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🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a base fill layer... containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturingshow more

Cohen Brawley

2,444 subscribers

78,816 Aufrufe • vor 2 Jahren •via X (Twitter)

Kunst Gaming Wissenschaft & Technologie

Anya Rossi• Live Now

Private livecam show

7 Kommentare

Profilbild von Fardin Bagherian

Fardin Bagherianvor 2 Jahren

These tutorials are amazing but can we please get normal videos with normal speed? 😓 Thank you.

Profilbild von Jamie Macleod

Jamie Macleodvor 2 Jahren

This is an amazing tip, the end result looks so good!

Profilbild von Cohen Brawley

Cohen Brawleyvor 2 Jahren

Thanks Jamie!

Profilbild von Randy Sharp

Randy Sharpvor 2 Jahren

Oh heck yes!

Profilbild von 🪖AfricanBattleRoach🪳

🪖AfricanBattleRoach🪳vor 2 Jahren

Absolutely killed it man thanks 🙏🏾

Profilbild von Coffee Break 🇺🇸 🚑

Coffee Break 🇺🇸 🚑vor 2 Jahren

man fuck substance painter and fuck adobe

Profilbild von hyc

hycvor 2 Jahren

bro, you speak faster than Musk's rocket

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🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. _ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. __ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

Cohen Brawley

46,031 Aufrufe • vor 2 Jahren

🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

Keeki | 3D Artist

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Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Sandrina 😈🎀 | VArtist | †øм

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How annoying is it when you can't find a company's logo in SVG format? I use a quick hack in Figma that lets me easily change the logo's color to whatever I need. 1. Add a rectangle layer on top of the logo layer. 2. Right-click and create a mask for the logo layer. 3. Voilà.

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The Oasis Privacy Layer can be used to add privacy features to any dApps (e.g. DAOs, games etc.) built on any EVM chain In the demo below, we review: 1) How the OPL can be used to to add secret ballot voting to a DAO and 2) How to import the Oasis Privacy Layer into your DAO

The Oasis Privacy Layer can be used to add privacy features to any dApps (e.g. DAOs, games etc.) built on any EVM chain In the demo below, we review: 1) How the OPL can be used to to add secret ballot voting to a DAO and 2) How to import the Oasis Privacy Layer into your DAO

Oasis 🌹

54,413 Aufrufe • vor 3 Jahren

I've seen some people ask how the Noxus Portal in Arena is made, so here is how! It is using a stencil mask (very similar to a Photoshop Layer Mask) to hide geometry that is placed in front and behind it to fake a parallax effect. This video shows with and without the stencil enabled. The reflection layers are in the front, while the several flat environment layers are in the back.

I've seen some people ask how the Noxus Portal in Arena is made, so here is how! It is using a stencil mask (very similar to a Photoshop Layer Mask) to hide geometry that is placed in front and behind it to fake a parallax effect. This video shows with and without the stencil enabled. The reflection layers are in the front, while the several flat environment layers are in the back.

Sirhaian

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CSS Trick! 🤙 You can create gradient borders on translucent elements using mask-clip and mask-composite with a pseudo-element 🔥 .gradient-border::after { mask-clip: padding-box, border-box; mask-composite: intersect; mask: linear-gradient(transparent, transparent), linear-gradient(white, white); } It's the same "Transparent border trick" from before. But, now you apply it to a pseudo-element 😎 The trick is to create a pseudo-element with a gradient background and then mask it so we only see the part we want, the border ✨ mask-clip defines the area affected by a mask. Similar to how you can define background-size. Using padding-box and border-box constrains the two masks. mask-composite is the magic part ✨ It defines a compositing operation for stacked mask layers. Using intersect means that the parts that overlap get replaced. And this seems to work in all browsers 🙌 As for the rest of the styles... – Make sure you set pointer-events: none on the pseudo-element – Make sure it fills the parent element. You can use position: absolute and inset: 0 – Make sure the background fills the space including the border-width. You can use calc to achieve that: --bg-size: calc(100% + (2px * var(--border))); background: var(--gradient) center center / var(--bg-size) var(--bg-size); That's it! 🚀 Gradient borders on translucent elements. You can set all the backdrop-filter: blur() you like! 😅 CodePen.IO link below! 👇

CSS Trick! 🤙 You can create gradient borders on translucent elements using mask-clip and mask-composite with a pseudo-element 🔥 .gradient-border::after { mask-clip: padding-box, border-box; mask-composite: intersect; mask: linear-gradient(transparent, transparent), linear-gradient(white, white); } It's the same "Transparent border trick" from before. But, now you apply it to a pseudo-element 😎 The trick is to create a pseudo-element with a gradient background and then mask it so we only see the part we want, the border ✨ mask-clip defines the area affected by a mask. Similar to how you can define background-size. Using padding-box and border-box constrains the two masks. mask-composite is the magic part ✨ It defines a compositing operation for stacked mask layers. Using intersect means that the parts that overlap get replaced. And this seems to work in all browsers 🙌 As for the rest of the styles... – Make sure you set pointer-events: none on the pseudo-element – Make sure it fills the parent element. You can use position: absolute and inset: 0 – Make sure the background fills the space including the border-width. You can use calc to achieve that: --bg-size: calc(100% + (2px * var(--border))); background: var(--gradient) center center / var(--bg-size) var(--bg-size); That's it! 🚀 Gradient borders on translucent elements. You can set all the backdrop-filter: blur() you like! 😅 CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

269,847 Aufrufe • vor 2 Jahren

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.

shoneec

17,888 Aufrufe • vor 1 Jahr

Tips: Inverted Hull Method #Live2D You can create an anime-style outline with a few simple steps. Here's how: 1. Open your paint tool and select the hair parts. Select the hair lineart and register it as the selected area. Select the hair base layer and erase the color from the selected parts. 2. Next, fill the inside with a dark color and move the lineart behind the base hair layer Repeat the same steps for the other bang strands. After adjusting the layer order, Place all hull lineart layers behind all base hair layers. 3. Export the PSD to Live2D and rig the hair motions. The result looks just like anime! Sound video⬇️

Tips: Inverted Hull Method #Live2D You can create an anime-style outline with a few simple steps. Here's how: 1. Open your paint tool and select the hair parts. Select the hair lineart and register it as the selected area. Select the hair base layer and erase the color from the selected parts. 2. Next, fill the inside with a dark color and move the lineart behind the base hair layer Repeat the same steps for the other bang strands. After adjusting the layer order, Place all hull lineart layers behind all base hair layers. 3. Export the PSD to Live2D and rig the hair motions. The result looks just like anime! Sound video⬇️

Ninta(ニンタ) Art&Live2D (Vgen comm)

80,105 Aufrufe • vor 8 Monaten

I think I found the most intuitive Blender texturing add-on for artists who work with NPR models relying on hand-painting 🥹 This is “Paint System” and I found it really simple to use and navigate! It really feels like using PS/CSP in Blender ദ്ദി(ᵔᗜᵔ) Here’s a simple video showing how layers work (very simple clipping mask & alpha locking too), changing layer blend mode, and you can then bake the layers into 1 & export image! Opacity of each layer can also be adjusted with a slider like in PS/CSP but I forgot to show it hahah It also comes with 2 very nice brushes!! I know there are other add-ons for the same job or can do even more things but just wanted to share this since I found it the most intuitive as someone who hand paints textures a lot in other art programs and have non-existent knowledge over nodes in Blender ;-; Link to the add-on in replies and happy painting!!!! (ᗒ⩊ᗕ)⸝ި ʕᦏ⌎ (yes it’s free! with an option to donate to the creator to support them too)

I think I found the most intuitive Blender texturing add-on for artists who work with NPR models relying on hand-painting 🥹 This is “Paint System” and I found it really simple to use and navigate! It really feels like using PS/CSP in Blender ദ്ദി(ᵔᗜᵔ) Here’s a simple video showing how layers work (very simple clipping mask & alpha locking too), changing layer blend mode, and you can then bake the layers into 1 & export image! Opacity of each layer can also be adjusted with a slider like in PS/CSP but I forgot to show it hahah It also comes with 2 very nice brushes!! I know there are other add-ons for the same job or can do even more things but just wanted to share this since I found it the most intuitive as someone who hand paints textures a lot in other art programs and have non-existent knowledge over nodes in Blender ;-; Link to the add-on in replies and happy painting!!!! (ᗒ⩊ᗕ)⸝ި ʕᦏ⌎ (yes it’s free! with an option to donate to the creator to support them too)

𝗞𝗔𝗥𝗜𝗛𝗔 🌘🍀 3D Artist ☻

19,713 Aufrufe • vor 5 Monaten

How do we enable single-layer PCBs to support the routing complexity of multi-layer PCBs? We're making a "Bridge-Programmable Interconnect" chip. This chip is "programmed" by traces etched on the top layer of the PCB, it allows any configurable pin to connect to any other configurable pin Why is this a big deal? Single-layer PCB etching can be done in minutes on a UV laser, but because they don't have vias it is impossible to change layers. Using an interconnect chip, you are guaranteed to be able to route any signal over any other signal. By placing these on your single-layer PCB, you can reconfigure wiring such that you don't need any vias!

How do we enable single-layer PCBs to support the routing complexity of multi-layer PCBs? We're making a "Bridge-Programmable Interconnect" chip. This chip is "programmed" by traces etched on the top layer of the PCB, it allows any configurable pin to connect to any other configurable pin Why is this a big deal? Single-layer PCB etching can be done in minutes on a UV laser, but because they don't have vias it is impossible to change layers. Using an interconnect chip, you are guaranteed to be able to route any signal over any other signal. By placing these on your single-layer PCB, you can reconfigure wiring such that you don't need any vias!

Seve

30,046 Aufrufe • vor 8 Monaten

What if #AI became as decentralized as #Bitcoin? We sat down with our new friend 3700 from Bitcoin Virtual Machine to hear what their incredible team of anons are working on - "Truly Open AI." Full interview here:👇 1: What positive impact will Layer 2s have on Bitcoin? Layer 2s on Bitcoin open up opportunities for innovation, allowing developers to build dApps and smart contracts on top of Bitcoin, expanding its utility and use cases. By submitting transactions for final settlement on the Bitcoin network, Bitcoin Layer 2 networks claim to achieve the same (or close to) level of security and decentralization as the Bitcoin blockchain. Building a separate execution layer allows them the freedom to employ several technologies (such as rollups). Layer 2 can significantly improve Bitcoin's scalability by processing transactions off-chain, reducing congestion on the main blockchain. Overall, Layer 2s on Bitcoin have the potential to address some of Bitcoin's key limitations, making it more efficient, accessible, and versatile in the long run. 2: What does the ETF approval mean for Layer 2 on Bitcoin? The approval of ETF could potentially have several implications for Layer 2 on Bitcoin: Innovation and Development: With a growing interest in Bitcoin spurred by ETF approval, there could be a surge in research and development efforts focused on enhancing Layer 2. Developers and projects may be incentivized to create new and improved Layer 2 protocols to meet the evolving needs of the expanding Bitcoin ecosystem. An ETF approval could boost mainstream Bitcoin adoption and liquidity. This influx of users may also drive interest in Layer 2 on Bitcoin as a means to enhance the scalability and functionality of Bitcoin. 3: What are the primary challenges facing L2s on Bitcoin? The interoperability of different Layer 2s and their compatibility with Bitcoin's main blockchain can be a challenge. Ensuring seamless interaction between various Layer 2 networks and the Bitcoin blockchain is essential for a cohesive and efficient ecosystem. Some Layer 2s may introduce centralization risks if they rely heavily on centralized entities or trusted intermediaries. Maintaining decentralization and censorship resistance, which are core tenets of Bitcoin, while scaling with Layer 2s is a challenge. 4: What aspects of Layer 2 solutions for Bitcoin are you most enthusiastic about? AI represents one of the cornerstones of our modern era. However, achieving a decentralized AI infrastructure, owned and managed by users, has posed significant challenges. The primary obstacle has been the limited capacity to store and execute AI models due to size and computational limitations. To address this challenge, we propose a new blockchain architecture enabling developers to deploy their own Bitcoin Layer 2 solutions tailored specifically for AI tasks, called Truly Open AI. These Layer 2 blockchains are optimized to handle computationally intensive tasks, such as matrix multiplication, directly on-chain. These Bitcoin Layer 2 solutions offer exceptional throughput, minimal latency, and cost-effectiveness. AI dApps are programmed as Solidity smart contracts, ensuring they operate precisely as intended, free from interference or manipulation. Our BVM AI Contracts Library simplifies the integration of neural networks into dApps, empowering developers to embed AI seamlessly. In summary, I'm particularly enthusiastic about the potential of Layer 2 solutions for Bitcoin to revolutionize decentralized AI by providing scalability, security, and accessibility. 5: How is your Layer 2 different from others being built? BVM distinguishes itself as a Modular infrastructure that empowers thousands of distinct Bitcoin Layer 2 networks, spanning Gaming, DeFi, Social, and AI applications. We're continuously enriching the BVM Module Store with new modules to enhance its capabilities. With each new module, builders gain access to a wider array of tools to explore different use cases on the Bitcoin network. Recent additions include the Filecoin module for affordable storage and the AI Contracts Library for constructing AI-powered Bitcoin Layer 2 chains. We're also gearing up to release a ZK roll-up module in the coming weeks to offer an alternative to the standard optimistic roll-up. We aim to simplify the process of launching a Bitcoin Layer 2 network customized to specific requirements. Think of it as a SaaS offering with predefined best practices. Whether it's a DeFi Bitcoin Layer 2 or a GameFi Bitcoin Layer 2, we provide default solutions tailored to each use case. We're dedicated to expanding the BVM ecosystem by incentivizing more builders to join the Bitcoin network. Through various programs and grants, we support builders in covering their operational costs for Bitcoin Layer 2. Additionally, we offer rewards akin to 'L2 mining' to those who contribute to expanding the user base and total value locked on the network. In summary, BVM stands out with its modular infrastructure, tailored solutions, and efforts to grow the Bitcoin ecosystem.

What if #AI became as decentralized as #Bitcoin? We sat down with our new friend 3700 from Bitcoin Virtual Machine to hear what their incredible team of anons are working on - "Truly Open AI." Full interview here:👇 1: What positive impact will Layer 2s have on Bitcoin? Layer 2s on Bitcoin open up opportunities for innovation, allowing developers to build dApps and smart contracts on top of Bitcoin, expanding its utility and use cases. By submitting transactions for final settlement on the Bitcoin network, Bitcoin Layer 2 networks claim to achieve the same (or close to) level of security and decentralization as the Bitcoin blockchain. Building a separate execution layer allows them the freedom to employ several technologies (such as rollups). Layer 2 can significantly improve Bitcoin's scalability by processing transactions off-chain, reducing congestion on the main blockchain. Overall, Layer 2s on Bitcoin have the potential to address some of Bitcoin's key limitations, making it more efficient, accessible, and versatile in the long run. 2: What does the ETF approval mean for Layer 2 on Bitcoin? The approval of ETF could potentially have several implications for Layer 2 on Bitcoin: Innovation and Development: With a growing interest in Bitcoin spurred by ETF approval, there could be a surge in research and development efforts focused on enhancing Layer 2. Developers and projects may be incentivized to create new and improved Layer 2 protocols to meet the evolving needs of the expanding Bitcoin ecosystem. An ETF approval could boost mainstream Bitcoin adoption and liquidity. This influx of users may also drive interest in Layer 2 on Bitcoin as a means to enhance the scalability and functionality of Bitcoin. 3: What are the primary challenges facing L2s on Bitcoin? The interoperability of different Layer 2s and their compatibility with Bitcoin's main blockchain can be a challenge. Ensuring seamless interaction between various Layer 2 networks and the Bitcoin blockchain is essential for a cohesive and efficient ecosystem. Some Layer 2s may introduce centralization risks if they rely heavily on centralized entities or trusted intermediaries. Maintaining decentralization and censorship resistance, which are core tenets of Bitcoin, while scaling with Layer 2s is a challenge. 4: What aspects of Layer 2 solutions for Bitcoin are you most enthusiastic about? AI represents one of the cornerstones of our modern era. However, achieving a decentralized AI infrastructure, owned and managed by users, has posed significant challenges. The primary obstacle has been the limited capacity to store and execute AI models due to size and computational limitations. To address this challenge, we propose a new blockchain architecture enabling developers to deploy their own Bitcoin Layer 2 solutions tailored specifically for AI tasks, called Truly Open AI. These Layer 2 blockchains are optimized to handle computationally intensive tasks, such as matrix multiplication, directly on-chain. These Bitcoin Layer 2 solutions offer exceptional throughput, minimal latency, and cost-effectiveness. AI dApps are programmed as Solidity smart contracts, ensuring they operate precisely as intended, free from interference or manipulation. Our BVM AI Contracts Library simplifies the integration of neural networks into dApps, empowering developers to embed AI seamlessly. In summary, I'm particularly enthusiastic about the potential of Layer 2 solutions for Bitcoin to revolutionize decentralized AI by providing scalability, security, and accessibility. 5: How is your Layer 2 different from others being built? BVM distinguishes itself as a Modular infrastructure that empowers thousands of distinct Bitcoin Layer 2 networks, spanning Gaming, DeFi, Social, and AI applications. We're continuously enriching the BVM Module Store with new modules to enhance its capabilities. With each new module, builders gain access to a wider array of tools to explore different use cases on the Bitcoin network. Recent additions include the Filecoin module for affordable storage and the AI Contracts Library for constructing AI-powered Bitcoin Layer 2 chains. We're also gearing up to release a ZK roll-up module in the coming weeks to offer an alternative to the standard optimistic roll-up. We aim to simplify the process of launching a Bitcoin Layer 2 network customized to specific requirements. Think of it as a SaaS offering with predefined best practices. Whether it's a DeFi Bitcoin Layer 2 or a GameFi Bitcoin Layer 2, we provide default solutions tailored to each use case. We're dedicated to expanding the BVM ecosystem by incentivizing more builders to join the Bitcoin network. Through various programs and grants, we support builders in covering their operational costs for Bitcoin Layer 2. Additionally, we offer rewards akin to 'L2 mining' to those who contribute to expanding the user base and total value locked on the network. In summary, BVM stands out with its modular infrastructure, tailored solutions, and efforts to grow the Bitcoin ecosystem.

Supra

83,548 Aufrufe • vor 2 Jahren

$CSS Tip! 🤙 You can use mask-composite and some JavaScript to create this pointer proximity following glow border ✨ .glow { mask-composite: intersect; mask-clip: padding-box, border-box; mask: linear-gradient(#0000, #0000), conic-gradient(#0000 0deg, #fff, #0000 45deg); } The trick is to mask a background-image with a combination of mask layers. mask-composite: intersect; means the mask used will be the intersection of the layers 🔥 use source-in, xor; in browsers that don't support intersect; In this demo, you can use pseudoelements and rely on scoped custom properties to do a lot of the heavy lifting for you 🙌 Once you've masked the background, you need to update the starting angle of the conic-gradient on pointermove 👆 You can work that out by getting the center point of each card and then calculating the angle between that and the pointer with Math.atan2 🤓 let ANGLE = Math.atan2( event?.y - CARD_CENTER[1], event?.x - CARD_CENTER[0] ) * 180 / Math.PI ANGLE = ANGLE < 0 ? ANGLE + 360 : ANGLE; CARD.style.setProperty('--start', ANGLE + 90) You plug that into your conic-gradient mask as a custom property accounting for --spread ⚡️ conic-gradient(from calc((var(--angle) - (var(--spread) * 0.5)) * 1deg), #000 0deg, #fff, #0000 calc(var(--spread) * 1deg)); To get the blur, you apply a blur to the glow container on each card 🤙 .glows { filter: blur(calc(var(--blur) * 1px); } That's it! Layers of masks that are clipped and composited before being blurred 😎 The added trick is to fade each one in when the pointer is in the defined proximity of the card. For example, don't show unless within 100px of a card. You can see that in the video. Check out the JavaScript code for that 🫶 Couldn't resist making this one 😁 CodePen.IO link below! 👇$

CSS Tip! 🤙 You can use mask-composite and some JavaScript to create this pointer proximity following glow border ✨ .glow { mask-composite: intersect; mask-clip: padding-box, border-box; mask: linear-gradient(#0000, #0000), conic-gradient(#0000 0deg, #fff, #0000 45deg); } The trick is to mask a background-image with a combination of mask layers. mask-composite: intersect; means the mask used will be the intersection of the layers 🔥 use source-in, xor; in browsers that don't support intersect; In this demo, you can use pseudoelements and rely on scoped custom properties to do a lot of the heavy lifting for you 🙌 Once you've masked the background, you need to update the starting angle of the conic-gradient on pointermove 👆 You can work that out by getting the center point of each card and then calculating the angle between that and the pointer with Math.atan2 🤓 let ANGLE = Math.atan2( event?.y - CARD_CENTER[1], event?.x - CARD_CENTER[0] ) * 180 / Math.PI ANGLE = ANGLE < 0 ? ANGLE + 360 : ANGLE; CARD.style.setProperty('--start', ANGLE + 90) You plug that into your conic-gradient mask as a custom property accounting for --spread ⚡️ conic-gradient(from calc((var(--angle) - (var(--spread) * 0.5)) * 1deg), #000 0deg, #fff, #0000 calc(var(--spread) * 1deg)); To get the blur, you apply a blur to the glow container on each card 🤙 .glows { filter: blur(calc(var(--blur) * 1px); } That's it! Layers of masks that are clipped and composited before being blurred 😎 The added trick is to fade each one in when the pointer is in the defined proximity of the card. For example, don't show unless within 100px of a card. You can see that in the video. Check out the JavaScript code for that 🫶 Couldn't resist making this one 😁 CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

1,180,047 Aufrufe • vor 2 Jahren

007/100 Buttons. This button was way more complex than I first thought. I love the page transition on the Truus site that Dennis Snellenberg and Jordan Gilroy worked on. So I wanted to use that drawing SVG Path idea somehow and fit it into a button. In best case with a mask effect. The idea was to have an SVG path in the background that fills the button. At the same time, this path should also be used as a mask to reveal the differently colored text. The SVG should also be replaceable and work with other SVGs. For the path animation, I can use the DrawSVGPlugin from GSAP. Sounds like a solid plan. I built the button so far, and it worked great in Chrome and Firefox. In Safari, nope. I used an SVG mask that I referenced through CSS. But Safari can’t handle that properly when the path inside the mask is animated, so the animation lags. There was no simple solution for that. At least I didn’t find something. So I had to rebuild the button in another way. What I found was that the SVG mask animation works in Safari when the mask is placed on the desired element inside the SVG. That’s where foreignObject comes in, it allows you to use normal HTML elements inside an SVG. Using that, I rebuilt the hover text inside the SVG. I then referenced the mask on the foreignObject with a bit of JavaScript. And it worked! The button’s structure looks more complicated than I wanted it to be, but that happens quite often when you need to make something work across different browsers 😃 Crafting 100 Buttons with Osmo ⏳ Total time: 96h

007/100 Buttons. This button was way more complex than I first thought. I love the page transition on the Truus site that Dennis Snellenberg and Jordan Gilroy worked on. So I wanted to use that drawing SVG Path idea somehow and fit it into a button. In best case with a mask effect. The idea was to have an SVG path in the background that fills the button. At the same time, this path should also be used as a mask to reveal the differently colored text. The SVG should also be replaceable and work with other SVGs. For the path animation, I can use the DrawSVGPlugin from GSAP. Sounds like a solid plan. I built the button so far, and it worked great in Chrome and Firefox. In Safari, nope. I used an SVG mask that I referenced through CSS. But Safari can’t handle that properly when the path inside the mask is animated, so the animation lags. There was no simple solution for that. At least I didn’t find something. So I had to rebuild the button in another way. What I found was that the SVG mask animation works in Safari when the mask is placed on the desired element inside the SVG. That’s where foreignObject comes in, it allows you to use normal HTML elements inside an SVG. Using that, I rebuilt the hover text inside the SVG. I then referenced the mask on the foreignObject with a bit of JavaScript. And it worked! The button’s structure looks more complicated than I wanted it to be, but that happens quite often when you need to make something work across different browsers 😃 Crafting 100 Buttons with Osmo ⏳ Total time: 96h

Eduard Bodak

67,348 Aufrufe • vor 3 Monaten

this is getting weird 🤯 used Operator to access Google AI Studio used Gemini 2.0 to create instructions to build a website instructed Operator to use the instructions to create a portfolio website on replit THIS IS NOT A TOOL TO BOOK FLIGHTS!!! 🚨 THIS IS AN INTELLIGENT AGENT THAT CAN DO COGNITIVE WORK FOR HUMANS IN THE INFORMATION LAYER OF HUMANITY THAT WE CALL THE WEB.

this is getting weird 🤯 used Operator to access Google AI Studio used Gemini 2.0 to create instructions to build a website instructed Operator to use the instructions to create a portfolio website on replit THIS IS NOT A TOOL TO BOOK FLIGHTS!!! 🚨 THIS IS AN INTELLIGENT AGENT THAT CAN DO COGNITIVE WORK FOR HUMANS IN THE INFORMATION LAYER OF HUMANITY THAT WE CALL THE WEB.

Dan Mac

332,182 Aufrufe • vor 1 Jahr

🌐 O3 Layer Incentivized Testnet – Applications Now Open O3 Layer is launching its incentivized testnet, inviting dApps and developers to be part of the first modular Layer 3 ecosystem on Bitcoin. ✅ Test and optimize your dApp in a scalable, high-performance environment ✅ Gain early access, incentives, and ecosystem support ✅ Join a pioneering network driving Bitcoin’s next evolution Apply now by filling out the form below: 🔗 Be among the first to explore the potential of Bitcoin’s modular future with O3 Layer. Apply now!

🌐 O3 Layer Incentivized Testnet – Applications Now Open O3 Layer is launching its incentivized testnet, inviting dApps and developers to be part of the first modular Layer 3 ecosystem on Bitcoin. ✅ Test and optimize your dApp in a scalable, high-performance environment ✅ Gain early access, incentives, and ecosystem support ✅ Join a pioneering network driving Bitcoin’s next evolution Apply now by filling out the form below: 🔗 Be among the first to explore the potential of Bitcoin’s modular future with O3 Layer. Apply now!

O3 Layer

29,718 Aufrufe • vor 1 Jahr

IF THE "POWERS THAT BE" EVER TRY TO FORCE OUR CHILDREN OR ANY ADULT TO WEAR A MASK AGAIN - SEND THEM THIS VIDEO. The people who run things don't want to deal with the facts and show them why you aren't going to comply - If they try to force us to do what we don't want to do with the experimental medical device - give them the facts. DO NOT CONSENT. If you can smell dinner through the mask - there is no way the mask will stop a virus - A scent particle is larger than a virus particle.

IF THE "POWERS THAT BE" EVER TRY TO FORCE OUR CHILDREN OR ANY ADULT TO WEAR A MASK AGAIN - SEND THEM THIS VIDEO. The people who run things don't want to deal with the facts and show them why you aren't going to comply - If they try to force us to do what we don't want to do with the experimental medical device - give them the facts. DO NOT CONSENT. If you can smell dinner through the mask - there is no way the mask will stop a virus - A scent particle is larger than a virus particle.

BelannF

519,082 Aufrufe • vor 1 Jahr

CSS Trick 🤙 You can mask other elements with icons in CSS to create this glittery icon hover/interaction effect ✨ canvas { mask: url(/img/icons/next.svg); } Check this example, inspired by the new Vercel homepage treats that are dropping 🖤 (Had to have a go at whipping this up over food break 😅) 1. Create some that animate squares with different hue shades (Using GSAP to only animate on :hover with ticker ⏲️) 2. Mask each canvas with a desired icon 3. On :hover, fade in the animating canvas 🤙 Check out the exploding view! 🤯 CodePen.IO link below 👇

CSS Trick 🤙 You can mask other elements with icons in CSS to create this glittery icon hover/interaction effect ✨ canvas { mask: url(/img/icons/next.svg); } Check this example, inspired by the new Vercel homepage treats that are dropping 🖤 (Had to have a go at whipping this up over food break 😅) 1. Create some that animate squares with different hue shades (Using GSAP to only animate on :hover with ticker ⏲️) 2. Mask each canvas with a desired icon 3. On :hover, fade in the animating canvas 🤙 Check out the exploding view! 🤯 CodePen.IO link below 👇

jhey ʕ•ᴥ•ʔ

210,440 Aufrufe • vor 2 Jahren

God of War Laufey THE MASK theory: First, I want you to see this video carefully and then read this theory. In this video, Sekhmet, the Egyptian Goddess of war, plucks out the mask splinter from Faye's hand and says. "Another mask, this looks important to you. You think it will set you free." Now if you read my previous theory that says Athena created the Afterlife for Gods, that is Everywhen ( I will link it below) This is mask is planted by Athena herself in every mythology, and her plan is to make every god obsessed with the thought of "what happens after a death of god, where do they go" and the curiosity drives the Gods crazy, so they wear the mask and are pulled into the rift, yes the masks kills them and pulls them into the Everywhen. Odin was a victim of it, he cared more for mask than Ragnarok itself, which was supposed to be the end of him but the obsession with question " What happens to God after death" drove him so crazy he didn't care about anything else. I think Sekhmet and Begtse are victims of that mask as well, the line " You think it will set you free " feels very deep, almost like she tried finding the answers of afterlife, wanting to be free of the mortal plane and this mask came as a hope to her, so she tried and got pulled here. Now why would Athena or whoever the creator of this place would do that? I am not sure but I now can't stop thinking about it. Also makes sense why would faye and other creatures just end up there, are they all gods? or just victim of the mask. For faye it feels like the splinter of the mask brought her here. This theory might feel stupid when the games come out and none of this is true but still fun ig 🗿 Lemme know your thoughts!

God of War Laufey THE MASK theory: First, I want you to see this video carefully and then read this theory. In this video, Sekhmet, the Egyptian Goddess of war, plucks out the mask splinter from Faye's hand and says. "Another mask, this looks important to you. You think it will set you free." Now if you read my previous theory that says Athena created the Afterlife for Gods, that is Everywhen ( I will link it below) This is mask is planted by Athena herself in every mythology, and her plan is to make every god obsessed with the thought of "what happens after a death of god, where do they go" and the curiosity drives the Gods crazy, so they wear the mask and are pulled into the rift, yes the masks kills them and pulls them into the Everywhen. Odin was a victim of it, he cared more for mask than Ragnarok itself, which was supposed to be the end of him but the obsession with question " What happens to God after death" drove him so crazy he didn't care about anything else. I think Sekhmet and Begtse are victims of that mask as well, the line " You think it will set you free " feels very deep, almost like she tried finding the answers of afterlife, wanting to be free of the mortal plane and this mask came as a hope to her, so she tried and got pulled here. Now why would Athena or whoever the creator of this place would do that? I am not sure but I now can't stop thinking about it. Also makes sense why would faye and other creatures just end up there, are they all gods? or just victim of the mask. For faye it feels like the splinter of the mask brought her here. This theory might feel stupid when the games come out and none of this is true but still fun ig 🗿 Lemme know your thoughts!

Yash

162,538 Aufrufe • vor 2 Monaten

QuickSwap is now live on X Layer Mainnet ⚡️ The birth of a new Citadel on the dragon DEX, expanding the Polygon CDK family. Swap and LP on X Layer (farms coming soon) via QuickSwap to experience DeFi on the network at its very best. X Layer is ZK-powered Layer 2 network designed to connect the OKX and Ethereum communities, built using the Polygon CDK tech stack. It's designed to have seamless interoperability with other Layer 2 chains. Now plugged into the AggLayer, OKX’s massive community of 50+ million users is fully interoperable with all interconnected chains and can now tap into its unified liquidity. The network also uses zk-SNARK to make transactions significantly cheaper and far more compact. X Layer brings other benefits to users, such as near-instant finality, unified liquidity, robust security, high scalability... the list goes on. With this mainnet deployment and more to come, QuickSwap is leading the charge to ignite activity and growth on X Layer at rapid speeds. Going full throttle to further unite the Polygon | POL and OKX communities. This is only the beginning of a bright future for QuickSwap, X Layer, and the broader Polygon and Ethereum ecosystems. Get ready to rumble.

QuickSwap is now live on X Layer Mainnet ⚡️ The birth of a new Citadel on the dragon DEX, expanding the Polygon CDK family. Swap and LP on X Layer (farms coming soon) via QuickSwap to experience DeFi on the network at its very best. X Layer is ZK-powered Layer 2 network designed to connect the OKX and Ethereum communities, built using the Polygon CDK tech stack. It's designed to have seamless interoperability with other Layer 2 chains. Now plugged into the AggLayer, OKX’s massive community of 50+ million users is fully interoperable with all interconnected chains and can now tap into its unified liquidity. The network also uses zk-SNARK to make transactions significantly cheaper and far more compact. X Layer brings other benefits to users, such as near-instant finality, unified liquidity, robust security, high scalability... the list goes on. With this mainnet deployment and more to come, QuickSwap is leading the charge to ignite activity and growth on X Layer at rapid speeds. Going full throttle to further unite the Polygon | POL and OKX communities. This is only the beginning of a bright future for QuickSwap, X Layer, and the broader Polygon and Ethereum ecosystems. Get ready to rumble.

QuickSwap 🐲 DragonFi 2.0

20,857 Aufrufe • vor 2 Jahren