for. And so, when the time is right I will be. But right now, just trying to be in the present moment and focus on this and — but the thing is — is my — my kids do come first. My kids come first. And so, it's been, like, just a back and forth process trying to be here in the present moment, worrying about, you know, home and headlines. It's been stressful to be honest.” Spencer: “We did reach out to Dakota. And he did not — we did not — for a statement. We did not get a response from him. Now we have reports that ‘The Secret Lives of Mormon Wives’ has paused production on the next season. I know there's a season on right now and then season five was in production. Reports say it's been — it's paused. Is that true?” Paul: “Honestly I — I don't call the shots with production. So, as of now I have gotten word that it also has been paused, but I do not call those shots. So, as far as I know it — it was, but I don't know for how long and why.” Spencer: “And — and I know you're one of the executive producers on the show.” Paul: “Yeah, yeah. I got told that this — this year.” Spencer: “Oh, you didn't know that?” Paul: “I — I didn't. No. And I was like, what does that mean? You know, I was, like, like, I think just because we share our lives and we produce like our own, you know, lives.” Spencer: “Yeah. Paul: “But I don't know if that necessarily what that — what that means.” Spencer: “And how do you — how do you envision your future on that show?” Paul: “Hard to say now, right?” Spencer: “Right.” Paul: “Just because of, you know, everything going on. It's hard to see past this. I'm not going to lie. In this moment, it's just so heavy. And when your life is broadcasted out there in these headlines, it's, like, the end of the world.” Spencer: “Right.” Paul: “That's what it feels like. I'm not going to lie. But I will say I've, I've been here before and I got through it and, you know, shared my story, my life. So I — I'm hoping that I can do that again.” Spencer: “Yeah.”

Curtis Houck

1,083,669 次观看 • 6 个月前

J. R. Smith reveals he played 70% of his 16-year NBA career depressed “I went through things with my mental health consistently long enough to where I feel like I probably played 70% of my career depressed” “That's why I love Kevin Love because he talks about it all the time. The mental aspect of it, the emotional side, the depression, all of that. Getting hurt and not being able to play. Getting hooked on pills. Bro, I went through all of that” “I played for the Knicks. I tore my meniscus. I had to sit out. They rushed me back. I'm hurting the whole time. I got addicted to pain pills” “They know it. But nobody comes and says, ‘Yo man, you good? What can we do to help you?’ Nah, ‘He's terrible. He's this. He's that. Ship him to Cleveland. He's a throw in for the trade’” “I'm dealing with a lot of shit. Y'all don't care. You literally don't care at all. You just throw more dirt on my name and move me” “I just won Sixth Man of the Year for y'all”

J. R. Smith reveals he played 70% of his 16-year NBA career depressed “I went through things with my mental health consistently long enough to where I feel like I probably played 70% of my career depressed” “That's why I love Kevin Love because he talks about it all the time. The mental aspect of it, the emotional side, the depression, all of that. Getting hurt and not being able to play. Getting hooked on pills. Bro, I went through all of that” “I played for the Knicks. I tore my meniscus. I had to sit out. They rushed me back. I'm hurting the whole time. I got addicted to pain pills” “They know it. But nobody comes and says, ‘Yo man, you good? What can we do to help you?’ Nah, ‘He's terrible. He's this. He's that. Ship him to Cleveland. He's a throw in for the trade’” “I'm dealing with a lot of shit. Y'all don't care. You literally don't care at all. You just throw more dirt on my name and move me” “I just won Sixth Man of the Year for y'all”

dank

239,795 次观看 • 3 个月前

Paul Pierce says LeBron James should really consider retirement after having a great season go down to injuries: “This is demoralizing. It really is like when you come in it’s the end of the season, you gearing up for a playoff run. And then you go down your two other two best players. It’s mentally draining. Like if I’m in that locker room, I’m like I’m looking around I got to do this myself at 41. It’s so draining on me mentally for him that I would really seriously contemplate retirement…. I can’t come back and go through this another year with the Lakers. That’s just mentally draining. It’s mentally draining on him, his mind and his body now. Now he’s going to be his last few games, he’s going to be playing all these minutes, then he’s going to be playing heavy minutes in the playoffs. It’s just, you know what? I’ve done enough for this league, guys.” (Via No Fouls Given)

Paul Pierce says LeBron James should really consider retirement after having a great season go down to injuries: “This is demoralizing. It really is like when you come in it’s the end of the season, you gearing up for a playoff run. And then you go down your two other two best players. It’s mentally draining. Like if I’m in that locker room, I’m like I’m looking around I got to do this myself at 41. It’s so draining on me mentally for him that I would really seriously contemplate retirement…. I can’t come back and go through this another year with the Lakers. That’s just mentally draining. It’s mentally draining on him, his mind and his body now. Now he’s going to be his last few games, he’s going to be playing all these minutes, then he’s going to be playing heavy minutes in the playoffs. It’s just, you know what? I’ve done enough for this league, guys.” (Via No Fouls Given)

NBA Courtside

61,678 次观看 • 5 个月前

🚨| Sir Lewis Hamilton on whats next after the last race of the season - in terms of post season testing, winter break, and 2026 prep: "We're obviously testing next week and then we go back to the factory and I've got to decide what my approach is when it comes to sitting down with the stakeholders to make the decisions and how that approach is to create the change that's needed." "And then in terms of personal reflection, I mean, I literally, every weekend I've written down what I felt, what went wrong that weekend, the decisions I've taken. So there's a lot of learnings to do there. And I will, through my break, I will analyze those decisions and make markers on how I can make better decisions in future." "My surroundings in terms of personal personnel, team personnel, how you utilize people, whether people need to move into different positions to work better, all these different things need to be looked upon in my personal space so that we can optimize our teamwork." Q: They have to be made, those changes? "Yeah." Q: Can't just carry on the way it has been this year? "Definitely not." - F1 2025 Abu Dhabi -

🚨| Sir Lewis Hamilton on whats next after the last race of the season - in terms of post season testing, winter break, and 2026 prep: "We're obviously testing next week and then we go back to the factory and I've got to decide what my approach is when it comes to sitting down with the stakeholders to make the decisions and how that approach is to create the change that's needed." "And then in terms of personal reflection, I mean, I literally, every weekend I've written down what I felt, what went wrong that weekend, the decisions I've taken. So there's a lot of learnings to do there. And I will, through my break, I will analyze those decisions and make markers on how I can make better decisions in future." "My surroundings in terms of personal personnel, team personnel, how you utilize people, whether people need to move into different positions to work better, all these different things need to be looked upon in my personal space so that we can optimize our teamwork." Q: They have to be made, those changes? "Yeah." Q: Can't just carry on the way it has been this year? "Definitely not." - F1 2025 Abu Dhabi -

sim

198,128 次观看 • 9 个月前

Host: Looking back on the past 10 years, would you say the journey of being an idol has been a really tough one? #TENมาแฉข่าวเช้า #TEN: I think it all comes down to how you choose to see it. If you think it’s hard, then it’s hard. But if you don’t, then it isn’t. Of course there’re exhausting days and easier ones, but if you genuinely enjoy what you do, you’ll always find a way to get through it. Everyone’s journey is different tho. I’m really grateful that this time I have my own team working alongside me, helping with the planning, production, and bringing everything together. They’re people I trust, and they’ve been such a big part of this new chapter. The biggest adjustment has been moving from one system I’m used to into a different one. Now it’s really about figuring out how to adapt and make our own system work.

Host: Looking back on the past 10 years, would you say the journey of being an idol has been a really tough one? #TENมาแฉข่าวเช้า #TEN: I think it all comes down to how you choose to see it. If you think it’s hard, then it’s hard. But if you don’t, then it isn’t. Of course there’re exhausting days and easier ones, but if you genuinely enjoy what you do, you’ll always find a way to get through it. Everyone’s journey is different tho. I’m really grateful that this time I have my own team working alongside me, helping with the planning, production, and bringing everything together. They’re people I trust, and they’ve been such a big part of this new chapter. The biggest adjustment has been moving from one system I’m used to into a different one. Now it’s really about figuring out how to adapt and make our own system work.

misskloss_

15,159 次观看 • 2 个月前

If you ever want to understand the sheer state of lunacy of leftist western media, then watch this. Just count how many logical fallacies you hear in this video in the space of just five minutes. From patronizing a 26 year old speaker and saying he isn’t an adult enough to warrant a serious opinion to illogically dismissing and denying any kind of suppression of free speech in Britain because free speech in Russia is worse. That’s like saying that Britain’s weather is grey and miserable because Antarctica is constantly at well below subzero temperatures where one has nothing to do with the other. It is actually frightening to watch, but what is most frightening is how it’s one guy literally being hounded and bullied by an entire panel and audience of leftist journalists who are seemingly incapable of tolerating any dissenting or different opinions or voices to their own. It’s evil and disturbing, like some kind of dystopian horror movie of brainwashed weirdos all feeding off a hive mind. But credit to this 26 year old who holds his own, stands by his convictions and doesn’t break to the will of this unrelenting crowd.

If you ever want to understand the sheer state of lunacy of leftist western media, then watch this. Just count how many logical fallacies you hear in this video in the space of just five minutes. From patronizing a 26 year old speaker and saying he isn’t an adult enough to warrant a serious opinion to illogically dismissing and denying any kind of suppression of free speech in Britain because free speech in Russia is worse. That’s like saying that Britain’s weather is grey and miserable because Antarctica is constantly at well below subzero temperatures where one has nothing to do with the other. It is actually frightening to watch, but what is most frightening is how it’s one guy literally being hounded and bullied by an entire panel and audience of leftist journalists who are seemingly incapable of tolerating any dissenting or different opinions or voices to their own. It’s evil and disturbing, like some kind of dystopian horror movie of brainwashed weirdos all feeding off a hive mind. But credit to this 26 year old who holds his own, stands by his convictions and doesn’t break to the will of this unrelenting crowd.

Mor Edge Insight

60,516 次观看 • 5 个月前

Asked multiple drivers in the media bullpen what it was like to have a day off Monday and then going back to work Tuesday to start a "normal" week. There was very little time between losing Kyle Busch and the start of Coke 600 weekend. Brad Keselowski: "I think most of the industry takes (Memorial Day) off, and usually it's just a break after running 600 miles. But it definitely had a different feel to it this year than others of more than just a physical rest, but a mental rest as well." Kyle Larson: "Showing our support to the Busch family on pit road before the race and getting to see them - helped me anyways sort of, I don't know, find some peace in it all. Just to see their faces and hug them and all that kind of helped me move forward. "I felt fine getting in the racecar and just getting back to work. Obviously you don't forget about them or anything like that, but you kind of have to heal and go." Todd Gilliland: "I thought all the tributes, all that stuff was very fitting last week, and I'm sure it'll continue on throughout really the rest of the year. That's a thing, right? You don't really know when it stops and just how, really, back to normal does it ever get." Tyler Reddick, who celebrated his son Rookie's first birthday on Monday: "For everything that happened over the weekend with the Busch family, Monday comes around, it's my son's first birthday and everything he's been through - when you're sitting still like that, a lot's on your mind. "While it was nice to take a step back and just chill, at the same time all these thoughts do run through your head. A lot of things come to mind."

Asked multiple drivers in the media bullpen what it was like to have a day off Monday and then going back to work Tuesday to start a "normal" week. There was very little time between losing Kyle Busch and the start of Coke 600 weekend. Brad Keselowski: "I think most of the industry takes (Memorial Day) off, and usually it's just a break after running 600 miles. But it definitely had a different feel to it this year than others of more than just a physical rest, but a mental rest as well." Kyle Larson: "Showing our support to the Busch family on pit road before the race and getting to see them - helped me anyways sort of, I don't know, find some peace in it all. Just to see their faces and hug them and all that kind of helped me move forward. "I felt fine getting in the racecar and just getting back to work. Obviously you don't forget about them or anything like that, but you kind of have to heal and go." Todd Gilliland: "I thought all the tributes, all that stuff was very fitting last week, and I'm sure it'll continue on throughout really the rest of the year. That's a thing, right? You don't really know when it stops and just how, really, back to normal does it ever get." Tyler Reddick, who celebrated his son Rookie's first birthday on Monday: "For everything that happened over the weekend with the Busch family, Monday comes around, it's my son's first birthday and everything he's been through - when you're sitting still like that, a lot's on your mind. "While it was nice to take a step back and just chill, at the same time all these thoughts do run through your head. A lot of things come to mind."

Steven Taranto

261,167 次观看 • 3 个月前

The MOST IMORTANT MESSAGE "The TIME is NOW." Pavel Durov, founder of Telegram and Candace Owens both said some words today that really hit home... They explained a DARK, EVIL, and SADISTIC force that is encroaching upon us and our world that is slowly taking away and destroying everything that are forefathers fought so hard to give us. Most importantly, our FREEDOMS. It wouldn't be right in any way to let this happen to us, our world and especially the generations after us, our children's futures. There will be no other moment in time that will be more important than right now. Right now and the few years or less that we have to save our society and our FREEDOMS will determine the entire worlds future from here on out. I suggest you really start paying attention because time is running out. It's time to do something ladies and gentleman. The TIME is NOW. Please read what Patel and Candace said today because they are 100% right. PAVEL DUROV: "I’m turning 41, but I don’t feel like celebrating. Our generation is running out of time to save the free Internet built for us by our fathers. What was once the promise of the free exchange of information is being turned into the ultimate tool of control. What was once the promise of the free exchange of information is being turned into the ultimate tool of control. Once-free countries are introducing dystopian measures such as digital IDs (UK), online age checks (Australia), and mass scanning of private messages (EU). Germany is persecuting anyone who dares to criticize officials on the Internet. The UK is imprisoning thousands for their tweets. France is criminally investigating tech leaders who defend freedom and privacy. A dark, dystopian world is approaching fast — while we’re asleep. Our generation risks going down in history as the last one that had freedoms — and allowed them to be taken away. We’ve been fed a lie. We’ve been made to believe that the greatest fight of our generation is to destroy everything our forefathers left us: tradition, privacy, sovereignty, the free market, and free speech. By betraying the legacy of our ancestors, we’ve set ourselves on a path toward self-destruction — moral, intellectual, economic, and ultimately biological. So no, I’m not going to celebrate today. I’m running out of time. We are running out of time." CANDACE OWENS: “You’d have to get rid of all of us, seven billion people if you want us to just forget about the Charlie Kirk story. No one’s forgetting it. I don’t know whose sadistic idea it was to make this a public execution. But let me tell you where you made the mistake. In 1963, when JFK was shot, people didn’t watch it on TikTok. You made us watch this live, around the world. You traumatized all of us... not in the way you meant to. You wanted to make us fearful. Instead, you made us angry. Angry that corruption is this blatant, this in our face. We’re grieving because you assassinated Charlie Kirk in front of the entire world. You wanted this to be a public execution. That disturbs me. So you get what you get. This is the internet generation. You get TikTokers, military guys, ballistic experts, psychics, all of us. We’re running this now. We’re not calming down. We’re not forgetting. Who ordered the public execution?" It's Time to WAKE UP ladies and gentleman and FIGHT BACK before all of this is for ABSOLUTELY nothing.

The MOST IMORTANT MESSAGE "The TIME is NOW." Pavel Durov, founder of Telegram and Candace Owens both said some words today that really hit home... They explained a DARK, EVIL, and SADISTIC force that is encroaching upon us and our world that is slowly taking away and destroying everything that are forefathers fought so hard to give us. Most importantly, our FREEDOMS. It wouldn't be right in any way to let this happen to us, our world and especially the generations after us, our children's futures. There will be no other moment in time that will be more important than right now. Right now and the few years or less that we have to save our society and our FREEDOMS will determine the entire worlds future from here on out. I suggest you really start paying attention because time is running out. It's time to do something ladies and gentleman. The TIME is NOW. Please read what Patel and Candace said today because they are 100% right. PAVEL DUROV: "I’m turning 41, but I don’t feel like celebrating. Our generation is running out of time to save the free Internet built for us by our fathers. What was once the promise of the free exchange of information is being turned into the ultimate tool of control. What was once the promise of the free exchange of information is being turned into the ultimate tool of control. Once-free countries are introducing dystopian measures such as digital IDs (UK), online age checks (Australia), and mass scanning of private messages (EU). Germany is persecuting anyone who dares to criticize officials on the Internet. The UK is imprisoning thousands for their tweets. France is criminally investigating tech leaders who defend freedom and privacy. A dark, dystopian world is approaching fast — while we’re asleep. Our generation risks going down in history as the last one that had freedoms — and allowed them to be taken away. We’ve been fed a lie. We’ve been made to believe that the greatest fight of our generation is to destroy everything our forefathers left us: tradition, privacy, sovereignty, the free market, and free speech. By betraying the legacy of our ancestors, we’ve set ourselves on a path toward self-destruction — moral, intellectual, economic, and ultimately biological. So no, I’m not going to celebrate today. I’m running out of time. We are running out of time." CANDACE OWENS: “You’d have to get rid of all of us, seven billion people if you want us to just forget about the Charlie Kirk story. No one’s forgetting it. I don’t know whose sadistic idea it was to make this a public execution. But let me tell you where you made the mistake. In 1963, when JFK was shot, people didn’t watch it on TikTok. You made us watch this live, around the world. You traumatized all of us... not in the way you meant to. You wanted to make us fearful. Instead, you made us angry. Angry that corruption is this blatant, this in our face. We’re grieving because you assassinated Charlie Kirk in front of the entire world. You wanted this to be a public execution. That disturbs me. So you get what you get. This is the internet generation. You get TikTokers, military guys, ballistic experts, psychics, all of us. We’re running this now. We’re not calming down. We’re not forgetting. Who ordered the public execution?" It's Time to WAKE UP ladies and gentleman and FIGHT BACK before all of this is for ABSOLUTELY nothing.

The SCIF

254,623 次观看 • 11 个月前

PRATT SUMMER - Runoff Edition [Intro] (Pulsing synth building up) Welcome to the city of angels... Where the reality gets a little... unreal. The primary is over. But the party is just getting started. Are you ready for the runoff? [Verse 1] Palisades burned but the hills are alive Got a brand new mission and a brand new drive From the MTV screen to the City Hall steps No more potholes, no more empty prep They thought it was a joke, thought he’d fade away But he pulled the votes on election day Thirty percent in the primary heat Now we taking this battle straight to the street! [Pre-Chorus] (Beat starts speeding up) No more business as usual, cut the red tape Gonna build it up high, give the city new shape Lookin' like Dubai in eight short years Wipe away the smoke and the Hollywood tears! [Chorus] (High energy, massive synths) It’s a Pratt Summer! (Let’s go!) We in the runoff, bout to run the show! From the reality villain to the man in charge Living in the hills and we living large! It’s a Pratt Summer! (Turn it up!) Got the ballots in the box and the bass in the cup! Yeah, he still got a chance, gonna shake the room Bring the neon lights, sweep away the gloom! [Build] (Snare drum rolling faster and faster) Put the crystals in the sky! Make it shine like Dubai! One, two, one two three, JUMP! [Drop] (Heavy EDM bassline, laser synths, vocal chops) Pratt Summer! Shake it up! Runoff! (Let's go!) Yeah, we in the runoff! [Verse 2] (Driving four-on-the-floor beat) Karen at the top but we closing the gap Got the viral vids putting us on the map Said he’s an outsider but he knows the town From the Hollywood sign to the underground No more broken sidewalks, time to clean the slate November’s coming fast, and we control the fate They calling him the wildcard, saying it’s absurd But the people showed up and the people were heard! [Pre-Chorus] (Beat starts speeding up again) No more business as usual, cut the red tape Gonna build it up high, give the city new shape Lookin' like Dubai in eight short years Wipe away the smoke and the Hollywood tears! [Chorus] (Massive stadium energy) It’s a Pratt Summer! (Let’s go!) We in the runoff, bout to run the show! From the reality villain to the man in charge Living in the hills and we living large! It’s a Pratt Summer! (Turn it up!) Got the ballots in the box and the bass in the cup! Yeah, he still got a chance, gonna shake the room Bring the neon lights, sweep away the gloom! [Bridge] (Tempo slows down, ethereal vocals building up) They laughed at the reality star... But look how he made it so far. It’s just him and Bass in the final fight. November’s gonna be a crazy night. [Build] (Sirens and risers) Turn it up! Turn it up! Here we go! [Drop] (Explosive EDM beat, heavy bass, festival energy) Pratt Summer! Make it shine like Dubai! Runoff! We in the runoff! [Outro] (Fading synths, echo on vocals) Yeah, it’s a Pratt Summer. See you in November, LA. (Beat fades out)

LPP - Latinos Por Poder

12,635 次观看 • 3 个月前

Yesterday we showed you the problem. Here's what comes next. Privacy as a Service. Let us explain what that actually means. Right now, AI agents are being deployed on Solana with their own wallets. They're trading, settling, moving money - autonomously, 24/7. Every single transaction is public. Right now, payroll protocols are streaming salaries on-chain. Your boss, your coworkers, your competitors - they can all see what you make. Right now, institutions want to come to Solana. But they won't move treasury operations onto a ledger where every competitor can watch their capital flow in real time. Ghost solves all of this. One privacy infrastructure layer. Payments, transfers, cross-chain, payroll, enterprise settlement - all routed through Ghost. Every protocol that integrates, every AI agent that needs private transactions, every business that plugs in - it would all feed back through the same ecosystem. We look forward to rolling this out in phases, starting with our Proof of Concept with our partners at Zebec. Privacy as a Service, built by The Privacy Layer of Solana Powered by $GHOST.

Yesterday we showed you the problem. Here's what comes next. Privacy as a Service. Let us explain what that actually means. Right now, AI agents are being deployed on Solana with their own wallets. They're trading, settling, moving money - autonomously, 24/7. Every single transaction is public. Right now, payroll protocols are streaming salaries on-chain. Your boss, your coworkers, your competitors - they can all see what you make. Right now, institutions want to come to Solana. But they won't move treasury operations onto a ledger where every competitor can watch their capital flow in real time. Ghost solves all of this. One privacy infrastructure layer. Payments, transfers, cross-chain, payroll, enterprise settlement - all routed through Ghost. Every protocol that integrates, every AI agent that needs private transactions, every business that plugs in - it would all feed back through the same ecosystem. We look forward to rolling this out in phases, starting with our Proof of Concept with our partners at Zebec. Privacy as a Service, built by The Privacy Layer of Solana Powered by $GHOST.

GhostWareOS

36,748 次观看 • 7 个月前

The UK is going full dystopian… Could it be a necessary evil? Hear me out… Biden’s presidency in the U.S. was not just as a disaster, it was a shock therapy; a theatrical exercise in absurdity designed to jolt people awake. The wokeness, the gender ideology, the open borders, the blatant corruption. It was all too much, too fast, too obviously insane. Almost like it was meant to be that way; like a necessary evil in order to snap millions of Americans out of their slumber. And it worked. Now, it feels like it’s the UK’s turn. Keir Starmer has barely warmed the seat and already the country is lurching into a full-blown surveillance state. Just look at what’s unfolding: • A digital ID system is being quietly prepped, with 8 million Britons soon to be required to register just to access basic services. All under the usual excuse of “fighting fraud.” • Travel outside the UK more than a few times a year? That’s now flagged to HMRC because apparently going abroad is suspicious behaviour now. • The Online Safety Act is now law, turning Ofcom into a truth ministry with sweeping powers to police what you say, read, and share online. Even encrypted messages aren’t safe. • He axed the Rwanda deportation plan, then secretly expanded migrant housing, including on old RAF bases. They opened the floodgates, then pretended to panic about the flood. None of this is organic, it’s a dark dystopian theatre. Just like in the U.S. under Biden, it’s designed to be so absurd, so invasive, so transparently authoritarian, that it forces the public to pay attention. To ask questions. To finally say: “Enough.” So if you’re watching the UK descend into madness and wondering if it’s all just incompetence, look again, this might just be the necessary pain to push people to wake up.

The UK is going full dystopian… Could it be a necessary evil? Hear me out… Biden’s presidency in the U.S. was not just as a disaster, it was a shock therapy; a theatrical exercise in absurdity designed to jolt people awake. The wokeness, the gender ideology, the open borders, the blatant corruption. It was all too much, too fast, too obviously insane. Almost like it was meant to be that way; like a necessary evil in order to snap millions of Americans out of their slumber. And it worked. Now, it feels like it’s the UK’s turn. Keir Starmer has barely warmed the seat and already the country is lurching into a full-blown surveillance state. Just look at what’s unfolding: • A digital ID system is being quietly prepped, with 8 million Britons soon to be required to register just to access basic services. All under the usual excuse of “fighting fraud.” • Travel outside the UK more than a few times a year? That’s now flagged to HMRC because apparently going abroad is suspicious behaviour now. • The Online Safety Act is now law, turning Ofcom into a truth ministry with sweeping powers to police what you say, read, and share online. Even encrypted messages aren’t safe. • He axed the Rwanda deportation plan, then secretly expanded migrant housing, including on old RAF bases. They opened the floodgates, then pretended to panic about the flood. None of this is organic, it’s a dark dystopian theatre. Just like in the U.S. under Biden, it’s designed to be so absurd, so invasive, so transparently authoritarian, that it forces the public to pay attention. To ask questions. To finally say: “Enough.” So if you’re watching the UK descend into madness and wondering if it’s all just incompetence, look again, this might just be the necessary pain to push people to wake up.

Laura Aboli Official

54,944 次观看 • 1 年前

Johann Pachelbel's Canon in D – When All Movements Belong to the Same Order In the treasure trove of Baroque music, Johann Pachelbel's Canon in D stands out not for its striking or dramatic melody, but for how the entire work is constructed from a fixed foundation, where all changes occur in an organized and meaningful way. On the surface, the music seems to be merely a gentle repetition. But upon closer examination, the listener will recognize a core aesthetic principle: all movements always belong to the same order. This is the unifying core of the entire work. The Foundation: The Repeating Bass Sequence – the Anchor of Order The entire Canon in D is built upon a simple yet solid sequence of eight bass notes: D – A – B – F – G – D – G – A This sequence repeats continuously throughout the work, forming an unchanging foundation. It's not just the bass line, but also a temporal anchor – a fixed axis around which all other voices revolve. Thanks to this, no matter how much the music develops, the listener always feels a sense of stability and security. This isn't mechanical repetition. It's Pachelbel's way of creating a musical space where time doesn't flow aimlessly, but always has a foundation. Structure: Canon – Freedom within Order Against that fixed bass foundation, the three violin voices participate in turn according to the canon technique: the same melodic material is presented at different times, layering and mimicking each other. The result is continuous development: from its initial simplicity, the music gradually becomes denser, richer, and more magnificent with each loop. The violin voices may soar, intertwine intricately, but they never stray from the overall framework. Every movement, however free, converges and blends with the bass line. That is the beauty of the central principle: freedom is not abandonment, but meaningful movement within a larger order. Listening Experience: Structured Flow in Time For the listener, Canon in D does not feel like disjointed pieces, but a continuous and directed flow. The repetition of the bass creates familiarity and stability; the layering of the canon creates development and excitement. These two elements combine to transform musical time from a meaningless passage into a unified process in which every moment is interconnected. The Voices of Music video further highlights this: the Baroque theorbo and cello make the bass foundation clear and deep, allowing the listener to directly perceive the solid "axis of order" from the very first notes. The Central Principle and Aesthetic Value The entire work converges on a single core: every movement always belongs to the same order. * The ground bass creates a stable foundation. * The canon allows the musical parts to develop from that foundation. * Repetition and variation enrich the music without losing its unity. These three elements do not exist separately, but together reflect a common principle: all sustainable development requires a sufficiently solid foundation to support what is built upon it. In Canon in D, the ground bass sequence is that foundation. Thanks to the ever-present foundation, the violin parts can freely move, layer, and vary in richness without falling into chaos. The development of music is not a process of separation from the foundation, but a continuous expansion from that foundation itself. This is also a rule that appears in many systems in nature and life. A house can only grow tall when it has a solid foundation. A tree can only support its trunk, branches, and foliage when it has a strong root system. Learning can only progress when built upon a solid foundation of knowledge. Similarly, in human development, a well-cultivated cognitive and spiritual foundation often facilitates the stable development of speech, behavior, and habits, gradually forming a strong personality. Although each field has a different foundation, they all reflect a common principle: development is always supported by a stable base. Because it reflects this universal principle, Canon in D gives the listener a feeling of stability, reassurance, and harmony. When every change has a point of support and every movement maintains a connection to the common foundation, the listener not only appreciates the beauty of musical technique but also intuitively senses a familiar principle of the world: sustainable development first requires a sufficiently solid foundation. That is why the music continues to resonate with listeners after more than three centuries, because through the language of music, it recreates a fundamental principle that humans encounter in nature, in learning, in their own growth, and in many aspects of life.

Johann Pachelbel's Canon in D – When All Movements Belong to the Same Order In the treasure trove of Baroque music, Johann Pachelbel's Canon in D stands out not for its striking or dramatic melody, but for how the entire work is constructed from a fixed foundation, where all changes occur in an organized and meaningful way. On the surface, the music seems to be merely a gentle repetition. But upon closer examination, the listener will recognize a core aesthetic principle: all movements always belong to the same order. This is the unifying core of the entire work. The Foundation: The Repeating Bass Sequence – the Anchor of Order The entire Canon in D is built upon a simple yet solid sequence of eight bass notes: D – A – B – F – G – D – G – A This sequence repeats continuously throughout the work, forming an unchanging foundation. It's not just the bass line, but also a temporal anchor – a fixed axis around which all other voices revolve. Thanks to this, no matter how much the music develops, the listener always feels a sense of stability and security. This isn't mechanical repetition. It's Pachelbel's way of creating a musical space where time doesn't flow aimlessly, but always has a foundation. Structure: Canon – Freedom within Order Against that fixed bass foundation, the three violin voices participate in turn according to the canon technique: the same melodic material is presented at different times, layering and mimicking each other. The result is continuous development: from its initial simplicity, the music gradually becomes denser, richer, and more magnificent with each loop. The violin voices may soar, intertwine intricately, but they never stray from the overall framework. Every movement, however free, converges and blends with the bass line. That is the beauty of the central principle: freedom is not abandonment, but meaningful movement within a larger order. Listening Experience: Structured Flow in Time For the listener, Canon in D does not feel like disjointed pieces, but a continuous and directed flow. The repetition of the bass creates familiarity and stability; the layering of the canon creates development and excitement. These two elements combine to transform musical time from a meaningless passage into a unified process in which every moment is interconnected. The Voices of Music video further highlights this: the Baroque theorbo and cello make the bass foundation clear and deep, allowing the listener to directly perceive the solid "axis of order" from the very first notes. The Central Principle and Aesthetic Value The entire work converges on a single core: every movement always belongs to the same order. * The ground bass creates a stable foundation. * The canon allows the musical parts to develop from that foundation. * Repetition and variation enrich the music without losing its unity. These three elements do not exist separately, but together reflect a common principle: all sustainable development requires a sufficiently solid foundation to support what is built upon it. In Canon in D, the ground bass sequence is that foundation. Thanks to the ever-present foundation, the violin parts can freely move, layer, and vary in richness without falling into chaos. The development of music is not a process of separation from the foundation, but a continuous expansion from that foundation itself. This is also a rule that appears in many systems in nature and life. A house can only grow tall when it has a solid foundation. A tree can only support its trunk, branches, and foliage when it has a strong root system. Learning can only progress when built upon a solid foundation of knowledge. Similarly, in human development, a well-cultivated cognitive and spiritual foundation often facilitates the stable development of speech, behavior, and habits, gradually forming a strong personality. Although each field has a different foundation, they all reflect a common principle: development is always supported by a stable base. Because it reflects this universal principle, Canon in D gives the listener a feeling of stability, reassurance, and harmony. When every change has a point of support and every movement maintains a connection to the common foundation, the listener not only appreciates the beauty of musical technique but also intuitively senses a familiar principle of the world: sustainable development first requires a sufficiently solid foundation. That is why the music continues to resonate with listeners after more than three centuries, because through the language of music, it recreates a fundamental principle that humans encounter in nature, in learning, in their own growth, and in many aspects of life.

🎼🌺Music Love♥️

15,465 次观看 • 2 个月前

Paul McCartney reveals John Lennon complimented him exactly once in their entire songwriting partnership The most successful songwriting duo in history wrote together for roughly a decade. They produced the catalogue that reshaped popular music. And in all that time, by Paul's own account, John praised his work to his face on a single occasion. Asked whether he and John were competitive as writers, Paul doesn't hesitate: "Yeah, we were competitive. Yeah. Not openly, but we later admitted, yeah, you know, so Paul's written a good one there. I better get going." The rivalry ran underneath everything. One would hear the other's new song, register it as a challenge, and quietly raise his own game. Paul describes the internal monologue plainly: "That's a bit good. Right. Here we go. Come on." He gives a concrete example of how this shaped the catalogue. When John wrote "Strawberry Fields Forever," reaching back into his Liverpool childhood, Paul answered with a song reaching back into his own: "If he'd written Strawberry Fields, I would write Penny Lane. You know, he's remembering his old area in Liverpool. So, I'll remember for mine." Two of the most beloved songs in the Beatles catalogue, written as quiet returns of serve. Then comes the part that lingers. Asked whether they complimented each other when one wrote something great, Paul answers: "Once." Once. In all those years of writing together. The one time it happened, Paul remembers exactly which song it was. "Here, There and Everywhere," from Revolver: "John sort of just when it finishes wrote a really good song that I love that song. And I was like, 'Yes, he likes it.' You know, I've remembered it to this day. It's pathetic really." Decades on, he still remembers the moment. He calls his own remembering of it pathetic, but the fact that he remembers at all says something about what a word from John was worth to him. Asked whether he ever returned the praise, Paul is more generous about himself, with a caveat: "Yeah, I would tell him his stuff was great. You'd normally have to be a little bit drunk. It helped."

Paul McCartney reveals John Lennon complimented him exactly once in their entire songwriting partnership The most successful songwriting duo in history wrote together for roughly a decade. They produced the catalogue that reshaped popular music. And in all that time, by Paul's own account, John praised his work to his face on a single occasion. Asked whether he and John were competitive as writers, Paul doesn't hesitate: "Yeah, we were competitive. Yeah. Not openly, but we later admitted, yeah, you know, so Paul's written a good one there. I better get going." The rivalry ran underneath everything. One would hear the other's new song, register it as a challenge, and quietly raise his own game. Paul describes the internal monologue plainly: "That's a bit good. Right. Here we go. Come on." He gives a concrete example of how this shaped the catalogue. When John wrote "Strawberry Fields Forever," reaching back into his Liverpool childhood, Paul answered with a song reaching back into his own: "If he'd written Strawberry Fields, I would write Penny Lane. You know, he's remembering his old area in Liverpool. So, I'll remember for mine." Two of the most beloved songs in the Beatles catalogue, written as quiet returns of serve. Then comes the part that lingers. Asked whether they complimented each other when one wrote something great, Paul answers: "Once." Once. In all those years of writing together. The one time it happened, Paul remembers exactly which song it was. "Here, There and Everywhere," from Revolver: "John sort of just when it finishes wrote a really good song that I love that song. And I was like, 'Yes, he likes it.' You know, I've remembered it to this day. It's pathetic really." Decades on, he still remembers the moment. He calls his own remembering of it pathetic, but the fact that he remembers at all says something about what a word from John was worth to him. Asked whether he ever returned the praise, Paul is more generous about himself, with a caveat: "Yeah, I would tell him his stuff was great. You'd normally have to be a little bit drunk. It helped."

History Nerd

436,625 次观看 • 4 个月前