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Tips: Inverted Hull Method #Live2D You can create an anime-style outline with a few simple steps. Here's how: 1. Open your paint tool and select the hair parts. Select the hair lineart and register it as the selected area. Select the hair base layer and erase the color from...

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Ninta(ニンタ) Art&Live2D (Vgen comm)

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80,105 Aufrufe • vor 7 Monaten •via X (Twitter)

KunstWissenschaft & Technologie#Live2D
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I usually don’t do tutorials so it might be a bit scuffed. But I was asked how I make my vtuber hair Lineart with Auto Actions. It separates the strand with the Lineart and allows you to easier color and cut the hair. 🥹 . #vartist #VTuberUprisings #vtuber #live2D
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I usually don’t do tutorials so it might be a bit scuffed. But I was asked how I make my vtuber hair Lineart with Auto Actions. It separates the strand with the Lineart and allows you to easier color and cut the hair. 🥹 . #vartist #VTuberUprisings #vtuber #live2D

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🟠Live2D Tutorial: Bouncy Vtuber up-and-down hair jiggles. Simple 3-steps will instantly upgrade Vtuber hair! First, set up the entire hair Bounce. This parameter handles the main up and down bounce. Second, add the middle parts of the hair's deformation. This creates soft and fluid lag motions. Finally, use a Blendshape to add micro-motion to the very tips. Additionally, open the physics setting and assign these parameters! Here are the input parameter, output parameter, and pendulum settings! More Live2D tutorials in my channel🔽🔽
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🟠Live2D Tutorial: Bouncy Vtuber up-and-down hair jiggles. Simple 3-steps will instantly upgrade Vtuber hair! First, set up the entire hair Bounce. This parameter handles the main up and down bounce. Second, add the middle parts of the hair's deformation. This creates soft and fluid lag motions. Finally, use a Blendshape to add micro-motion to the very tips. Additionally, open the physics setting and assign these parameters! Here are the input parameter, output parameter, and pendulum settings! More Live2D tutorials in my channel🔽🔽

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🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!
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🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

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You can see here the colors change from the bleached blonde hair color to the darker yellow like in the anime when charging KI and Sparking
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“It was really hard.. I bleached my hair so i couldn't filmed on the same day. When the hair is black just filming of one side and then change the hair and clothes….. The scene that was filmed by giving a period of time according to the hair color…”

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Here’s the physics group I used for the hair, and about keeping long hair fixed when rotating on the Z axis — it’s actually just manually adjusting the long hair so it stays aligned to its original position. VTuber:@/Deucel11 Artist:@/YuYe_OwO #Live2DWIP #Live2D
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Trading is stressful, and your hairline knows it. Here's the combo that saves us all from hair loss and grey hair, watch the video to find out.
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✨ You can now batch remix photos with your own model For example, let's you you're a fashion brand and did a big photo shoot (real or AI) with one model (black hair), but you need the same shots with another model (blonde hair) Just select your new model, then select the photos you want to remix, and it'll use those as input to regenerate them but with your selected model Cheaper than re-doing the whole photo shoot, well actually about 1000x cheaper
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See the result! The hair color is awesome
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See the result! The hair color is awesome

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These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

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【Ohdake Customizable Model】 (Work in progress!) We're planning to have a seperate outline/shadow color slider for the hair, here's a small look of how much of a difference it makes even without changing the base color👀

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🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

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