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This type of commentary is all emotion based and zero common sense. You had Caitlin Clark, your biggest ratings draw, get an 8th tech on a nationally televised broadcast. The whole world watching was told Caitlin won’t play Tuesday against the Liberty, another huge potential ratings draw, and another...

39,618 次观看 • 24 天前 •via X (Twitter)

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Zack Snyder on his dyslexia: "It was a challenge for me when I was, you know, young in school, and all I wanted to do was make movies because that was the thing that I got great pleasure from and reward from. I love books, and I'm an avid reader, but I just have a hard time because of the way that I perceive. "I've had a great sort of - one side of me anyways - was really satisfied by art and drawing and sculpture and sort of visual expression. And I think that that started to, you know, was the thing that kind of made me feel un-frustrated. And also the way the system was designed, sort of not to support me when I was in high school at that time. "It was very difficult, you know, there was a lot of, you know, just, difficulty. My English teacher in high school was worried about what my career would be, and I'm like. He would be happy to know that I'm in the Writers Guild of America now. "But, I think that that all those things are, they're all... you can transcend all those things with perseverance and with interest and with with help. And I think that that's an important part of it. "And I just think I've had to adapt, and sort of... I have my own style of the way I write, I write all, you know, but I'm pretty prolific. And I love- I listen to tons of audio books on tape, unabridged hours and hours and hours. That's all I do when I'm driving in the car or wherever I'm doing. And it's helped me a lot. "And yeah, I mean, I just hope that anyone who is- feels trapped or frustrated by the world in general. You know, they need to just, I think that we all have like a magic spark, and you need to just find the thing that makes you, you know, inspires you and, and gets you excited and pursue it as hard as you can find your passion in the world. That's a, that's a great motivator."

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This post has almost 20k likes in under 24 hours. Americans have had enough of US Congress “Let me tell you what makes absolutely no sense” - The United States Congress is getting 18 weeks of vacation this year - They get paid $174,000 a year - Only 133 work days for the entire 2025 - They get paid $1,300 a day “Do you see a sense of urgency? — This is a big time for us, right? I mean, we have the House, we have the Senate, we have the presidency.This should be a huge year. But I don't see that same sense of urgency in Congress. Now I see the presidency having a huge sense of urgency. Donald Trump has had a very good presidency so far. But my concern is that he's had a lot of executive orders. And as you know, if we get a far left Democrat in 2028, they could go in in 2029, in January 2029, and reverse a lot of those executive orders and wash away a lot of the good things that Trump has done.” “My other concern is that I keep hearing about these DOGE cuts being codified in Congress about some Republicans aren't even before making these things permanent, the Doge cuts. What the hell's going on with that?” “We’re paying, American taxpayer, you and I are paying a lot of money to these people, and I don't see a big sense of urgency on the calendar. Nobody gets 18 weeks off a year, and they're getting paid very high dollars. So it's very concerning. I wish we had a bigger sense of urgency. I wish they worked more. I think we deserve that”

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Béla Tarr on how the concept of time works in "Sátántangó" (1994): "Interviewer: Did you have any problems when you first wanted to make the film in the ‘80s? How did you start work on the film? Tarr: It was mostly a political problem. We couldn't start in the ‘80s because of censorship from the communist government at the time, but by the early ‘90s it became possible to do it and it took four years to do, from 1990 to 1994. You have to understand. This man [Lázsló] was living in the Hungarian lowlands, and he saw a lot of things in the reality of how people were living, and of course he transformed it and created this beautiful novel. I understood when I started working on this project that I cannot do any kind of adaptation. I had to go back to the Hungarian lowlands, like him. I had to see how life is going on out there, and I had to find the film language, I had to figure out how I can get the same stuff that he did in the novel. By the end, I spent two years in the Hungarian lowlands filming, I can tell you I know all the houses, I know all f***ing roads, I know everything in this part of the country. By the end of my time there I could find the way to film and afterwards we could use the dramaturgical structure of the novel, and of course we did not have a script, we had only the novel and my vision. That's all we had. Interviewer: What about the sense of time that you found in that place? Tarr: Hey man, if you are sitting in the Hungarian lowlands, I'm sure it's the same in the desert in, let's say, Arizona, when you are out there: there is no time, no distance anymore, you can go hours, weeks, and you don't see anything. You are out of time; you have a different sense of time then when you are living in a town. And so, the slowness of the drama came from this. You know, you have to understand that first you have to know the life of the places and then afterwards you have a feeling for how you have to film it." ("I Am Interested in the World, Not Just in Filming It": Béla Tarr on "Sátántangó", David Perrin, MUBI, 2019) P.S: Remembering the great Hungarian filmmaker, Béla Tarr, on his 71st birthday!

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